英文电影影评

A. ！！！！急求英语电影的英语影评

简爱
Kent
State
University's
school
of
theatre
and
dance
performed
a
rendition
of
the
classic,
Jane
Eyre
this
month.
The
show
was
a
musical
with
all
of
the
necessary
elements
to
lift
you
from
your
seat
and
submerse
youinto
a
society
in
nineteenth
century
England
from
the
time
the
cell
phone
shut-off
announcement
was
made
until
the
last
note
at
the
curtain
call.
The
recurring
arches,
darkened,
soft
lighting,
and
the
use
of
a
classic
chorus
to
go
along
with
them
alluded
that
a
sinister
underbelly
of
social
status
and
reputation
were
present
in
the
performance.
One
of
the
first
things
that
an
audience
member
noticed
was
the
grandeur
of
the
set.
It
was
composed
of
a
gothic-style
foreground
with
rustic
twigs
of
a
root-like
earthy
appearance.
There
were
grand
arches
for
windows
and
entries
as
well.
Also,
the
background
was
a
large
arch
with
the
silhouette
of
roots.
There
were
also
two
matching
greek-style
pillar
arches
on
either
side
of
the
stage.
They
added
a
lot
to
many
messages
of
the
show.
For
one,
they
were
grand
structures
that
were
barren
inside
which
is
much
like
Mr.
Rochester
himself.
He
was
a
man
of
high
social
stature
but
felt
enslaved
by
his
trick
of
a
marriage
and
his
grand
yet
incomplete
(without
a
true
love)
home.
The
arches
also
suggest
the
importance
of
reputation
with
the
same
sort
of
fundamental
grand
image
yet
emptiness.
The
way
that
people
are
enslaved
yet
scramble
to
ascertain
that
solid
image
amongst
their
peers.
The
arches
were
almost
inviting
the
audience
to
come
inside
to
reveal
their
secret,
the
thing
that
was
hidden
deep
inside
that
could
send
the
structure
crumbling
in
ruin.

B. 关于经典英文电影的影评

《百万英镑》给我印象深刻的是它的幽默滑稽的手法，生动有趣又入木三分地展现了金钱社会的世态炎凉。具有讽刺意味的是，差不多一个世纪过去了，片中描写的种种现象都存在于现实社会中，让人联想到当今社会中人们的感慨，“钱不是万能的，但没钱是万万不能的”，极具批判现实意义 。派克在片中颓废加调侃的表演和他在银幕上大多数严肃正义的君子形象迥然不同，显示了他塑造不同类型人物的功力和演技。

C. 求一篇英语电影影评

Brave Heart 《勇敢的心》 励志类电影 (借来)

It is about the war between England and Scotland.

But in the movie, the most important thing is not fighting. It is the pursuit of freedom that attract me most. In the age mentioned in the movie, England ruled Scotland in a cruel way. People in Scotland rebelled.

Wallace, leader of the rebellion, was a real hero. He fought bravely with his soldiers, for neither wealth nor power. What they want the most is that they could live a free life.

After long-time fighting, the rebellion was beaten down and Wallace was arrested. The ruler gave hime a last chance to confess and promised him if he did so, he might not be sentenced.

But what's Wallace's choice. At the last of his life, he abandoned the chance to survive and cried out, 'freedom'. This was the word that all people in Scotland wanted to say.

This movie tells us that there is something named freedom which is more important than life.

D. 一篇英文电影影评，100字，别太难，初一水平

2012英文影评：
The world is ending in a matter of hours, yet justice and humanity don’t penetrate through the brain-shells of politicians. In order to save their own lives, the government officials keep the secret from the rest of human kind and also lets the man whose knowledge saves their lives die. This is the premise of 2012.

But if the viewer is a Tibetan or someone who is aware of the Tibetan culture and the sensitivities of Tibetan issue, one could feel that the justice and humanity are not occurred in the director’s thought either.

There is a scene long enough to mention that takes place in Tibet. In fact the last human beings die there and the new seed of the future human race starts at the neck of Mount Everest, “The People’s Republic of China” the movie calls it. Perhaps what no movie reviewer noticed or saw the importance of mentioning is that the prophetic fictitious story of the movie not only makes a statement that Tibet is completely a part of China, but also it totally misrepresents the core culture of Tibetan people. A Tibetan woman killing animals in Tibet is taboo, it never happened except ring the Cultural Revolution when some women were forced to do so. Women killing chickens in the Chinese market is an everyday event, but a Tibetan woman killing a CHICKEN reflects the director’s cultural ignorance and it makes the movie even more ridiculous.

And in real life ethically speaking, Mr. Emmerich failed to hire Tibetan actors who can speak their own language. All the actors who play Tibetan characters are Chinese very poorly pretending to be Tibetans. Their Tibetan is hundred times worse than Zhang Yi’s memorized English or Leonardo DiCaprio’s Swahili (well I can imagine!).
影评翻译
世界是结束一个小时的问题，但正义和人类不穿透脑政治家炮弹。为了挽救自己的生命，政府官员远离了人类的其余的秘密，也让男子的知识，能拯救他们的生命死亡。这是2012年的前提。

但是，如果观众是藏族还是有人知道谁是藏族文化和西藏问题的敏感性，人们可以认为，正义和人类没有在导演的思想也发生了。

现场有一个足够长一提的是发生在西藏的。事实上，最后死在那里人类和未来的人类新的种子开始在珠穆朗玛峰的脖子，说：“人民中国共和国”的影片调用它。或许没有发现或电影评论家看到一提的重要的是，预言的电影虚构的故事，不仅使声明说，西藏是完全是中国的一部分，而且是完全歪曲了西藏人民的核心文化。杀害一名西藏妇女西藏动物是禁忌，但从来没有发生过除文革期间当一些妇女被强迫他们这样做。杀害妇女在中国市场的鸡的日常事件，而是一个藏族妇女杀鸡反映了导演的文化无知，这让电影更可笑。

而在现实生活中讲道德，艾里奇先生没有聘请藏族演员谁可以讲自己的语言。所有的演员扮演藏文字符谁是华人很差冒充西藏人。藏族是100倍不如章尾的背英语或莱昂纳多迪卡普里奥的斯瓦希里语（好，我可以想象！）。

E. 英文电影影评100字

《阿凡达》影评：

Avatar is directed by James Cameron.The two main characters are Jake Sully,played by Sam Worthington,and Neytiri,played by Zoe Saldana.

Clones named Avatars are sent to Pandora Planet to persuade people there to leave the planet so that human beings can exploit a rare mineral.Jake is sent there to control his Avatar.

However,he comes across Neytiri and they fall in love with each other.Jake begins to see that nature and the planet should be protected.At last he and the people there work together to defeat human beings and send them back to the earth.

3D technology and the beautiful natural scenery are the two highlights of the film.The message of the film is simple—human beings should protect nature and live in harmony with it.

译文

《阿凡达》由詹姆斯·卡梅隆执导，两个主要角色是山姆·沃辛顿饰演的杰克·萨利和佐伊·萨尔达纳饰演的奈提莉。

名为阿凡达的克隆人被送往潘多拉星球，劝说那里的人们离开这个星球，这样人类就可以开采一种稀有矿物。杰克被送往那里控制他的阿凡达。

然而，他遇到了奈提莉，他们相爱了。杰克开始意识到大自然和地球应该得到保护。最后，他和那里的人们一起努力打败人类，把他们送回地球。

3D技术和美丽的自然风光是这部电影的两大亮点。电影传达的信息很简单——人类应该保护自然，与自然和谐相处。

F. 英文电影中文影评

无论你喜欢变形金刚与否，今年最大的娱乐大片，非此莫属。观乎电影现在的规模，电脑特效、数码3D、IMAX等等，已是倾全力来吸引观众入场，话题性（炸毁香港！）十足，兼且连场动作至超长的157分钟，无论观众喜欢与否，都难以拒绝。这开场白，我已用了两趟“无论喜欢与否”了，你就明白我喜欢与否了。
故事的内容似通非通，狂派博派的恩恩怨怨搞到糊里糊涂，火花抓狂而四处捣乱，还有无厘头的父女准女婿情，全球走景，由美国德州走到长城、重庆而南下香港，噱头处处，还有多得连性格都无时间刻划的狂派、博派和A货狂派杀手。最后还要泡制近乎世界末日式大战，回外太空寻找造物主云云。
迈克尔·贝确是匠心独运，他明白到娱乐大片的唯一生存法则：斗大，大得你无法反驳，大得你无暇兼顾，大得无论多突兀都变成顺理成章。
这戏开始自狂派与博派展开黑月之战后，芝加哥几乎被夷为平地，汽车工程师Cade（马克·沃尔伯格饰）无意中找到柯柏文开始，便跟少艾十七岁女儿Tessa（妮可拉·佩尔茨饰）一直不咬弦，直至戏的终结才迷途知返，明白老爹爱之伟大。这已是全部人物线索，剩下的连场火爆动作，不明所以地来到东南亚。
马克·沃尔伯格的角色设定，是单亲爸爸兼具工程专业知识，兼且一穷二白，郁郁不得志，靠辅助变形金刚打怪物，重振父亲的威信。这设计无疑针对较成熟的男性观众，比前三集舒拉保夫主演的青春片定位“成熟”了，但不代表人生智慧随年渐长。倒是，它是不折不扣的动作片，马克·沃尔伯格的扎实动作男星形像大派用场，而更重要是，戏的首三分一，全是以美国西部为背景，它的西部片意图便昭然若揭了（包括整了含着雪茄，身上缠满弹药的博派机械人），它让人想起《豪勇七蛟龙》（马克·沃尔伯格父女和准女婿三人，再加四个博派），显见下过心思。
其他的电影参考，还有如《末来战士》的歼灭者机械人，他是本集的头号大敌，与人类联手，将博派置诸死地，灿烂、夺目、有型。可惜，他跟其他机械人的连场恶斗，都不能增加观众都这三方面机械人的认知。
值得留意是，迈克尔·贝愈来愈擅长引入小点子：具磁力的太空船、蛰伏多年的外星恐龙、令人变为金属的大杀伤力武器等等，但就无视它们的全无连贯性，意念虽多却未曾细致统一，有时更有应接不暇自相矛盾之叹。
它是典型21世纪的爆谷电影，总之目不暇给，热闹缤纷就算。长期摄取这种爆谷电影，观众会慢慢被训练，不求甚解地接受它的零碎、矛盾、辞不达意、过度活跃、节奏狂乱、戏味平淡、人物浮夸、特效独大等等…吃爆谷太多，变成超重一族，要抽脂减重恐怕代价高昂了！当坏品味凌驾一切，长年累月，它要歼灭的，其实是电影这创意媒体本身，还有空间让尊重观众智慧的电影出现吗？
说到底，《变形金刚4》是计算精确的大生意，朝着全球人口最多、最大巿场进发，香港只是众多中国城巿的showcase，香港取景部分：鲗鱼涌、深水埗、中银总行、会议展览中心、政总等等，炸毁她，正好让内地观众发泄一下对香港这城巿的复杂情绪。观众的期望和反应是预计之内，没有失望，亦不见得特别精采，这就是迈克尔·贝的功力，观众愈捧场，票房创新高，这种变形金刚歼灭战，以后仍会不断上演。

上www.yp136.com包你满意。
求采纳。

G. 英语电影影评

侏罗纪公园3英文影评 Jurassic Park III(2001)2010年1月25日 "Jurassic Park III" is neither as dreadful as it might be, nor as perfectly wrought as it could be. For one thing, it moves along as jauntily as one of those horrific raptors scooting alon侏罗纪公园2失落的世界The Lost World英文影评(1997)2010年1月22日 Where is the awe? Where is the sense that if dinosaurs really walked the earth, a film about them would be more than a monster movie? Where are the ooohs and ahhhs? ``The Lost World: Jurassic Park''侏罗纪公园Jurassic park英文影评(1993)2010年1月20日 When young Steven Spielberg was first offered the screenplay for "Jaws," he said he would direct the movie on one condition: That he didn't have to show the shark for the first hour. By sl 后天The Day After Tomorrow英文影评(2004)2010年1月15日 It is such a relief to hear the music swell up at the end of a Roland Emmerich movie, its restorative power giving us new hope. Billions of people may have died, but at least the major characters ha 全金属外壳Full Metal Jacket英文影评(1987)2010年1月13日 "Full Metal Jacket" is more like a book of short stories than a novel. Many of the passages seem self-contained, some of them are masterful and others look like they came out of the bottom 狂蟒之灾3英文影评(2008)2010年1月10日 It's not surprising to note that Anaconda 3: Offspring immediately establishes itself as the weakest entry within this ongoing series, as the film boasts many of the problems and deficiencies one geDeep in the jungles of Borneo lurks the blood orchid, which blooms only once in seven years, and whose red flowers contain a mysterious ingredient, which extends the ability of living cells to reproEvery preconceived notion audiences might have about "Anaconda" is correct. This supposed serpentine shocker features doomed adventurers wading through murky water while a deadly snake app U-571英文影评When it comes to films that take place in submarines, World War II is still the favorite time period. There have been exceptions - The Hunt for Red October and Crimson Tide spring to mind - but the

H. 适合写影评的英文电影（推荐5个吧）

推荐电影复仇者联盟，和恐怖电影死神来了，都是大片，最近有一部电影也很不错，推荐你看，名叫无名之辈，好看的不得了。
该片围绕一把丢失的老枪，讲述了一对低配版的劫匪，一个落魄的保安，一个身体残疾却性格彪悍的毒舌女，这些“无名之辈”身上发生的一系列荒诞故事。
总之是一部优秀电影。

I. 英语影评一篇

《功夫熊猫》采用纯东方家庭伦理的叙事逻辑，使得整个故事更轻松。

Kung Fu Panda adopts the narrative logic of pure Oriental family ethics, which makes the whole story more relaxed.

这样处理使得“主题”略显单薄，但确实更适合小朋友去看。

This treatment makes the "theme" slightly thin, but it is more suitable for children to see.

这部作品不会感动到落泪，也不会无厘头到笑翻天，但是这个平衡点才是“小朋友”最轻松的观看环境。

This work will not be moved to tears, nor will it be ridiculous to laugh, but this balance point is the most relaxed viewing environment for "children".

(9)英文电影影评扩展阅读

影评目的——

电影评论的目的在于分析、鉴定和评价蕴含在银幕中的审美价值、认识价值、社会意义、镜头语言等方面，达到拍摄影片的目的，解释影片中所表达的主题，既能通过分析影片的成败得失，帮助导演开阔视野，

提高创作水平，以促进电影艺术的繁荣和发展；又能通过分析和评价，影响观众对影片的理解和鉴赏，提高观众的欣赏水平，从而间接促进电影艺术的发展。

J. 求经典外国电影影评---要英文版本的

珍珠港的影评

pearl harbour film review

Pearl Harbor consists of three incongruous acts, mashed together into an ungainly whole. It appears to be more interested in reprocing the success of Titanic, which also set a fictional love story amidst a tragic historical event, than it is in telling the story of the men and women who fought and died in the attack on Pearl Harbor.
Titanic worked because the central characters were interesting, the story was cohesive, the historical events were handled respectfully and with the proper dramatic tone, and underneath it all was an intelligent reflection on the human failings that permitted such a tragedy in the first place.

Pearl Harbor reces the historical backdrop into a series of action set pieces. Instead of exploring ideas inherent in the events, it extracts them, recing the reason for Japan's attack to something inexplicable at best, and having utterly nothing to say about why the attack happened, how it was carried out, or how we responded. The film is dedicated to the men who died at Pearl Harbor, but what does it dedicate to them? It does not seem very interested in them except as a tool for dramatic imagery. Consider, for example, a scene in which we learn that men are trapped in a sunken ship in the harbor. We learn this to emphasize the brutality of the attack, as if such emphasis were needed. Then the film forgets this point entirely, providing the fates of those men in a narrated line just before the closing credits. Why wasn't the third act of the film about those men, instead of a rushed covering of the Doolittle raid on Tokyo, complete with overblown crash landings and an improbable engagement with Japanese soldiers?

If you want to see a real movie about Pearl Harbor or the Doolittle Raid, one that paints a deep and accurate picture of what it was like, one you can learn from, one that pays tribute to our veterans, or even just one that functions as convincing entertainment, there is no shortage of options. Tora! Tora! Tora! chronicles the events before, ring, and after the attack from both the American and Japanese sides. Thirty Seconds Over Tokyo is as thorough a chronicle of the Doolittle Raid as is probably possible in a feature film, while also following the personal stories of a few indivials involved (any one of which is more interesting than the personal story in Pearl Harbor). The Purple Heart, one of the most heartbreaking movies I've ever seen, tells the story of Americans captured by the Japanese after the raid.

Writing off the historical aspects of the film, I am left with the love triangle that makes up the entire first act and pervades the rest of it. It is wholly uninteresting. This same story has been told better, countless times before. Not one of the three characters is fleshed out into an indivial: they are bland stereotypes, dolled up to look pretty and given trite lines that they recite to convey the illusion of genuine emotion. It's telling that it doesn't much matter to us how the love triangle is resolved. Unless they both die, she'll get one of them, and who cares which? Neither of the men are personable, and we surely suspect early on that her decision will be based more on fate than her own volition anyway. (In plots like this, it's survival of the survivors.) And so, alas, we are denied even the most basic of all elements of storytelling, namely, characters making actual decisions