人工智能中英文字幕电影

‘壹’ 求一部电影，很久以前的了，主角是一个男孩，他是一个机器人，最后他死了，我记得结尾的时候他和他的妈

电影：《人工智能》 Artificial Intelligence: AI (2001)导演: 史蒂文·斯皮尔伯格编剧: Ian Watson / 史蒂文·斯皮尔伯格主演: 海利·乔·奥斯蒙 / 弗兰西丝·奥康纳 / 山姆·洛巴兹 / 杰克·托马斯 / 裘德·洛类型: 剧情 / 科幻 / 冒险

‘贰’ 求关于人工智能的电影推荐

人工智能
《人工智能》是由华纳兄弟影片公司于2001年拍摄发行的一部未来派的科幻类电影。由史蒂文·斯皮尔伯格执导，裘德·洛、海利·乔·奥斯蒙特主演。影片讲述21世纪中期，地球上很多城市都被淹没在了一片汪洋之中，人类的科学技术已经达到了相当高的水平，人工智能机器人出现后的故事。
我，机器人
《我，机器人》是由亚历克斯·普罗亚斯执导的现代科幻电影，由当红影星威尔·史密斯，布鲁斯·格林伍德，詹姆斯·克伦威尔主演。该影片讲述了人和机器之间相处，人类自身是否值得信赖的故事。
机器管家
马丁一家买来一个机器人当管家，可男主人马丁很快发现：这个名叫安德鲁的机器人，不仅有非凡的创造力，甚至还能表达情感。安德鲁一直称男主人的小女儿为“二小姐”，并和她建立了深厚的感情；几十年过去了，安德鲁已经成为马丁家族的一员，在一个工程师的帮助下，他从内到外一点点的，几乎变成了一个真正的人，安德鲁还发现自己陷入了爱情——爱上了“二小姐“的孙女，外貌酷似“二小姐”的波西娅。改编自艾萨克艾西莫夫所作小说《正子人》。
机器纪元（有点枯燥，但还不错）
《机器纪元》是西班牙导演加贝·伊班内兹执导，由安东尼奥·班德拉斯、布尔吉特·约特·索伦森、梅兰尼·格里菲斯、迪伦·麦克德莫特联袂出演的一部科幻片。影片于2014年10月10日美国上映。影片主要讲述了2044年的地球上人类与机器人在矛盾中努力共存的故事

‘叁’ 电影 人工智能 哪里可以免费观看

http://pan..com/pcloud/album/file?album_id=1323373142082063184&uk=2248348914&fsid=59002289112599
[高清电影]人工智能.2001.美国.中英双字.1024x576.rmvb. 保存至网盘 下载(1.29G)
网络云链接 保存即可
请采纳

‘肆’ 急需电影《人工智能》和《勇敢的心》的英文剧情介绍

勇敢的心 braveheart
资料一：
Unfortunately, I have yet to find a film of quite this caliber again. Braveheart contains elements of Romance (several heart- wrenching and warming instances), Epic/Action (spectacular scenes), Mystery (can take a few viewings to put it all together), History (albeit romanticised) and of course Drama (perfectly unravelled). This level of uncompromised multi-tasking allows the film to move you to laugh and cry, love and hate or even to think and be taught. I'm trying to avoid the clichés of glowing reviews (almost as bad as entirely negative ones) - but this is one of the few movies that I feel deserves one.

The witty banter between friends/foes/lovers/relatives is, in my opinion, flawless and aids the film's claim as a true classic. The soundtrack is similarly top-notch and encapsulates and refracts the patriotic theme ring several key moments. The political sub-plot and gorgeous scenery also serve as refreshers ring otherwise heavy areas of the story. Perhaps Braveheart's only flaw (but if you share my sentiments it's actually a bonus) is its length so you'll want to prepare a comfy seat and maybe even two pots of tea (complete with cosies!).

I suppose it's also relevant to touch on the historic inaccuracies as I expect this is what people might dislike most about this film. However, "History is written by those who have hanged heroes"; also, the overall sketchiness of such periods coupled with the right of artistic license are enough for me to personally dismiss such thoughts. On that note, I hope you also enjoy what, to me, is the greatest film created (so far).

资料二：
The movie begins in the small town of Elerslie, Scotland. William lives with his father, who is not named in the film, and his older brother Malcolm. William's father and older brother are called to a meeting a few miles from their home where they find the entire nobility of Scotland hanging. Malcolm and his father then go to a battle between the British and their clan, both die tragically. At the funeral William meets his uncle Argyle who fought in the battle with Malcolm and his father. He takes him away to live with him. The scene then cuts to an alt William on his horse. William later runs into a girl he knew before he went to live with Argyle, her name, Murron, we discover that Lords have the right to sleep with brides on their wedding night, so William marries Murron in secret. Murron is the assaulted by a British guard, the guard is killed by William, a fight ensues, and eventually Murron is killed by the lord. This enrages Wallace who then build himself a fine army entering city's and killing all Englishman within. Wallace prepares to move on to Sterling where he prepared for his greatest battle yet, in the forest he realises that he must find a way to beat the heavy cavalry from the ground, he decided to create spears twice as long as men. These were used in the battle to kill the entire heavy cavalry raised at the last minute to kill the on coming horses. Eventually Wallace reaches York, the most important military city he gains control. Williams final battle at Falkirk ends in his betrayal by two nobles, whom he later kills. William is betrayed by the leper father of Robert the Bruce, is captured and refuses to bow down as a loyal subject of the king Edward I, Longshanks. Therefore, instead of mere beheading William Wallace is subject to being Hung, hung within an inch of death. Drawn, being stretched by his ankles and wrists and then having his insides shown to him before he died. Then Quartered, he was beheaded and his head was put on the London Bridge his body was torn into for pieces one sent to each corner of Britain as a warning to the citizens. After Wallace's death we see Robert the Bruce led the battle of Bannockburn the last battle for Scotland's freedom.

资料三：
In 14th Century Scotland, William Wallace leads his people in a rebellion against the tyranny of the English King, who has given English nobility the 'Prima Nocta'.. a right to take all new brides for the first night. The Scots are none too pleased with the brutal English invaders, but they lack leadership to fight back. Wallace creates a legend of himself, with his courageous defence of his people and attacks on the English.

——————————————————————
人工智能 artificial intelligence A.I
资料一：
In the not-so-far future the polar ice caps have melted and the resulting raise of the ocean waters has drowned all the coastal cities of the world. Withdrawn to the interior of the continents, the human race keeps advancing, reaching to the point of creating realistic robots (called mechas) to serve him. One of the mecha-procing companies builds David, an artificial kid which is the first to have real feelings, especially a never-ending love for his "mother", Monica. Monica is the woman who adopted him as a substitute for her real son, who remains in cryo-stasis, stricken by an incurable disease. David is living happily with Monica and her husband, but when their real son returns home after a cure is discovered, his life changes dramatically. A futuristic adaptation of the tale of Pinocchio, with David being the "fake" boy who desperately wants to become "real".

资料二：
The "literalists" are clearly not happy with A.I. So now is a good time to recall that "2001: A Space Odyssey" was greeted upon release with derision, confusion, dismissive reviews, public consternation, and, oh yeah, some thought it was an absolute masterpiece. Beyond the monolithic influence of that film (think of Han Solo's jump to lightspeed, etc.), the symbols of "2001" -- TO THIS VERY DAY -- cannot be decoded using anything but the most personal, interpretive language. The obelisks, the message of the obelisks, the Star Child, Cosmonaut Dave's "room", HAL-9000's true motivation – all these things remain in our collective subconscious as indelible images that refuse to be concretely defined between or among viewers. WHAT CAUSES THIS CONFLICT OF PERCEPTION? IS IT INTENTIONAL? Again and again, Kubrick's films take us to a No-Man's Land of narrative and moral ambiguity, stranding us, forcing us to make decisions, demanding interpretation (or we can judge the surface, walk away, hate the film). To my perception, Kubrick is the only, true "Brechtian" film director. The device Brecht proposed is "Alienation Effect", or put simply, Leading the audience down two, divergent paths at once. My favorite example is "Barry Lyndon". Being the adventures of a young man, handsome, virtuous, well-meaning, ambitious, full of promise. Yet in every scene, the camera "pulls-back" revealing Barry (but never to himself) to be womanizing, self-absorbed, criminally inclined, socially inept, not very bright, morally bankrupt, and at last, a broken shell of a man. Or let's consider "Strangelove": Did Kubrick really create a headbanger, slapstick comedy about nuclear proliferation, mass destruction, and military/political incompetence? The real question is "Who else could have?" Well, that's my take on Kubrick's artistic sensibility, and, without daring to presume Spielberg's motivation, it's what drew them both to "A.I." Pinocchio, the Blue Fairy, cuddly Teddy Bears on one hand, but on the other hand – social institutions are faltering forever -- parenthood, childhood, science, instry, sexuality -- all distorted beyond repair. And Humans, the ultimate A.I. protagonist, seem blissed-out, in denial, more interested in creating "Davids", "Darlenes" and "Gigolo Joes" than in rising water levels and the imminent threat of extinction. Therefore, I believe A.I. is getting precisely the response all Kubrick films "INITIALLY" get. Spielberg's reputation and career can withstand anything that public perception might bring to his films, but I keep thinking that A.I. is the riskiest moment of his artistic life.

‘伍’ 有哪些与人工智能有关的电影

对于人类而言，人工智能是朋友还是敌人？当 AlphaGo 惊艳世界的同时，人类是否也会震惊地发现，或许，那个具备智慧的机器人与我们对话的时代，并非是只存在电影中的虚幻？推荐5部不容错过人工智能电影，表面上这些电影展现了人工智能的面貌，骨子里探讨的还是他们之于人类的意义。

1、人工智能

《机器人与弗兰克》是2012年美国科幻喜剧电影，由杰克·施雷尔（Jake Schreier）导演，克里斯托弗·福特（Christopher Ford）撰写。这部电影暗示主角通过与机器人的友谊找到相对的和平，与此同时，它拒绝了机器人拥有任何意识的观念，这也许是最有趣的。一部引人入胜的电影，利用机器人的思想作为反映自我的工具，而不是机械他人的奥秘。

‘陆’ 跪求《人工智能》中英双字幕高清电影

你好 你可以到电影天堂下载这部电影 我前段时间看的 网站有这部电影资源的

‘柒’ 电影《人工智能》英文名

《人工智能》（英文名《A.I.: Artificial Intelligence》）
斯皮尔伯格继承大师库布里克遗志，拍摄了这部未来派的科幻史诗影片，裘迪劳和第六感小神童奥士文的机器人造型颇为神奇。
故事发生在二十一世纪，地球因温室效应而令冰山溶化，许多沿海城市被水淹没，人类只有依靠电脑的人工智能来维持生命，同时人类也应用具有人工智能的机器人作各种不同的用途。在其中的一个家庭，一对人类父母收养了小机器人大卫（凯利祖奥士文）作为他们的儿子，给他真人一样的生活。而大卫在人类中长大，开始了一段非比寻常的心路历程…
本片是导演监制于一身的斯皮尔伯格根据电影大师史丹利库布里克生前所留下的八十页剧本改编而成的。影片的故事有点儿象童话皮诺曹的现代科幻版，和2年前罗宾威廉斯的《两百年人》（Bicentennial Man）也有几分相似。而片名 A.I. 是 Artificial Intelligence 的缩写，就是人工智能的意思，影片的全名也应该是 A.I.: Artificial Intelligence。
斯皮尔伯格自98年的《拯救大兵瑞恩》后就一直在犹豫他的下一部作品，他手头的计划包括《艺妓回忆录》(Memoirs of a Geisha)、《印地安那琼斯第四集》(Indiana Jones 4)和《少数派报告》(Minority Report)等。但由于和他有20年交情的库布里克于1999年突然去世，《大开眼界》(Eyes Wide Shut)在无奈中带着一丝遗憾成了大师的绝响，而大师生前最后一个计划也就是本片《A.I.》暂时搁浅，这一突变使得斯皮尔伯格把本片列入了他的计划之中。
斯皮尔伯格于去年初决定继《侏罗纪公园》后再度挑战科幻题材的影片，其中包括向老友致敬的这部《A.I.》和汤姆克鲁斯期待多时的《少数派报告》，两部影片到底谁先胜出一度成了影迷茶余饭后的最佳话题。经过数度周折，斯皮尔伯格最终选择了这部他从未尝试过的未来派风格的科幻史诗影片《A.I.》。(以上均为网络转载）
对本部科幻经典的一切评价都显得苍白空洞，个中寓意万千，只可自己身受。

望及时采纳！