英文哥斯拉电影观后感

❶ 恐怖电影的英文影评

以下是以下是 电影十三度凶间的影评 担不是纯恐怖片The following are among the film 13 degrees fierce critics fear is not a pure horror film
We exist because we think we exist. We manipulated the dolls have fun in the play, but I do not know whether someone is manipulating us, while we know nothing about. "Matrix" of creativity has been recognized as derived from the film . "13 degrees between fierce," from the outset, the viewer's heart closely, who killed Fuller? Douglas? As they like, a chain, they have created a virtual world, can Who would have thought the game itself is someone else's doll, his cruise in the virtual world, but manipulated by others are unsure. When one day we discovered the truth, we will not fear ... ... the film set suspense, science fiction, murder in one, while infiltration of the reality of human living space and virtual thinking is absolutely unique Feature Movies. This is a large list 罗兰艾默里克 (Roland Emmerich) making science fiction films, and he directed most of the science fiction film than (Godzilla, what the day after tomorrow), this is one of the most content Department, and most not in effect as the main selling point of the film, said that box office was not successful, but still can not deny the participation of top stars is unsuccessful film, after all, in thinking of those who have gone beyond the director of the explosion of his own m spent a science fiction

This is a self-al awareness regarding human to explore the deep meaning of human existence, science fiction movies, including some of the characteristics of the thriller.

Film began as two lines of subtitles:
"I think, therefore I am.
Reno Descartes 1596-1960 "

Want to come we all know this is a French mathematician and philosopher Descartes's philosophy: "I think therefore I am." This is the story have to say.

Story began in the United States thirty or forty years, an old gentleman wrote a letter, found some things that may lead to fatal disaster, the letter he left a bar bartender, told the bartender Members will have a named person will come to gain the trust of Douglas, then a strange thing happened, the old gentleman had just experienced a similar virtual reality travel in general, return to the reality of 90 years, then suddenly the old gentleman kill, and all the suspects are concentrated in the old gentleman's study
Partners who Douglas.

They are building the virtual world has tens of thousands of independent record of the character most people as real people, in Douglas returned to the system in the old gentleman wanted to be left in the letter, to serve their own cleared when charges, but also found incredible things, bartender secretly open the letter of the old gentleman found his own is the virtual world of virtual characters, although very full and rich emotional life, but he, like other virtual characters, but a bunch of circuits and electronic signals. He was outraged.

The situation continues developing, Douglas found himself in the world is a virtual world, a virtual world technologies to develop their own virtual world only. Even worse, Douglas, and one from the creator of his world's woman of the world fell in love ... ...

I would like everyone reading this is not the film will not help but suspect that our world will not only intelligent beings of some kind of plaything and no more?

But if that is the case, what relationship? If our creator did not come to disturb us, we still had the same crash and lives above the Creator if we can imagine his ability to interfere in our civilization, we can think of some supernatural phenomenon, but Bale . Some day, God fed up to unplug the computer, and I think this is the end of our universe. 我们在操纵着玩偶尽兴的玩乐，却不知是否有人在操纵着我们，而我们却一无所知。《黑客帝国》的创意已经公认是从本片抄袭而得。《十三度凶间》从一开始就紧扣观者的心，谁杀了富勒？道格拉斯？像又不像，环环相扣，自己创造了一个虚拟世界，可谁又想得到，自己却是别人游戏里的玩偶，自己在虚拟世界中游弋，却又被别人操纵着却茫然不知。当有一天我们发现了真相，我们会不会恐惧……本片集悬念、科幻、凶杀于一体，同时渗透对人类生存空间的现实与虚拟的思考，绝对是难得的佳片。 这是一部大片导演罗兰·艾默里克（Roland Emmerich）制做的科幻片，和他导演的大部分科幻片相比（哥斯拉、后天什么的），这部是最有内涵的一部，也是最不以特效为主要卖点的片子，据说票房并不成功，但是仍然不能说没有大牌明星的参与就是不成功的片子，毕竟来说，在思想方面者已经超越了他自己导演的爆米花科幻了
这是一部涉及人类自偶意识，探讨人类存在意义的有深度的科幻电影，其中也包括了一些惊悚片的特征。
电影开始是两行字幕：
“I think, therefore I am.
Reno Descartes 1596-1960”
想来大家都知道这是法国数学家，哲学家笛卡尔的哲学观点：“ 我思故我在”。 这正是这个故事所要说的。
故事开始于三四十年代的美国，一个年老的绅士写了一封信，说发现了一些事，可能会招致杀身之祸，他将信留给了一个酒吧的调酒员，告诉调酒员会有一个叫道格拉斯的人会来取信，后来就发生了奇怪的事情，原来老绅士只不过是经历了一场类似虚拟现实一般的旅行，回到现实的90年代，接着，老绅士突然被杀，而所有的嫌疑都集中在老绅士的研究
伙伴道格拉斯身上。
他们所建造的虚拟世界拥有数以万记的性格独立的如同真实人物一般的人，在道格拉斯回到系统中想要得到老绅士留的信，来为自己洗脱罪名的时候，又发现了不可思议的事，调酒员私自拆开了老绅士的信，发现了自己其实是虚拟世界中的虚拟人物，虽然有非常充实的生活和丰富的情感，但他和其他虚拟人物一样，只是一堆电路和电子信号。他被激怒了。
事态继续发展着，道格拉斯发现自己的世界也是一个虚拟世界，一个自己发展出虚拟世界技术的虚拟世界而已。更要命的是，道格拉斯和一个来自他的世界的创造者的世界的女子相爱了……
我想每一个人看完这不电影，都会情不自禁地怀疑我们的世界会不会也只是某种智慧生物的玩物而已呢？
但如果是这样的话，又有什么关系呢？如果我们的创造者不来打搅我们，我们还是一样过偶们的生活，造物主如果以他的凌驾于我们所能想象的能力来干涉我们文明进程，我们所能想到的不过是一些超自然的现象罢了。有那么一天，造物主厌烦了，把计算机的插头拔掉了，我想这就是我们宇宙的终点了。
我们存在的因为我们认为我们存在。 咒怨影评Grudge film critic
"Grudge" is the Hanyuan who died under the curse, who were doomed to touch, and create new "Grudge" will continue to spread terror death. Tokyo suburbs have a ghastly ghost house, visiting strange Each will be killed or mysteriously disappeared, the legendary owner of a sudden frenzy of big big hair and chopped his wife before committing suicide, 6-year-old son, and never missing, still missing. House of the resentment within the cupola, terrorist emblem set Ken Sui? Visitors. Best female university physiology (Austrian dishes decorated benefits) e to volunteer accidentally entered within a large house, they discovered a mysterious strange boy suddenly appeared but then disappeared. At this point, good start to experience strange reason, everyone around him has also been implicated in the tragic death of more than one by one, the terrorist thing after another, and endless ... ...

Adds the new Japanese family members of terror

Japanese horror cinema in Asia are still to world cinema occupies an important position, "The Ring" and other classic horror films are branded with the Japanese national character inherent in the film. It is this distinctive national characteristics, and it has long been the de facto mode of movement to maintain a considerable distance. The most significant is that it is not Hollywood movies shown over-reliance on technology, but also not easy to film to achieve the goal of easy to understand way of deliberately seeking concise narrative flow, instead, it uses a relatively primitive film language unique to the Japanese film culture, steady and cool to describe the occurrence of ghost stories. Outstanding performance of artistic conception of the building, suspense, foreshadowing, the audience throughout the story are being led by the nose, with the plot development, psychological tension graally increased, unable to stop. Sadako ("The Ring"), Tomie ("Tomie") and other screen images have madness in Asia, make the audience frightened also surprised. "The Grudge" will be in Japan soon as he painted a large high-profile and reputation on the subject as quickly as they spread terror nationwide, the skin was gray stone, with two empty Sadako boys become the classic horror image after another.

"The Grudge" in the Hollywood screening of a large number of film companies have won the favor, "Spider-Man" director Sen. Remy is claimed that: "I have never seen such a horror movie! Shimizu's horror is not too aggressive Sung, and his unique style of exception; the Hollywood horror film has never reached the level of such state, terrorist Jingxia De viewers no breathing space. "

Shimizu Chong horror film new directors

Shimizu Sung was born in 1972 in Japan, Kinki University, majoring in drama and the arts after graation went to Kyoto alone in the theater as part-time, began writing their own script. , He continued to participate in a number of independent films and theater work. In 1995, his play "sleeping man" when the clothing assistant. He then moved to Tokyo to work as a number of television and video proction freelance assistant director. In 1997 he became assistant director ring the first class admitted to the Tokyo Film School. In 1998 graated from a three-minute video, brought him a golden opportunity, in "The Ring" screenwriter Takahashi foreign and "provoke a ghost loop," the director Blackpool clear height of referrals, he is involved in terrorist Kansai TV play " strange school on G ", fame.

In 1999, Shimizu haunting Video Edition to create two "Grudge" and "The Grudge 2" and popular in Japan released a video released just sold, Who knows just introced in Japan had been startled audience, horror stories of the extent caused by temporary , while the national hot even been highly praised. Chong for clean water, "The Ring" in the Tian Xiufu Japanese horror master evaluation is: "water people I know worship is one of the most stringent, especially for himself. When I saw him on television virgin works it was that piece of the atmosphere of terror and scare scenarios and a unique ending big surprise, he is definitely a master of Japanese horror film. "

❷ 电影《哥斯拉》剧情简介

中文名称：哥斯拉
英文名称：Godzilla
资源类型：DVDRip
发行时间：1998年05月20日
地区：美国
语言：英语
◆ 片 名：哥斯拉 / 英文：Godzilla / 港译：哥斯拉
◆ 导 演：罗兰·艾默里克（Roland Emmerich）
◆ 主 演：马修·布罗德里克（Matthew Broderick） 让·雷诺（Jean Reno） Maria Pitillo
◆ 类 型：惊悚（Thriller） 动作（Action） 科幻（Sci-Fi）
◆ 国家地区：USA
◆ 发行公司：索尼（Sony） 三星（TriStar）
◆ 首映日期：1998年5月20日
◆ 制作公司：三星（TriStar）
◆ 制作成本：$12500 + $0 (单位：百万美元)
◆ 首映票房：$44,047,541.00 (单位：美元)
◆ MPAA定级：PG-13 级
◆ 全美票房：$136,314,294.00 (单位：美元)
◆ 海外票房：$239,800,000.00 (单位：美元)
◆ 片 长：140 分钟
内容简介：讲述了一个完全不同的故事：因为核试验气候异常，使一个高90英尺的庞大怪物复活，整个纽约陷入一片混乱。科学家、新闻记者、电视台摄影师、军人和保险公司的核查员，联合起来对付它。因为它造成的恐慌和破坏实在太大了，如不加制止，它所到之处全都将化成废墟。哥斯拉的造型和全片的视觉特效令制作人颇费了一番工作，因为导演不起用已有的模型，而是要在原有特色的基础上有所创新。

❸ 用英语介绍电影哥斯拉70词

five words: I did not watch it.

❹ 《哥斯拉2:怪兽之王》观后感

城市里又又又闹怪兽了，然而这次并没有奥特曼，也没有所谓光明阵营和黑暗阵营相互纠缠的是是非非，有的只是谁的拳头硬，谁就是老大的公理。 

很明显，电影中哥斯拉老大的拳头最硬，而基多拉表现靓眼，却已是昨日黄花。如果将人类这一大整体看做是个巨兽，它很好地起到了拖后腿的作用，甚至是个随时会和老大翻脸的二五仔设定。 

人类之中当然不乏能够看透怪兽与人类关系的存在，比如艾玛博士认为这些怪兽是恢复地球秩序和平衡的唯一途径，芹泽教授认为人类应该和这些怪兽和平共处等等。但是单个人的存在并不能改变人类社会这个整体的智能，不管是军方用“氧气毁灭者”将哥斯拉打致重伤的臭棋，还是又最后决定用核弹唤醒哥斯拉，抽象地来看，所起的作用跟一头暂且臣服于哥斯拉的巨兽没啥区别。 

电影中基多拉的设定是来自外太空的入侵生物，自地球来说，它的确破坏了秩序与平衡，然而自宇宙来看，这不过是更大自然之中的一个小小波澜，并不能因此定义它是邪恶的。如果偏要理清一个邪恶的对象，人类恰到好处地提名邪恶的称号。  所有的怪兽都是因为人类核试验造成的核辐射而苏醒的，所有的一切都是人类自食恶果。在近几百年社会发展地太快了，以致在自然面前已经缺乏了最低限度的敬畏，变地傲慢。七宗罪里面最大的罪恶便是傲慢，因为傲慢会让人们无法认清自己，自已为是。殊不知“人在做，天在看。”比人类处在更高位阶的自然会以它的方式惩罚人类。所谓怪兽，在我看来，不过是这些惩罚的具象。

剧中哥斯拉是站在人类这头的，然而最后万兽臣服的场面却提醒我们，哥斯拉嘴中的原子吐息随时会奔人类而来。人类亲手造就的，最终还是要人类来偿还。人类与怪兽相比并不高尚。导演要告诉我们的，或许就是这个道理。

❺ 哥斯拉的观后感100字

影片讲述了有一只以核辐射能为食，名叫MUTO的怪兽从菲律宾的一个神秘洞穴逃到了日本，造成了日本一家核电厂的事故，男主人公的母亲在故事中丧身。十五年后男主人的父亲发现那次事故并不是普通的核电厂事故，于是去追查真相。虽然最后他们找到了当年事故的真正原因，但是男主的父亲还是死于了破茧而出的MUTO之手。
这只在日本生长的雄性MUTO飞跃太平洋去美国，原因是它要找到在那里休眠的雌性MUTO交配。在它飞去美国的途中，它把它的宿敌——怪兽之王——哥斯拉唤醒了。于是除了人类想用热兵器消灭这些怪兽外，这些怪兽自己也在内斗。
影片的结尾，MOTO所产的卵全部被男主人公销毁，而雌雄MUTO则死于哥斯拉之手。怪兽之王哥斯拉做完这一切后，又回归大海去了。
影片中的特效秉承了好莱坞电影的一惯技巧，简单来说就是中国再加五年也赶不上，但是也并不是特别出彩，或者有什么意外之喜（也有可能是我们看了太多美国大片）。怪兽所处、所到之处，城市破坏，交通瘫痪，人们四处逃难，还有在夏威夷的海啸，海浪卷过来把一切卷没的那种感觉，做得非常棒。

❻ 哥斯拉大战金刚观后感

看完一部作品后，这次观看让你有什么体会呢？让我们好好写份观后感，把你的收获感想写下来吧。可能你现在毫无头绪吧，以下是我为大家收集的哥斯拉大战金刚观后感范文，希望能够帮助到大家。

哥斯拉大战金刚观后感1

上周五晚上，我和朋友去看了一场电影，名叫《哥斯拉大战金刚》，看完以后，我既感到震撼，又感到回味无穷，与之俱来的还有看完以后的感悟。

这部影片讲述了金刚、哥斯拉两大远古巨兽之间的战争，他们要拼一个你死我活，都想成为世界上最强大的那一个，他们不止一次相遇，一遇见就会发生战争，最后一次他们的战争，哥斯拉赢了，金刚差点去领“盒饭”时，人类又一次救活了他（主角光环效应）。这时它看见哥斯拉正和一个人类制造的机制哥斯拉斗（机械哥斯拉失去控制，拥有了独立意识），在哥斯拉奄奄一息的'时候，拼尽全力给金刚从“老家”拿来的能量斧充了能，联手打败了机械哥斯拉，随后，他们握手言和，不再打架，金刚还待在陆地上，哥斯拉回大海了。

通过这部电影我明白了，其实在某种情况下，就算两个人有深仇大恨也可以握手言和，和平相处，更何况我们这些小孩呢？互相不可能有什么深仇大沙恨，那为什为么有些时候同学之间打起架来拉都拉不开，拦都拦不住呢？有时打架的同学嫌这些拉架的同学烦人，对他们大打出手，这又是为何呢？更何况，这有时可能只是一场误会，甚至是一点鸡毛蒜皮的小事，导致了这样的后果。你看人家电影中的金刚和哥斯拉，他们之间有那么多的仇怨，虽然中间他们也发生了战争，但是最后他们不还是和好了吗？

所以同学们，我们要做一个心胸宽广，不斤斤计较的人。

哥斯拉大战金刚观后感2

看这个电影之前其实没那么大的期待，因为光看名字就觉得应该是特效大于内容的电影，之前虽然金刚和哥斯拉都看过一些，但是他们打在一起的还是头一次看。

可能是因为我对这部电影的预期不高，所以还是给了我一些惊喜的。比如我没想到他们通往地心的路上能看到那样奇幻的风景，比如我没想到最后居然是金刚和哥斯拉一起对抗机械哥斯拉。我一直都蛮喜欢看科幻片的，科幻片就像是人类的梦想。很多从前的科幻片现在都成为了现实，人们登上了月球，潜入到了一万米深的海沟。有谁能确定电影里那艘飞往地心的飞船在未来就一定不能实现呢？

在人类的梦想面前，希望我们可以放下偏见，无论种族，地域一起为了人类共同的梦想而努力。