007电影英文介绍ppt
① 007系列电影指什么FBI又指什么
007是英国军情六局
军情六局全称英国陆军情报六局（MI6=Military Intelligence 6），又称秘密情报局，缩写为SIS，代号为MI6。 军情六处(英国负责海外谍报工作的部门)，对外又称“政府电信局”或“英国外交部常务次官办事处”。西方情报界把MI6看成是英国情报机关的“开山祖师”，从伊丽莎白的开创初期至今，它和它的前身都是严格保密的，也称秘密情报处，原为英国情报机构海外谍报系统。
FBI是美国联邦调查局
美国联邦调查局，英文全称Federal Bureau of Investigation，英文缩写FBI。但“FBI”也不仅是局称的缩写，还代表着联邦调查局坚持贯彻的信条——忠诚Fidelity，勇敢Bravery和正直Integrity，是联邦警察。
② 007电影简介
In the late 1950s, EON Proctions guaranteed the film adaptation rights for every 007 novel except for Casino Royale. In 1962, the first adaptation was made with Dr. No, which starred Sean Connery as 007. Connery starred in 6 more films after his initial portrayal. George Lazenby replaced Connery before the latter's last EON film, after which the part was played by Roger Moore, Timothy Dalton, Pierce Brosnan and Daniel Craig. As of 2008, there have been 22 films in the EON series. The 21st film, Casino Royale, with Daniel Craig as James Bond, premiered on 14 November 2006, with the film going on general release in Asia and the Middle East the following day. Notably, it is the first Bond film to be released in China. The second James Bond film to feature Daniel Craig is Quantum of Solace, which gets its title from a short story of the same name by Ian Fleming, but shares no similarities with the plot. Daniel Craig is expected to return as James Bond for a third movie in the as yet unnamed "Bond 23."
③ 007英语介绍
When we last spied James Bond, at the end of the forceful if oddly-structured Casino Royale, he announced his name while pointing a submachine gun into the sky above Lake Como. The image said: he's back, and nothing if not well-endowed.
Quantum of Solace begins minutes later, with the elusive killer Mr White (Jesper Christensen) now in the boot of Bond's Aston Martin, and a breakneck pursuit in progress which makes claims of a different kind for this new Bond and his supersized franchise.
This film catches Ian Fleming's hero on the run, keeps him running, and zips along with a jolting, almost offensive velocity, catching its ragged breath in the rare opportunity for dialogue. Fans of the series who like to slow down and savour the scenery, enjoying a drip-feed of dodgy innuendo, may consider this a rude awakening - it's the shortest Bond movie to date, and easily the most terse.
But consider how many of the pictures, to include Casino Royale, run out of steam as they drag themselves across the two hour mark, if not long before. Quantum of Solace may hurtle through its own (sketchy) plot as if it's not quite the point - there have been more satisfying narrative pay-offs than we get here - but its best sequences bring you up short in the best way, adding up to the giddiest straight ride since The Living Daylights.
In a career filled with diligent but pedestrian Oscar-t (Monster's Ball, Finding Neverland), it's a true surprise that director Marc Forster has come up with the goods as often as he does. Working with many of the action crew, among them editor Richard Pearson, who made the Bourne series so snappy and exhilarating, he closes in on the set pieces with refreshingly creative skill.
The starting point can be nonsense - when Mr White, murderer of Eva Green's Vesper Lynd, is sprung from captivity in a ngeon beneath Siena, it's too, too Bond that it happens to be on the day, hour and very minute of the Palio horse race.
The gambit of cross-cutting from bolting nags to scarpering baddies starts out strident and doesn't seem necessary. But Forster is biding his time with this skittish prelude: we emerge into the crowd for a chase on foot, across rooftops, and down some scaffolding in a church, and the ensuing scramble with ropes, swinging girders, and out-of-reach revolvers leaves you gasping with its constricted tension and vertigo.
It's briefly to London for some Paul Haggis-scripted soundbites about our changing planet, and then to Haiti, where we meet pouting Bolivian agent Camille (Olga Kurylenko) and villain jour Dominic Greene (Mathieu Amalric), a petulant eco-criminal busily finessing the oil and water reserves of South America for his own gain. Amalric, who with every goggle-eyed smirk cements his credentials to star in a Roman Polanski biopic, brings a wickedly childish spite to this role, certainly proving a more interesting foil to Bond than his latest foxy-but-cross female sidekick.
James, of course, is still hung up over the betrayal and demise of Vesper in the last instalment, motivating a morose six-martini binge while he's flying across the Atlantic, as well as his avoidance here of any serious entanglements, save those in stray lengths of rope dangling from the roofs of Tuscan churches. He isn't alone: Camille, having had her family raped and burnt alive by a deposed Bolivian dictator, also has her mind on other things. Instead, there's a just-for-fun fling with MI6 emissary Gemma Arterton, who pitches up looking like a John le Carré strippogram in a trenchcoat, and exits in a homage to Shirley Goldfinger Eaton which had me reaching for bad oil puns. Crude? Unrefined? It's not exactly slick.
What's clever, and slick, and even a little ingenious about the movie, though, is how it postpones Bond's Vesper vendetta by submerging it beneath his present tasks - he gets an angry kick out of scuttling this international cabal of utility profiteers, who in the barmiest conceit get to negotiate through earpieces while seated for a state-of-the-art proction of Tosca.
If there was any remaining doubt that the world is bartered and sold by people who can afford opera tickets, it's roundly dispelled, though how Amalric persuades his backers that Haiti, of all places, is some kind of model example for neocapitalist progress leaves us just a little foxed. "I don't give a s--- about the CIA," announces Judi Dench, inimitably, but it's not the best line in the movie: those are all the ones on Daniel Craig's face, particularly the deep vertical groove between his eyebrows when he's found yet another score to settle.
Quantum of Solace offers next to no solace, if we mean respite, but in plunging its hero into a revenge-displacement grudge mission, it has the compensation of a rock-solid dramatic idea, and the intelligence to run and run with it.
2
Pleasurable and Satisfying
Be prepared for a few changes in this new entry of the Bond canon. James Bond is back, and this time it’s extremely personal. The rugged, harsh, and rough agent picks up exactly where he left off in another striking thriller that leaves you feeling exhausted, if not exhilarated.
Up to this time, the Bond canon entries have been a series, but Quantum of Solace is actually a sequel. Still raged by the death of Vesper Lynd in Siena, bereaved and blooded James Bond (Daniel Craig), goes after the shady international organization he holds responsible, even when M (Judi Dench) orders him to stand down. As promised at the end of Casino Royale, the film opens with a spectacular car chase before the revelation that Quantum, with agents in Her Majesty’s Government and the CIA, the organization that blackmailed Vesper, is far more labyrinthine and intricate, let alone momentous and far-ranging than anyone had imagined.
Forensic evidence of an MI6 traitor leads him to Haiti, where he meets Camille (Olga Kurylenko), who then helps him find ruthless businessman Dominic Greene (Mathieu Amalric) who is the chairman of Greene Planet, the legitimate cover for Quantum. His intention is to use his government contacts to help overthrow the current regime in Bolivia, and place the exiled General Medrano (Joaquin Cosio) as the head of state. In exchange, The General will give him a barren piece of land, which will actually give them total control of the nation’s water supply. Hazardously mixing revenge and ty, Bond promptly gets involved with Greene’s mistress, the beautiful yet mysterious Camille, when he saves her from an attempt on her life. However, Camille has a her own mission of vengeance so they team up to take down Greene and General Medrano while keeping one step ahead of both the CIA and MI6, which involves the action ripping across Austria, Italy, and South America. Meanwhile, Bond must try to keep his desire for retribution over Vesper Lynd’s death in check.
There’s still a sense at the end that Bond’s mission has scarcely begun and he’ll need a few more Bond canon entries to work his way up to annihilating the obviously indestructible Quantum organization. What makes Quantum of Solace captivating, compelling, and appealing is that this is the first of the 22 Bond movies where the plot flows in a natural and structural manner from the last installment, and this sequel looks a far stronger picture for this rare connected whole.
By far, there’s no better actor at bottling rage than Craig. He continues to be his own man as Bond, not just because he is a darker and more bare-knuckle Bond than any of previous Bonds. Having finally settled into the role of Bond, does Craig not only make it completely his own, but also brings a slightly softer side that his elegant predecessors have been deficient in. Never before have we seen him tenderly hugging a dying male comrade before disposing of his corpse in a mpster. Bond in this sequel is also human enough to start worrying about how regularly his girlfriends get killed. Moreover, viewers get to question his motives for pursuing a crusade. Is he being ultimately altruistic to helping drought-deteriorated Bolivian peasants? Or is he totally selfish to get his own back on the one directly accountable for Vesper’s predicament? Keep in mind that this is Bond at the beginning of his journey. Predictably, Craig will become the most popular 007 with the younger generation.
Stealthy and sensuous Kurylenko is superb as stunning Camille and her inexorable and determined quest for vendetta leads to one of the best scenes where Bond advises her on professionally assassinating the extremely unpleasant would-be dictator who slaughtered her family. She wants to bring to a bloody conclusion, with or without the hero’s help. She is in fact so fixed on murdering her enemy that she practically should not be counted as a Bond girl. Though given awfully little screen time, Arterton is equally good as effortlessly foxy Agent Fields who appeals to the better side of the wounded anti-romantic. There’s also decisively excellent work from Dench as witheringly unimpressed boss M and strong support from Wright and Giannini. All memorable Bond adversaries are amply endowed with unconventional and peculiar behaviors and Greene is no exception. As Greene, he is a suitably repulsive character and Amalric exemplifies a wonderfully humble conceitedness as the hypocritically earnest environmentalist.
In spite of its minor flaws, Quantum of Solace, a visually imaginative follow-up to the series relaunch, to much the same level of quality as Casino Royale, remains overall pleasurable and satisfying with strong performances, a realistically uncompromising script, and intense Bourne-modeled action sequences. It continues Craig’s authentic and conceivable reinvention of the character and throws him into an all scenario of concrete plausibility against an indistinct, deeply secret organization that bypasses politics and democracy to control economies, governments and necessary resources. And, as usual, no one but 007 can stop them.
3
Starring Daniel Craig, Eva Green, Mads Mikkelsen, Judi Dench, Giancarlo Giannini and Jeffrey Wright. Directed by Martin Campbell. 144 minutes. At major theatres. PG
You have to wait for it. And that's hardly surprising because so much of the glorious Casino Royale is a departure from past 007 movies.
But when newcomer Daniel Craig finally identifies himself as "Bond. James Bond" late in the picture, you might well find yourself sharing his satisfied smile.
By this point he's more than proven himself worthy of the name, vanquishing not just innumerable foes but also doubts about his suitability for the role. In the Internet age, everybody's spitball has a global reach.
It is one of the curiosities of moviedom that even though we know James Bond to be a fictional character, the most storied of British spies, we have grown to think of him as a real person. We act as if the reassigning of 007's licence to kill should require Parliament's approval, or a least a wave from the Queen.
And yet each age gets the James Bond it needs, regardless of welcome. Sean Connery launched the series in 1962 and defined the Swinging Sixties style of heroism and hedonism. Roger Moore went for the tongue-in-cheek swagger that typified the 1970s and early 1980s. Pierce Brosnan sought to bring a serious actor's gravity to more recent times — at least until the sex puns got the better of him. (Let's leave aside the brief interregnums of George Lazenby and Timothy Dalton, which matter not.)
Now comes Craig, the first real 007 of the post-9/11 era. The debate will continue as to who constitutes the best Bond, but there's no question that he is the right Bond for these times.
It's a world where shadowy terrorists no longer live elsewhere, where wars are fought for murky reasons and where even a humble pop bottle represents potential airborne disaster, doomsday visions are no longer confined to the movie screen and nationhood, and patriotism, seek new definitions.
This is something author Ian Fleming realized with uncanny prescience back in 1953 when he launched the legacy with the publication of Casino Royale, introcing Bond as a man of strength and style, but also possessed of self-awareness. A man astute enough to observe that, "History is moving pretty quickly these days and the heroes and villains keep on changing parts."
The rough-hewn Craig is the most credible incarnation to date of Fleming's flawed sleuth. His Bond stalks and kills like the "blunt instrument," as Judi Dench's spy boss M describes him, yet he is human enough to bleed from both the body and the heart. Craig isn't pretty — he "impersonates the ugly," as was once said of rocker Rod Stewart — but intelligence and depth reside behind those cold, blue eyes.
He meshes beautifully with the other players and elements of Casino Royale, which returning director Martin Campbell (GoldenEye) directs with a maximum of intensity and a minimum of pretense, aided by an uncommonly smart screenplay by Neal Purvis, Robert Wade and Paul Haggis, who pay e tribute to Fleming.
Gone or reshaped are most of the conceits that have made Bond movies seem like an exercise in parody and nostalgia.
There is no kitten-stroking villain in an island lair, plotting to blow up the world or to claim the sun, the moon and the stars as his own. Instead we get Mads Mikkelsen's suavely chilling Le Chiffre, an obsessive gambler who brokers financial deals with terrorists to fund his adventures at the poker table. Le Chiffre's main quirk, apart from a penchant for torture, is a tear ct that involuntarily bleeds. "Nothing sinister," he assures us.
The femmes are not quite as fatale as in Bonds past. Eva Green's spy accountant Vesper Lynd and Caterina Murino's flirtatious foil Solange are every bit as beautiful as Bond girls go, but they aren't out to prove their own killer instincts. Yet they are more intriguing and alluring than ever before.
And, for the most part, they have to keep those bikinis unfilled and those bedroom eyes wide open, because this Bond isn't wasting time making idle love. Craig's 007 is undeniably virile, but he's paradoxically the least sex-crazed of Bonds since David Niven's satirical elder incarnation was embarrassing the franchise with the rogue Casino Royale movie romp of 1967. (Freudian analysts will have a field day parsing a torture scene where 007's manhood is more than just shaken and stirred.)
Craig's Bond sprints faster — gasp at an early chase scene with parkour (free running) champ Sébastien Foucan as a fleet-footed bomb-maker — and fights harder than any of his predecessors. He loves harder, too, being the first Bond since Lazenby's cerebral spy of On Her Majesty's Secret Service to make a serious commitment to a woman.
The gadgets this time are modest and realistic, just enough to fill the glove compartment of Bond's trusty Aston Martin, which is nowhere near as tricked-out as usual. There is no hapless Q (farewell, John Cleese) to admonish Bond for being reckless with government property.
There is still M, played by Judi Dench as she has since GoldenEye, and finally given a script worthy of her talents. She is much more involved in Bond's training and development, having promoted him to "00" status despite misgivings about his judgment and his apparent inability to rein in his ego.
The above may make Casino Royale sound like serious dramatic fare. It is indeed, and all the better for it.
But director Campbell retains the exotic locales, zipping from Madagascar to Miami to Montenegro, to relieve the potential claustrophobia of the gaming tables that consume much of the story.
There is also humour to savour, although none of the sniggering sex talk that for too long has made Bond seem like a Playboy cartoon character. The wit is often visual: check out the age of the man in M's bed, when she is rudely roused from her slumber, and watch the reaction of the rich oaf who arrogantly mistakes Bond for a parking valet.
Follow the raised eyebrows of Jeffrey Wright's CIA mole Felix Leiter and Giancarlo Giannini's MI6 undercover man Mathis, as they try to figure out exactly what Bond is up to. They are standouts amongst an excellent supporting cast.
④ 急！急!急!007英文简介三分钟左右，尽量简单一点
Royal Navy Commander James Bond, CMG, RNVR, is a fictional character created by British journalist and novelist Ian Fleming in 1953. He is the protagonist of the James Bond series of novels, films, comics and video games. Fleming wrote twelve Bond novels and two short story collections before his death, although the last two books—The Man with the Golden Gun and Octopussy and The Living Daylights—were published posthumously.
The Bond character is a Secret Service agent, code number 007, residing in London but active internationally. Bond was a composite character who was based on a number of commandos whom Fleming knew ring his service in the Naval Intelligence Division ring World War II, to whom Fleming added his own style and a number of his own tastes; Bond's name was appropriated from American ornithologist James Bond. Bond has a number of character traits which run throughout the books, including an enjoyment of cars, a love of food and drink, and an average intake of sixty custom-made cigarettes a day.
Since Fleming's death in 1964, there have been other authorised writers of Bond material, including John Gardner, who wrote fourteen novels and two novelizations and Raymond Benson, who wrote six novels, three novelizations and three short stories. There have also been other authors who wrote one book each, Kingsley Amis (writing as Robert Markham),Sebastian Faulks, Jeffery Deaver and William Boyd, with a further instalment e in September 2015 by Anthony Horowitz. Additionally a series of novels based on Bond's youth—Young Bond—was written by Charlie Higson.
As spin-offs from the literary works, there was a television adaptation of the first novel, Casino Royale, in which Bond was played as an American agent. A comic strip series also ran in the Daily Express newspaper. There have been 25 Bond films; seven actors have played Bond in these films.
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⑤ 《007：无暇赴死》：一个叫邦德的男人，和观众告别的故事
时间过得很快，丹尼尔·克雷格已经饰演了十几年的詹姆斯·邦德了，他也为我们贡献了5部007电影，在他的最后一部《007：无暇赴死》中，他为我们呈现了一个有血有肉、充满温情、不一样的邦德，也给自己的邦德生涯写上了圆满的句号。
我们先来回顾一下前4部《007》影片，分别是《皇家赌场》、《大破量子危机》、《大破天幕危机》和《幽灵党》，我总结每部的主旨分别为：爱人的背叛、特工的平常任务、童年的回忆、兄弟的报复。
《皇家赌场》中出现了一个非常重要的“邦女郎”，也就是伊娃·格林饰演的维斯帕·琳达，这是邦德真正爱过的女人，甚至已经为了和她一起生活写好了辞职信，但邦德遭到了她的背叛，从此不再相信任何人，并且琳达也在邦德心中留下了永久的印记。
《大破量子危机》讲述了反派妄图对自然资源进行控制，最终被邦德成功解决的故事。
《大破天幕危机》里邦德回到了童年的住所天幕庄园，但是在这里她也失去了如同母亲一样的上司M夫人。
《幽灵党》是一部承前启后的作品，交代了前几部中反派都来自幽灵党，并且遇到了他的爱人玛德琳·斯旺医生，而反派则是自己没有血缘关系的兄弟——养父的儿子，最终也将他抓进了监狱。
到了《无暇赴死》，所有的疑惑和谜团都将一一揭开，这5部电影前后串联，使得克雷格版007不同于以往的007系列电影那样部与部之间没有关联，而是一个赋予了邦德成长经历的系列电影。
不一样的第一点来自于演员本身，丹尼尔·克雷格是第一位金发邦德演员，不够俊俏不够优雅的外形也让他最初备受质疑，甚至有专门反对他饰演邦德的网站出现，但是在《皇家赌场》大获成功后，风评立马扭转，大家都认可了这位“不够邦德”的邦德，惊叹于他的演技、惊叹于他健硕的身材也为他的敬业感到钦佩。丹尼尔·克雷格本身有恐高，但是大家一定记得《皇家赌场》中精彩的吊车追逐戏，克雷格克服了自己的恐惧，呈现了极为精彩的打戏。
《大破量子危机》开头精彩的追车戏，从准备到拍摄完成时间总计长达数个月，丹尼尔·克雷格本人脸部、手臂、肩膀甚至手指都有不同程度的受伤，拍摄最终也顺利完成。
而《幽灵党》拍摄期间，丹尼尔·克雷格的腿摔断了，其实可以选择停拍九个月去接受手术，但是丹尼尔·克雷格选择了用仿生腿坚持拍摄，才有这一部《幽灵党》，可以说从质疑到喜爱，丹尼尔·克雷格用自己的实力赢得了观众的青睐。
不一样的第二点则是这5部电影贡献了一个前所未有的丰满的邦德形象，五部007，邦德经历过爱情、背叛、死亡，作为特工的邦德在不断成长，各种经历也使得邦德的个人形象从未如此立体鲜活。
在《无暇赴死》中，邦德甚至有了自己的家庭，他不再是冷血的，不再是那个只会执行任务的MI6特工，他是一个人，一个真正有血有肉的男人，这是克雷格007系列的一大突破，也是让影迷们如此热爱的原因。
“No Time To Die”，是这部电影的英文名，中文翻译为“无暇赴死”，讲讲我个人的理解：作为特工的007，肩负着各种各样的重任，他们的身份决定了他们不能轻易丢失性命，因为国家安危还需要他们来守护，这是第一层意思；第二层意思则是对丹尼尔·克雷格的致敬，虽然这是他出演的最后一部007电影，电影中的邦德也没有一个所谓的happy ending，但是克雷格为我们带来的邦德形象不会就此消失，而是会永远留在我们这一代影迷心中。
回到电影本身，其实电影能够拍出来就很不容易，因为《幽灵党》拍摄时克雷格腿摔断了，坚持拍完《幽灵党》后，克雷格自己也准备卸任了，但出于对邦德的留恋，他还是决定出演最后一部007。但是拍摄期间，电影经历了克雷格受伤，剧本更改，变换导演，更改电影名等一系列难关后，终于在大荧幕上与全球影迷见面。
电影整体是不错的，有007系列一贯的制作水准，一流的运镜，华丽的场景，惊心动魄的剧情，当然最重要的是讲好了一个故事，拍活了一个人。最让人动情的莫过于小岛上的剧情，在那里邦德在对女007介绍玛德琳·斯旺和马蒂尔德二人时，无声地说了一句“他们是我的家人”，终于在邦德的世界里有了可以信赖、可以依靠，需要保护的人，他可以为了他们牺牲自己，站在天台上，邦德眼中是不舍、遗憾也是解脱，我相信此情此景下没有任何一位影迷不潸然泪下。
但是电影缺点也是存在的，最大的缺点就是拖沓，电影出现了许多不必要的对话，既没有推动剧情发展，也没有让主题更宏大，而这些拖沓的地方影响了节奏的发展，使一部本应该快节奏的特工电影变得有些乏味，甚至坐立难安，但这并不影响我们对这一部《无暇赴死》的喜爱。
丹尼尔·克雷格在这次真的要告别我们了，对于下一任007的扮演者也是众说纷纭，其中大家可能会对这次的女版007很在意，但是克雷格回应道：“她们值得更好的角色”，其实大家不必担忧下一任会是谁，就像电影中所说“007只是一个数字而已”，真正能够留在观众心中的是邦德这一人物，007只是一个代号罢了，希望会有更多的007电影出现，来记录这位叫作邦德的男人的精彩故事。
⑥ 美国007系列电影
摘至网络
电影海报(10张)中文名称：择日再死
英文名称：Die another day
别名：改天再死/谁与争锋/不日杀机/择日而亡/不日而亡
版本：思路.WMV.1080P.DTS双声轨版[HDTV-RE]；007系列第20部电影
发行时间：2002年11月18日
电影导演：李·塔玛霍利 Lee Tamahori
电影演员：
皮尔斯·布鲁斯南Pierce Brosnan
麦当娜Madonna
迈克尔·麦德逊 Michael Madsen
哈利·贝瑞Halle Berry
罗莎蒙德·派克Rosamund Pike
朱迪·丹克Judi Dench
约翰克立斯John Cleese
曾江
Simón Andreu
Samantha Bond
地区：美国 英国 ( 拍摄地 )
语言：英语
上 映：2002年11月18日 ( 英国 )
对 白：英语 西班牙语 粤语 朝鲜语
颜 色：彩色
声 音：SDDS Dolby EX 6.1 DTS-ES
时 长：133 分钟
类 型：惊悚 冒险 动作
分 级：西班牙：13 阿根廷：13 德国：12 葡萄牙：M/12 澳大利亚：M 瑞典：11 美国：PG-13 英国：12
发行公司：米高梅
编辑本段
演职员表
演员表
角色 演员
James Bond 皮尔斯·布鲁斯南/Pierce Brosnan
Jinx 哈莉·贝瑞/Halle Berry
Miranda Frost 罗莎曼德·派克/Rosamund Pike
Gustav Graves 托比·斯蒂芬斯/Toby Stephens
Zao 尹成植
M 朱迪·丹奇/Judi Dench
Q 约翰·克立斯/John Cleese
Damian Falco 迈克尔·马德森/Michael Madsen
Colonel Moon 威尔·尹·李/Will Yun Lee
General Moon 曾江
Korean Guard (uncredited) 何健民
Verity (uncredited) 麦当娜
Raoul 埃米利洛·艾切瓦利亚/Emilio Echevarría
Vlad (as Michael Gorevoy) Mikhail Gorevoy
Mr. Kil Lawrence Makoare
Charles Robinson 科林·萨尔蒙/Colin Salmon
Miss Moneypenny 萨曼莎·邦德/Samantha Bond
Snooty Desk Clerk Ben Wee
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职员表
制作人 芭芭拉·布洛柯里/Barbara Broccoli；Callum McDougall；安东尼·韦恩/Anthony Waye；迈克尔·G·威尔逊/Michael G. Wilson
导演 李·塔玛霍瑞/Lee Tamahori
副导演（助理） James Armstrong；维克·阿姆斯特朗/Vic Armstrong；Ben Burt；Gerry Gavigan；José María González Sinde；Richard Goodwin
编剧 伊安·弗莱明/Ian Fleming；尼尔·珀维斯/Neal Purvis；罗伯特·维德/Robert Wade
摄影 大卫·塔特萨尔/David Tattersall
配乐 大卫·阿诺德/David Arnold
剪辑 Andrew MacRitchie；Christian Wagner
艺术指导 彼得·拉蒙特/Peter Lamont
美术设计 Ken Court；詹姆斯·汉姆比德吉/James Hambidge；Mark Harris；Fred Hole；Neil Lamont；Simon Lamont
服装设计 林迪·海明/Lindy Hemming
视觉特效 Mara Bryan；Tom Debenham；Steve Murgatroyd；Pedro Sabrosa
布景师 Simon Wakefield
编辑本段
剧情简介
从香港到古巴，再到伦敦，邦德在全世界奔波，追踪撕去伪装的叛逆者，
《007之择日而亡》剧照(20张)阻止一场灾难性的战争。一路上，他与金克斯(Jinx，哈莉-贝瑞饰)和米兰达-弗罗斯特(Miranda Frost，罗莎蒙德-派克饰，Rosamund Pike)不期而遇，这俩位邦德女郎在后来发挥了至关重要的作用。詹姆斯-邦德因为在韩国的丰富经历而被派去阻止非洲钻石走私商与朝鲜官员穆恩上校(Colonel Moon，李威尹饰，Will Yun Lee)之间的非法武器交易。邦德成功地完成了任务，杀死了穆恩上校。但是，他也付出了巨大的代价，邦德被朝鲜政府关进了监狱，而英国政府则矢口否认了一切关于他的情况。一年后在地球的另一端，一位孤儿成为了亿万富翁，他的知名度也迅速地扩大。这位孤儿的名字叫古斯塔夫-格雷夫斯(Gustav Graves，托比-斯蒂芬斯饰，Toby Stephens)，他在冰岛的基地--“冰宫”经营着一座钻石矿山。古斯塔夫-格雷夫斯还对环境和航天技术有着浓厚的兴趣，后一个爱好使他制造了伊卡洛斯(Icarus)--天空中的第2个太阳，它能照亮地球的远端。但是，这一切都不是表面上的那么简单，地球又再一次陷入了一场争夺世界控制权的危机之中。
《007之择日而亡》剧照(20张)
经典情节：
1.邦德与Colonel Moon有一场两栖登陆艇大战，007以一敌三，帅呆了。
2.伊卡鲁斯（宛如第二颗太阳的卫星）在Gustav Graves的遥控下追杀邦德.它聚集太阳的能量，将其释放出来，从万米高空垂激发出光束，看起来很壮观.
3.这部分场景可以算是电影史上的经典情节了.007开着阿斯顿马丁与敌人在冰原上厮杀..双方的车子简直就是一个超级战车.雷达，红外成像仪，导弹，重机枪，迫击炮，轮番上阵.算是史上最帅气的飙车场面之一.
编辑本段
背景
这是对007系列40周年的献礼之作，投资巨大，达1亿4200万美元.转战英国，古巴，冰岛多个国家拍摄.但片中极力抹黑朝鲜，在后来的六方会谈中朝鲜前所未有强硬，外界猜测是择日而亡惹恼了朝鲜军方，但未经证实.
编辑本段
花絮
·据报道，布鲁斯南得知将由哈莉·贝瑞担任邦德女郎后，曾主动要求米高梅公司将与哈莉的床戏写入自己的拍片合同。
·制片方最初曾打算让《明日帝国》中杨紫琼扮演的林惠在香港协助007。
·片中的冰宫是从瑞典的基律纳冰酒店获得灵感。
·由于影片中出现了美国向韩国军队下达指令的情节，尽管影片在韩国上映首周票房名列第五，但很快票房急剧下滑，第二周便退出前十，而且汉城的一家影院停止上映，很多二轮影院都停止上映.
.片中007在冰宫中撞开了关Jinx的门，撞门之前可以看见雨刷，而后来雨刷不翼而飞（那么好的车不应该出这种质量问题）
精彩对白
1.James Bond：Magnificent view.
詹姆斯·邦德：好壮丽的风景。
Jinx：It is,isn't it?Too bad it's lost on everybody else.
金克斯：可不是吗？真可惜其他人都没欣赏到。
2.James Bond：The predators usually appear at sunset. 詹姆斯·邦德：掠食者通常都在太阳西下时出现。
Jinx：And why is that?
金克斯：为什么呢？
James Bond：It's when their prey comes out to drink.
詹姆斯·邦德：因为此时他们的猎物出来喝酒。
3.Jinx：So,what do predators do……when the sun goes down?
金克斯：那么，掠食者……在太阳下山后做什么呢？
James Bond：They feast……like there is no tomorrow.
詹姆斯·邦德：他们大吃大喝……就像没有没有明天一样。
4.Gustav Graves：It's only by being the edge that we know who we really are.Under the skin.Take your Donald·Campbell.1967 the Bluebird.Water speed record.
古斯塔夫·格雷夫斯：只有在生与死的边缘我们才能真正认清自己，撇下伪装。拿唐诺贝尔1967年的“青鸟”为例，他创下了水上记录。
James Bond：Campbell died on his return run.
詹姆斯·邦德：他死于回程。
Gustav Graves：But he died chasing a dream.Isn't that the way to go?
古斯塔夫·格雷夫斯：但他死于追寻梦想。不就是该这样吗？
James Bond：I'd rather not go at all.I see you don't chase dreams,you live them.
詹姆斯·邦德：我宁可不要去。我认为追寻梦想不如创造梦想。
Gustav Graves：A virtue of never sleeping,Mr Bond.I have to live my dreams.Besides,plenty of time to sleep when you're dead.
古斯塔夫·格雷夫斯：就是不睡觉的好处，邦德先生。我必须创造我的梦想。再说，死后想不睡都难。
后景
在此部影片中皮尔斯·布鲁斯南已显老态，因此之后米高梅便不再请他出演007，而改由丹尼尔·克雷格这位肌肉男担任007.但由于皮尔斯·布鲁斯南太过成功，绅士形象早已深入人心，因此丹尼尔·克雷格饱受争议.这也算是皮尔斯·布鲁斯南的“择日而亡”吧.
电影主题曲《择日而亡-007系列第20部movie》OP_Die Another Day
麦当娜（Madonna）的歌，歌名就叫DIE ANOTHER DAY，收录于她2003年4月22日发行的的AMERICAN LIFE专集里。
歌名：Die Another Day - Madonna
歌手：麦当娜（Madonna）
专辑：AMERICAN LIFE （于2003年4月22日发行）
歌词：
I'm gonna wake up, yes and no
I'm gonna kiss, some part of
I'm gonna keep this secret
I'm gonna close my body now
I guess I'll die another day
I guess I'll die another day
I guess I'll die another day
I guess I'll die another day
I guess I'll die another day, another day
I guess I'll die another day, another day
I guess I'll die another day, another day
I guess I'll die another day
Siegmund freud
Analyse this
Analyse this
Analyse this, this, this….
I'm gonna break the cycle
I'm gonna shake up the system
I'm gonna destroy my ego
I'm gonna close my body now *repeat my body now 5 times*
I think I'll find another way
There's so much more to know
I guess I'll die another day
It's not my time to go
For every sin, I'll have to pay
I've come to work, I've come to play
I think I'll find another way
It's not my time to go
I'm gonna avoid the cliché
I'm gonna suspend my senses
I'm gonna delay my pleasure
I'm gonna close my body now
I guess I'll die another day
I guess I'll die another day
I guess I'll die another day
I guess I'll die another day
I think I'll find another way
There's so much more to know
I guess I'll die another day
It's not my time to go
Another day
Another Day
Another Day
Another Day
(Laugh)I need to lay down.
全球禁播麦当娜禁播MTV《Die Another Day》007电影择日而亡主题曲。
首支由夫婿盖瑞奇所执导的麦当娜音乐录影带What It Feels Like for a Girl，由于内容过于血腥暴力，日前遭到MTV音乐频道及其姊妹台VH1抵制，只在星期二晚上11点半完整播放一次。
麦当娜的代言人丽兹罗斯伯格日前告诉纽约时报，对于What It Feels Like for a GirlMTV遭禁播有些存疑，因为现在的音乐录影带内容多少都牵涉到暴力，而麦当娜的音乐录影带只是讲述一位女人受到虐待，由于画面过于强烈他了解大家都不愿在睡前看到该画面的意愿，但是该MTV在丽兹的眼中是反暴力的，更该接受播放，发言人接着表示，他们可以了解VH1和MTV音乐频道采取部分禁播的前提，而两音乐频道也是他们播MTV的首选，不过基于尺度因素，彼此无法取得共识，但该音乐录影带并不会被永久地搁置。
编辑本段
精彩剧照
⑦ 介绍给我007系列电影，经典！！
007系列电影介绍
他充满魅力而且机智勇敢，他杀起人来铁面无情……他就是007，詹姆斯·邦德（James Bond）。第一部007电影于1962年10月4日公映后，007电影系列风靡全球，到今天历经40年长盛不衰。
共有20部片子
片名
八爪女[Octopussy] （英国/美国/1983年出品/彩色/有声）[2002年12月23日]
纵横天下[The World Is Not Enough] （美国/1999年出品/彩色/有声）[2002年12月23日]
择日再死[Die Another Day] （美国/2002年出品/彩色/有声）[2002年12月23日]
明日帝国[Tomorrow Never Dies] （英国/美国/1997年出品/彩色/有声）[2002年12月23日]
黄金眼[Goldeneye] （英国/美国/1995年出品/彩色/有声）[2002年12月23日]
杀人执照[Licence to Kill] （英国/1989年出品/彩色/有声）[2002年12月23日]
黎明生机[The Living Daylights] （英国/1987年出品/彩色/有声）[2002年12月23日]
雷霆杀机[A View To A Kill] （英国/美国/1985年出品/彩色/有声）[2002年12月19日]
最高机密[For Your Eyes Only] （英国/1981年出品/彩色/有声）[2002年12月18日]
太空城[Moonraker] （英国/1979年出品/彩色/有声）[2002年12月18日]
海底城[The Spy Who Loved Me] （英国/1977年出品/彩色/有声）[2002年12月18日]
金枪人[The Man With The Golden Gun] （英国/1974年出品/彩色/有声）[2002年12月16日]
生死关头[Live and Let Die] （英国/1973年出品/彩色/有声）[2002年12月16日]
金刚钻[Diamonds are Forever] （英国/1971年出品/彩色/有声）[2002年12月16日]
女王密使[On Her Majesty's Secret Service] （英国/1969年出品/彩色/有声）[2002年12月16日]
雷霆谷[You Only Live Twice] （英国/1967年出品/彩色/有声）[2002年12月15日]
霹雳弹[Thunderball] （英国/1965年出品/彩色/有声）[2002年12月15日]
金手指[Goldfinger] （英国/1964年出品/彩色/有声）[2002年12月12日]
铁金刚勇破间谍网[From Russia with Love] （英国/1963年出品/彩色/有声）[2002年12月12日]
诺博士[Dr No] （英国/1962年出品/彩色/有声）[2002年12月12日]
再加上"皇家赌场"应该是21部~~
⑧ 007系列电影介绍
片名：Dr. No
译名：诺博士/第七号情报员/铁金刚勇破神秘岛
导演：泰伦斯·杨Terence Young
主演：肖恩·康纳利Sean Connery
乌苏拉·安德丝Ursula Andress
约瑟夫·维斯曼Joseph Wiseman(反派诺博士)
伯纳德·李Bernard Lee(M)
片长：110分钟
发行：米高梅/联美电影公司United Artists
1962年 英国出品
[影片简介]
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这是第一部007电影，于1962年10月首映，影片通过联美公司(United Artists)由Albert R. Broccoli和Harry Saltzman制作，预算大约为100万美元，饰演詹姆斯·邦德的是出生于苏格兰的演员肖恩·康纳利，乌苏拉·安德丝饰演Honey Rider(她可是第一代邦德女郎，在电影后半段以当时认为性感尺度的泳装现身，从此奠定了邦德女郎性感花瓶的地位)，约瑟夫·维斯曼饰演片中的大反派诺博士(Dr. No)，此外，伯纳德·李和路易丝·麦克斯维尔(Lois Maxwell)分别饰演英国情报局局长M先生和其秘书Moneypenny小姐(这两人在大多数UA的007续集电影里持续饰演这两个角色)。
《第七号情报员》忠于伊恩·弗莱明的原着，是一部制作严谨的神秘惊悚片。这是007系列电影中最低调的一部，然而它的剧情已比当时大部分的侦探或谍报片更具想象空间。这部片由泰伦斯·杨执导，故事描述邦德在调查牙买加裔英国情报员的谋杀案后，发现阻止美国登陆太空的阴谋正在暗中进行。
[主要情节]
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007奉命前往加勒比海调查情报员史金城的神秘死亡原因，与此同时,美方怀疑其发射的飞弹遭到当地发出的电波干扰，以至于无法顺利发射。007到达后，与当地渔民库洛及CIA情报员莱特合作调查，得知属于一名中国人所有的卡基岛上的矿石含有辐射，岛主诺博士原来是个想统治世界的野心科学家，007深入虎穴，摧毁该基地，带着岛上结识的少女顺利逃离卡基岛。
反派角色：诺博士
特色：本片是第一部，有人说也是最好的一部邦德电影。
音乐：“The James Bond Theme”
噱头：肖恩·康纳利当年又帅还没秃头咧！
[关于配乐]
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联美音乐部门主管尼尔·罗杰斯(Noel Rodgers)在某个周五晚上打电话给约翰·巴瑞(John Barry)，邀请他为《第七号情报员》的电影原声带中，詹姆斯·邦德这个角色的主题曲做管弦乐编曲，2分钟的原曲作者为Monty Norman。巴瑞当时以John Barry Seven爵士乐团在英国走红，他只在伦敦报纸的连载漫画中看过詹姆斯·邦德这个角色，他在被临时通知的情况下为这首歌编曲，酬劳不到1千美元，也没得到先看过电影的机会。但他的成绩斐然，这首曲子在英国榜获得第13名，巴瑞在以后的30年间，再度被邀请为11部007电影作配乐。
⑨ 007是什么
詹姆斯·邦德
詹姆斯·邦德（James Bond），是一套小说和系列电影的主角名称。小说原作者是英国作家伊恩·弗莱明（Ian Fleming）。在故事里，他是英国情报机构军情六处的特务，代号007，被授权可以干掉任何妨碍行动的人。他的上司是一位神秘人物“M”。
由于詹姆斯·邦德系列电影和故事的高度知名度，不少其他国家的作品都把故事的特务角色以他作参考，不论是现代还是古装。香港在1980年代的《最佳拍档3：女王密令》及1990年代周星驰的两套电影《国产凌凌漆》（From Beijing With Love或From China With Love，模仿原版007电影From Russia With Love）和《大内密探零零发》的主角都或多或少影射詹姆斯·邦德。
007詹姆斯·邦德完全档案
姓名：James Bond 译名：詹姆斯·邦德/占士邦/詹姆斯庞德
国籍：英国 编号：007 身高：183厘米 体重：76公斤 眼睛：蓝色 头发：黑色身体特征：右脸颊、左肩和右手背有疤痕，皮肤较黑
特长：射击、飞刀、滑雪、搏击
语言：能操流利法语，德语，而且对其他语言也很有天份
自1952年创作第一本《007》小说开始，伊安-弗兰明总共出版了15本《007》小说。当
初他为自己笔下的主角起名时，认为需要一个简单的、毫不浪漫还要极具阳刚味的名字。结果他将这位特务命名为詹姆斯-邦德。从此，在每一集007电影中，一定会出现这句经典台词：“我叫邦德，詹姆斯-邦德！”弗兰明把一位充满魅力和冒险精神的英国间谍007介绍给了世界。不过把007带上银幕的还是第一部007影片《铁金刚勇破神秘岛》。从第一部《铁金刚勇破神秘岛》到《皇家赌场》，007系列电影已有21部。
007系列电影并非全部出自伊安手笔。
只有其中前13集是来自原着小说，其后都是电影公司购买“007”三字电影版权，继而另创故事拍摄。人们在电影中既见识到詹姆斯-邦德爱慕女色的一面，也看到了他追杀国际凶犯时机智勇敢的一面。同时007使用的那些稀奇古怪的武器，也让人们大开眼界。
就像007系列之一的《铁金刚大战金手指》的音乐一样，007影片中充满神秘感的音乐，以及变化多样的场景和漂亮的女演员，造就了007影片的成功。
甚至连一些007常用语言也成为流行的日常用语，比如007的自我介绍：“我叫邦德，詹姆斯-邦德”(Bond，JamesBond)。他喜欢喝马天尼(martini)，他老是说：“摇匀，不要搅拌。”(shaken，notstirred)。
根据非正式统计，看过007电影的观众总数起码有20亿人次，亦即地球上每3人就有1个曾经看过007电影！上任“邦德”皮尔斯-布鲁斯南这样总结“007”电影长盛不衰的原因：“是美艳的邦德女郎，是新奇的道具、是性、是罗曼蒂克、是幻想、是最终的英雄，赋予了这部电影长久的生命力。”英国文化评论家康拉德则对人们崇拜007现象做如下解释：“如果你向往成为一名重要的人物，你可以把自己想象成007。”
对他的赞美
他充满魅力而且机智勇敢，他杀起人来铁面无情……他就是007，詹姆斯-邦德(JamesBond)。第一部007电影于1962年10月5日公映后，007电影系列风靡全球，到今天历经40年长盛不衰。
1.他的电影
电影列表
截止到2006年，詹姆斯·邦德电影共21部：
编号/英文剧名/香港剧名/台湾剧名/年份/詹姆斯·邦德演员
1/Dr. No/铁金刚勇破神秘岛/诺博士/1962年/肖恩·康纳利
2/From Russia With Love/铁金刚勇破间谍网/来自俄罗斯的爱情/1963年/肖恩·康纳利
3/Goldfinger/铁金刚大战金手指/金手指/1964年/肖恩·康纳利
4/Thunderball/铁金刚勇战魔鬼党/霹雳弹/1965年/肖恩·康纳利
5/You Only Live Twice/铁金刚勇破火箭岭/雷霆谷/1967年/肖恩·康纳利
6/On Her Majesty's Secret Service/铁金刚勇破雪山堡/女王密使/1969年/乔治·拉兹比
7/Diamonds Are Forever/铁金刚勇破钻石党/金刚钻/1971年/肖恩·康纳利
8/Live and Let Die/铁金刚勇破黑魔党/生死关头/1973年/罗杰·摩尔
9/The Man with the Golden Gun/铁金刚大战金枪客/金枪人/1974年/罗杰·摩尔
10/The Spy Who Loved Me/铁金刚勇破海底城/海底城/1977年/罗杰·摩尔
11/Moonraker/铁金刚勇破太空城/太空城/1979年/罗杰·摩尔
12/For Your Eyes Only/铁金刚勇破海龙帮/最高机密/1981年/罗杰·摩尔
13/Octopussy/铁金刚勇破爆炸党/八爪女/1983年/罗杰·摩尔
14/A View to a Kill/铁金刚勇战大狂魔/雷霆杀机/1985年/罗杰·摩尔
15/The Living Daylights/铁金刚大战特务飞龙/黎明生机/1987年/蒂姆西·道尔顿
16/Licence to Kill/铁金刚勇战杀人狂魔/杀人执照/1989年/蒂姆西·道尔顿
17/GoldenEye/新铁金刚之金眼睛/黄金眼/1995年/皮尔斯·布鲁斯南
18/Tomorrow Never Dies/新铁金刚之明日帝国/明日帝国/1997年/皮尔斯·布鲁斯南
19/The World Is Not Enough/新铁金刚之黑日危机/纵横天下/1999年/皮尔斯·布鲁斯南
20/Die Another Day/新铁金刚之不日杀机/谁与争锋/2002年/皮尔斯·布鲁斯南
21/Casino Royale/铁金刚勇破皇家夜总会/皇家赌场/2006年/丹尼尔·克雷格
曾经或即将饰演詹姆斯·邦德的演员
英文姓名/香港译名/台湾译名/中国大陆译名
Sir Sean Connery/辛·康纳利/史恩·康纳莱/肖恩·康纳利
George Lazenby/佐治·拉辛比/乔治·拉赞贝/乔治·拉兹比
Sir Roger Moore/罗渣·摩亚/罗杰·摩尔/罗杰·摩尔
Timothy Dalton/铁摩·达顿/提摩西·达顿/蒂姆西·道尔顿
Pierce Brosnan/皮雅斯·布士南/皮尔斯·布洛斯南/皮尔斯·布鲁斯南
Daniel Craig/丹尼尔·基克/丹尼尔·奎格/丹尼尔·克雷格
⑩ 007的全部电影系列,所有007电影的名字(中英)
第一部：肖恩·康纳利，《诺博士》 （第一任007）
Dr. No，1962年
第二部： 肖恩·康纳利，《来自俄罗斯的爱情》（第一任007）
From Russia with Love，1963年
第三部：肖恩·康纳利，《金手指》（第一任007）
Goldfinger，1964年
第四部：肖恩·康纳利，《雷电堡》（第一任007）
Thunderball，1965年
第五部：肖恩，康纳利，《雷霆谷》（第一任007）
You Only Live Twice，1967年
第六部：乔治·拉赞贝，《女王密使》（第二任007）
On Her Majesty`s Secret Service，1969年
第七部：肖恩·康纳利，《金刚钻》（第一任007）
Diamonds are Forever，1971年
第八部：罗杰·摩尔，《生死关头》 （第三任007）
Live and Let Die，1973年
第九部：罗杰·摩尔，《金枪人》 （第三任007）
The Man With The Golden Gun，1974年
第十部：罗杰·摩尔，《海底城》（第三任007）
The Spy Who Loved Me，1977年
第十一部：罗杰·摩尔，《太空城》（第三任007）
Moonraker，1979年
第十二部：罗杰·摩尔，《最高机密》（第三任007）
For Your Eyes Only，1981年
第十三部：罗杰·摩尔，《八爪女》（第三任007）
Octopussy，1983年
第十四部：罗杰·摩尔，《雷霆杀机》（第三任007）
A View To A Kill，1985年
第十五部：提摩西·达顿，《黎明生机》（第四任007）
The Living Daylights，1987年
第十六部：提摩西·达顿，《杀人执照》（第四任007）
Licence to Kill，1989年
第十七部：皮尔斯·布鲁斯南，《黄金眼》（第五任007）
Goldeneye，1995年
第十八部：皮尔斯·布鲁斯南，《明日帝国》（第五任007）
Tomorrow Never Dies，1997年
第十九部：皮尔斯·布鲁斯南，《黑日危机》（第五任007）
The World Is Not Enough，2000年
第二十部：皮尔斯·布鲁斯南，《择日而亡》（第五任007）
Die Another Day，2002年
第十一部：丹尼尔·克雷格，《皇家赌场》（第六任007）（未上映）
Casino Royale，2006年