科幻电影观后感英语字
⑴ 电影奇迹男孩英文观后感100字
电影奇迹男孩英文观后感是：
1、英文观后感：
Films occasionally fall into the stereotype of children's films, which are too cute and create inappropriate humor for young groups.
However, the film's ultimate success not only tells a complex story, but also conveys the experience of confusion, loneliness and fear to the audience.
2、中文翻译：
影片偶尔也落入儿童电影的窠臼，显得过于可爱和为低龄群体制造不恰当的幽默。不过，影片最终成功不只是讲述一个复杂的故事，而且给观众传达了少年经历困惑、孤独和害怕的体验。
剧情简介：
天生面部缺陷的小男孩奥吉，从小由母亲在家里教导，五年级时，他终于有机会进入普通的学校学习。初进学校的奥吉因为自己的长相受到同学们的嘲笑和欺负，但是在父亲、母亲、姐姐、老师以及好友的帮助下，他最终找到了自信，并用自己的行动改变了其他人的看法。
⑵ 奇异博士英文观后感
Imagine in a Marvel movie, the *protagonist is a rich, *arrogant and selfish genius who suddenly encounters a life-changing accident. As a result, he develops super powers, before realizing the value of helping others and saving Earth. This isn’t Iron Man, however.
想象一部漫威电影，主人公是一个富有却又傲慢自私的天才。有一天，他突然遭遇了一场改变了他一生的事故。从此，他便拥有了超能力，能够帮助别人、拯救地球。然而，这并不是《钢铁侠》的故事。
The titular character of Doctor Strange begins his story as a regular human being, *albeit the world’s most skilled *neurosurgeon, before a car accident leads him on a journey to discovering Earth-saving super powers.
与电影同名的主人公“奇异博士”虽然是世界上最负盛名的的神经外科医生，但一开始他只是个普通的人类。一场车祸，却让他开启了探索之旅，发现了拯救地球的超能力。
Looking for ways to heal himself after his accident puts an end to his *illustrious surgical career, Strange travels to the East. His discoveries unlock powers that transform him into a master of a mystical magic intended to protect Earth from supernatural enemies.
这场车祸终结了“奇异博士”辉煌的外科医生职业生涯。为了寻找治疗方法，他来到了东方。他的一系列发现解锁了神秘力量，并将他变成了拥有超凡魔力的魔法师，让他能够在超自然的敌人手下保护地球。
But despite being gifted with superpowers, Doctor Strange is different from other comic book heroes.
尽管被赋予了超能力，但“奇异博士”却和其他漫画书中的英雄截然不同。
“He doesn’t have super strength. You can still *poke him with a knife or shoot him with a gun,” says US screenwriter Jon Spaihts, who co-wrote the movie’s script. “Despite all his magical gifts, he often plays a desperate game of ‘stay alive’, fighting enemies far bigger than he is.”
“他没有钢筋铁骨，并非刀枪不入，”这部电影的编剧之一、美国剧作家乔•斯派茨表示。“尽管他被赋予了魔力，但他却时常挣扎于生死边缘，和那些远比他大得多的敌人们战斗。”
At a time when Marvel is procing increasingly *psychedelic work, Doctor Strange is probably the studio’s craziest yet.
这两年，漫威出品的科幻大作越来越多，而《奇异博士》大概是该公司目前为止最疯狂的一部。
Rather than present generic superhero scenes, the film shows audiences something a bit different, including Strange being forced to run on the sides of buildings and jump between skyscrapers to escape an enemy who has the ability to bend reality.
和现在的大多数超级英雄电影不同，《奇异博士》这部影片向观众展现了一些不一样的东西。比如说，为了从具有扭曲时空能力的敌人手下逃走，奇异博士不得不飞檐走壁、穿梭跳跃于摩天大楼之间。
And while Marvel’s other *eccentric superhero Iron Man is very much one who lives in the spotlight–a genius, billionaire playboy who’s involved in cutting-edge technology projects–Doctor Strange is not, choosing rather to live in his bizarre *abode, the Sanctum Sanctorum, while spending his free time fighting mystical enemies in other dimensions.
尽管漫威另一位古怪的超级英雄“钢铁侠”活在了镁光灯之下——他是一个参与前沿科技项目的天才、一个坐拥亿万财产的花花公子——然而奇异博士却并非如此，他选择住在他诡异的居所——至圣所中，并在工作之余和来自异次元的神秘敌人战斗。
“It’s obvious why they hired a big time star like Cumberbatch, because Doctor Strange is here to guide us through the next decade of Marvel movies, just like Downey did in the last decade,” Uproxx’s Mike Ryan wrote. “Doctor Strange is basically a *reboot of Iron Man, only with a lot more prettier things to look at. It’s a good strategy. And it works.”
⑶ 奇幻森林电影观后感一百字英语作文
走进自然的童话
文/梦里诗书
《奇幻森林》是《丛林之书》最为成功的改编，对原着的尊崇与CG特效的完美结合，令电影将吉卜林这位文学巨匠昔日天马行空的笔触在光影世界中得以真切的呈现，而那极为逼真的丛林和拟人化的动物，奉献出了一个让人惊叹的动物世界。
原着《丛林之书》的剧情设定成为了电影的脉络，其故事讲述了被狼群养大的男孩毛克利，却被受过人类伤害的老虎所憎恨并要杀掉他，为了逃脱，毛克利与曾救了自已的导师黑豹巴希拉和偶遇相识的棕熊巴鲁在丛林中踏上了冒险旅程，而最终毛克利勇敢面对自我并完成了复仇的回归，融入到森林家园，勇敢面对困境认清自我的激励和人与自然和谐共生的夙愿成为了电影寄予的内在纵深，而在改编上电影整体风格摒弃了原着中的暗黑化，迪士尼惯以明快的基色贯穿始终。
《奇幻森林》最为侧目的并不是饰演男孩毛克利，初出茅庐的小男星尼尔·塞西，而是那群用CG特效制作出的动物们，毫不夸张的说《奇幻森林》是电影工业发展的又一里程牌之作，电影中的动物不仅在毛发细节上已经做到了以假乱真，毫无差别，动物们的面部表情精准反映出不同的情绪，更是极具真实，以此我们看到了险恶凶狠的老虎反派，也见证了帅气勇敢的黑豹，还有那乐天派棕熊的憨直呆萌等等，动物们行色各异让人忍俊不禁且给人思考的“演技”，已然喧宾夺主的占据了本自男主毛克利的主角光环。
假若用《疯狂动物城》来对比《奇幻森林》，那么显然后者会是一部稍逊风骚的作品，对于原着的尊崇，根据76版的翻拍，电影虽然呈现出了一个带有奇幻色彩的森林世界，却也有着一定的桎梏，毕竟《丛林之书》的故事距今以有百年之久，电影近乎不可能在一个原始森林中玩出似如《疯狂动物城》里那步步为营，处处是梗的高能寓意，所以对《奇幻森林》来说它是一部带有传统迪士尼韵味的作品，其所呈现的更是一颗纯粹的童心，令观众跟随男孩毛克利一同走进那奇妙梦幻的动物世界。
如你曾偶有读过《丛林之书》，你定然会发现这就是那个书中的世界，《奇幻森林》就是这样一个令人走进自然，纯粹而温馨的童话，
⑷ 电影盗梦空间的英语观后感(2)
盗梦空间英语观后感篇四
Inception, which is directed by Christopher Nolan, is a combination of science fiction, romance and action movie. The two key words in the movie are extraction and inception, which are totally opposite. Extraction means extracting some important information from the subject’s unconsciousness when he’s dreaming. While inception means incepting a new idea to the subject, and make the idea deeply rooted in the subject’蚂凯s mind. Though our hero, Dominic Cobb, acted by Leonardo DiCaprio, is an extractor, this time, he will try to be an inceptor. And if he succeeds he’ll be able to go back to his children.
At the beginning of the movie, Cobb and his extracting group were on an extraction mission in the mind of Saito, using a two-layered dream, which means ‘a dream in a dream’. In the first layer, they were in a secret apartment; and in the second layer, they were somewhere like an assembly hall. While in reality, they were on a train, sleeping. There is a rule in the dream world that if someone died in the dream, he would be back to the upper layer or to the reality. Cobb’s wife Mal showed up in the dream and destroyed his mission. ‘Everyone for himself’ was what Cobb said to his group. Actually, Mal who had already dead was only a projection of Cobb.
纯物渣Cobb usually uses a top to tell reality from dream. If it is a dream, the top won’t stop spinning when spun.
Later, Cobb was offered a job by Saito to incept an idea to the son of Saito’s competitor, who would soon inherit the control of his father’做悄s corporation, and if he succeeded Saito would help him to go home. Unable to see his children for some reason he himself couldn’t fix, Cobb accepted.
He reconstructed his group and made up the plan: they’d build a three-layered dream, and the first layer would be a city, the second layer a hotel, and the third layer a hospital near a snow mountain. In reality, they were in the first class cabin of a 747. With the group’s joint effort, finally they succeeded and Cobb came back home, with his children. He spun his top again, but it isn’t clear that whether the top would stop or not in the movie.
After watching this movie, what impressed me most are the dialogues. They reflect something about dreams, life, faith, love, and so on. I’d like to share my thoughts of some lines.
盗梦空间中文观后感篇一
第一次看的时候看不懂开头和结尾，给我的感觉就是分不清楚梦和现实，整个过程都带着这样的感觉看完的。第二次再看的时候潜意识直接屏蔽了，从开始到结束都没有任何感觉。
我现在突然明白，我是在防御自己看懂，害怕看清楚自己原来就是活在想象和现实分不清楚的状态里。电影主人公高比每次进去梦境中遇到妻子和孩子的时候都分不清楚自己是在梦里还是现实里，因为他沉溺在与妻子相遇的美好感觉里，还因为对妻子植入想法而造成妻子最后醒来后梦和现实分不清楚选择自杀。他不能面对自己痛苦，也不愿意承认妻子离开的事实，活在自责里不能自拔。让我想到我小时候受的伤，因为母亲对我的伤害和指责，让我害怕与人亲近，所以学会了屏蔽各种感觉，让自己貌似很冷漠。这个模式最后变成了我的潜意识，支配着我以后的为人处事，哪怕意识层面里想要与人亲近，但是潜意识却在破坏这种关系，就像梅西每次都在关键时刻出来破坏他的行动，破坏他想回家的愿望。高比为了孩子，为了回家，勇敢的面对自己的内疚和自责，特别在那个小丫头造梦师的帮助下，推动了他不得不面对自己的问题，最终战胜了自己，回到孩子们的生活里。
而回到我自己，从开始接触精神分析理论的懵懂状态，一点点的在团体里看到别人的问题，再回到自己身上，发现自己原来都不知道的自己，用精神分析专业术语就是发现自己的潜意识，我一直以为我们做什么，遇到什么人，发生什么事都是我们意识范围可控下发生的，当我发现自己其实在潜意识状态下支配自己时第一次非常的震惊。我不能接受自己不好的一面，不能接受那些坏的结果都是我潜意识干的。我以为都是别人的错，我一直活在过去被伤害的感觉里，以为全世界的人都对不起我。这个发现曾经让我痛苦不堪，痛让我也清醒，我不愿意活在过去的阴影里，不愿意活得稀里糊涂，日复一日。用我自己说的话就是，如果一成不变的生活，三十年后死和现在死没有任何区别。所以我决定不再让自己活在想象和现实分不清的状态里，希望自己活得通透，活得明白，活得自由，活在当下。分析电影，分析人生，分析自己，因为人生如戏。
盗梦空间中文观后感篇二
《盗梦空间》我在上映的时候看过，在电影院，刚开始对这个电影题材特别感兴趣，觉得有意思。但是在我看到年轻女孩初次造梦时空间位置奇妙变换时，心里非常恐惧异常紧张，闭上眼睛心里就告诉自己没有关系这是电影而已，不是真实的，一会就过去了。但是后来回想那种感觉仍记得很深。
经过今年不断接触和学习心理学，现在有点想明白原因了，是自己一定要通过一种确定性概念化的东西来获得内心的安全感。凡是外在的不断变化不固定的或无法预知未来的东西都会使我在潜意识里感觉恐惧，感觉绝望，感觉无能为力。写出来这些感觉突然就有想哭的冲动，很委屈，很心疼自己。是自己从小就未从父母那里得到过足够的稳定感安全感和自我存在感价值感，所以虽然对人际关系很在意很渴望却知道自己没有能力去靠近别人，始终会保持一定的.距离。在上周第二次看电影的时候很高兴看懂了所有的情节，得到了心里期待的完美的结局，但是却对里面男主人公的一段内心独白念念不忘，它让我心情沉重、伤感：当一个已经苍老的灵魂重新回到一个年轻的身体中时，他怎么去判断这是真的现实还是另一个梦境呢?这段独白让我觉得特别难受，我特别理解他妻子的做法，因为已经感受不到真实的自己，活着又有什么意义?我不知道我自己心里是不是藏了太久太多痛的感觉，所以在平时会多愁善感，容易悲伤，只是大多时候愿意展现给别人的是自己的积极与努力。我潜意识里也想通过给别人展现的积极正向力量也能反过来感染我自己，给我勇气和力量!
⑸ 急需一篇高一水平英文电影观后感，最好科幻，其他也可以
Somewhere, under the sea, weak-finned clown fish Nemo (Alexander Gould) lives with his fretful father, Marlin (Albert Brooks). Smothered by pop's paranoia, he ventures away from the reef, but his dad's dread is justified when a passing diver whisks him away.
Taken to a tank in a Sydney dentists, Nemo meets Gill (Willem Dafoe) and co - friendly fish who dream of escaping to the ocean. Meanwhile, Marlin bumps into a blue tang named Dory (Ellen DeGeneres), and sets out to save his son...
The splendour of natural history hit The Blue Planet is matched by the wit of the script and stars. Barry Humphries has a terrific cameo as a great white shark who's sworn off killing (Remember, fish are friends, not food!), while DeGeneres provides perfect timing and tone as Dory, whose short-term memory loss is a gag that never stops running
⑹ 复仇者联盟英语观后感60单词以下
如下：
Although the film has made a certain degree of discussion on freedom and belief in the humanities, it is very shallow and can even be regarded as a brush.
After all, the director should fully ensure that the audience's thinking can keep up with the rhythm of the film and not too entangled in a profound proposition. The audience can feel quite superior audio-visual pleasure without using their brains.
So that it is destined to be a pot of delicious miscellaneous vegetables without much nutrition.
Intense scenes, dazzling visual effects, sufficient laughter points, gun battles, air battles, action myths and other elements are well integrated into the Hollywood plot formula.
The decent will eventually save the villains, and the hero will save mankind at the last minute. Rocky's last sinister eyes also suggested that the battle would continue.
The colored eggs at the end of the film also revealed that the really powerful guy hasn't appeared yet.
All suspense left a foreshadowing for the follow-up work. All these wonderful plots and elements make the Avengers a successful example of popcorn blockbusters.
翻译如下：
该片虽在人文方面对自由与信仰做出了一定程度的探讨，但表现得十分浅薄甚至可以算是一笔带过，毕竟导演要充分保证观众思维能跟上影片节奏，不过分纠结于某个深刻的命题中，观众可以不用动脑子便能感受到相当优越的视听快感。
以至于这注定是一锅虽没有多大营养却美味十足的大杂菜。 激烈的场面，炫目的视效，充足的笑点，枪战，空战，动作神话各种元素出色的融入到好莱坞剧情公式中，正派终究拯战胜反派，英雄于最后一刻拯救人类。
洛基最后阴险的眼神也暗示着战斗将继续，片尾的彩蛋也揭示了真正厉害的家伙还没出场，一切悬念都为后续之作留下伏笔。这所有精彩剧情和元素，使得《复仇者联盟》成为爆米花大片成功范例。
⑺ 观《泰坦尼克号》有感英文50个单词左右
如下：
Titanic enriches us with a romantic story of young love,passion and feelings,full of utopias and dreams,mother and child fighting for power and greed.
Idealistic and self-identified clashes within a consenting human ambitions society and victims of their own vanity and pomposity.
This is one of the films that most shocked the general public in the last twenty years.The huge collections that are logical because they got obvious that.
Titanic has one of those stories full of strength and feeling,with great dramatic content.If we add the stunning beauty of the image,thanks to advances in digital technology,success is understandable.
Very successful movie,which tells the story of the sinking of the ship,but in the background shows a passionate love story.
翻译：
《泰坦尼克号》讲述了一个浪漫的故事，讲述了年轻人的爱情、激情和感情，充满了乌托邦和梦想，母亲和孩子为权力和贪婪而战。理想主义和自我认同的冲突发生在一个同意人类野心的社会中，是他们自己虚荣心和浮夸的受害者。
这是过去二十年来最让公众震惊的电影之一。大量的收藏是合乎逻辑的，因为它们显而易见。《泰坦尼克号》是其中一部充满力量和感情的故事，内容非常富有戏剧性。如果我们将图像的惊人之美加上数字技术的进步，成功是可以理解的。
非常成功的电影，讲述了沉船的故事，但在背景中展示了一个充满激情的爱情故事。
英语翻译技巧：
1、省略翻译法
这与最开始提到的增译法相反，就是要求你把不符合汉语，或者英语的表达的方式、思维的习惯或者语言的习惯的部分删去，以免使所翻译出的句子沉杂累赘。
2、合并法
合并翻译法就是把多个短句子或者简单句合并到一起，形成一个复合句或者说复杂句，多出现在汉译英的题目里出现，比如最后会翻译成定语从句、状语从句、宾语从句等等。
⑻ 神秘代码电影介绍（英文）观后感（英文）、
《神秘代码》是好莱坞巨星尼古拉斯·凯奇的一部科幻谈芹新作，讲述了尼古拉斯·凯奇饰演的大学教授约翰在妻子过世后扮演着单亲爸爸的角色。对儿子的严格管束，使得父子二人之间始终存在隔阂，然而就在儿子的校庆典礼上，一封来自“过去”的神秘信件，将彻底打破父子二人的平静生活，将他们卷入一系列的恐怖事件和一场未知的命运当中。
神秘代码 剧情简介
1959年，在庆祝威廉·道斯小学的建成仪式上，孩子们将自己作的画放在了时间囊里，并将其埋在地基下，其中一个看起来颇为神秘的小女孩露辛达在她的画上写下了一行行看起来毫无规律的数字。
转眼间50年过去了，在威廉·道斯小学的50年校庆上，校方开启了时间囊并将50年前学生的杰作分发给现在的学生。露辛达的绘纸到了一个叫凯利布·柯斯勒(钱德勒·坎特布瑞饰)的孩子手里，这张绘纸引起了卡利布的父亲——麻省理工大学天文学教授柯斯勒(尼古拉斯·凯奇饰)的注意。柯斯勒教授发现，这张绘纸上的数字精确地记载了过去50年间所发生的重大灾难的日期及死亡人数；令他更为惊讶的是：上面还记载了将要发生的三起灾难事件，其中最后一件更是涉及全球的重大灾难，而他与他的儿子也将卷入其中。 柯斯勒教授试图通过当局来化解即将到来的危机，但是其他人认为他是杞人忧天，他只能选择孤军奋战。在戴安娜·韦兰(罗丝·巴瑞恩饰)与其女儿阿比·韦兰(劳拉·罗宾逊饰)的帮助下，柯斯勒教授不断的努力，与时间赛跑，直到不得不面对终极灾难与牺牲……
[{豆瓣 里 最好的 影评}]
影片的开始，女老师将小朋友们画作放进一个叫"time capsule"的容器中。虽然女老师轻松自然的说出"time capsule"，但就在那时，一种诡异的感觉袭遍全身，一股凉气从地底下钻出来，连鸡皮疙瘩都不放过我。于是，我心中假定：这是一个“悬疑剧”。
当黑衣人频繁出现，飞机空难81人罹难，地铁灾难和那张能预示灾难的纸被指指点点的时候，一种对“灾难片”惯有的烦感涌上心头。因为那好像只表示人类自身的“无辜”和没有改变自己命运的能力的的那种无助与不安。灾难片除了让人觉得自己无用之外，还能带来什么？或许是票房而已。
后来发现看这部影片，有一种“山重水复疑无路，柳暗花明又一村”的畅快。因为John在Lucinda故居急急找寻灾难证据时，他发现了一幅画，这幅现的下面写了一个单词"Ezekiel"。这个单词就是圣经中“以西结书”，一卷先知书预示了以色列民族，以至所有民族的结局，世界的结局。因着信仰的永恒性，顿悟这是一部“宗教性”影片。但值得关注的并不是它的宗教性，也不是它的虚构性，而是它烘托出的信仰真缔。
浅释一下我眼中的Knowing:
1. Knowing中文翻为“先知”
我思来想去，这是最适合的一个片名。因为只有这个片名，才能体现出人类现在的光景。在圣经中，先知是能够听到神话语并且将所听到的命令和预言传递给众人的人，但是他也无力改变神对某个人或某个民族的兴旺或衰微的计划。而这一点，正是本影片的主线--神对人类的末世有一个不可逆转的计划，大部分人完全无法探知和了解这个计划而盲目的生活着；而极少部分知道了这个计划的人，也无法通过自己的能力去改变一切（乱轮计划或者他人的思想），他们可以做的是接受事实，"if it's the time, it's the time."，这不是消极的接受，而是积极的面对。
2. 黑衣人是天使
我不得不承认，黑衣人的造型的确哗侍信非常雷人，完全不像早期天主堂壁雕上的天使，但是恕我直言，真的是天使。整合剧情后，发现他们天使的位分一点都不为过。
前半段电影中他们的演出更像是恶魔，偷偷的出现，偷偷的递给Caleb黑色小石头，似乎掩饰着什么不可告人的玄机。这样的行为让我想到未信主之前的一些趣事。我刚搬来洛杉矶，教会姊妹常来家里做客，问还缺什么，还需要些什么，十分热情。可是我的心里，一百个不愿意，因为以前受到的教育是“滴水之恩，涌泉相报”，就不愿意欠这个人情，怕是还不起。她们就会“偷偷的”送来这个，送来那个，而且夸张的说一切都不用还。我的心里七上八下，就觉得有什么不对劲儿的地方。果真在几个星期后，“偷偷的”送我一本圣经。这下子彻底证实了她们接近是“不安好心”。昨天看到电影中那段情节，忽然使我打开心中的匣子，原来当时的她们真的是天使，可当时的我看她们越看越像恶魔。只是，当时的我，看不清楚罢了。
后半段电影中，他们告诉小孩子们，如果愿意，就跟他们走；当John追上天使时，他用蓝光使他不看见，没有伤害他；当John找到儿子Caleb的时候，发现儿子抱着小兔子，完全不会受到伤害。他们在外形上和行为上与普通人不同，只是因为他们是天使。而他们一再的出现，只是要让人们知道世界末日近了，即圣经上所谓的“天国近了”。
3. Everyone Else
Lucinda女士死前在她的床板下写了许多Everyone Else就是她小时候写的那张纸中最后两个字母EE。本来后边的四字数字是事情发生的经纬度，而最后这一次，是全球人类的灭亡，没有经纬度了。意思就是：人人都要死！让我忽然想起圣经上的一句话“人人都有一死，死后且有审判。”
4. Ezakiel那张图
这个在前边的段落中叙序过了。
5. 小孩子能听到天使的声音，但他的父亲听不到。
这个大概就是对应圣经上说的：“人若不回转成为小孩子的样式，断不得进天国。”事实上，圣经上的意思是说一个人的心思意念要回到小孩子的样式，并不只是身体上像小孩子的样子。如果是那样，岂不是所有的小孩子和侏儒才能进天国？这句话的反面意思是说，成年人若心思意念清洁，也一样进天国。
6. 两个小孩子跟天使被接上天
是末世论中的“被提”。这是说一部分人没有经历死亡，就回去天堂了。
7. John和他的家人相拥一起经历末日灾难
这一点是大家看了都比较容易受感动的地方，因为亲情的凝聚力是世界中最强大的凝聚力。为什么他们有这样的笃定呢？因为这里--本片最经典的地方，烘托出了信仰的真谛，就像我前面所讲的。信仰的真谛就是这种精神，是经历了苦难，经历了灾难，还依然相信神掌管一切，也掌管着他们的生命，不只是有形的生命，更是无形的生命。又重复一遍这句经典台词："if it's the time, it's the time. We won't go anywhere."
8. 黑色小石头
我理解为耶稣，因为信仰角度上他是世界的磐石。
9. 那些蓝色飞行物从不同地方离开地球上升
带两个小孩子离开地球的飞行物上升到空中以后，镜头中出现了许多相似的蓝色飞行物从地球的不同地方离开地球上升。其实，飞行物是什么不重要，它的样子只是一种表现形式。虽然算不上科幻，但只是世界末日末到来前，导演的一种忆想。重要的是许多这种东西在不同的地方上升。它主要表现了导演的宗教观：地球上所有的人，不论什么民族的人，不论什么肤色的人，都可以选择敬畏神，都有机会“被提”（这是我在前面讲过的一个观念）。
10. 剧终的那棵树
那棵树是生命树，世界的终结是生命树，永远的生命。不是创世之初的那棵善恶树。两个小孩子奔向那生命树，意味着从此人类拥有了不朽的生命。拥有永恒生命的人类，不需要轮回。没有世界的轮回。
11. 为什么这些知道要来之事的人不把这些事情告诉更多的人呢？
有些人会问以上的问题，可是，我的问题是：“即使这些人把他们所知的这些未来之事告诉人，又有多少人信呢？”影片中也出现过类似的场景，比如大家都认为Lucinda是一个“神秘的疯”孩子。
很喜欢电影中的这些隐喻，甚至更多，作为一名基督徒，看的是酣畅淋离，评的是如醉如痴。可转念一想，大多数人呢？太多的隐喻对于没有信仰经历的人来说是多么难理解的事情啊。这样的话，美国人应该看成了一部Fiction film，中国人应该成了一部无厘头的雷人影片。总之，这个世界末日只是忆想、假设罢了，因为真正的世界末日是无人知晓的。“那日子，那时辰，没人知道，连子都不知道，唯独父知道。”这样，连耶稣都不知道，谁还能知道呢？这部电影也提醒我们说，我们不过是人。
Honestly, I couldn’t tell you what was more fantastic about Knowing. The spectacular ending, or the thunderstorm of brain matter it wrought with its mind-blowing stupidity. Fortunately, I’ve worked up a healthy resistance to Nic Cage fatuousness, so I was able to wipe the gray-and-red globules from the exploding skull sitting next to me off my shirt and make it home with only a ll ring in my ears, a ring I expect will probably keep me out of the armed services when the rest of you are enlisted to stave off the impending brain-dead apocalypse proced by the stupor suck-hole of Cage’s seven upcoming films over the next year and a half.
It’s a shame, too. Because there is a moderately compelling premise beneath the layers and layers of imbecility shrouding Knowing. Fifty years ago, a stark-raving school girl with pigtails and psychosis dropped a sheet of paper with a series of numbers on it into a time capsule at her elementary school. In the present day, John Koestler (Cage) and his son, Caleb (Chandler Canterbury), come into possession of that sheet of paper when the time capsule is unearthed. A drunken John — recently widowed — discovers the meaning behind the numbers. They represent every major national tragedy of the last 50 years — the date, the number killed, and the GPS location. In the simplest terms, the numbers challenge John’s belief in the randomness of life, which he holds in contradiction to his father’s theological convictions. If, in fact, these events were predicted by a schoolgirl 50 years ago, then determinism is at play, perhaps proving the divine nature of our universe. God didn’t merely set things into motion; he’s still got his hands on the stick shift.
If Knowing had settled there, then perhaps the film would’ve been a bland thriller marred only by Cage’s obtuseness, his insistence on gritting his teeth occasionally and speaking as though he had a jar of molasses lodged into his skull. If he could, in fact, predict the tragedies, perhaps he could be in the right location to prevent them. If so, he’d then prove to be a more powerful force than the creator of the universe, rending the series of numbers irrelevant, reaffirming the randomness of life, all the while revealing Knowing simply to be a another pointless exercise among many in Nic Cage’s career.
Unfortunately, Knowing careens off the rails and plummets into an abyss of zany preposterousness so deep that you could reach your hand into Australia. There is one thing worse than a pointless cinematic experience, and that’s a completely nonsensical one. Such is the fate of Knowing when the sci-fi Boogeyman rears its head. The Boogeyman here are Whisper People, creatures that look as though they’ve crawled out of Diesel Jean ads and spent a couple of days mainlining embalming fluid. Only John’s son Caleb, and the granddaughter of the stark-raving school girl (Lara Robinson, in both roles) can hear their whispers. What are they telling them? Essentially, how they can save themselves from the last series of numbers, an end-of-the-world prediction. How can they possibly save themselves without running afoul of Judeo-Christian belief? Let’s just say that bunny rabbits and the forbidden tree are involved. Indeed, a less ludicrous ending to Knowing might have involved the entire world buying a coke and jumping just as the metaphorical elevator crashed bottom.
It’s a difficult movie to square with director Alex Proyas’ earlier career (The Crow, Dark City), and it’d be more comforting to blame it on the script, except that Proyas wrote it, or on studio pressures, though I can’t imagine even the liquid-brained suits at Summit Entertainment would wish that ending upon any movie. But then again, they’re the same ones who fired the director of the most successful vampire flick of all time after the first entry into the franchise. I can only guess that Proyas conjured up an interesting premise, and could find nowhere to take it but a Biblical LaLa land where golden wheat dances in a meadow. The only way it could’ve been more idiotic is if Nic Cage had stabbed his eyes out when he took the Oedipal, overacting fall to his knees as the final events unfolded. At least then, he’d have been saved from the vision the rest of us had to suffer through.
⑼ 火星救援观后感英文100词
《火星救援》观后感
Ridley Scott goes back to the future, a familiar destination for him, and returns in fine shape in The Martian. Although technically science fiction by virtue of its being largely set on a neighboring planet, this smartly made adaptation of Andy Weir’s best-selling novel is more realistic in its attention to detail than many films set in the present, giving the story the feel of an adventure that could happen the day after tomorrow.
雷德利·斯科特再次指导未来题材影片，这对他来讲驾轻就熟;通过指导电影《火星救援》，雷德利·斯科特完美回归。虽然这部科幻片主要背景设定在我们相邻的星球上，但这部根据安迪·威尔畅销小说改编的电影却比许多现实题材影片还要现实。
Scott has famously been up in space before, thrillingly in Alien, far less so in Prometheus (a sequel to which he is currently preparing). This time, he’s telling a survival story, pure and simple, of an American astronaut named Mark Watney, thought to be dead, who’s left behind on Mars when an enormous storm compels his five fellow crew members to hastily cut short their extra-planetary visit. It’s Robinson Crusoe on Mars, but without the monkey and aliens.
斯科特凭借太空题材广为人知，如《异形》和正在筹备的《普罗米修斯2》等。这次，他讲述了一名叫马克·沃特尼的美国宇航员的逃生故事：马克的5名同伴认为他已经牺牲，所以当火星上爆发巨大风暴时，他们紧急中断出舱考察任务。可以说这部电影就是火星版的“鲁滨孙漂流记”，不同的是其中没有猴子和外星人。
When Mark Watney (Matt Damon) regains consciousness, he quickly assesses the situation: He’s millions of miles from home and, based on the food supply, concludes that he’s got a month to live.
马克·沃特尼(玛特·达蒙饰)恢复意识时，他迅速意识到了自己面临的状况：离地球数百万英里，所剩食物只够支撑一个月。
Ultimately it comes down to the willingness of Mark’s astronaut colleagues to place themselves atgreat risk by attempting a rescue attempt, a decision that raises the provocative moral dilemma of whether it’s correct to put five lives at great risk for saving one life. The director and screenwriter downplay the conventional melodrama inherent in the situation in favor of emphasizing how practical problems should be addressed with rational responses.
最终，马克的同伴们决定冒险营救他，这一决定又引发了极富争议的道德困境：五个人冒险救一个人，是否值得。通过突出如何理性地处理实际问题这一主旨，导演和编剧成功地将这一争议性的情节淡化。
There is also a insinuation that the meticulous sense of resourcefulness. In significant measure e to his character’s mordant humor, Damon provides comfortable company ring the long stretches when he’s onscreen alone, and the actor’s physicality makes Mark’s capability entirely credible.
影片也暗示了这样的道理，即足智多谋的人都会谨小慎微。由于角色的惊人乐观，所以达蒙要在长时间的单人镜头中表现出主人公的自然。演员的精湛演技也将马克的能力展现的淋漓尽致。
⑽ 《l,robot》电影观后感英语作文100字左右
I enjoyed the movie "I, Robot". The plot was exciting, although the concept was not very original. However, one of the things I liked about this movie was the way the existence of robots was integrated into the lives of humans.
Although the movie included some high-tech concepts about the making and function of the robots, they were not so complex as to leave viewers confused or feeling intimidated. The plot was easy to follow, and the subtle twists and unexpected turn-of-events added spice to the movie, and kept things exciting throughout. I thoroughly enjoyed it, and recommended to everyone.
(来源: IMDB)