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寻找人工智能电影英文版

发布时间: 2023-01-11 04:36:23

❶ 跪求~~!关于机器人的电影的英文简介

Bicentennial Man

Rating:
Genre: Comedy
Movie Type: Domestic Comedy, Sci-Fi Comedy
Themes: Journey of Self-Discovery, Opposites Attract, Robots and Androids
Director: Chris Columbus
Main Cast: Robin Williams, Sam Neill, Wendy Crewson, Embeth Davidtz, Oliver Platt
Release Year: 1999
Country: US
Run Time: 131 minutes
MPAA Rating: PG
Plot
If a robot spends enough time around humans, can he learn to become one of them? The Martin family purchases a domestic android as a servant and names him Andrew (Robin Williams). Andrew comes to know the man of the house as Sir (Sam Neill), his wife as Ma'am Wendy Crewson, and their daughter as Portia (Embeth Davidtz); before long, the Martins suspect that they do not have an ordinary robot on their hands. Andrew seems capable of expressing emotion and generating original thoughts, and the longer he stays with the Martins, the more strongly these human traits manifest themselves. Over the next 200 years, Andrew becomes less a machine and more a member of the family, until a mechanic (Oliver Platt) tells Andrew that he might be able to turn him into a human being. Based on a short story by renowned science fiction author Isaac Asimov (surprisingly, it's only the second Asimov story to be brought to the screen), Bicentennial Man was directed by Chris Columbus, who previously worked with Robin Williams on Mrs. Doubtfire. ~ Mark Deming, All Movie Guide.

机器管家/变人 Bicentennial Man (1999)

导 演:克里斯·哥伦布 Chris Columbus
主 演:罗宾·威廉斯 Robin Williams 山姆·内尔 Sam Neill 艾伯斯·戴维斯 Embeth Davidtz 奥利弗·普莱特 Oliver Platt 海丽·凯特·艾森伯格 Hallie Kate Eisenberg Kevin Tiny Ancell Joe Bellan Merridee Book
上 映:1999年12月13日 ( 美国 )更多地区
地 区:美国 德国 ( 拍摄地 )
对 白:英语
评 分:6.1/10( 7330票 ) 详细
颜 色:彩色
声 音:DTS Dolby Digital SDDS
时 长:132 分钟
类 型:剧情 科幻 爱情
分 级:瑞典:Btl 澳大利亚:PG 英国:PG 阿根廷:13 德国:0 美国:PG 新西兰:PG 法国:U

剧情简介:
这部影片追随一个机器人的“生活”进行。罗宾·威廉姆斯饰演的机器人安德鲁被马丁一家作为家务机器人购买,他的程序只设置为完成仆人的任务。但没过几天他们发现安德鲁并不是一个寻常的机器人,因为他开始体验情感和创造思维。在一个跨越了两百年的故事里,安德鲁在阻止那些制造他的人销毁自己的过程中领会了人性的错综复杂。
这个机器人,是好莱坞喜剧天王、罗宾威廉斯最新的尝试。 擅长以温馨喜感演出取胜的、好莱坞影星,罗宾威廉斯,在新片《机器人》中,饰演的机器人,在经历两百年后,终于透过先进科技,变成真正人类的故事。
片中虽然大量使用电脑科技,强化视觉效果,不过影片的卖点,还是集中在人性情感的探讨上。罗宾威廉斯在影片中,将再度以感性的内心戏打动观众。罗宾威廉斯表示科幻片向来是他喜欢的.

PS:中文介绍并非原英文介绍翻译。

❷ 电影人工智能剧情分析介绍

电影人工智能让人们见识到了人工智能带来的强大能力,但是很多人对这一部电影还很不了解。下面是我为你整理的电影人工智能剧情分析,供大家阅览!

人工智能电影剧情

未来世界科技主宰一切。机器人小男孩大卫被一对夫妇收养。当这对夫妇的亲生儿子病愈后,大卫被弃荒野。他深信自己跟普通人无分别,与机器人乔一道踏上漫长旅途,渴望能遇上《木偶奇遇记》幻变生命的女神把自己变成真正的小孩……

21世纪50年代之后,人类的科学技术已经达到了相当高的水平,人类发明了人工智能机器人用以应对恶劣的自然环境。先进的人工智能机器人不但拥有以假乱真酷似人类的外表,而且还能像人类一样感知自己的存在。11岁的大卫(海利·乔·奥斯蒙特)就是生活在未来时代中一个有思想、有情感的小机器人。在他那个年代,由于全球气候的变暖,南北两极冰山开始融化,许多城市被淹没在汪洋大水中。于是人工智能机器人开始担负起拯救人类生命的重任。同时,大卫还一直渴望自己有朝一日不再仅仅是个简简单单机器人,转而成为真正的人。为了实现这个愿望,大卫与机器人乔(裘德·洛 饰)一道踏上漫长的旅途,而等待他们的却只有凶吉难料、变幻莫测的对复杂人性的探索……

21世纪中期,这是一个自然资源缺乏,科学技术飞速发展的时代。现代化的住所,精心设计的饮食,为你服务的不再是人类,而是机器人。园艺、家务、友谊,机器人可以满足每一个需求,但“爱”机器人是无法做到的。在机器人发展过程中,为机器人赋予情感程序极具争议。机器人被看作是现代设备,他们不应具有感情。但是现在由于很多父母没有自己的孩子,所以这种可能性不是没有。一家计算机公司做出了一个决定:制作一个具有情感的机器人。他的名字叫大卫(海利·乔·奥斯蒙 饰)——第一个被输入情感程序的机器男孩,作为一个试验品被该公司的员工(山姆·罗伯兹 饰)和他的妻子(弗朗西斯·欧康娜 饰演)收养。他们自己的儿子因病被冷冻起来,直到能治疗这种病的 方法 出现。莫妮卡为了缓解伤痛的心情领养了大卫,大卫的使命就是爱他。然而当大马丁苏醒,恢复健康,回到了家里,一系列的事情使大卫“失宠”,最后被莫妮卡抛弃。 在躲过机器屠宰场的残酷追杀后,大卫在机器情人乔(裘德·洛 饰)的帮助下,开始寻找自己的生存价值:渴望变成真正的小孩,重新回到莫妮卡妈妈的身边。谁也不知道他能否完成自己的心愿,脱胎换骨成为真正的人,等待他们的只是凶吉难料的旅程……

人工智电影简介

这是一个自然资源有限,科学技术飞速发展的时代。你可以对你的住所进行监控,对自已的饮食进行精心地制作,而为你服务的可能根本就不是人类本身,而是一个机器人。诚然,园艺、家务、友谊----机器人可以满足你除了爱以外人类的每一个需求。

在机器人的发展过程中,赋予机器人以情感是最富有争议的,也是最后未能做到的事。通常机器人被视作为一个极其复杂的装置,人们认为他们不会具备感情。但是,现在有很多父母失去了自己的孩子,时代的需要就使这种可能性大大增加了。终于,Cybertronics Manufacturing制作公司着手解决了这个问题,制造出了第一个具有感情的机器人。

他的名字叫大卫(David,海利-乔-奥斯蒙特饰,Haley Joel Osment)。

作为第一个被输入情感程序的机器男孩,大卫是这个公司的员工(萨姆-罗伯兹饰,Sam Robards)和他的妻子(弗朗西斯-奥康娜饰,Frances O'Connor)的一个试验品,他们夫妻俩收养了大卫。而他们自己的孩子却最终因病被冷冻起来,以期待有朝一日,有一种能治疗这种病的方法会出现。尽管大卫逐渐成了他们的孩子,拥有了所有的爱,成为了家庭的一员。但是,一系列意想不到的事件的发生,使得大卫的生活无法进行下去。

人类与机器最终都无法接受他,大卫只有唯一的一个伙伴机器泰迪(Teddy)----他的超级玩具泰迪熊,也是他的保护者。大卫开始踏上了旅程,去寻找真正属于自己的地方。他发现在那个世界中,机器人和机器之间的差距是那么的巨大,又是那么的脆弱。他要找寻自我、探索人性,成为一个真正意义上的人。

电影大师斯坦利-库布里克(Stanley Kubrick)早在20年前就有了推出《人工智能》的构思,重点刻画一个代表未来技术条件下思维的人物形象。该片最终是由斯坦利-库布里克的老朋友,奥斯卡获奖导演/编剧斯蒂文-斯皮尔伯格(Steven Spielberg)担任了此片的导演兼编剧。斯皮尔伯格曾表示,"在20世纪的80年代,斯坦利-库布里克就把我当作十分信赖的朋友,告诉了我一个非常美丽的 故事 ,美丽得让人无法忘记的一个故事。我想也正是科学和人性的魅力才让斯坦利急不可待地告诉了我这个故事。他‘走’了以后,我特别想完成他的遗愿”。

人工智能演员介绍

海利·乔·奥斯蒙特

这位美国童星已经证明是他这个年龄段里最优秀的青年演员。他的父亲是演员尤金·奥斯蒙特(Eugene Osment),母亲特里莎·奥斯蒙特(Theresa Osment)是位教师。4岁时海利和父母逛家具店时被导演相中拍摄 广告 。几个月之后,他在《阿甘正传》 (Forrest Gump,1994)里扮演汤姆·汉克斯(Tom Hanks)的儿子,角色虽小但令人印象深刻,同年在电视剧集“Thunder Alley”(1994)里扮演爱德华·阿斯纳(Edward Asner)的曾孙。由于他卓越的喜剧表演才能,在“Thunder Alley”后又接演了两部情景喜剧。诺曼·杰威森(Norman Jewison)给了他在电影《妈咪也疯狂》 (Bogus,1996)里扮演主角的机会,他轻松的扮演了这个戏剧性的角色。但是,直到热门电影《第六感》 (Sixth Sense,1999),这个年轻的演员才被公众所熟知。他对于角色Cole Sear极佳的塑造使之在11岁时就得到了一项奥斯卡的提名以及后来的获奖者迈克尔·凯恩(Michael Caine)的赞美之词“当我知道你获得提名,并看到你的表演时,我就知道你一定会赢。”之后,在《让爱传出去》 (pay it forward,2000)里他的表演同样精彩。除了精彩的表演之外,他也在同行中赢得了相当的荣誉。在史蒂芬·斯皮尔伯格的科幻大片《人工智能》 (Artificial Intelligence,2001)中,他担纲主演智能机器人,不负众望,其表现令人惊艳。但之后奥斯蒙特的演艺事业并未出现长足进步,陷入了童星成年后难再走红的怪圈。

史蒂文·斯皮尔伯格

美国导演,生于俄亥俄州辛辛那提,曾就读加州州立学院三年,12岁开始用8厘米的电影摄影机拍家庭影片。1960年,他编导了一部片长四十分钟的战争片《无处容身》 ,在“峡谷影展”中获胜,并使他获得了一台十六厘米的摄影机作奖品。1968年,他获得一位开光学仪器公司的富翁投资十万美元,让他导演一部用三十五厘米摄影机拍摄的短片《安培林》,讲述一对年轻恋人在莫哈威沙漠相遇后一齐坐车到加州海边的故事,结果在第二届亚特兰大影展上获奖。环球公司的行政总裁恰好看到了这部短片而与他签约。

从此开始了他在好莱坞呼风唤雨的时代。作品以卓越的讲故事技巧着称,名字已成为好莱坞的化身。

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4. 电影人工智能英文简介

5. 电影人工智能论文

❸ 一部关于美国的机器人电影的名字

《人工智能》,非常感人,看了以后我都哭了,那个小男孩的眼睛像天使一样。

导演:斯蒂文·斯皮尔伯格Steven Spielberg
主演:海利·乔·奥斯蒙特Haley Joel Osment
裘德·洛Jude Law
弗朗西斯·奥康纳Frances O'Connor
威廉·赫特William Hurt
罗宾·威廉斯Robin Williams(旁白)
类型:科幻
21世纪中期,由于气候变暖,南北两极冰盖的融化,地球上很多城市都被淹没在了一片汪洋之中。此时,人类的科学技术已经达到了相当高的水平,人工智能机器人就是人类发明出来的用以应对恶劣自然环境的科技手段之一。

先进的人工智能机器人不但拥有可以乱真的人类外表,而且还能像人类一样感知自己的存在。大卫(海利·乔·奥斯蒙特)就是这样一个有思想、有感情的小机器人,他被一对人类父母所收养,有一个哥哥和一个贴身的伙伴——机器泰德熊。但这些并不能让大卫满足,他一直渴望着自己终有一天不再仅仅是个机器人。抱着对这个愿望的执着,11岁的大卫踏上了漫长的心路历程,跟随在他身边的,还有另一个善良的机器人乔(裘德·洛)。谁也不知道他们能否完成自己的心愿,脱胎换骨成为真正的人,等待他们的只有凶吉难料的对复杂人性的追寻……

❹ 高三时一篇英语课文有关于机器人的文章,有关于它的电影,电影叫啥名字

科幻小说改编的《人工智能》 (2001)

导演: 史蒂文·斯皮尔伯格
主演: 海利·乔·奥斯蒙 / 弗兰西丝·奥康纳 / 山姆·洛巴兹 / 杰克·托马斯 / 裘德·洛
类型: 剧情 / 科幻 / 冒险
制片国家/地区: 美国
语言: 英语
上映日期: 2001-06-26

❺ 急需电影《人工智能》和《勇敢的心》的英文剧情介绍

勇敢的心 braveheart
资料一:
Unfortunately, I have yet to find a film of quite this caliber again. Braveheart contains elements of Romance (several heart- wrenching and warming instances), Epic/Action (spectacular scenes), Mystery (can take a few viewings to put it all together), History (albeit romanticised) and of course Drama (perfectly unravelled). This level of uncompromised multi-tasking allows the film to move you to laugh and cry, love and hate or even to think and be taught. I'm trying to avoid the clichés of glowing reviews (almost as bad as entirely negative ones) - but this is one of the few movies that I feel deserves one.

The witty banter between friends/foes/lovers/relatives is, in my opinion, flawless and aids the film's claim as a true classic. The soundtrack is similarly top-notch and encapsulates and refracts the patriotic theme ring several key moments. The political sub-plot and gorgeous scenery also serve as refreshers ring otherwise heavy areas of the story. Perhaps Braveheart's only flaw (but if you share my sentiments it's actually a bonus) is its length so you'll want to prepare a comfy seat and maybe even two pots of tea (complete with cosies!).

I suppose it's also relevant to touch on the historic inaccuracies as I expect this is what people might dislike most about this film. However, "History is written by those who have hanged heroes"; also, the overall sketchiness of such periods coupled with the right of artistic license are enough for me to personally dismiss such thoughts. On that note, I hope you also enjoy what, to me, is the greatest film created (so far).

资料二:
The movie begins in the small town of Elerslie, Scotland. William lives with his father, who is not named in the film, and his older brother Malcolm. William's father and older brother are called to a meeting a few miles from their home where they find the entire nobility of Scotland hanging. Malcolm and his father then go to a battle between the British and their clan, both die tragically. At the funeral William meets his uncle Argyle who fought in the battle with Malcolm and his father. He takes him away to live with him. The scene then cuts to an alt William on his horse. William later runs into a girl he knew before he went to live with Argyle, her name, Murron, we discover that Lords have the right to sleep with brides on their wedding night, so William marries Murron in secret. Murron is the assaulted by a British guard, the guard is killed by William, a fight ensues, and eventually Murron is killed by the lord. This enrages Wallace who then build himself a fine army entering city's and killing all Englishman within. Wallace prepares to move on to Sterling where he prepared for his greatest battle yet, in the forest he realises that he must find a way to beat the heavy cavalry from the ground, he decided to create spears twice as long as men. These were used in the battle to kill the entire heavy cavalry raised at the last minute to kill the on coming horses. Eventually Wallace reaches York, the most important military city he gains control. Williams final battle at Falkirk ends in his betrayal by two nobles, whom he later kills. William is betrayed by the leper father of Robert the Bruce, is captured and refuses to bow down as a loyal subject of the king Edward I, Longshanks. Therefore, instead of mere beheading William Wallace is subject to being Hung, hung within an inch of death. Drawn, being stretched by his ankles and wrists and then having his insides shown to him before he died. Then Quartered, he was beheaded and his head was put on the London Bridge his body was torn into for pieces one sent to each corner of Britain as a warning to the citizens. After Wallace's death we see Robert the Bruce led the battle of Bannockburn the last battle for Scotland's freedom.

资料三:
In 14th Century Scotland, William Wallace leads his people in a rebellion against the tyranny of the English King, who has given English nobility the 'Prima Nocta'.. a right to take all new brides for the first night. The Scots are none too pleased with the brutal English invaders, but they lack leadership to fight back. Wallace creates a legend of himself, with his courageous defence of his people and attacks on the English.

——————————————————————
人工智能 artificial intelligence A.I
资料一:
In the not-so-far future the polar ice caps have melted and the resulting raise of the ocean waters has drowned all the coastal cities of the world. Withdrawn to the interior of the continents, the human race keeps advancing, reaching to the point of creating realistic robots (called mechas) to serve him. One of the mecha-procing companies builds David, an artificial kid which is the first to have real feelings, especially a never-ending love for his "mother", Monica. Monica is the woman who adopted him as a substitute for her real son, who remains in cryo-stasis, stricken by an incurable disease. David is living happily with Monica and her husband, but when their real son returns home after a cure is discovered, his life changes dramatically. A futuristic adaptation of the tale of Pinocchio, with David being the "fake" boy who desperately wants to become "real".

资料二:
The "literalists" are clearly not happy with A.I. So now is a good time to recall that "2001: A Space Odyssey" was greeted upon release with derision, confusion, dismissive reviews, public consternation, and, oh yeah, some thought it was an absolute masterpiece. Beyond the monolithic influence of that film (think of Han Solo's jump to lightspeed, etc.), the symbols of "2001" -- TO THIS VERY DAY -- cannot be decoded using anything but the most personal, interpretive language. The obelisks, the message of the obelisks, the Star Child, Cosmonaut Dave's "room", HAL-9000's true motivation – all these things remain in our collective subconscious as indelible images that refuse to be concretely defined between or among viewers. WHAT CAUSES THIS CONFLICT OF PERCEPTION? IS IT INTENTIONAL? Again and again, Kubrick's films take us to a No-Man's Land of narrative and moral ambiguity, stranding us, forcing us to make decisions, demanding interpretation (or we can judge the surface, walk away, hate the film). To my perception, Kubrick is the only, true "Brechtian" film director. The device Brecht proposed is "Alienation Effect", or put simply, Leading the audience down two, divergent paths at once. My favorite example is "Barry Lyndon". Being the adventures of a young man, handsome, virtuous, well-meaning, ambitious, full of promise. Yet in every scene, the camera "pulls-back" revealing Barry (but never to himself) to be womanizing, self-absorbed, criminally inclined, socially inept, not very bright, morally bankrupt, and at last, a broken shell of a man. Or let's consider "Strangelove": Did Kubrick really create a headbanger, slapstick comedy about nuclear proliferation, mass destruction, and military/political incompetence? The real question is "Who else could have?" Well, that's my take on Kubrick's artistic sensibility, and, without daring to presume Spielberg's motivation, it's what drew them both to "A.I." Pinocchio, the Blue Fairy, cuddly Teddy Bears on one hand, but on the other hand – social institutions are faltering forever -- parenthood, childhood, science, instry, sexuality -- all distorted beyond repair. And Humans, the ultimate A.I. protagonist, seem blissed-out, in denial, more interested in creating "Davids", "Darlenes" and "Gigolo Joes" than in rising water levels and the imminent threat of extinction. Therefore, I believe A.I. is getting precisely the response all Kubrick films "INITIALLY" get. Spielberg's reputation and career can withstand anything that public perception might bring to his films, but I keep thinking that A.I. is the riskiest moment of his artistic life.

❻ 谁知道欧美有一部电影上面有个人工智能的游艇,那部片子叫什么名字,急求!!

是这个吗?《天堂的雷霆》,英文名称《thunder paradise》。这是一部1994年的美国电视剧,一艘智能的游艇。一个退役的军人有一艘科技含量很高的快艇能变形会说话,正义的一方是个白头发的猛男,演员名字是Hulk Hogan,现实中是个超级摔角高手,电视里的名字叫斯宾塞。
中文名称:天堂的雷霆 第一季
英文名称:Thunder in Paradise Season 1
资源类型:TVRip
版本:22集全
发行时间:1994年03月21日
导演:Gregory J. Bonann
Paul Cajero
演员:Hulk Hogan...Randolph J. 'Spence' Spencer
Heidi Mark...Alison Wilson
Patrick Macnee...Edward Whitaker
Rusty Meyers...Federal Marshall
Chris Lemmon...Martin 'Bru' Brubaker
Patrick Macnee...Edward Whitaker

❼ 电影《人工智能》英文名

《人工智能》(英文名《A.I.: Artificial Intelligence》)
斯皮尔伯格继承大师库布里克遗志,拍摄了这部未来派的科幻史诗影片,裘迪劳和第六感小神童奥士文的机器人造型颇为神奇。
故事发生在二十一世纪,地球因温室效应而令冰山溶化,许多沿海城市被水淹没,人类只有依靠电脑的人工智能来维持生命,同时人类也应用具有人工智能的机器人作各种不同的用途。在其中的一个家庭,一对人类父母收养了小机器人大卫(凯利祖奥士文)作为他们的儿子,给他真人一样的生活。而大卫在人类中长大,开始了一段非比寻常的心路历程…
本片是导演监制于一身的斯皮尔伯格根据电影大师史丹利库布里克生前所留下的八十页剧本改编而成的。影片的故事有点儿象童话皮诺曹的现代科幻版,和2年前罗宾威廉斯的《两百年人》(Bicentennial Man)也有几分相似。而片名 A.I. 是 Artificial Intelligence 的缩写,就是人工智能的意思,影片的全名也应该是 A.I.: Artificial Intelligence。
斯皮尔伯格自98年的《拯救大兵瑞恩》后就一直在犹豫他的下一部作品,他手头的计划包括《艺妓回忆录》(Memoirs of a Geisha)、《印地安那琼斯第四集》(Indiana Jones 4)和《少数派报告》(Minority Report)等。但由于和他有20年交情的库布里克于1999年突然去世,《大开眼界》(Eyes Wide Shut)在无奈中带着一丝遗憾成了大师的绝响,而大师生前最后一个计划也就是本片《A.I.》暂时搁浅,这一突变使得斯皮尔伯格把本片列入了他的计划之中。
斯皮尔伯格于去年初决定继《侏罗纪公园》后再度挑战科幻题材的影片,其中包括向老友致敬的这部《A.I.》和汤姆克鲁斯期待多时的《少数派报告》,两部影片到底谁先胜出一度成了影迷茶余饭后的最佳话题。经过数度周折,斯皮尔伯格最终选择了这部他从未尝试过的未来派风格的科幻史诗影片《A.I.》。(以上均为网络转载)
对本部科幻经典的一切评价都显得苍白空洞,个中寓意万千,只可自己身受。

望及时采纳!

❽ 求电影《人工智能》的英文简介

AI - Artificial Intelligence" is the hardest kind of movie to review-but it's also the most enjoyable kind of movie to watch. It's been over three weeks since my screening of Steven Spielberg's emotionally harrowing epic about a robot boy. Before writing my review, I wanted to let its themes, content, and characters sink into my head and make a solid impact. The film was based on an idea by Stanley Kubrick, but when he died in 1999, Speilberg took charge of the project. I could spend pages discussing the techniques of Kubrick's intentions and Spielberg's decisions, but I will not. Stanley Kubrick and Steven Spielberg are two of the greatest directors American cinema has to offer; it's pure pleasure watching their ideas clash and flow. I am not going to examine each indivial theme here, either. That would ruin the movie for you.

"AI - Artificial Intelligence" presents many themes on screen, but it's important to take what you get out of it. Whenever I read a review of Kubrick's "A Clockwork Orange" or "2001: A Space Odyssey" I feel influenced by the reviewer's interpretation of the movie's themes. Every time I watch either of those movies I get something new out of it. I hate it when other critics state the movie's themes on paper as if it's a fact. There is far too much room for interpretation to reveal this movie's message, or the message of any Kubrick film for that matter. Ask 100 people, and you might get 100 different answers. "AI - Artificial Intelligence" is that kind of movie-one of the year's best.

Critics and audiences alike have torn apart this movie's ending-a clear miscalculation by Spielberg. If Kubrick were in charge, the movie would have called it quits about twenty minutes earlier in an unsettling sequence that takes place in the ocean. But Speilberg, who always seems entranced by science fiction, injects an additional segment into the mix that does not work quite as well, but isn't so completely awful that it deserves such harsh criticism. It still leaves us with an open, startled emotional disorientation. I left the theater with tears in my eyes. The movie before the conclusion is so complex, moving, and involving in so many different ways the last twenty minutes didn't even come close to spoiling the movie for me.

"AI" transpires sometime in the near future after the polar ice caps have melted and flooded coastal cities and reced natural resources. Mechanical androids have become popular since they require no commodities. Reproction has also become highly illegal. Machines provide sexual services and if anyone wants a child, they will purchase a robot. However, the difference between a robot child and a living child is that robots cannot love. That's the task professor Hobby (William Hurt) of Cybertronics Manufacturing has solved. He has made a robot child that can love.

We can separate "AI" into two separate segments. I do not want to reveal too much about each plot because the pleasure of watching this movie evolves from the revealing of the connecting plots. I will, however, briefly say the first details a robot child's interaction within a family, and the second deals with the robot's estrangement from its family and the quest to regain the mother's love.

I can imagine the material in Kubrick's hands. The movie's opening scene has a female robot begin to undress in a public office. Speilberg cuts the action before she reveals any explicit nudity. Kubrick would have had various shots of full frontal nudity. Spielberg, never comfortable with sexual material, leaves out much of the motivation behind Kubrick's ideas. One of the biggest problems in "AI" is the lack of edge with the sexual content. Jude Law plays a robot gigolo who lives in a sex fantasy called Rouge City where people from everywhere come to seek sexual satisfaction. The central character, a robot boy played by Haley Joel Osment, motivates every action in the story except for the scenes in Rouge City. Why contain such a perverse character and setting when his entire existence simply displays a mood that has already been well established. Obvious, the filmmakers toned the aspects of "AI" down to warrant a gutless PG-13 rating-but why? The movie isn't appropriate for children anyway, and it's far too complex. Undoubtedly if Kubrick were in charge "AI" would have to be re-cut to avoid an NC-17 rating. Spielberg should have either taken advantage of the perverse material or completely eliminated it.

Here I am, doing exactly what I said that I wouldn't do, and at nearly 900 words, I still have not clearly expressed my own opinions on the film. I have many notes in front of my that display my reaction as I watched the film, but I am not going to use them-they reveal too much about the movie. "AI" is a very personal film, a deeply moving, scientific, careful, and harrowing motion picture that displays startling talent on screen and behind the scenes. The special effects are extraordinary. The performances are alarming-the immensely talented Haley Joel Osment may once again be up for an Academy Award nomination. Go see the movie, then talk about it with others. It's the kind of film that you can spend hours thinking about, then go see it again.

❾ 大学生求职必看的13部励志电影

很多大学毕业生在求职的时候,都会感受到自己的无知和浅薄,便开始发狂的看书。但茫茫图书馆琳琅满目,难免有盲目和彷徨。下面就是针对不知读何是好的大学生来提供一些积极的引导和建议。

电影推荐:

1.优先强烈强烈强烈推荐一部电影叫《灵异第六感》

是有关感恩、弥补、怀念、真情、信任和救赎的,也和一些心理现象相关,又不乏科幻和神秘感。电影倒序与插叙结合,对观看者的细心与智力都是挑战。英文版更有感觉。

2.另外强烈推荐电影《三傻大闹宝莱坞》

可能有的人看过了吧,这是有史以来最励志的电影!电影真的有点长,起初我两次打开都没有继续看下去怕没那么吸引人,第三次打开终于看完了!真的很吸引人!绝对不白看,优酷里收费观看的情况下评论里都是一片叫好,这在收费电影里是罕见的。电影以法尔汉在飞机上装病导致机长将飞机紧急返航迫降的镜头开始,故事以两个好朋友在寻找多年不见的好兄弟兰彻的过程中展开的回忆:讲述十年前兰彻顶替他人来到印度最好的皇家工程学院的故事。这里的检验学生的唯一标准就只有成绩,成绩不好就意味着没有未来!而兰彻(实际为旺度)却不随波逐流,他用他的善良、开朗、幽默和智慧影响着周围的人。他用所学的物理知识来教训野蛮的学长,他用智慧打破了学院墨守成规的传统观念,终于让顽固不化的院长被说服。最后他用智慧成为了印度科学界的一位天才科学家,他实现了自己的梦想,也做回了真正的自己。"三人帮"中兰彻和栾秋梦想成为工程师,法尔汉却想成为野生动物摄影家。影片中随时穿插着幽默的语言,行为。他们把系主任称为"病毒",把查图尔称为"沉默者"。这个电影原版不是英语,所以建议看国语的。配音比较成功的是优酷上的收费视频。

3、推荐电影《美丽心灵》

本片描写的是真人真事,故事的原型是数学家小约翰-福布斯-纳什(Jr.John Forbes Nash)。英俊而又十分古怪的纳什早年就作出了惊人的数学发现,开始享有国际声誉。但纳什出众的直觉受到了精神分裂症的困扰,使他向学术上最高层次进军的辉煌历程发生了巨大改变。面对这个曾经击毁了许多人的挑战,纳什在深爱着的妻子艾丽西亚的相助下,毫不畏惧,顽强抗争。经过了几十年的艰难努力,他终于战胜了这个不幸,并于1994年获得诺贝尔奖。这个电影曲折较多,总是意想不到,让你不断发出啊!啊!的声音!!而且有很多科幻色彩和许多的出其不意,十分值得一看!

4、如果缺乏斗志或者对生活失望,看看《极速赛车手》

你会知道,只要不放弃,只要你努力,每个人都能做得十分优秀。此外电影《风雨哈佛路》也不错,只不过后者的角度切换好像不太好,不过那是剧本设计层面的问题了,不妨碍内容的。

5、娱乐方面的电影推荐《开心鬼撞鬼》。

还有《火星没事》也很搞笑,绝对能让你紧张了一学期的心情彻底放下来。

6、老电影看看也挺好,推荐《人鬼情未了》和《幸福终点站》。感人又动情,尤其推荐《人鬼情未了》

大部分应该是看过,因为是老片子了,没看过的一定要看看,不要以为是写鬼的,是爱情电影,它会让你相信,这个世界上有坚贞的爱情存在,你会发现,世界上有真爱、有奇迹,男主人公最后去世了,但是他的灵魂在完成心愿后去了一个特别的地方。这也是一部伸张正义的电影,此部电影和电影中的.全部配乐和主题曲均被选中当年国际奥斯卡金奖。

7、此外电视剧《一公升的眼泪》

也很不错,十分感人,也有电影版的,自己搜搜,有的人已经看好几遍了,非常感人。再推荐一个类似的,看看《心灵捕手》,真的很感动。数学系的更应该看看。同样感人的还有《人工智能》,既科幻有趣,又十分凄美感人。《人工智能》一定要看英文版的,有些感人的情节中文配音就对配不出那种感觉。建议在优酷搜索,薯仔都是盗版的,卡的狠!

8、还有一部电影叫《珀西·杰克逊和闪电窃贼》(好像也叫《波西与神火之盗》)

非常刺激、非常精彩,男生应该更爱看,上次在听力课播放了一小段我们班同学都下课不走要把那个电影看完。更建议看英文版的,不过英文版确实挺难,它是很地道的英文发音,对练习听力有好处,如果英语不好就看中文版吧,但是《灵异第六感》一定要看英文版的,因为有些情感中文配音是配不出那个效果的。这个电影因为版权纠纷好像优酷看不了了,建议下载"风行"或者"快播"看。

9、推荐一个视频,叫《最后一个离开的机长》

美国航空1549航班曾在900米高空奇异地装上两只大鸟,飞机两个引擎全部起火爆炸,飞行塔台指示要求飞机立即迫降在最近的机场,但可惜飞机丧失了全部动力,高度又严重不足,无法滑翔至最近的机场。机长在几分钟内一边操作方向舵,一边用草纸算出了最好的水面迫降角11.004度,并操作飞机完美的迫降哈德逊河,而机长手控的飞机着陆角为11.006度,与预期计算值仅仅相差千分之二!这么精确的着陆竟然是由机长手动完成的!而且是一边驾驶一边计算!!!水面迫降难度极大,速度太小会坠毁水面,速度太大又无法控制高度,高度小了会提前落水爆炸,高度要想提高就要复飞拉起,然而飞机引擎都失效怎么可能复飞拉高?机长的卓越技术拯救了这架飞机,救援人员的通力合作,飞机上的乘客无一人伤亡!机长在获救后不上救生艇竟然又返回了即将被水淹没的飞机里不断地捞啊捞,生怕有乘客没有出来。最后一个离开的机长,给了我们太多感动。

10、推荐提高智力的电影《盗梦空间》

不过未必所有人都能看懂

对智力是个考验。一次全看懂的,智力应该在150+,当然,《盗梦空间》的结局很有思考空间,关于这个结局的理解,我与网上热评的理解角度就不同,陀螺到底有没有停止转动?你自己看看你的理解是什么,可以交流一下哈。

11、推荐《超能失控》

一位被同学瞧不起的内向学生在一次与外星生物的偶遇后获得超能力,起初的他想改变一切拯救一切,却终因超能力的滥用繁衍出一系列奇闻怪事和悲剧的后果,此电影告诉你不要总是瞧不起内向的人,有一天你对他人所有的不尊重都要付出代价,此篇电影也反射出社会的一些顽固现象。

12、推荐《笔下求生》

13、推荐《神秘代码》

❿ 能否介绍一部关于机器人的英文电影

机械公敌
机器人管家
人工智能

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