威尼斯商人电影分析的英文

1. 《威尼斯商人》英文简介

简介：Antonio, a merchant of Venice, was a generous rich merchant, which was contrary to Shylock's usury policy.

Antonio's good friend Bassanio asked him to borrow 3000 gold coins because he wanted to propose to Portia, a beautiful girl who inherited a fortune in Belmont.

Antonio had no money left around him. He had to borrow 3000 gold coins from Shylock with his merchant ship that had not returned to Hong Kong as collateral.

Shylock hated Antonio because Antonio lent money without interest, affected the usury instry and insulted himself. He took the opportunity of signing the loan contract to set up a trap and wait for revenge.

威尼斯商人安东尼奥是个宽厚为怀的富商，与另外一位犹太人夏洛克的高利贷政策恰恰相反。

安东尼奥的一位好朋友巴萨尼奥因要向贝尔蒙特的一位继承了万贯家财的美丽女郎鲍西娅求婚，而向他告贷三千块金币，而安东尼奥身边已无余钱，只有向夏洛克以他那尚未回港的商船为抵押品，借三千块金币。

夏洛克因为安东尼奥借钱给人不要利息，影响高利贷行业，又侮辱过自己，所以仇恨安东尼奥，乘签订借款契约之机设下圈套，伺机报复。

2. 威尼斯商人中英文对照简介

《威尼斯商人》 是莎士比亚早期的重要作品，是一部具有极大讽刺性的喜剧。大约作于1596~1597年。剧本的主题是歌颂仁爱、友谊和爱情，同时也反映了资本主义早期商业资产阶级与高利贷者之间的矛盾，表现了作者对资产阶级社会中金钱、法律和宗教等问题的人文主义思想。这部剧作的一个重要文学成就，就是塑造了夏洛克这一惟利是图、冷酷无情的高利贷者的典型形象。
"Merchant of Venice" is an important early works of Shakespeare, is a great satirical comedy. About as in 1596 - 1597. Screenplay sing the theme of love, friendship and love, but also reflects the contradictions of capitalism and usurers early commercial bourgeoisie between the performance of the author of bourgeois society, such as money, legal and religious issues humanism. This plays an important literary achievements, is the shape of the typical image of Shylock the mercenary, heartless usurer.

3. <<威尼斯商人>>这部作品的特点和中心思想要英文的谢谢1000以上 谢谢了

特点
The Merchant of Venice "is an important early works of Shakespeare, is a great irony and comedy. About for years in 1596-1597. The script is the subject of praise love, friendship and love, but also reflects the business of early capitalism and the bourgeoisie sharks conflict between the performance of the authors of bourgeois society, money, legal and religious issues such as the humanistic ideas. It plays an important literary achievement, that is the shape of the mercenary Shylock, the ruthless typical image of sharks.

中心

The Merchant of Venice to help Antonio Basaniao friend married to the Jewish usurer Shylock, by a thousand gold coins. Antonio, Shylock as not to lend money to other people of interest affecting his business, but also an insult to him, the opportunity to revenge, by some casual remark on the expiration of less than three months on money from Antonio cut a pound of body Debt meat. Antonio vessel as a result of the accident, fails to pay back the money, Shylock on the prosecution, it is necessary to carry out by about Antonio.

The main characters

Shylock: he was a representative of usury capital, is the stingy miser. However, be greedy for money of Shylock in this play at the beginning of deviated from its usual practice, not more than the loan repayment times, but useless piece of flesh, this shows the importance of small-minded, very heavy heart revenge, the opportunity to be a case of Crazy to retaliate against him, have to buy rival can not be put to death this shows the ruthless. On other people's verbal abuse Shylock retorted calm self-confidence and attitude to life. After losing three times as he wants to repayment, greedy and stingy nature of the recovery, the miser Nature exposed. He is an out-of demons. At the same time, he is also a Christian in society, the extent of bullying Jews. Antonio, Shylock's revenge on a reasonable and complex motives. Shylock people not only despise his greed, his hatred of cruelty, how much sympathy he suffered racial oppression and humiliation.

Baoxi Ya: This is the author strongly praise the humanist image. She is a wealthy noble of orphan girls. She is learned. There is a new era of self-cultivation of a woman, her elegant style of conversation, wit and courage, in order to aid her husband's friends, Nvbannanzhuang, as a legal adviser to appear in court, ruling the case of Shylock, the courage of insight, Not only to safeguard the dignity of the law and kill the wicked home, to the satisfaction of everyone.

Antonio: He is the emerging bourgeois businessman, he is the author of some of the landscaping. The author wrote his treasure Friendly, in order to borrow money from friends to the usurer grievances and to that end without a death; his magnanimity in the face of Shylock's shameless plot, was grin and bear it; the face of death threats he has as Linweibuju heroes of ancient Rome, Death of the spirit. In short, his body upright. Chongqing. Gentle humanist, and so was the quality of the songs bubble.

Bonnie Xian Nuo: He Jiwuruchou, easy-to-excitement, the subject of ridicule, dare to struggle, and in sharp contrast to Antonio.

Basaniao: honorable. Chongqing re-justice, but do not know how to fight strategy, show more weakness.

Duke: stable kind

4. 谁有《威尼斯商人》的各人物分析（英文的）

下面的是威尼斯商人的个人物分析，希望对你有用

Shylock
Although critics tend to agree that Shylock is The Merchant of Venice’s most noteworthy figure, no consensus has been reached on whether to read him as a bloodthirsty bogeyman, a clownish Jewish stereotype, or a tragic figure whose sense of decency has been fractured by the persecution he enres. Certainly, Shylock is the play’s antagonist, and he is menacing enough to seriously imperil the -happiness of Venice’s businessmen and young lovers alike. Shylock is also, however, a creation of circumstance; even in his single-minded pursuit of a pound of flesh, his frequent mentions of the cruelty he has enred at Christian hands make it hard for us to label him a natural born monster. In one of Shakespeare’s most famous monologues, for example, Shylock argues that Jews are humans and calls his quest for vengeance the proct of lessons taught to him by the cruelty of Venetian citizens. On the other hand, Shylock’s coldly calculated attempt to revenge the wrongs done to him by murdering his persecutor, Antonio, prevents us from viewing him in a primarily positive light. Shakespeare gives us unmistakably human moments, but he often steers us against Shylock as well, painting him as a miserly, cruel, and prosaic figure.

Portia
Quick-witted, wealthy, and beautiful, Portia embodies the virtues that are typical of Shakespeare’s heroines—it is no surprise that she emerges as the antidote to Shylock’s malice. At the beginning of the play, however, we do not see Portia’s potential for initiative and resourcefulness, as she is a near prisoner, feeling herself absolutely bound to follow her father’s dying wishes. This opening appearance, however, proves to be a revealing introction to Portia, who emerges as that rarest of combinations—a free spirit who abides rigidly by rules. Rather than ignoring the stipulations of her father’s will, she watches a stream of suitors pass her by, happy to see these particular suitors go, but sad that she has no choice in the matter. When Bassanio arrives, however, Portia proves herself to be highly resourceful, begging the man she loves to stay a while before picking a chest, and finding loopholes in the will’s provision that we never thought possible. Also, in her defeat of Shylock Portia prevails by applying a more rigid standard than Shylock himself, agreeing that his contract very much entitles him to his pound of flesh, but adding that it does not allow for any loss of blood. Anybody can break the rules, but Portia’s effectiveness comes from her ability to make the law work for her.
Portia rejects the stuffiness that rigid adherence to the law might otherwise suggest. In her courtroom appearance, she vigorously applies the law, but still flouts convention by appearing disguised as a man. After depriving Bassanio of his ring, she stops the prank before it goes to far, but still takes it far enough to berate Bassanio and Graziano for their callousness, and she even insinuates that she has been unfaithful.

Antonio
Although the play’s title refers to him, Antonio is a rather lackluster character. He emerges in Act I, scene i as a hopeless depressive, someone who cannot name the source of his melancholy and who, throughout the course of the play, devolves into a self-pitying lump, unable to muster the energy required to defend himself against execution. Antonio never names the cause of his melancholy, but the evidence seems to point to his being in love, despite his denial of this idea in Act I, scene i. The most likely object of his affection is Bassanio, who takes full advantage of the merchant’s boundless feelings for him. Antonio has risked the entirety of his fortune on overseas trading ventures, yet he agrees to guarantee the potentially lethal loan Bassanio secures from Shylock. In the context of his unrequited and presumably unconsummated relationship with Bassanio, Antonio’s willingness to offer up a pound of his own flesh seems particularly important, signifying a union that grotesquely alludes to the rites of marriage, where two partners become “one flesh.”
Further evidence of the nature of Antonio’s feelings for Bassanio appears later in the play, when Antonio’s proclamations resonate with the hyperbole and self-satisfaction of a doomed lover’s declaration: “Pray God Bassanio come / To see me pay his debt, and then I care not” (III.iii.35–36). Antonio ends the play as happily as he can, restored to wealth even if not delivered into love. Without a mate, he is indeed the “tainted wether”—or castrated ram—of the flock, and he will likely return to his favorite pastime of moping about the streets of Venice (IV.i.113). After all, he has effectively disabled himself from pursuing his other hobby—abusing Shylock—by insisting that the Jew convert to Christianity. Although a sixteenth-century audience might have seen this demand as merciful, as Shylock is saving himself from eternal damnation by converting, we are less likely to be convinced. Not only does Antonio’s reputation as an anti-Semite precede him, but the only instance in the play when he breaks out of his doldrums is his “storm” against Shylock (I.iii.132). In this context, Antonio proves that the dominant threads of his character are melancholy and cruelty.

5. 《威尼斯商人》 人物性格分析（鲍西亚，夏洛克，安东尼） 要英文写的，每个100字左右

夏洛克：靠放高利贷收取高额利息为生， 他惟利是图、狡诈、复仇心重，贪婪、固执、残酷，在这座城市很不受欢迎
Shylock: he earned a living by usury charge high interest, he is mercenary, cunning, vengeful, greedy, stubborn, cruel, and very unpopular in the city
鲍西娅：她聪明、机智而又行事果断，沉着、善良仁慈，充满着人性的光辉
Portia: she is intelligent, witty and to act resolutely, calm, kind-hearted, full of the glory of human nature
安东尼奥：慷慨仁厚，放债不取利息，珍重友谊，不惜为之牺牲生命。
Antonio:he is generous, lend money do not take interest, treasure friendships very much。