英语散文电影
‘壹’ 电影的类型有什么我要英文的
Film Genres
I INTRODUCTION
Film Genres, categories of film characterized by frequently recurring patterns of form, style, and, particularly, subject matter. There is no clear consensus among film historians and critics on the number of genres, or on the line of demarcation between one genre and another. This must be borne in mind when considering the following list of major genres: Adventure; Biography; Comedy; Drama and Melodrama; Fantasy/Horror/Science Fiction; Gangster/Crime/Spy/Film Noir; Musical; Problem Picture; War; Western. Some commentators would argue that the category “Gangster/Crime/Spy/Film Noir” clearly incorporates two, if not more, distinct genres, as it could be seen to include films as diverse as The Maltese Falcon (John Huston, 1941) and Sunset Boulevard (Billy Wilder, 1950). Similarly, the old instry category “Women's Pics” straddles at least two classifications: Film Noir and Melodrama. Only the Hollywood cinema has been considered. Obviously, genres exist in the popular cinemas of other countries, although, apart from such clear-cut exceptions as samurai films of Japan or kung fu pictures from Hong Kong, the categories applied are normally derived from Hollywood. Clearly there are interesting differences between, say, a British crime film and an American example, but on the whole these have yet to be studied. Differences between genres tend to be identified more in terms of themes, stars, use of costumes, and settings and locations, than in terms of specific aspects of film-making practice such as editing.
II HISTORICAL PERSPECTIVE
In the days of the studio proction lines, placement of films within genres tended to be part of the thinking of studio executives in their decisions about proction and marketing policy, and were reiterated in the trade papers. Thus, notions about many film genres actually preceded explicit critical analysis. While critical accounts of a film genre tend, appropriately, to be descriptive, the same ideas in the mind of a procer or accountant are often prescriptive, based on a notion of what audiences will find acceptable in, say, a Western.
When critics started to analyse Hollywood films in depth, this link with the collective, entertainment, money-making aspect of the proction system, rather than its initially unrecognized personal, artistic dimension, contributed to an emphasis on the negative aspects of the genres, for example, the limits their conventions imposed on creativity. However, as Colin McArthur argued in his pioneering genre study Underworld USA (1972): “the responses of film-makers and audiences to the genres seem to offer a good prime facie case for believing that they are animating rather than neutral, that they carry particular charges of meaning independently of whatever is brought to them by particular directors.”
Certainly, it seems unlikely to be coincidence that much of the finest work of Howard Hawks, John Ford, Anthony Mann, and, more recently Clint Eastwood, has been in the Western genre. Nevertheless, only minor or mediocre directors can be said to be defined by their relationship to a genre, and each of the four cited has inflected the genre in significantly different ways, both stylistically and thematically, as well as having done important work in other genres.
III DEVELOPMENT OF GENRES
Clearly film genres change over time as society, the audience, and the institutions of proction change. New stars come along, new themes emerge, new conventions of characterization evolve. The exact nature of these shifts is largely outside the conscious awareness of those responsible for bringing them about, however. The procer, director, writer, and star tend to think in terms of decisions that will make a work more interesting, or generate a more compelling star role, rather than how to modify the genre in response to shifts in society.
Some points relating the development of particular genres to changes in film technology are simple and obvious: there is nothing incongruous about a silent Western, and the genre has been on the screen since The Great Train Robbery (1903, directed by Edwin S. Porter), but the idea of a silent musical is obviously ridiculous, despite the fact that live musical accompaniment ensured that most cinemas were never really silent. Similarly, continually improving techniques for special effects have given new life to the Fantasy/Science Fiction/Horror genre, from 2001: A Space Odyssey (Stanley Kubrick, 1968) on through Star Wars (George Lucas, 1977), and Close Encounters of the Third Kind (Steven Spielberg, 1977) to the cycle of Alien films (Ridley Scott, 1979; James Cameron, 1986; David Fincher, 1992).
Popular films are not a simple reflection of the society that proced them: they are complex texts, systems of discourse certain strands of which bear traces of particular features of the society that generated them. Exactly what mechanisms are involved, however, varies from case to case, and may often be impossible to tease out. Thus, comparisons made between characteristics of the indivial genres, or between one era and another, must be provisional and tentative.
For example, in the 1930s, the great period of the gangster film, there were few major Westerns, and those there were came at the start and end of the decade. In the era of classic Hollywood cinema (from the late 1920s to the decline of the studio system around 1960) both these genres regularly involved conflicts between good and evil.
However, perhaps because part of the gangster film's concern was to indicate the social origins of crime, it is typically the gangster's journey the audience follows, and thus there is strong, if only partial, identification with him. His refusal to accept the restrictions of the urban environment, together with the energy of his indivialism, made him a dangerously fascinating, possibly sympathetic, character when contrasted with the less colourful representatives of law and order.
Indeed, this patina of charisma has persisted through to the present. It is part of the complex appeal of The Godfather series (Francis Ford Coppola: Part I, 1972; Part II, 1974; Part III, 1990), inviting the audience to collude with the actions of Michael Corleone. In the more pastoral world of the classic Western, on the other hand, the hero may have been a loner, but he normally represented the best values of the community. Moreover, it was his progress the audience followed, and thus it was he with whom it identified. Consequently, he was the one with charisma, rather than the villain, whose ultimate defeat and death were not mourned in the same way as the classic gangster's.
Though attempts to specify precisely where Western and gangster genres fit in an overall account of the generic categories of popular cinema are likely to generate academic controversy, all commentators agree on their existence as genres. This makes them appropriate choices for the accounts of generic difference and change given above. Though much has been left out, this is an example of the kind of analysis that can be made in relation to other genres.
‘贰’ 中学生英文励志电影
中学生英文励志电影推荐
节假日中学生可以适当放松一下紧张的学习，看一下英文励志电影还是不错的选择，既可以提高英语水平，有可以娱乐立志，我在这给你推荐以下英语励志电影，大家可以欣赏一下。
中学生英文励志电影1
‘体育篇’
1、《百万美元宝贝》
对于整个电影，正如导演伊斯特伍德所说，“这不是一个关于拳击的故事，而是关于希望、梦想和爱的故事”.在麦琪眼里，梦想就是生命!
2、《洛奇》
弱者当自强，奋斗不停息。一段歌词可以很完美的表达主题：Look, if you had one shot, one opportunity To seize everything you ever wanted，one moment ，Would you capture it or just let it slip?
3、《一球成名》
讲述一个人从足球爱好者到成为职业球队主力的故事。大致结构可以说跟《万夫莫敌》基本上相似。
4、《火的战车》
最典型的励志影片，1981年4项奥斯卡得主，关于奥运会的最佳电影，《火的战车》的剧本根据二十年代两个青年短跑选手-埃立克.利德尔和哈罗德.亚伯拉罕，为参加1924年在巴黎举行德奥林匹克运动会刻苦锻炼，终于取得冠军的真实故事编写而成。
5、《告别昨日》
这部电影提到的较少，但的的确确是一部经典的励志电影，讲述自行车手的故事，是AFI评出的励志电影前几名之一。
6、《万夫莫敌》
描写一名年近30一事无成的普通人，通过一次偶然的机会成为职业橄榄球球员的故事，真实事件改编非常励志。
7、《百万金臂》
最棒的棒球电影，看完以后对人生的态度都有所改变，可惜现在已经很难找到这部片子了，网上也几乎绝迹。
8、《重振球风》
描写一群少年犯的橄榄球奇迹，仍然是真人真事改编。
‘事业篇’
1、《美丽心灵》
一个80岁时凭自己20岁的理论获得诺贝尔经济学奖的人。一个伟大的学者，一个生活的强者，一辈子都在和自己严重的幻想症做斗争。“精神分裂症的最大痛苦是分不清哪是真的哪是假的，试想，当你突然认识到那些曾经的人和事以及让你最珍惜的时刻，并没有消失，而更糟的是，那些从来都不是真的，这有多可怕啊!”
2、《黑暗中的舞者》
一部震撼心灵的影片，具有深渊一般的穿透力，歌舞片中少有的经典。现实与理想，执着与信念，主题深刻的让人窒息。
3、《当幸福来敲门》
找到一份工作需要经历多少艰辛，需要付出多少努力，一份成功之前究尽能遇到多少生活的颈瓶，相信看完这个故事后无论谁都会有新的认识。
4、《时尚女魔头》
这部励志电影相对轻松诙谐，主题并不深刻。但仍是一部好的励志篇。
5、《川流熙攘》
影片讲述一个皮条客进军嘻哈乐界的“传奇”故事。迪杰是个皮条客，人到中年，却一事无成。中年危机迫使他整天琢磨活着的意义。沉闷的生活让他开始怀念中学时在教堂唱诗班的那段日子。迪杰脑子一转突然萌生出一个奇怪的念头：去当个说唱歌手。生活其实可以很有创意。
6、《飞行者》
只是个人推荐，因为本人十分欣赏莱昂纳多扮演的这个角色。
‘磨难篇’
1、《肖申克的救赎》
磨难并不能改变人的一生，除非你自己放弃信念。要学会在磨难中生存，相信终会有走出阴影的一天。
2、 《钢琴师》
生命是卑微的，却又是顽强的。他只是想生存，仅此一个目标。
3、《启示录》
背景是古代玛雅时代，故事的重点在后面的追杀戏中。在遇到追逐与杀戮的时，多数人都只会本能性的逃避。但当意识到逃避是不能解决问题的时候，该怎么办呢?
4、《我的左脚》
当一个人只剩下左脚可以移动时，仍然不放弃自己的生活和理想。
5、《活着》
在经历了动荡人生的洗礼后，即使是生活状态每况愈下，也要坚强的活着。
‘生活篇’
1、《楚门的世界》
生活在一个熟知的世界中，至少它会是安全的。不是谁都能有闯入未知领域的勇气，因为在那里，你什么也不是。但正因为这样，人生才会有意义。
2、《伊丽莎白镇》
一个在事业中失败的人最后从生活中找回自我的故事。散文式的叙述风格中充满了浪漫的笔调。
3、《谈谈情跳跳舞》
这是我最喜欢的电影之一。每个人都可以摆脱沉闷，单调，乏味的生活，只要能找到你所向往的追求。多数人缺少的只是生命的激情。
中学生英文励志电影2
第一名《阿甘正传(Forrest Gump)》
这个年代没有那一部电影能使人获得如此的宁静，使它继续领跑今年的英文励志电影排行榜。
在踏上这个充满竞争与排挤的社会之前，《阿甘正传》教给你的不是与世无争、息事宁人，而是默默奋斗、乐天知命。看了《阿甘正传》，内心能多一份平静，少一份浮躁，就已经足够了。汤姆汉克斯的经典片，高中生应该都看过的吧!
推荐指数：10
第二名《当幸福来敲门(The Pursuit of Happyness)》
仿佛影片讲的是我们似曾相似的往昔再现，又仿佛对我们未来前进的叮嘱，在感动之余，对我们进行了人生的洗礼，只要不放弃，就一定会成功。威尔·史密斯主演。《当幸福来敲门》(The Pursuit of Happyness)取材于发生在美国真实故事。故事的主角就是当今美国着名黑人投资专家Chris Gardner。影片诠释出一位濒临破产、老婆离家的落魄业务员，刻苦耐劳的善尽单亲责任，奋发向上成为股市交易员，最后成为知名的金融投资家的励志故事
推荐指数：9
第三名 《毕业生(The Graate)》
献给大三大四的同学，当要离开校园时
达斯汀.霍夫曼对未知世界的彷徨和向往，以及那个洋溢着激情和冲动的结尾，都一丝不差地契合了毕业生的心情。当然，还有那首广为传唱的插曲，它会适时地荡起你心中淡淡的离愁。
推荐指数：9
第四名 心灵捕手(Good Will Hunting)
麻省理工学院的数学教授蓝波在席上公布了一道困难的数学题，却被年轻的清洁工威尔(马特·戴蒙 饰)解了出来。可是威尔却是个问题少年，成天和好朋友查克(本·阿弗莱特饰)等人四处闲逛，打架滋事。当蓝波找到这个天才的时候，他正因为打架袭警被法庭宣判送进看守所。蓝波向法官求情保释，才使他免于牢狱之灾。
蓝波为了让威尔找到自己的人生目标，不浪费他的数学天赋，请了很多心理学专家为威尔做辅导，但是威尔十分抗拒，专家们都束手无策。无计可施之下，蓝波求助于他大学的好友，心理学教授尚恩(罗宾·威廉姆斯 饰)，希望能够帮助威尔打开心房。
经过蓝波和尚恩的不懈努力，威尔渐渐敞开心胸，而好友查克的一席话，更是让他豁然开朗。
第五名 美丽心灵(A Beautiful Mind)
一个80岁时凭自己20岁的理论获得诺贝尔经济学奖的人。一个伟大的学者，一个生活的强者，一辈子都在和自己严重的.幻想症做斗争。
第六名 百万美元宝贝(Million Dollar Baby)
正如导演伊斯特伍德所说的，”这不是一个关于拳击的故事，是关于希望、梦想和爱的故事”，看过这部电影，相信大家就会知道今年奥斯卡典礼上的大 获全胜真的是实至名归。
推荐指数：8
第七名 时尚女魔头(The devil wears in Prada)
刚从学校毕业不久的女孩安德莉娅，机缘巧合进入了一家顶级时装杂志社作总编助手。然而她很快发现自己的工作简直是一场噩梦。在最后的时刻，她明白了什么才是自己真正想要的~女主演安妮·海瑟薇很漂亮~
推荐指数：7
第八名 永不妥协(Erin Brockovich)
一个单身母亲，带着三个孩子，没有受过高等教育，社会地位低下，数度求职而被拒，银行帐户上只有十四元钱，车停在道上挨罚单，还被其他的车撞……一个在事业、家庭、爱情之间摸爬滚打、不辞辛劳的女人，心直口快，善良机敏，偶尔还有些粗俗。她先是为自己的权益而战，继而为公众的权益而战，把公众的权益当作了自己的权益。爱害人痛苦的样子，令她深感同情，而别人的信赖，也令她找到了自我的价值，她的直觉，最终引导她走向了更高远的目标，完成了一件别人无法想象的事，可以说是奇迹。只要有一线希望，就不轻言放弃，正如片名：永不妥协。一个平凡而伟大的女人，被朱丽娅罗伯茨演得细腻入微。
推荐指数：7
第九名 光辉岁月(Remember the Titans)
该片是根据真人真事改编，故事发生于1971年，两间黑人中学和一间白人中学合并，于是这三个学校的足球队必须重新组成一支混合球队。白人教练约特(韦尔· 帕顿饰)将此视为“人格侮辱”而愤然辞职，于是黑人教练赫尔曼·布恩(丹泽尔·华盛顿饰)接手统领。他除了需要解决各队的分歧外，还要应付当时徘徊于种族间的紧张状况。最终，他排除万难，带领他的队伍打开胜利之门。
推荐指数：6
第十名. 黑暗中的舞者(Dancer in the Dark)
在美国某个乡村工厂做工的捷克移民塞尔玛(比约克)天性善良，因患有先天性疾病，她的视线正日趋模糊。为了不让遗传了该病的儿子也将宿命继承，塞尔玛每日做工都很辛苦，不知情的好友兼同事林达(凯萨琳·丹妮芙)因心疼而好言相劝时，她总是报一微笑，因为她还有另一个纯粹属于音乐的世界，其间的美好与安静，足以抵挡现实的心酸与艰难。
令她欣慰的是，在眼睛要彻底变瞎之前，基本筹齐了儿子手术所需的费用，然而就在此时，意外发生，她的命运被加速推向复杂悲惨的境地。
;‘叁’ 请问中外电影中有哪些优秀作品属于散文式结构的
《城南旧事》
吴贻弓继《巴山夜雨》之后独立执导的《城南旧事》，为中国的散文电影提供了一个几乎难以企及的范本。影片以“淡淡的哀愁，沉沉的相思”为情感线索，透过小女孩英子的目光，在离情别绪中讲着三个似乎互不相关的故事。小童星沈洁和《送别》的歌词与旋律是人们对《城南旧事》最感性的认知。影片注重意象的唯美风格代表了同时期一批中年导演的创作倾向。
该片没有严密的故事联结,而选取了"英子"童年的一些片段以散文风格进行叙述,清晰自然,难得的此类作品国产佳作.
青木瓜之恋
整部片子幽黯恬静，笼着一层朦胧的轻纱，女主角梅的每次出现，以及着力刻画出的昆虫、清水、器皿、木瓜……的静态，敏锐捕捉到的深门大户宅院每一处的细节，犹如从这层晦涩的纱罩中透出的光线，恰如其分，闪烁而不耀眼、灵动却不张扬。故事也在这一幅幅唯美的画面里若隐若现有意无意中展开：贫穷的梅年幼时就被送至一个中产家庭作佣人，男主人为追求艺术理想常年在外漂泊，女主人默默持家，为支持丈夫，家道渐落……梅在童稚的梦幻和日日劳作中慢慢长大，少爷浩民渐渐喜欢上梅的淳朴，清新，富家小姐怅然离去……结局仍是隐约含蓄，梅手捧书本席地而坐，散发着趋向成熟的动人光彩，引人无限遐思。
然后必须注意的是这部片子的导演"陈英雄",他还导演了《三轮车夫》、《夏天的滋味》,合称为"越南三步曲",都是散文诗风格电影的经典作品,在国际上多次获奖,是越南近年来电影的标志性作品.
看在你MM才给找了那么多素材,累啊!!!
‘肆’ 双语散文欣赏我父亲的音乐
散文 是一种抒发作者真情实感、写作方式灵活的记叙类文学体裁。接下来，我给大家准备了双语 散文欣赏 我父亲的音乐,欢迎大家参考与借鉴。
双语散文欣赏我父亲的音乐
I remember the day Dad first lugged the heavy accordion up our front stoop,taxing his small frame. He gathered my mother and me in the living room and opened the case as if it were a treasure chest. "Here it is,"he said. "Once you learn to play, it'll stay with you for life."
我还记得那天，爸爸豁出瘦小的身躯，第一次把那沉甸甸的手风琴拖上我们家的门廊。他把妈姆和我召到客厅，打开箱子，好像那是个百宝箱似的.“给，”。他说，“你一学会拉它，它就跟你终身做伴。”
If my thin smile didn't match his full-fledged grin, it was because I had prayed for a guitar or a piano. It was 1960, and I was glued to my AM radio,listening to Del Shannon and Chubby Checker. Accordions were nowhere in my hit parade. As Ilooked at the shiny white keys and cream-colored bellows, I could already hear my friends' squeeze box jokes.
我淡淡一笑，满不像他那么喜笑颜开，可那是因为裁一直巴望着有一把吉他，或一架钢琴。当时是1960年，我迷上了在调幅广播里收听戴尔·香农和查比·切克的音乐。手风琴在我的流行曲目里根本排不上号。看着那白晃晃的琴键和奶油色的风箱，我都可以听到伙伴们嘲弄这玩意儿的声音。
For the next two weeks, the accordion was stored in the hall closet. Then one evening Dad announced that I would start lessons the following week. In disbelief I shot my eyes toward Mom for support. The firm set of her jaw told me I was out of luck.
后来的两个礼拜，手风琴一直搁在门厅的壁橱里。有天晚上，爸爸宣布，’下周起我就开始上手风琴课。狐疑中我直向母亲递眼色，求她帮忙。可她紧闭着嘴，就是说我这次倒了霉了。
Spending $300 for an accordion and $5 per lesson was out of character for my father. He was practical always-something he learned growing up on a Pennsylvania farm. Clothes, heat and sometimes even food were scarce.
花300元买架手风琴，每上一课还得交五元，这可不合我父亲的性格。他向来都很讲究实际——这是他自小在宾夕法尼亚州的农场学来的。当时穿的，取暖的，有时候连吃的都很少。
Before I was born, he and my mother moved into her parents' two-story home in Jersey City, N.J. I grew up there on the second floor; my grandparents lived downstairs. Each weekday Dad made the three-hour commute to and from Long Island, where he was a supervisor in a comparty that serviced jet engines. Weekends, he tinkered in the cellar, turning scraps of plywood into a utility cabinet or fixing a broken toy with spare parts. Quiet andshy, he was never more comfortable than when at his workbench.
我出生前，父母搬进了新泽西州泽西城外公外婆家一楼一底的房子。我就是在那儿的楼上长大的，外公他们住楼下。爸爸每天去长岛上班来回要坐三个小时的车。他在那儿的一家飞机发动机维修公司做监督，周末他就在地窖里东修西补，不是把零星的胶合板拼凑成多用柜，就是找些个零部件 修理 破玩具。他生性沉静腼腆，只有坐在工作凳上时他才最为自在。
Only music carried Dad away from his world of tools and projects. On a Sunday drive, he turned the radio on immediately. At red lights, I'd notice his foot tapping in time. He seemed to hang on every note.
只有音乐可以使爸爸陶醉，忘却他那个近视工具和活计的天地。星期天只要一开车，他便打开收音机。遇见红灯，就见他的脚及时地轻轻打起拍子。他好像不放过每一个音符。
Still, I wasn't prepared when, rummaging in a closet, I found a case that looked to me like a tiny guitar's. Opening it, I saw the polished glow of a beautiffil violin. "It's your father's," Mom said. "His parents bought it for him. I guess he got too busy on the farm to ever learn to play it." I tried to imagine Dad's rough hands on this delicate instrument-and couldn't. .
然而，我还是没有料到，又一次翻一个壁橱，竟发现一只盒子，我看像个小吉他盒。打开一看，却是把漂亮的小提琴，光滑锃亮的。“那是你父亲的，”妈妈说，“他父母给他买的。怕是农场上太忙了吧，他压根儿就没顾上学。”我尽量想象爸爸那双粗手在摆弄这把精巧的小提琴——可就是想象不出来。
Shortly after, my lessons began with Mr. Zelli at the Allegro Accordion School tucked between an old movie theater and a pizza parlor. On my first day, with straps straining my shoulder, I felt clumsy in every way. "How did he do?" my father asked when it was over. "Fine for the first lesson,"said Mr.ZeUi. Dad glowed with hope.
不久，我在手风琴速成学校跟泽里先生上起课来了，那个学校夹在一家旧电影院和一家馅饼店之间。第一天，我肩上勒紧了两条皮带，怎么都觉得别扭。“他怎么样?”过后父亲问老师。“第一课嘛，还可以。”泽里先生说。爸爸看有希望，神采奕奕。
I was ordered to practice half an hour every day, and every day I tried to get out of it. My future seemed to be outside playing ball, not in the house mastering songs I would soon forget, but my parents hounded me to practice.
按规定我每天的练半小时的琴，而我每天都没法躲过去。我看我的前途是在户外打球，不是呆在屋里练很快就会遗忘的曲子，可父母逼着我练。
Graally, to my surprise, I was able to string notes together and coordinate my hands to play simple songs. Often, after supper, my father would requesta tune or two. As he sat in his easy chair, I would fumble through "Lady of Spain" and "Beer Barrel Polka."
想不到我渐渐可以把各个音符串起来，两手配合着拉起简单的歌曲了。晚饭后，父亲常常要我拉上一两段曲子。他坐在安乐椅里，我就笨手笨脚地拉完《西班牙女郎》和《啤酒桶波尔卡》
"Very nice, better than last week," he'd say. Then I would segue into a med-ley of his favorites, "Red River Valley" and "Home on the Range," and he would drift off to sleep, the newspaper folded on his lap. I took it as a compliment that he could relax under the spell of my playing.
“很好，比上星期强。”他会说。于是我一口气拉下去，把他最喜欢的歌曲《红河谷》和《家在牧场》混在一起，于是他不知不觉地睡去，报纸还摊在膝上。他能在我的演奏感召之下，也轻松一下算是对我的赞赏吧。
One July evening I was giving an almost flawless rendition of "Come Back to Sorrento,"and my parents called me to an open window. An elderly neighbor, rarely seen outside her house, was leaning against our car humming dreamily to the tune. When I finished, she smiled broadly and called out, "I remember that song as a child in Italy. Beautiful, just beautiful."
有年七月的一天傍晚，我正在拉《重归苏连托》，几乎是无懈可击，父母把我叫到一扇窗口。一个上了年纪的邻居，很少见她出门，这时正依在我家车旁，恍恍惚惚地跟着曲子哼着。我拉完了，她笑眯眯地喊道：“我小时候在意大利就记得这首歌。好听，真好听。”
Throughout the summer, Mr. Zelli's lessons grew more difficult. It took me a week and a half to master them now. All the while I could hear my buddies outside playing heated games of stickball. I'd also hear an occasional taunt: "Hey, where's your monkey and cup?
整个夏天，泽里先生的课越上越难。现在要花一个半星期才能学会。我一边学琴一边可以听到伙伴们在外面玩棍球玩得好热闹，不时还听到句把损人的话：“喂!你那猴儿罐儿呢?”
Such humiliation paled, though, beside the impending fall recital, I would have to play a solo on a local movie theater's stage. I wanted to skip the whole thing. Emotions boiled over in the car one Sunday afternoon.
不过，眼看秋季演奏会就要到来，这么糟践人也就不算个事了。强得耷本地一家电影院上台独奏。我想赖掉这差事。个星期天下午在车上，我们都动了感情，都发火了。
"I don't want to play a solo," I said.
我不想独奏。”我说。
"You have to," replied my father.
你就得独奏。”父亲答道。
"Why?" I shouted. "Because you didn't get to play your violin when you were a kid? Why should I have to play this stupid instrument when you never had to play yours7"Dad pulled the car over and pointed at me.
“为啥?”我吼道，“就因为你小时候没能拉成小提琴?你不拉就行我干吗就非得拉这笨乎乎的玩意儿?爸爸刹住车，面对着我。
"Because you can bring people joy. You can touch their hearts. That's a gift I won't let you throw away." He added softly, "Someday you'll have chance I never had: you'll play beautiful music for your family. And you understand why you've worked so hard."
“就因为你可以给别人带来欢乐。你可以打动他们的心。，那是给人的一份礼物，我不许你白扔了。”他又轻声说，“总有一天你会有我从来没有的机会：你会给你的妻子儿女演奏美丽动听的音乐。那时候你就会明白你干吗要这么苦练了。”
I was speechless. I had rarely heard Dad speak with such feeling about anything, much less the accordion. From then on, I practiced without parents' making me.
我无言以对。我很少听到父亲说话这么动情，更何况是说的手风琴。从此我练琴不用父母逼了。
The evening of the concert Mom wore glittery earrings and more makeup than I could remember. Dad got out of work early, put on a suit and tie, and slicked down his hair with Vitalis. They were an hour early, so we sat in the living room chatting nervously. I got the unspoken message that playing this one song was a dream come true for them.
音乐会那天晚上，妈妈戴上亮晶晶的耳环，脸上没见她这么打扮过。爸爸早早就下了班，扎上领带，一身套装，头发用发油梳得溜光。他们提前一小时就打扮完了，我们便坐在客厅里紧张地聊天。这时我得到一个无言的启示：演奏这么一首歌是实现他俩的一个梦想。
At the theater nervousness overtook me as I realized how much I wanted to make my parents proud. Finally, it was my turn. I walked to the lone chairon stage and performed "Are You Lonesome Tonight?" without a mistake. The applause spilled out, with a few hands still clapping after others hadstopped. I was lightheaded, glad my ordeal was over.
在电影院，我意识到我是真想使父母感到自豪时，简直紧张死了。终于轮到我上场了。我走向台上孤零零的椅子，演奏了《今晚你可寂寞?》没出一点儿错。一时掌声四起，落下后还有几个人在拍手。我高兴得轻飘飘的，总算熬到头了。
After the concert Mom and Dad came backstage. The way they walked—heads high, faces flushed—I knew they were pleased. My mother gave me a big hug. Dad slipped an arm around me and held me close. "You were just great," he said. Then he shook my hand and was slow to let it go.
音乐会散后妈妈和爸爸来到后台。瞧他们走路那神气——昂首挺胸，红光满面，我就知道他们很高兴。母亲紧紧拥抱了我。爸爸伸过一只胳臂搂住我不放。“你真是好样儿的!”他说，然后又握住我的手，久久不松开。
As the years went by, the accordion drifted to the background of my life. Dad asked me to play at family occasions, but the lessons stopped. When I went to college, the accordion stayed behind in the hall closet next to my father's violin.
随着岁月的流逝，那架手风琴在我的生活中也渐渐隐退了。爸爸只要我在家有节庆的时候拉一拉，课是不上了。我上大学，那琴就放在门厅的壁橱里，挨着父亲的小提琴。
A year after my graation, my parents moved to a house in a nearby town. Dad, at 51, finally owned his own home. On moving day, I didn't have the heart to tell him he could dispose of the accordion, so I brought it to my own home and put it in the attic.
我 毕业 一年后，父母搬到了附近一个镇上。父亲在51岁终于有了自己的房子。搬家那天，我不忍心告诉他可以把手风琴卖了，于是我把它拿回我自己的家，放在阁楼上。
There it remained, a sty memory until one afternoon several years later when my two children discovered it by accident. Scott thought it was secret treasure; Holly thought a ghost lived inside. They were both right.
它就呆在那儿，一件灰尘扑扑的纪念物，直到好几年后的一天下午，我的两个孩子偶然发现了它。司各特以为是个秘藏的珍宝，荷里以为里头住了个精灵。他俩都讲对了。
When I opened the case, they laughed and said, "play it, play it." Reluctantly,I strapped on the accordion and played some simple songs. I was surprised! my skills hadn't rusted away. Soon the kids were dancing in circles and giggluig. Even my wife, Terri, was laughing and clapping to the beat. I wa samazed at their unbridled glee.
我一打开箱子，他们就笑了，说道：“拉拉，拉拉嘛。”我勉强套上琴的背带，拉了一些简单的歌曲。没想到我的琴法竟然没有荒疏。很。陕孩子们就转着圈子跳呀笑个不停。连我妻子特丽也乐呵呵地和着节奏拍起手来。他们那兴高采烈的痛快劲儿真让我吃惊。
My father's words came back to me: "Someday you'll have the chance I never had. Then you'II understand."I finally knew what it meant to work hard and sacrifice for others. Dad had been right all along: the most precious gift is to touch the hearts of those you love.
这时，父亲的话又回到我的脑海：“总有一天你会有我从来没有的机会。那时你就会明白的。” 我终于明白了为他人努力工作和做出牺牲的意义。爸爸始终是对的：打动你所爱的人的心才是最宝贵的礼物。
Later I phoned Dad to let him know that, at long last, I understood. Fumbling for the right words, I thanked him for the legacy it took almost 30 years to discover. "You're welcome," he said, his voice choked with emotion.
事后我打电话给爸爸，告诉他我终于明白过来了。我拙嘴笨舌地不知说什么好，只说我花了差不多30年的工夫才发现了他留给我的这笔财富，为此我感谢他。“不客气。”他说，嗓音因激动而哽咽了。
Dad never learned to coax sweet sounds from his violin. Yet he was wrong to think he would never for his family. On that wonderful evening, as my wife and children laughed and danced, they heard my accordion. But it was my father's music.
爸爸从未学会从他那小提琴上拨出甜美的声音。但他以为他永远都不会为他的家人演奏乐曲，那是他错了。就在那个美妙的夜晚，我的妻儿又笑又跳，听着我拉手风琴。可那是我父亲的音乐。
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‘伍’ 下面哪一部作品被称为"散文诗"电影
《小街》《城南旧事》
20世纪20~30年代在欧洲出现的与诗电影相对而言的艺术流派和电影样式。苏联散文电影的主要代表..'" 尤特凯维奇、..格拉西莫夫'" 格拉西莫夫等认为电影艺术的中心任务是塑造“能够使观众喜爱的主人公”;影片中主要的是“人、他们的行动、他们的相互关系”;“形像只有通过与其他人们的相互关系、与事件的相互关系，才有可能创造出来”。主张电影“向散文学习”。代表作品有《夏伯阳》、《列宁在十月》、《马克辛三部曲》等。这些影片或塑造了革命领袖形像，或描写了英雄人物的思想发展和性格成长，它们通过叙事结构和对人物的心理刻划,表现了时代环境,歌颂了无产阶级革命斗争以及历史上的丰功伟绩。40年代以后被认为与“戏剧电影”相对而言的散文电影，以美国影片《公民凯恩》与意大利新现实主义电影为开端。这类影片不遵循传统的戏剧结构形式，不采用贯串完整的情节冲突，而是通过多种叙述手段，用多侧面、多层次、多声部的手法，使作品更加接近生活的本来形态，以造成亲切可信的艺术效果。但这类影片并不排斥戏剧性，而是从自然的日常生活与松散的散文结构中表现现实生活中的戏剧性
‘陆’ 初一上册英语小美文两篇，急用！！！
My family
I love my family, because I have a happy family.
My father is an English teacher. His name is Jacky. He is thirty-eight. He likes playing basketball. What’s my mother job? Is she a teacher? Yes, you’re right! My mother is very kind and nice, she is thirty-seven. My mother is always laborious work. I love my parents!
On Saturday and Sunday, I often go to the library and play the piano, My father go to play basketball. Sometimes, we watch TV and listen to music at home.
I love my family. Because I’m very happy to live with my parents together!
我的家庭
我爱我的家庭,因为我有一个快乐的家庭.
我的爸爸是一名英语教师,他的名字叫Jacky.他今年38岁.他非常喜欢打篮球.我的妈妈是赶什么呢?她是一名教师吗?是的.你说对了!我的妈妈是一个很亲切、友善的人,她今年37岁.我妈妈总是勤劳的干活.我爱我的父母.
在星期六和星期天里,我经常去图书馆和弹钢琴.我爸爸去打篮球.有时侯,我们都在家看电视和听音乐.
我爱我家.因为我和爸爸妈妈一起生活得很开心!
Ann’s Diary
Today was Sunday. Today was September 30th, 2004. It was a boring day. It was hot. I was not a work.
I watched TV all morning. The shows were boring. Then I called my friend, Nancy. She wasn’t at home. I didn’t know where she was.
At twelve I was hungry. There was not any food in the fridge. I was lazy. I was tired. Then I ate lunch outside. At one o’clock. I was in bed. In the afternoon I was at the movies. The film was boring. I'm glad tomorrow is Monday. I can go to school and see my friends.
安的日记
今天是星期天，2004年9月30日。这是令人厌烦的一天。今天天气很热，我呆在家里，不用去上学。
我看了一上午的电视。电视节目和无聊。于是我给好朋友南西打电话，可她不在家。我不知道她去哪里了。
十二点我饿了，可是冰箱里什么食物都没有。我很懒惰，也很劳累，于是我出去吃了午饭。一点我上床睡觉。下午我去了电影院。电影很无聊。很高兴明天就是星期一了，我有可以返回学校见到我的好朋友了。
‘柒’ 有没有适合朗诵的英语美文，急需
文歌曲]-One thing
·[英文歌曲]-Falling 堕落
·[英文歌曲]-Diary(图)
·[英文歌曲]-Heal the World
·[英文歌曲]-Forever《永远》
·[英文歌曲]-Miracle (爱的奇迹)
·[英文歌曲]-Dangerously in love
·[英文歌曲]-I am alive
·[英语歌曲]-只要你爱我
·[英文歌曲]-Things will go my way
·[英文歌曲]-Call my name
·[英文歌曲]-突如其来的爱情故事
·[英文歌曲]-Even If
·[英语歌曲]-Viva Forever spice girls
·[英语歌曲]-TPiecesofme我的每一部分
·[英语歌曲]-The end of the world
·[英语歌曲]-Heaven(图)
·[英文歌曲]-Summer Wine
·[英语歌曲]-You should've known better
·[英语歌曲]-A song for you
·[英语歌曲]-Did you ever see a lassie
·[英语歌曲]-Simple simon
1 Yesterday Once More 2 Said I love You..But.. 3 Hotel California 4 Reality 5 Save the Best for Last
6 Rhythm of the Rain 7 La Paloma 8 I Have Nothing 9 I Swear 10 Emotion
11 Paint My Love 12 Candle in the Wind 13 Love story 14 Sailing 15 Casablanca
16 Sound of silence 17 Sealed with a kiss 18 Careless whisper 19 Right here waiting 20 Let it be
21 Moon River 22 Sad movie 23 Yesterday 24 Love is blue 25 Oh Carol
26 Love me tender 27 River of Babylon 28 Everytime You Go Away 29 My Heart Will Go On 30 Everything I Do
31 Say You Say Me 32 The Cup of Life 33 Overture of William 34 Gmmei 35 Winterfire
36 Denyboy 37 Superstar 38 Take a Bow 39 Beauty and the Beast 40 Miss You
41 a whole new world 42 because i love you 43 big big world 44 colors of the wind 45 evergreen
46 eyes on me 47 i just called to.. 48 i will always love.. 49 love of my life 50 perfect moment
51 speak softly love 52 when i fall in love 53 sitting down here 54 Hotel California 55 tennesse waltz
56 the wedding 57 changing partners 58 are you lonesome.. 59 tammy 60 the last waltz
61 sad movies 62 all kind of my.. 63 and i love her 64 summer holiday 65 hey jude
66 hey paula 67 the greatest love.. 68 saving all my love.. 69 endless love 70 making love out of..
71 i've never been to me 72 moonlight flower 73 you're my everything 74 one more night 75 you needed me
76 rains & tears 77 run away 78 tell laure i love her 79 young love 80 auld lang syne
81 inside of my guitar 82 500 miles 83 sa tears go by 84 the end of the world 85 and i love you so
86 stay awhile 87 the way we were 88 evergreen tree 89 morning has broken 90 paloma blanca
91 imaging 92 cotton fields 93 rhineston cowboy 94 nobody's child 95 moon river
96 diana 97 holiday 98 on!carol 99 frankie 100 tea for two
101 if 102 angel of the morning 103 there s a kind of.. 104 san francisco 105 rose garden
106 i started a joke 107 mandy 108 Family Portrait 109 take me home 110 pretty boy
111 Jenny From The Block 112 Trouble 113 White Flag 114 You Don t Know My.. 115 Fighter
116 Me Against The Music 117 Breathe 118 Stole-Kelly Rowland 119 Slow-Kylie Minogue 120 The Closest Thing..
121 Milkshake 122 Too Lost In You 123 No Scrubs 124 Survivor 125 take me to your heart
--奥斯卡欧美电影金曲-- ‖百年经典‖
经典珍藏版(一) 1 我怎么活 【空中监狱】 2 爱情傻瓜 【新罗密欧与茱丽叶】 3 再见 【巧克力情人】
4 天使怎么会伤我的心 【天使多情】 5 屈服 【007之明日帝国】 6 欢乐嘉年华 【王牌大贱谍】 7 麻烦 【第五元素】
8 爱你所爱 【爱情失窃事件】 9 敬重 【花木兰】 10 我将记住 【人生点滴是真情】 11 我总梦见你 【白宫奇缘】
12 我不想在提起 【惊世未了情】 13 x档案 【x档案】 14 乘喷气机离去 【地球末日】 15 破坏者 【越空狂龙】
经典珍藏版(二) 16 往无前 【穿梭梦美人】 17 坠入爱河 【四个婚礼一个葬礼】 18 梦 【职业特功队】
19 此情可待 【终有一天感动你】 20 威力无限 【炮弹专家】 21 三番市 【阿甘正传】 22 说你说我 【白夜】
23 他是我兄弟 【第一滴血3】 24 我的宝贝 【宝贝小情人】 25 今夜爱无限 【狮子王】 26 崭新世界 【阿拉丁】
27 似曾相识 【时光倒流七十年】 28 夜色 【夜色】 29 落日之幻影 【生命因你而动听】 30 引领我 【壮志凌云】
经典珍藏版(三) 31 黑超特警 【mib黑超特警】 32 心之形 【这个杀手不太冷】 33 现在和永远 【赌命鸳鸯】
34 粉红色玫瑰 【一切从失恋开始】 35 星体 【阻击职业杀手】 36 我相信我能飞 【太空也入樽】 37 漂亮 【云裳风暴】
38 你的追求 【那一天传奇】 39 吻她 【小美人鱼】 40 费城街头 【费城故事】 41 007主题音乐 【007】
42 你的爱有多深 【周末狂热爱】 43 破晓时分 【现代女人心】 44 玫瑰之吻 【蝙蝠侠第三集】 45 勿伤我心 【致命恋人】
经典珍藏版(四) 46 电话诉衷情 【红衣女郎】 47 老虎的眼睛 【洛奇】 48 时光流逝 【北非谍影】
49 倒退华尔兹 【沉默的羔羊】 50 你的画像 【憨豆先生】 51 伴我一生 【留住有情人】 52 残酷 【此情可问天】
53 我会永远等待 【捉鬼敢死队】 54 畅通无阻 【艳舞女郎】 55 红色女郎 【上班女郎】 56 生生不息 【狮子王】
57 你爱的那个 【生于七月四日】 58 未来战士 【未来战士】 59 说爱 【理智与情感】 60 王者殿堂 【危机总动员】
经典珍藏版(五) 61 打击 【三步杀人曲】 62 一无所有 【女人香】 63 跨越彩虹 【绿野仙踪】
64 此情永不移 【廊桥遗梦】 65 总在某处 【鹅塘暗杀令】 66 如果你需要传奇 【精子奇缘】 67 让我哭泣 【激情交叉点】
68 上帝知道 【一生的爱都给你】 69 驾驶 【的士司机】 70 海底下 【小美人鱼】 71 雪绒花 【音乐之声】
72 你一定爱上了我 【贝隆夫人】 73 我一无所有 【保镖】 74 改变世界 【不一样的本能】 75 奔向你 【保镖】
经典珍藏版(六) 76 幻想 【变相怪杰】 77 化装舞会 【情人】 78 你让我快乐 【猎爱高手】
79 当男人爱上女人【当男人爱上女人】 80 爱情故事 【爱情故事】 81 你我和第三次世界大战 【职业特工队】 82 美女与野兽 【美女与野兽】
83 奔放的旋律 【人鬼情未了】 84 毕业生 【毕业生】 85 你可曾见过雨 【费城故事】 86 我会永远爱你 【保镖】
87 当我坠入爱河 【西雅图未眠夜】 88 感觉真好 【闪电舞】
goodbye heal the world
windflowers love story
anyoneatall all out of love
my heart will go on I want it that way
take my breath away tonight i celebrate my love
can you feel the love tonight 狮子王续集-荣耀大地
my heart stays with you 狮子王续集-沉睡的狮子
that's why (you go away) everything i do (i do it for you)
yesterday once more
泰塔尼克《我心永恒》插曲
魂断蓝桥 《友谊地久天长》插曲
北非谍影 《卡萨布兰卡》插曲
I Will Always Love You
007 <《007主题音乐》插曲> 泰塔尼克 <《我心依旧》插曲> 007之明日帝国 <《屈服》插曲>
魂断蓝桥 <《友谊地久天长》插曲> MIB黑超特警 <《黑超特警》插曲> 北非谍影 <《卡萨布兰卡》插曲>
X档案 <《X档案》插曲> 阿甘正传 <《三番市》插曲> 阿拉丁 <《崭新世界》插曲>
爱情故事 <《爱情故事》插曲> 爱情失窃事件 <《爱你所爱》插曲> 白宫奇缘 <《我总梦见你》插曲>
白夜 <《说你说我》插曲> 伴我一生 <《伴我一生》插曲> 宝贝小情人 <《我的宝贝》插曲>
保镖 <《奔向你》插曲> 保镖 <《我一无所有》插曲> 保镖 <《我会永远爱你》插曲>
时光流逝 <《北非谍影》插曲> 贝隆夫人 <《你一定爱上了我》插曲> 毕业生 <《毕业生》插曲>
蝙蝠侠第三集 <《玫瑰之吻》插曲> 变相怪杰 <《幻想》插曲> 不一样的本能 <《改变世界》插曲>
沉默的羔羊 <《倒退华尔兹》插曲> 穿梭梦美人 <《一往无前》插曲> 此情可问天 <《残酷》插曲>
当男人爱上女人 <《当男人爱上女人》插曲> 的士司机 <《驾驶》插曲> 地球末日 <《乘喷气机离去》插曲>
第五元素 <《麻烦》插曲> 第一滴血3 <《他是我兄弟》插曲> 赌命鸳鸯 <《现在和永远》插曲>
鹅塘暗杀令 <《总在某处》插曲> 费城故事 <《费城街头》插曲> 费城故事 <《你可曾见过雨》插曲>
憨豆先生 <《你的画像》插曲> 红衣女郎 <《电话诉衷情》插曲> 花木兰 <《敬重》插曲>
激情交叉点 <《让我哭泣》插曲> 惊世未了情 <《我不想在提起》插曲> 精子奇缘 <《如果你需要传奇》插曲>
空中监狱 <《我怎么活》插曲> 廊桥遗梦 <《此情永不移》插曲> 理智与情感 <《说爱》插曲>
猎爱高手 <《你让我快乐》插曲> 绿野仙踪 <《跨越彩虹》插曲> 洛奇 <《老虎的眼睛》插曲>
美女与野兽 <《美女与野兽》插曲> 那一天传奇 <《你的追求》插曲> 女人香 <《一无所有》插曲>
炮弹专家 <《威力无限》插曲> 巧克力情人 <《再见》插曲> 情人 <《化装舞会》插曲>
人鬼情未了 <《奔放的旋律》插曲> 人生点滴是真情 <《我将记住》插曲> 三步杀人曲 <《打击》插曲>
闪电舞 <《感觉真好》插曲> 上班女郎 <《红色女郎》插曲> 生命因你而动听 <《落日之幻影》插曲>
生于七月四日 <《你爱的那个》插曲> 狮子王 <《今夜爱无限》插曲> 狮子王 <《生生不息》插曲>
时光倒流七十年 <《似曾相识》插曲> 四个婚礼一个葬礼 <《坠入爱河》插曲> 太空也入樽 <《我相信我能飞》插曲>
天使多情 <《天使怎么会伤我的心》插曲> 危机总动员 <《王者殿堂》插曲> 未来战士 <《未来战士》插曲>
西雅图未眠夜 <《当我坠入爱河》插曲> 现代女人心 <《破晓时分》插曲> 小美人鱼 <《海底下》插曲>
小美人鱼 <《吻她》插曲> 新罗密欧与茱丽叶 <《爱情傻瓜》插曲> 艳舞女郎 <《畅通无阻》插曲>
夜色 <《夜色》插曲> 一切从失恋开始 <《粉红色玫瑰》插曲> 一生的爱都给你 <《上帝知道》插曲>
音乐之声 <《雪绒花》插曲> 越空狂龙 <《破坏者》插曲> 云裳风暴 <《漂亮》插曲>
这个杀手不太冷 <《心之形》插曲> 职业特工队 <《你我和第三次世界大战》插曲> 职业特功队 <《梦》插曲>
至OUT凸务IN娇娃 <《欢乐嘉年华》插曲> 致命恋人 <《勿伤我心》插曲> 终有一天感动你 <《此情可待》插曲>
周末狂热爱 <《你的爱有多深》插曲> 壮志凌云 <《引领我》插曲> 捉鬼敢死队 <《我会永远等待》插曲>
阻击职业杀手 <《星体》插曲>
不过我要特别推荐的是艾微儿的歌:
1.Anything But Ordinary
2.Complicated
3.Im With You
4.Losing Grip
5.Mobile
6.My World
7.Naked
8.Nobodys Fool
9.Skater Boy
10.Things I'll Never Say
11.Tomorrow
12.Too Much To Ask
13.Unwanted
以下收集的都是经典名曲，近期的流行歌曲不在其中
[A22] A dear John letter 给约翰的一封信* —Skeeter Davis 史琪特戴维丝
[A14] A horse with no name 没有名字的马 —America 亚美利加合唱团
[A54] A new day has come 新的一天开始 —Celion Dion 席琳狄翁
[A48] A shoulder to cry on 可以靠着哭泣的肩膀 —Tommy Page 汤米佩吉
[A57] A song for mama 给妈妈的歌# —Boyz II Men 大人小孩双拍档合唱团
[A12] A spaceman came traveling 外星人来访 —Chris De Burgh 克里斯迪伯夫
[A05] A time for us 我俩的时光* from电影“殉情记“ —Andy Williams 安迪威廉斯
[A46] A whiter shade of pale 更浅的苍白阴影 —Procol Harum 普洛可哈伦合唱团
[A31] A whole new world 崭新的世界 from动画“阿拉丁“ —Peabo Bryson & Regina 比柏布莱森 & 芮姬娜
[A06] A winter’s tale 冬天的故事 —David Essex 大卫艾塞克斯
[A50] About a girl 关于女孩 —Nirvana 超脱合唱团
[A42] Abracadabra 咒语 —The Steve Miller Band 史提夫米勒乐团
[A47] Across the universe 飞越宇宙 —Beatles 披头四合唱团
[A30] Africa 非洲 —Toto 托托合唱团
[A16] Against all odds(Take a look at me now) 完全不可能(再看我一眼)* from电影“再看我一眼“
—Phil Collins 菲尔柯林斯
[A32] Ain’t no mountain high enough 爱比山高 from电影“亲亲小妈“
—Marvin Gaye & Tammi Terrell 马文盖 & 黛米泰瑞尔
[A11] Alasca 阿拉斯加* —Topas 黄玉合唱团
[A52] All about loving you 全心爱你 —Bon Jovi 邦乔飞合唱团
[A07] All by myself 独自一人* —Eric Carmen 艾瑞克卡门
[A53] All for the love of a girl 全是为了一个女孩的爱 —Johnny Horton 强尼荷顿
[A19] All I have to do is dream 只有寻梦去 —Glen Campbell & Robbie Gentry 葛伦坎伯 & 罗比珍崔
[A21] All kinds of everything 万事万物 —Dana 唐娜
[A51] All my life 一生一世 —Linda Ronstadt & Aaron Neville 琳达朗丝黛 & 艾伦纳维尔
[A29] All my loving 我所有的爱 —Beatles 披头四合唱团
[A55] All night long 彻夜狂欢 —Lionel Richie 莱诺李奇
[A02] All out of love 与爱绝缘 —Air Supply 空中补给合唱团
[A41] All those years ago 多年以前* —George Harrison 乔治哈里森
[A34] Almost over you 几乎忘了你 —Sheena Easton 席娜伊斯顿
[A43] Almost paradise 如在天堂 from电影“浑身是劲“ —Mike Reno & Ann Wilson 麦可利诺 & 安威尔森
[A10] Alone 孤单 —Heart 红心合唱团
[A35] Always 永远 —Atlantic Stars 大西洋之星合唱团
[A36] Always 永远 —Bon Jovi 邦乔飞合唱团
[A17] Always on my mind 永在我心中* —Elvis Presley 猫王-艾维斯普里斯莱
[A26] Always somewhere 总在某处 —Scorpions 蝎子合唱团
[A49] Am I that easy to forget? 忘记我有那么容易吗？ —Jim Reeves 吉姆瑞夫斯
[A09] Amanda 阿嫚达 —Boston 波士顿合唱团
[A45] Amazing 太神奇了 —Aerosmith 史密斯飞船合唱团
[A01] Amazing grace 奇异恩典* —Judy Collins 茱蒂柯琳丝
[A27-1] American pie 美国派 歌词完全解说版请看这里！ —Don McLean 唐麦克林
[A27] American pie 美国派* —Don McLean 唐麦克林
[A28] And I love her 我爱她 —Beatles 披头四合唱团
[A13] And I love you so 我是如此爱你 —Don McLean 唐麦克林
[A44] And so it goes 就这麼走了 —Billy Joel 比利乔
[A18] Angel 天使* from电影“X情人“ —Sarah McLachlan 莎拉麦克劳兰
[A40] Angel 天使 —Aerosmith 史密斯飞船合唱团
[A38] Angel queen 天使女王* from日本动画“千年女王“ —Dara Sedaka 达拉西达卡
[A23] Angie 安琪 —Rolling Stones 滚石合唱团
[A04] Annie’s song 安妮之歌* —John Denver 约翰丹佛
[A25] Another brick in the wall 墙上的另一块砖* —Pink Floyd 平克佛洛依德合唱团
[A03] Another day in paradise 天堂的另一日 —Phil Collins 菲尔柯林斯
[A15] Another town another train 另一城镇另一班车 —ABBA 阿巴合唱团
[A33] Anywhere is 四处皆然 —Enya 恩雅
[A56] Are you happy now ? 你快乐吗 ? —Michelle Branch 蜜雪儿
[A24] Are you lonesome tonight? 今晚你寂寞吗？ —Elvis Presley 猫王-艾维斯普里斯莱
[A37] Arthur’s theme (the best you can do) 亚瑟之歌 from电影“二八佳人花公子“
—Christopher Cross 克利斯多佛克罗斯
[A39] As long as you love me 只要你爱着我 —Backstreet Boys 新好男孩合唱团
[A20] As tears go by 泪水流逝 —Rolling Stones 滚石合唱团
[A08] Aubrey 奥布芮 —Bread 面包合唱团
作者： i94cat 2005-8-13 22:33 回复此发言
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2 回复：【推荐】大量经典英文歌曲英汉曲目对照表，首首经典(转载)
[B08] Babe 宝贝* —Styx 冥河合唱团
[B33] Back at one 回到原点 —Brian McKnight 布莱恩麦肯奈特
[B05] Back for good 永远停留 —Take That 接招合唱团
[B25] Bad medicine 劣药 —Bon Jovi 邦乔飞合唱团
[B30] Band on the run 逃亡乐队 —Paul McCartney & Wings 保罗麦卡尼 & 翅膀合唱团
[B20] Beat it 走开 —Michael Jackson 麦可杰克森
[B17] Beautiful boy 美丽的孩子* from电影"春风化雨1996" —John Lennon 约翰蓝侬
[B12] Beautiful Sunday 美丽的星期天 —Daniel Boone 丹尼尔潘
[B15] Beauty and the beast 美女与野兽 from动画"美女与野兽" —Peabo Bryson & Celion Dion 比柏布莱森 & 席琳狄翁
[B06] Because I love you 因为我爱你 —Shaking Steven 薛金史蒂芬
[B13] Because you loved me 因为你爱过我* from电影"因为你爱过我" —Celion Dion 席琳狄翁
[B31] Bed of roses 玫瑰花床 —Bon Jovi 邦乔飞合唱团
[B29] Before the next teardrop falls 下一滴眼泪落下以前 —Freddie Fender 佛瑞迪芬德
[B19] Ben 班 from电影"金鼠王" —Michael Jackson 麦可杰克森
[B18] Better man 更好的人 —Robbie Williams 罗比威廉斯
[B14] Betty Davis‘s eyes 贝蒂黛维丝的眼睛 —Kim Carnes 金卡伦斯
[B16] Big, big world 广大的世界 —Emilia 艾蜜莉亚
[B28] Biggest part of me 我最珍贵的部分 —Ambrosia 安伯路西亚
[B11] Bird on a wire 电线上的鸟* —Leonard Cohen 李欧纳柯罕
[B32] Bloody Sunday 染血的星期天* —U2 U2合唱团
[B04] Blowing in the wind 飘在风中* —Peter, Paul & Mary 彼得、保罗 & 玛丽三重唱
[B26] Blue balloon 蓝色汽球 from电影"初恋的故事" —Jeremy 杰若米
[B27] Blue bayou 蓝色港湾 —Linda Rondstadt 琳达朗丝黛
[B21] Blue eyes 蓝眼睛 —Elton John 艾尔顿强
[B23] Blue moon 蓝色月亮 —The Marcels 波浪发型合唱团
[B24] Blue velvet 蓝丝绒 —Bobby Vinton 巴比温顿
[B10] Bohemian rhapsody 波西米亚人狂想曲 —Queen 皇后合唱团
[B07] Borderline 边界 —Chris De Burgh 克里斯迪伯夫
[B01] Both sides now 正反两面 —Judy Collins 茱蒂柯琳丝
[B22] Breathe 呼吸 —Faith Hill 费丝希尔
[B02] Bridge over troubled water 恶水上的大桥 —Simon & Garfunkel 赛门 & 葛芬柯二重唱
[B03] Bright eyes 明亮双眼* —Art Garfunkel 亚特葛芬柯
[B09] Broken wings 残破的羽翼 —Chris De Burgh 克里斯迪伯夫
作者： i94cat 2005-8-13 22:33 回复此发言
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3 回复：【推荐】大量经典英文歌曲英汉曲目对照表，首首经典(转载)
[C20] C‘set la vie 这就是人生 —Emerson, Lake & Palmer 爱默生、雷克 & 帕玛合唱团
[C02] California dreaming 加州之梦 —Mamas & Papas 双亲合唱团
[C07] Call me 打电话给我 —Dennis De Young 丹尼斯狄杨
[C26] Can you feel the love tonight 今晚你感受到爱了吗？ from动画"狮子王" —Elton John 艾尔顿强
[C31] Can‘t fight the moonlight 无法抗拒这月光* from电影"女狼俱乐部" —LeAnn Rimes 黎安莱姆丝
[C13] Can‘t fight this feeling 无法克制这份感情 —REO Speedwagon REO快马车合唱团
[C19] Can‘t help falling in love 无法自拔陷入爱河 —Elvis Presley 猫王-艾维斯普里斯莱
[C18] Can‘t take my eyes off you 无法将视线从你身上移开* from电影"绝命大反击" —Frankie Valli 法兰琪瓦利
[C27] Can‘t we try ? 我们不能再试试看吗？ —Dan Hill & Vonda Sheppard 丹希尔 & 芳达雪柏
[C04] Candle in the wind 风中之烛* —Elton John 艾尔顿强
[C04-1] Candle in the wind 1997 风中之烛* 纪念狄安娜王妃 —Elton John 艾尔顿强
[C28] Captain of her heart 她心中的船长 —Double 双重合唱团
[C08] Careless whisper 无心的耳语 —Wham Wham合唱团
[C17] Carrie 凯莉 —Europe 欧洲合唱团
[C06] Casablanca 卡萨布兰加* —Bertie Higgins 柏帝希金斯
[C33] Castles in the air 空中城堡 —Don McLean 唐麦克林
[C01] Cats in the cradle 摇篮里的猫* —Harry Chapin 哈利却宾
[C30] Changes 改变 —Black Sabbath 黑色安息日合唱团
[C38] Changes 改变 —Olivia Newton John 奥莉薇亚纽顿强
[C24] Changing partners 交换舞伴 —Patti Page 佩蒂佩姬
[C05] Cherish 珍惜 —Kool & the Gang 库尔伙伴合唱团
[C35] Child 孩子 —Freddie Aguilar 佛瑞迪艾格勒
[C16] Child in time 时代的小孩 —Deep Purple 深紫色合唱团
[C12] Children of the universe 宇宙的孩子* —Barclay James Harvest B.J.H.合唱团
[C10] Chiquitita 奇琪堤塔 —ABBA 阿巴合唱团
[C32] Circles in the sand 沙滩上的圈圈 —Belinda Carlisle 贝琳达卡莱儿
[C21] Close to you 靠近你 —Carpenters 木匠兄妹合唱团
[C11] Colors of the wind 风的颜色 from动画"风中奇缘" —Vanessa Williams 凡妮莎威廉丝
[C44] Come as you are 还你本色 —Nirvana 超脱合唱团
[C15] Come what may 不论未来如何* —Lani Hall & Herb Alpert 蕾妮霍尔 & 赫柏艾伯特
[C34] Come what may 哪怕受尽风霜 from电影"红磨坊" —Nicole Kidman & Ewan McGregor 妮可基嫚 & 伊旺麦奎格
[C39] Constant craving 永恒的渴望 —K. D. Lang 凯蒂莲
[C14] Cotton field 棉花田 —C.C.R. 清水复兴合唱团
[C40] Could‘ve been 曾经可以 —Tiffany 提芬妮
[C22] Count on me 依靠我 from电影"等待梦醒时分" —Whitney Houston 惠妮休斯顿
[C25] Coward of the county 郡里的懦夫 —Kenny Rogers 肯尼罗杰斯
[C29] Crazy for you 为你疯狂 from电影"夺标27秒" —Madonna 玛丹娜
[C43] Crazy love 疯狂的爱 —Dick Glasser 狄克葛拉瑟
[C41] Creep 怪物 —Radiohead 电台司令合唱团
[C36] Crocodile rock 鳄鱼摇滚 —Elton John 艾尔顿强
[C23] Cruel war 残酷的战争 —Peter, Paul & Mary 彼得、保罗 & 玛丽三重唱
[C37] Cruising 漫游 —Gwyneth Paltrow & Huey Lewis 葛妮丝派特洛 & 修路易士
[C42] Cry 哭泣 —Godley & Creme 葛利 & 克里姆二重唱
[C09] Crying 哭泣 —Don McLean 唐麦克林
[C03] Crying in the rain 在雨中哭泣 —A-Ha 啊哈合唱团
作者： i94cat 2005-8-13 22:34 回复此发言
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4 回复：【推荐】大量经典英文歌曲英汉曲目对照表，首首经典(转载)
[D15] Dancing queen 舞后 —ABBA 阿巴合唱团
[D16] Danny boy 丹尼少年 —英国民谣 英国民谣
[D07] Danny‘s song 丹尼之歌* —Anne Murray 安玛莉
[D43] Daydream believer 白日梦信徒 —Monkees 猴子合唱团
[D04] Days of summer 夏日时光 —Topas 黄玉合唱团
[D23] Dear heart 亲爱的 —Andy Williams 安迪威廉斯
[D32] Delilah 狄莱拉 —Tom Jones 汤姆琼斯
[D11] Desert moon 沙漠之月* —Dennis De Young 丹尼斯狄杨
[D33] Desert rose 沙漠玫瑰 —Sting 史汀
[D26] Desperado 亡命之徒 —Eagles 老鹰合唱团
[D29] Devoted to you 深爱着你 —The Everly Brothers 艾维利兄弟
[D06] Diamond and rust 钻石与铁锈* —Joan Baez 琼拜雅
[D28] Diana 狄安娜* —Paul Anka 保罗安卡
[D35] Diary 日记 —Bread 面包合唱团
[D22] Didn‘t we almost have it all 我们几
‘捌’ 求外国作家写的英语美文
奥哈拉给女儿的信
John O'hara to His Daughter
TLS,1 p.Mrs. Doughty
Quogue, Long Island
16 September 1962, Sunday
My dear:
Well, here we are — but not here. You at St. Tim's, Sister in Princeton, and me in Quogue, and another brand new year is about to start for you. For me, too. I always seem to approach the autumn in the frame of mind that spring inces in most people. The excitement of new things; the new plays, the new books, new clothes, etc., etc., etc. At the same time the autumn for me is a season of a sweet melancholy that is hard to explain. I love the early evenings, the leaves burning, the lights in houses.
It is the beginning of a big year for you, in many respects your biggest so far. By the time June comes around you will be 18, and graating from school. In the past week or so I have called you “Kid” but subconsciously I have been doing that because your kid days are over, or just about. I suspect that you are going through the experience of first love, and no matter what else happens, after that experience you are never a kid again.
Most of the nice things we associate with being a kid are okay — while you are still kid. But you gain more than you lose. You gain in understanding standing, in appreciation of people, in understanding and appreciation of yourself. You begin to see the wisdom in that quotation I have so often repeated to you: to thine own self be true. Every year at this time I have repeated that quotation to you, and the time is not really too far distant when you will be passing it on to your own children. It is probably the best single piece of advice I can give you, or you can give them.
You have done well, and I am pleased with you, not only for what you have done, but for what you are. As Miss Finnegan said to Sister, “Wylie has the right reactions.” So good luck in your Senior Year, and always know that the old man loves you very much.
Always
Dad
这是奥哈拉写给女儿的一封信。女儿将从中学毕业，这就意味着她将不再是小孩了。在这人生关键时刻，作为父亲，他既对女儿过去的表现表示满意，也对女儿的将来充满信心。然而，他却不忘再次重复自己对女儿立身行事的一句忠告：真诚地对待自己。这是要求女儿具有自信、自助、自律、自尊、自爱的品质。这句话显然是作者丰富的生活阅历和人生经验的总结，也是对女儿的谆谆教诲，赋予思想一种真切动人的感情力量。虽然信是写给予自己女儿的，但是这句忠告却具有普遍性的教育意义，是天下父母对子女的最真挚的希望。作者的语言温馨自然，平和亲切，看似叙述家常，却在平常中显示了令人惊叹的智慧，又让人产生一种贴心的感觉。
约翰·奥哈拉(John O' hara,1905-1970)是美国着名小说家。他生于宾夕法尼亚州的波茨维尔，中学毕业后父亲去世，就离家出走，开始独立的生活。他东奔西走，经过广泛的旅行之后，终于在纽约市当上记者，撰写文艺批评，短篇小说作品常常出现在着名杂志《纽约人》，此外还为好莱坞和百老汇改编电影和戏剧，如音乐喜剧《好友乔依》（1940年）。从第一部长篇《在萨马拉的约会》（1934）到死后出版的短篇小说集《萨马拉好人及其他小说》（1974），他的作品是20世纪20—40年代积极上进的美国社会史，以对20世纪美国生活习俗和价值的敏锐目光而着称。作为现实主义作家，他的风格是客观的，实事求是的。
‘玖’ 用英语介绍，自己喜欢的英语歌，英语美文，英语名着，英语电影等等，至少五十个词
I like the movie Titanic. It's one of the best movie that I have ever seen. The movie is about a big ship which hit an iceberg. The ship sink into the sea at last. But what moves me a lot is that the love between Jack and Rose. Their love is lasting forever!
关于泰坦尼的电影，喜欢的话请采纳！
‘拾’ 简单英语美文
阅读教学在高中英语教学中占有极其重要的地位。高效的阅读教学是提升英语教学质量的关键。下面是我带来的简单经典英语美文，欢迎阅读!
简单经典英语美文篇一
Funny or not?
Whether we find a joke funny or not largely depends on where we have been brought up. The sense of humour is mysteriously bound up with national characteristics. A Frenchman, for instance, might find it hard to laugh at a Russian joke. In the same way, a Russian might fail to see anything amusing in a joke which would make an Englishman laugh to tears.
Most funny stories are based on comic situations. In spite of national differences, certain funny situations have a universal appeal. No matter where you live, you would find it difficult not to laugh at, say, Charlie Chaplin's early films. However, a new type of humour, which stems largely from America, has recently come into fashion. It is cal1ed' sick humour '. Comedians base their jokes on tragic situations like violent death or serious accidents. Many people find this sort of joke distasteful. The following example of 'sick humour' will enable you to judge for yourself.
A man who had broken his right leg was taken to hospital a few weeks before Christmas. From the moment he arrived there, he kept on pestering his doctor to tell him when he would be able to go home. He dreaded having to spend Christmas in hospital. Though the doctor did his best, the patient's recovery was slow. On Christmas day, the man still had his right leg in plaster. He spent
a miserable day in bed thinking of all the fun he was missing. The following day, however, the doctor consoled him by telling him that his chances of being able to leave hospital in time for New Year celebrations were good. The man took heart and, sure enough, on New Year's Eve he was able to hobble along to a party. To compensate for his unpleasant experiences in hospital, the man drank a little more than was good for him. In the process, he enjoyed himself thoroughly and kept telling everybody how much he hated hospitals. He was still mumbling something about hospitals at the end of the party when he slipped on a piece of ice and broke his left leg.
我们觉得一则笑话是否好笑，很大程度取决于我们是在哪儿长大的。幽默感与民族有着神秘莫测的联系。譬如，法国人听完一则俄国笑话可能很难发笑。同样的道理，一则可以令英国人笑出泪来的笑话，俄国人听了可能觉得没有什么可笑之处。
大部分令人发笑的 故事 都是根据喜剧情节编写的。尽管民族不同，有些滑稽的情节却能产生普遍的效果。比如说，不管你生活在哪里，你看查理.卓别林的早期电影很难不发笑。然而，近来一种新式幽默流行了起来，这种幽默主要来自美国。它被叫作“病态幽默”。喜剧演员根据悲剧情节诸如暴死，重大事故等来编造笑话。许多人认为这种笑话是低级庸俗的。下面是个“病态幽默”的实例，你可据此自己作出判断。
圣诞节 前几周，某人摔断了右腿被送进医院。从他进医院那一刻时，他就缠住医生，让医生告诉他什么时候能回家。他十分害怕在医院过圣诞。尽管医生竭力医治，但病人恢复缓慢。圣诞节那天，他的右腿还上着石膏，他在床上郁郁不乐地躺了一天，想着他错过的种种欢乐。然而，第二天，医生安慰他说，出院欢度新年的可能性还是很大的，那人听后振作了精神。果然， 除夕 时他可以一瘸一拐地去参加晚会了。为了补偿住院这一段不愉快的经历，那人喝得稍许多了一点。在晚会上他尽情娱乐，一再告诉大家他是多么讨厌医院。晚会结束时，他嘴里还在嘟哝着医院的事，突然踩到一块冰上滑倒了，摔断了左腿。
简单经典英语美文篇二
The death of a ghost
For years villagers believed that Endley farm was haunted. The farm was owned by two brothers, Joe and Bert Cox. They employed a few farm hands, but no one was willing to work there long. Every time a worker gave up his job, he told the same story. Farm labourers said that they always woke up to find the work had been done overnight. Hay had been cut and cow sheds had been cleaned. A farm worker, who stayed up all night, claimed to have seen a figure cutting corn in the
moonlight. In time, it became an accepted fact that the Cox brothers employed a conscientious ghost that did most of their work for them.
No one suspected that there might be someone else on the farm who had never been seen. This was indeed the case. A short time ago, villagers were astonished to learn that the ghost of Endley had died. Everyone went to the funeral, for the 'ghost' was none other than Eric Cox, a third brother who was supposed to have died as a young man. After the funeral, Joe and Bert revealed
a secret which they had kept for over forty years. Eric had been the eldest son of the family. He had been obliged to join the army ring the first World War. As he hated army life he decided to desert his regiment. When he learnt that he would be sent abroad, he returned to the farm and his farther hid him until the end of the war. Fearing the authorities, Eric remained in hiding after the war as well. His father told everybody that Eric had been killed in action. The only other people who knew the secret were Joe and Bert. They did not even tell their wives. When their father died, they thought it their ty to keep Eric in hiding. All these years, Eric had lived as a recluse(隐遁者, 寂寞者). He used to sleep ring the day and work at night, quite unaware of the fact that he had become the ghost of Endley. When he died, however, his brothers found it impossible to keep the secret any longer.
多年来，村民们一直认为恩得利农场在闹鬼。恩得利农场属于乔.考科斯和鲍勃.考科斯兄弟俩所有。他们雇了几个农工，但谁也不愿意在那儿长期工作下去。每次雇工辞职后都叙述着同样的故事。雇工们说，常常一早起来发现有人在夜里把活干了，干草已切好，牛棚也打扫干净了。有一个彻夜未眠的雇工还声称他看见一个人影在月光下收割庄稼。随着时间的流逝，考科斯兄弟雇了一个尽心尽责的鬼，他们家的活大部分都让鬼给干了，这件事成了公认的事实。
谁也没想到农场竟会有一个从未露面的人。但事实上确有此人。不久之前，村民们惊悉恩得利农场的鬼死了。大家都去参加了葬礼，因为那“鬼”不是别人，正是农场主的兄弟埃里克.考科斯。人们以为埃里克年轻时就死了。葬礼之后，乔和鲍勃透露了他们保守了长达50多年的秘密。
埃里克是这家长子。年龄比他两个弟弟大很多，第二次世界大战期间被迫参军。他讨厌军旅生活，决定逃离所在部队。当他了解自己将被派遣 出国 时，他逃回农场，父亲把他藏了起来，直到战争结束。由于害怕当局，埃里克战后继续深藏不露。他的父亲告诉大家，埃里克在战争中被打死了。除此之外，只有乔与鲍知道这个秘密。但他俩连自己的妻子都没告诉。父亲死后，他们兄弟俩认为有责任继续把埃里克藏起来。这些年来，埃里克过着隐士生活，白天睡觉，夜里出来干活，一点不知道自己已成了恩得利家场的活鬼。他死后，他的弟弟们才觉得无法再保守这个秘密了。
简单经典英语美文篇三
The double life of Alfred Bloggs
These days, people who do manual work often receive far more money than clerks who work in offices. People who work in offices are frequently referred to as' white collar workers' for the simple reason that they usually wear a collar and tie to go to work. Such is human nature, that a great many people are often willing to sacrifice higher pay for the privilege of becoming white collar workers. This can give rise to curious situations, as it did in the case of Alfred Bloggs who worked as a stman for the Ellesmere Corporation.
When he got married, Alf was too embarrassed to say anything to his wife about his job. He simply told her that he worked for the Corporation. Every morning, he left home dressed in a smart black suit. He then changed into overalls (n.工作服) and spent the next eight hours as a stman. Before returning home at night, he took a shower and changed back into his suit. Alf did this for over two years and his fellow stmen kept his secret. Alf's wife has never discovered that she married a stman and she never will, for Alf has just found another job. He will soon be working in an office as a junior clerk. He will be earning only half as much as he used to, but he feels that his rise in status is well worth the loss of money. From now on, he will wear a suit all day and others will call him 'Mr. Bloggs', not 'Alf'.
如今，从事体力劳动的人的收入一般要比坐办公室的人高出许多。坐办公室的之所以常常被称作“白领工人”，就是因为他们通常是穿着硬领白衬衫，系着领带去上班。许多人常常情愿放弃较高的薪水以换取做白领工人的殊荣，此乃人之常情。而这常常会引起种种奇怪的现象，在埃尔斯米尔公司当清洁工的艾尔弗雷德.布洛斯就是一个例子。
艾尔弗结婚时，感到非常难为情，而没有将自己的职业告诉妻子。他只说在埃尔斯米尔公司上班。每天早晨，他穿上一身漂亮的黑色西装离家上班，然后换上工作服，当8个小时清洁工。晚上回家前，他洗个淋浴，重新换上那身黑色西服。两年多以来，艾尔弗一直这样，他的同事也为他保守秘密。艾尔弗的妻子一直不知道她嫁给了一个清洁工，而且她永远也不会知道了，因为艾尔弗已找到薪职，不久就要坐办公室里工作了。他将来挣的钱只有他现在的一半。不过他觉得，地位升高了，损失点儿钱也值得。从此，艾尔弗可以一天到晚穿西服了。别人将称呼他为“布洛格斯先生”，而不再叫他“艾尔弗”了。