美国电影历史英文介绍ppt模板下载

A. 英文电影发展史

这个也太有难度了吧，非得专业人士不行啊，建议你还是直接娶你老师那边索要得了，呵呵，大不了请吃顿饭完事！

B. 【精品】大气欧美风《哪咤》动画电影主题PPT模板(获奖作品)图文

精品模板|PPT模板|紫色宇宙星空主题PPT模板x免费下载

链接: https://pan..com/s/1lWKx3fObt7OqI_YCRYQl0g

幻灯片模板即已定义的幻灯片格式。PowerPoint和Word、Excel等应用软件一样，都是Microsoft公司推出的Office系列产品之一，主要用于设计制作广告宣传、产品演示的电子版幻灯片，制作的演示文稿可以通过计算机屏幕或者投影机播放；利用PowerPoint，不但可以创建演示文稿，还可以在互联网上召开面对面会议、远程会议或在Web上给观众展示演示文稿。随着办公自动化的普及，PowerPoint的应用越来越广。

C. 100分求一关于英文经典电影的PPT（急用）

中文片名 勇敢的心
英文片名 Braveheart
影片类型 动作 / 剧情 / 战争 / 历史 / 传记
片长 177 min
国家 美国
对白语言 英语 法语 拉丁语
制作成本 25,000,000 (estimated)
票房成绩 全美首映票房：$12,908,202.00 (单位:美元)
全美累计票房：$75,609,949.00 (单位:美元)
海外累计票房：$134,800,000.00 (单位:美元)
制作日期 1994年6月6日 - 1994年11月
摄影机 Panavision Cameras and Lenses
摄制格式 35 mm (Kodak)
洗印格式 35 mm
胶片长度 4750 m
演职员表
导演 梅尔·吉布森 Mel Gibson
编剧 Randall Wallace .....(written by)
演员
梅尔·吉布森 Mel Gibson .....William Wallac
苏菲·玛索 Sophie Marceau .....Princess Isabelle
詹姆斯·卡沙莫 James Cosmo .....Campbell
辛·麦金利 Sean McGinley .....MacClannough
布莱恩·考克斯 Brian Cox .....Argyle Wallace
安古斯·麦克菲登 Angus Macfadyen .....Robert the Bruce
艾伦·阿姆斯特朗 Alun Armstrong .....Mornay
凯瑟琳·麦克马克 Catherine McCormack .....Murron MacClannough
布莱丹·格里森 Brendan Gleeson .....Hamish Campbell
汤米·弗拉纳根 Tommy Flanagan .....Morrison
亚力克斯·诺顿 Alex Norton .....Bride's Father
彼得·穆兰 Peter Mullan .....Veteran
制作人
梅尔·吉布森 Mel Gibson .....procer
艾伦·拉德二世 Alan Ladd Jr. .....procer
Bruce Davey .....procer
Dean Lopata .....associate procer
Stephen McEveety .....executive procer
Elisabeth Robinson .....associate procer
原创音乐
詹姆斯·霍纳 James Horner
摄影
John Toll
剪辑
Steven Rosenblum
选角导演
Patsy Pollock
艺术指导
Thomas E. Sanders .....(as Tom Sanders)
美术设计
Ken Court
Nathan Crowley
John Lucas
Ned McLoughlin
布景师
Peter Howitt
服装设计
Charles Knode
视觉特效
Michael L. Fink .....(as Michael Fink)
副导演/助理导演
Peter Agnew .....third assistant director: second unit
Paul Barnes .....third assistant director: second unit
Matt Earl Beesley .....second unit director
David Carrigan .....second assistant director
Paul Gray .....second assistant director
Kate Hazell .....second assistant director
Patrick Kinney .....second assistant director
Kieron Phipps .....first assistant director/first assistant director: second unit
Trevor Puckle .....second assistant director: second unit
Mic Rodgers .....second unit director
Charlotte Somers .....third assistant director: second unit
David Tomblin .....first assistant director
[编辑本段]〖制作发行〗
制作公司
20世纪福克斯公司 20th Century Fox [美国]
B.H. Finance C.V.
Icon Entertainment International
派拉蒙影业公司 Paramount Pictures [美国]
The Ladd Company [美国]
发行公司
20世纪福克斯家庭娱乐公司

D. 大学英语：：：战争电影的英文PPT

穿条纹睡衣的男孩 The Boy in the Striped Pyjamas

讲二战纳粹的，拍的很不错，有深度有内容，老实说我觉得这部电影就算讲一节大课都说不完的

The Boy in the Striped Pyjamas (The Boy in the Striped Pajamas in the United States) is a 2008 British film based on the novel of the same name by Irish writer John Boyne. Directed by Mark Herman and proced by David Heyman, it stars Asa Butterfield, Jack Scanlon, David Thewlis, and Vera Farmiga.

A Holocaust drama, the film explores the horror of a World War II extermination camp through the eyes of two eight-year-old boys, one the son of the camp's Nazi commandant, the other a Jewish inmate.

SS officer Ralf (David Thewlis) and his wife Elsa (Vera Farmiga) move from Berlin to the countryside with their children, twelve-year-old Gretel (Amber Beattie) and eight-year-old Bruno (Asa Butterfield), after Ralf is promoted to commandant of a Nazi concentration camp, of which Bruno refers to as "Out-With", although later in the movie his sister keeps protesting that his pronounciation is incorrect, which brings us to the conclusion that the camp is probably Auschwitz.

Confined to the grounds of the family's new home, without friends, Bruno craves companionship and adventure. He eventually escapes through the window of an outhouse, treks through the woods, and emerges at an isolated, unguarded corner of the concentration camp, which he initially believes to be a farm. There, he befriends Shmuel (Jack Scanlon), a boy of the same age. Bruno returns frequently thereafter, bringing Shmuel food and playing games with him through the barbed wire fence. Shmuel graally disabuses Bruno of the idea that the people in the camp are farmers; he tells Bruno that he and his family have been imprisoned, and forced to wear the "striped pajamas," because they are Jews.

Bruno and Gretel's tutor, Herr Liszt (Jim Norton) feeds the children a diet of antisemitic bigotry and nationalist propaganda under the guise of teaching them history. In response, Gretel becomes increasingly fanatical in her support for the Third Reich. She covers her bedroom wall with Nazi propaganda posters, and flirts with Lieutenant Kurt Kotler (Rupert Friend), a mean and nasty Nazi unlike Ralf, as her budding sexuality becomes fixated on the ideal of the German soldier. In contrast, Bruno is skeptical of Liszt's teachings. The Jews Bruno knows, Shmuel and the family's kindly servant Pavel (David Hayman), do not resemble the tutor's antisemitic stereotypes. He also witnesses savage, senseless acts of Nazi brutality that conflict with the propaganda ideal of military heroism. One night, when Pavel accidentally overturns Kotler's wine glass at the table, the furious officer drags Pavel out of the room. Through the ajar door to the kitchen, we see Kotler's jackboot delivering vicious kicks, and are led to presume that the elderly man dies from the brutal beating.

After Pavel's death, Shmuel is sent to the commandant's home in the role of a houseboy. When Bruno comes across the hungry boy cleaning glasses in the house, he gives him some cake. When Kotler sees crumbs on Shmuel's lips, and accuses him of stealing, Shmuel tells the officer the truth: Bruno is his friend, and Bruno gave him the cake. Terrified, Bruno betrays Shmuel, saying that he has never seen the boy before and that Shmuel stole the cake. Some days later, a remorseful Bruno finds Shmuel at the fence, with his eye badly beaten. Shmuel forgives Bruno, and the boys shake hands through the fence.

From a comment of Kotler's about the stench from the crematoriums, Elsa learns that Ralf presides over an extermination camp, not a labor camp as she has been led to believe. Thereafter, the couple argue repeatedly about Ralf's role at the camp and the children's proximity to it. Eventually, they decide that Elsa will take the children to their Aunt Lotte's in Heidelberg. But the day before Bruno is e to leave, Shmuel reveals that his father has gone missing in the camp. Seeing an ideal opportunity for a final adventure, Bruno digs a hole beneath the barbed wire the following morning, changes into prison clothing that Shmuel has stolen for him, and enters the camp to help Shmuel find his father. Inside, Bruno is horrified by the dehumanization, starvation, and sickness; the camp is the very antithesis of the Theresienstadt-esque propaganda film that had shaped his prior impressions.

As the boys search fruitlessly for Shmuel's father, they become intertwined with a group of prisoners who are being herded toward the gas chambers. Inside, everyone is instructed to undress for a "shower." A soldier wearing a gas mask pours Zyklon B granules into the chamber. Bruno and Shmuel grasp each other's hands tightly as the lights go out.

Back at the house, Elsa discovers that Bruno is missing, and raises the alarm. Using tracking dogs, Ralf and other soldiers follow the boy's trail through the woods. When they discover his discarded clothing at the camp's perimeter, and see the hole g beneath the fence, Ralf races inside, searching desperately for his son. Seeing the gas chamber doors locked, Ralf realizes what has happened and cries out in anguish; hearing him, Elsa and Gretel fall to their knees sobbing over Bruno's clothes. The family is left to face the tragic irony that Bruno has become a victim of the Nazi death camp run by his own father.

这些应该足够你用了，找你需要的信息摘出来就行了

你还可以找些电影的片段，随着片段讲电影的剧情简介（可以几个人分着讲），等剧情介绍完了感想自然就出来了，这部电影是很有感染力的，感慨生命的意义、和平的意义——这些不就是战争电影的本质~

E. 英文电影介绍PPT

Bladerunner Screenshot Analysis PPT
http://www.slideshare.net/kellimcgraw/bladerunner-screenshot-analysis-presentation

F. 寻求一个关于电影介绍的PPT！！！！

好像在TemplateMaster上面有做电影的PPT。你可以去找找看，http://www.templatemaster.cn/pptlist-0-0.html

G. 求一英语电影PPT 英文介绍 作业需求

这个杀手不太冷
Leon- The Professional
I always love to appreciate themovies that people have thought great and classic. My Friends have told meseveral times that ‘Leon - The Professional’is their best. When I watched it myself, I ultimately understood my friends’feeling. Firstly I must declare that I was infected by my dear friend, he lovesLuc Besson because of his wonderful movies directed by him. Such as Wasabi andArthur and the Invisibles.
The story tells us that
This is a wonderful film. The story,which at first glance is corny and silly, actually becomes gripping andemotional in the hands of the skilled Jean Reno and that little girl. Thecharacters are sympathetic and cute, and one is touched by the depth of therelationship between Leon and Mathilda. The character of their enmy, NormanStansfield, is scary and insane, every time I saw him in the screen, I alwaysfelt hair stands on end.
There is real danger and dramathroughout the film, yet it never becomes merely an action film - the charactersare too significant for that. The relationship between Leon and Natalie is thetheme of this film. Every fight is the surroundings of their life story. Besson,as always, both makes the film look beautiful and builds plenty of atmospheresinto it. He is clever at directing the figures and the psychology. Nobody canmake more success than him, that’s why I appreciate him.
The deeply impression that the film gave me isLeon and his green plant,because his favorite plant can representhis soul, peaceful and calm. It also represent he loved his life. So whenMathilda entered his world, she took care of it as he loved,
The film made a different view thatLeon is professional hitman, but not a bad person, however, the cop is a badegg. These characters made us think more than the theme of this film.
This film was absolutely amazing. Ihave spent hours re-watching various scenes. I saw a killer and a child arechanged forever by each other in my mind.

Thisfilm was absolutely amazing. I have spent hours re-watching various scenes andnoticing all the perfection with which they are acted and directed. It's notthe violence or action sequences that make this movie so great (although theyare well done...), but rather moments like where Mathilda knocks on Leon'sdoor. It would be so easy to just film the door opening, but instead we seelight illuminating Natalie Portman's face, symbolizing something angelic. Andthe moment has so much more meaning.
Iknow a lot of people who have seen this film because they are action fans. I'mnot. But I'm glad I finally found it, because it's a wonderful film in so manyother ways.
Ican remember clearly the beginning of the film was that Leon was doing his job.He was cool and calm all the time .He said “no women ,no kids .”He killedpersons for money but he never killed women or kids . I show my respect for him.When the girl said “Leon ,how cool ,you are acleaner.”,Leon thought nothing of it .As a hit man ,he lived a pressful lifealso without love and friends .He regarded the plant he kept as his best friend.He thought it was quiet all the time and needed little care .it is a wonderfulfilm. The story, which at first glance is corny and silly, actually becomesgripping and emotional in the hands of the skilled Jean Reno and that littlegirl. The characters are sympathetic and cute, and one is touched by the depthof the relationship between Leon and Mathilda. The character of their enmy,Norman Stansfield, is scary and insane, every time I saw him in the screen, Ialways felt hair stands on end.
There is real danger and drama throughoutthe film, yet it never becomes merely an action film - the characters are toosignificant for that. The relationship between Leon and Natalie is the theme ofthis film. Every fight is the surroundings of their life story. Besson, asalways, both makes the film look beautiful and builds plenty of atmospheresinto it. He is clever at directing the figures and the psychology. Nobody canmake more success than him, that’s why I appreciate him. Although "TheProfessional" bathes in grit and was shot in the scuzziest locations NewYork has to offer, it's a romantic fantasy, not a realistic crime picture.Besson's visual approach gives it a European look; he finds Paris in Manhattan.That air of slight displacement helps it get away with various improbabilities,as when Matilda teaches Leon to read (in a few days, apparently), or when Leonis able to foresee the movements of his enemies with almost psychic accuracy.
The deeply impression that the film gave meis Leon and his green plant, because his favorite plant can represent his soul,peaceful and calm. It also represent he loved his life. So when Mathildaentered his world, she took care of it as he loved.He loved the plant so muchthat even when in danger he did not gave it up.The plant is full of life andreminds one of hope .Leon ,as a hit man ,lived a hard life, which seemed thatthere is no light in his life .But there was light deep in Leon’s heart.Ifthere was not, he would not save Mathilda,protect her and even die for her .
Thefilm made a different view that Leon is professional hitman, but not a badperson, however, the cop is a bad egg. These characters made us think more thanthe theme of this film.
Inthe end of the film ,when Mathilda kept Leon’s plant in the earth,I think itmeans a new beginning of her life ,a life full of hope and light just like thegreen plant.