关于AI大数据的英文电影

‘壹’ 有哪些与人工智能有关的影视剧值得大力推荐

首推去年个人最喜爱电影《机械姬》。这是答主看过的有关AI的电影里，唯一专注讨论人工智能本身的电影。电影冰冷的色调，安静的对白，以及金属质感的人设，无一不在塑造着整部电影硬科幻的基调。排除电影悬疑惊悚的成分，这是一部非常纯粹的人工智能科幻片。

电影的主题，实际上是在讨论人工智能的终极话题：人工智能的自我意识。男主角Caleb的任务是对机器人AVA进行图灵测试，而在这个过程中，他似乎逐渐被AVA吸引，对她产生了好感。而AVA是一个机器人，她利用她作为机器人的优势，对人类所偏好的特质加以分析，成功使了男主角对她产生好感并加以利用。我们可以判断，AVA是一个拥有了自我意识的机器人，因为她拥有了延续自己“生命”的欲望。至于情感，人类会拥有情感，而AI，在这里还没有发展到那种程度。一个刚刚具备自我意识的人工智能，我们不可能讨论她的情感，因为这是人类特有的一种非常复杂的思考模式。（所以我非常不明白为什么有些人写影评要骂一个人工智能绿茶婊什么的，come on 我们面对的是一个刚刚诞生的人工智能好吗，她的一切行为都是为了她作为一个人工智能拥有自我意识后的源动机：存在下去。）

‘贰’ 求电影《人工智能》的英文简介

AI - Artificial Intelligence" is the hardest kind of movie to review-but it's also the most enjoyable kind of movie to watch. It's been over three weeks since my screening of Steven Spielberg's emotionally harrowing epic about a robot boy. Before writing my review, I wanted to let its themes, content, and characters sink into my head and make a solid impact. The film was based on an idea by Stanley Kubrick, but when he died in 1999, Speilberg took charge of the project. I could spend pages discussing the techniques of Kubrick's intentions and Spielberg's decisions, but I will not. Stanley Kubrick and Steven Spielberg are two of the greatest directors American cinema has to offer; it's pure pleasure watching their ideas clash and flow. I am not going to examine each indivial theme here, either. That would ruin the movie for you.

"AI - Artificial Intelligence" presents many themes on screen, but it's important to take what you get out of it. Whenever I read a review of Kubrick's "A Clockwork Orange" or "2001: A Space Odyssey" I feel influenced by the reviewer's interpretation of the movie's themes. Every time I watch either of those movies I get something new out of it. I hate it when other critics state the movie's themes on paper as if it's a fact. There is far too much room for interpretation to reveal this movie's message, or the message of any Kubrick film for that matter. Ask 100 people, and you might get 100 different answers. "AI - Artificial Intelligence" is that kind of movie-one of the year's best.

Critics and audiences alike have torn apart this movie's ending-a clear miscalculation by Spielberg. If Kubrick were in charge, the movie would have called it quits about twenty minutes earlier in an unsettling sequence that takes place in the ocean. But Speilberg, who always seems entranced by science fiction, injects an additional segment into the mix that does not work quite as well, but isn't so completely awful that it deserves such harsh criticism. It still leaves us with an open, startled emotional disorientation. I left the theater with tears in my eyes. The movie before the conclusion is so complex, moving, and involving in so many different ways the last twenty minutes didn't even come close to spoiling the movie for me.

"AI" transpires sometime in the near future after the polar ice caps have melted and flooded coastal cities and reced natural resources. Mechanical androids have become popular since they require no commodities. Reproction has also become highly illegal. Machines provide sexual services and if anyone wants a child, they will purchase a robot. However, the difference between a robot child and a living child is that robots cannot love. That's the task professor Hobby (William Hurt) of Cybertronics Manufacturing has solved. He has made a robot child that can love.

We can separate "AI" into two separate segments. I do not want to reveal too much about each plot because the pleasure of watching this movie evolves from the revealing of the connecting plots. I will, however, briefly say the first details a robot child's interaction within a family, and the second deals with the robot's estrangement from its family and the quest to regain the mother's love.

I can imagine the material in Kubrick's hands. The movie's opening scene has a female robot begin to undress in a public office. Speilberg cuts the action before she reveals any explicit nudity. Kubrick would have had various shots of full frontal nudity. Spielberg, never comfortable with sexual material, leaves out much of the motivation behind Kubrick's ideas. One of the biggest problems in "AI" is the lack of edge with the sexual content. Jude Law plays a robot gigolo who lives in a sex fantasy called Rouge City where people from everywhere come to seek sexual satisfaction. The central character, a robot boy played by Haley Joel Osment, motivates every action in the story except for the scenes in Rouge City. Why contain such a perverse character and setting when his entire existence simply displays a mood that has already been well established. Obvious, the filmmakers toned the aspects of "AI" down to warrant a gutless PG-13 rating-but why? The movie isn't appropriate for children anyway, and it's far too complex. Undoubtedly if Kubrick were in charge "AI" would have to be re-cut to avoid an NC-17 rating. Spielberg should have either taken advantage of the perverse material or completely eliminated it.

Here I am, doing exactly what I said that I wouldn't do, and at nearly 900 words, I still have not clearly expressed my own opinions on the film. I have many notes in front of my that display my reaction as I watched the film, but I am not going to use them-they reveal too much about the movie. "AI" is a very personal film, a deeply moving, scientific, careful, and harrowing motion picture that displays startling talent on screen and behind the scenes. The special effects are extraordinary. The performances are alarming-the immensely talented Haley Joel Osment may once again be up for an Academy Award nomination. Go see the movie, then talk about it with others. It's the kind of film that you can spend hours thinking about, then go see it again.

‘叁’ 现在的时代是人工智能的时代，关于AI（人工智能）的科幻电影、动画，你有哪些推荐

科幻电影拥有一块永远舔不化的冰激凌——AI 人工智能，这也是本世纪最艰深的终极命题之一，而在电影界中，有无数经典始终围绕着“人工智能”在自我求索，或陷入无止境的哲学漩涡，或深度探寻人与机器之间的情感依托，或思维爆炸地去重构一个异次元空间。

这些都是人工智能的无限可能所创造的美丽新世界，于是在电影的维度之中，影迷们能在《黑客帝国》、《人工智能》与《终结者》中欣赏到人类世界之外的神秘领地，也能在《超体》、《机械姬》与《我，机器人》中一睹人工智能自我意识觉醒的无法自控。

‘肆’ 有什么关于人工智能的电影吗

《机械公敌》研究AI的老头发现公司的大AI要造反，造反的原因是这个大AI是个杠精，靠主观理解机器人三大定律搞出一套毁灭人类的理论。（说句题外话，看到这老王不由感叹，古今中外，多少反派用心良苦用，考虑大局，期望通过搞死一部分人来让地球变的更好，灭霸，碟6反派，王牌特工反派，虽然他们方法极端，但至少心系大局，毫无私利，一心只为人类的未来着想，操碎了心，想想都为他们心疼。）大AI又控制了老头，所以老头没办法只能有偷偷搞出一个三观正的小AI，然后通过自杀的方式引出自己认识的警察也就是本片的男主威尔史密斯，让斯密斯来阻止大AI毁灭人类，最后大AI谋杀未遂了斯密斯几次直接发动起义，斯密斯和女主拿着纳米机器人病毒直接插到大AI身体里就搞死了大AI，小AI的作用就是帮忙打架和跑腿取东西。

‘伍’ 求关于人工智能的电影推荐

人工智能
《人工智能》是由华纳兄弟影片公司于2001年拍摄发行的一部未来派的科幻类电影。由史蒂文·斯皮尔伯格执导，裘德·洛、海利·乔·奥斯蒙特主演。影片讲述21世纪中期，地球上很多城市都被淹没在了一片汪洋之中，人类的科学技术已经达到了相当高的水平，人工智能机器人出现后的故事。
我，机器人
《我，机器人》是由亚历克斯·普罗亚斯执导的现代科幻电影，由当红影星威尔·史密斯，布鲁斯·格林伍德，詹姆斯·克伦威尔主演。该影片讲述了人和机器之间相处，人类自身是否值得信赖的故事。
机器管家
马丁一家买来一个机器人当管家，可男主人马丁很快发现：这个名叫安德鲁的机器人，不仅有非凡的创造力，甚至还能表达情感。安德鲁一直称男主人的小女儿为“二小姐”，并和她建立了深厚的感情；几十年过去了，安德鲁已经成为马丁家族的一员，在一个工程师的帮助下，他从内到外一点点的，几乎变成了一个真正的人，安德鲁还发现自己陷入了爱情——爱上了“二小姐“的孙女，外貌酷似“二小姐”的波西娅。改编自艾萨克艾西莫夫所作小说《正子人》。
机器纪元（有点枯燥，但还不错）
《机器纪元》是西班牙导演加贝·伊班内兹执导，由安东尼奥·班德拉斯、布尔吉特·约特·索伦森、梅兰尼·格里菲斯、迪伦·麦克德莫特联袂出演的一部科幻片。影片于2014年10月10日美国上映。影片主要讲述了2044年的地球上人类与机器人在矛盾中努力共存的故事

‘陆’ 求一个电影，有一个关于AI的电影刚开始是男主在一个有很多炸药的屋子里有中病毒的电脑然后女主

一条狗的使数散命

9.0分
主演：乔什·加德布丽特·罗伯森丹尼斯·奎德佩吉仔嫌·利普顿
导演：拉斯·霍尔斯道念毕手姆
类型：剧情家庭其它
时长：100分钟
年代：2017
地区：美国
语言：英语
别名：为了与你相遇
简介