电影影评英文版

2. 实习生英文版电影完整版英文观后感

Last night, I watched an interesting movie. It is called Intern, which are played by the famous beautiful girl Anny Hathaway and an old but skilled man. The story tells about a retired man finds his own place again by being an intern in garment company. The old man helps his boss who is acted by Anny come back her family life again. Though the man is aged, his is really young in mind. He keeps studying the constant news and learn the newest technology. Unlike the people who are in the same age and have no idea about the Internet, this old man is full of passion and he lives the wonderful life. So age is not the excuse to stop moving on, it is never too old to learn. Everyone can choose the life they live, no matter how old they are.

今天,我看了一部有趣的电影。叫做《实习生》,这是由着名的美女安妮海瑟薇和老戏骨所演绎。故事讲述的是一个退休的老年人在服装公司实习，再次找到了自己的位置。老人帮助由安妮所扮演的老板回到她的家庭生活。虽然老爷爷年纪很大,但是他很年轻。他不断学习即时新闻和学习最新的技术。不像他的同龄人,不知道互联网是什么东西,这个老人充满了激情，过着美好的生活。所以年龄不是停止前进的借口,活到老,学到老。每个人都可以选择他们的生活,无论他们是处于什么年纪。

是啊，活到老，学到老，电影中的老爷爷值得人敬佩！

3. 跪求5篇高中水平的英语原版电影的影评

天下无贼英文影评
http://www.imdb.com/title/tt0439884/
天下无贼》：全是广告

这段时间各种媒体对《天下无贼》的报道铺天盖地，自己也没能抵抗住冯小刚这块金字招牌的诱惑，11号晚上乖乖地在新东安给这部商业大片贡献了100两银子。影片一开始的付彪学英语就来了个头彩，不知道是否因为药物治疗而发胖的彪哥把这个既怕老婆又色心不死的大款演的惟妙惟肖，而刘德华教训小区保安的段子也是典型的冯氏幽默。不过很快地，影片的调子就向着正剧的方向跑去，除了葛优葛大爷依然维持了冷面笑匠的本色时不时冒出一两句的经典台词来让人捧腹。恩，口吃的范伟与娘娘腔的冯远征打劫的这一段也让人难忘，看着那么胖的范伟手里拿着一把小斧头的样子，以及冯远征那句“笑什么笑，这儿打劫呢，严肃点儿！”，实在是太好玩了。

刘德华这次的表现我要拍手叫好，从开始的狂妄，到与贼团伙交手的稳健，再到为情而舍身取义，他的表演过渡得很自然，比起《十面埋伏》里的苍白与一味耍酷，要有血有肉得多。当然，这也跟剧本与导演的驾驭能力有关，在对港台商业演员的使用上，冯小刚比张艺谋明显要高出一筹。

整部影片中的软广告无处不在见缝就入。一开始的Canon摄像机和BMW轿车自不必说，搞笑的是扮成旅行团的一伙盗贼，每人手上还举着一个小旗子，旗上三个大字：“淘宝网”，这倒跟他们“淘宝”的身份挺符合的，哈哈。还有刘德华与刘若英递过来递过去的一张银联卡，警察的HP笔记本和Canon便携打印机，而影片中出现得最多的，就是Nokia手机了。在寺庙里从香客处偷来的手机，居然全是Nokia的，每偷一个还给个手机的特写，刘德华与刘若英对发手机短信，也全是大幅的手机特写镜头，最搞笑的是影片最后，刘德华手中的Nokia是如此的光芒四射，整个屏幕的焦点完全在这手机上了，而警察同志拿起手机来帮刘德华发出最后的短信时，“中国移动”的标志又象刀一样的刻在了观众的视线里。

虽然这么多的软广告让人觉得有点好笑，但这部影片整体上还是相当精致的，冯小刚这次是完完全全地打造着一部商业大片，故事的情节、场面和音乐都继续向好来坞靠拢，这是件好事，没有那么多的思想，没有那么多的说教，让观众舒舒服服地在电影院中度过两个小时的童话时光，这就够了。

4. 歌剧魅影英文版影评

http://www.filmmonthly.com/Profiles/Articles/EmmyRossum/EmmyRossum.html
这里看

5. 《怦然心动》简短的影评英文版怎么写

《怦然心动》简短的影评英文版如下：

"Heart beating" is a small, special film, it will put you in a warm, interesting, and full of humanistic atmosphere, until finally give you a look is not so unreliable beautiful story.

《怦然心动》就是一部小众的，特别的电影，它将你置于一种温暖的、有趣的，又充满人文关怀的氛围中，直到最后给你一个看上去也并不那么不靠谱的美好的故事。

It's a family movie with great motivation. It has lessons about the details of first love and life, which is much better than putting some talented characters in the center of the movie.

这部动机很棒的家庭电影，它本有关于初恋的细节和生活的课程，这远比电影将一些天才的角色置于影片中心要好得多。

《怦然心动》的幕后制作：

在2007年，当时60岁的美国导演罗伯·莱纳以一部《遗愿清单》表达了他对人生的终极思考。而在3年后，他却骤然换了一个角度，以一部改编自文德琳·范·德拉安南着名小说的电影《怦然心动》，从在童年、青春时光时男孩女孩间的“战争”表达他对人成长的思考。

《怦然心动》是卡兰·麦克奥利菲在美国的首部剧情长片，因此他表示，整个过程他都充满好奇，感受到了拍一部长片整个过程的有趣，同时还需要在口音上有些美国味儿。罗伯·莱纳的幽默给卡兰·麦克奥利菲留下的印象尤其深刻，在他看来，导演并没有刻意的教他们怎么演，而是给他们更大的空间去表演。

6. 熊的故事 英语版影评

The Bears
The film is an adventure story about two bears in forest.
影片讲述了两只熊在森林中的惊险经历，
It is a realism style film without voiceover, but the excellent track-shooting and film editing form a pefect bear story.
电影完全是写实主义风格，没有任何旁白，而是凭着绝佳的跟踪拍摄与剪辑，构成一个关于熊的完美故事。
The two bears like two, wordless frank actors, make the other human beings that appear in the films the supporting roles.
两只熊在其中像两位一言不发、毫不做作的演员，人类在其中出现，但完全是配角，
They are just the interlopers of the bear'life.
他们只是熊的生活的一个闯入者，
The film reveals once again the profound proposition that mankind and the other lifes of the nature should live in harmony.
影片再次证明人与自然界其它生命要相谐相处的深刻命题。

7. 电影《乱世佳人》的英文版观后感

So wonderful is“Gone with the wind”that it’s still my favorite film though there are many great movies in the world.
As far as I'm concerned,Captain Rett is such a gentleman that he protect and take care of his wife,Scarlet, in real earnest. His love is deep as the ocean,however,the girl he loves doesn't love him.
Opposite to everyone else,I don’t like Scarlet very much,because of not only her cool,but aiso I really think she is so silly that she is guilty,to Rett. Although she is good at attracting guys,she doesn’t know who’s her true love，and never value Rett's love.That’s why she can't get Rett's trust in the end.
In short,love is gift that should be cherished and never forgotten,love can't lose after regret.
之前写过这个作文。
纯手打，望采纳。

8. 求经典外国电影影评---要英文版本的

珍珠港的影评

pearl harbour film review

Pearl Harbor consists of three incongruous acts, mashed together into an ungainly whole. It appears to be more interested in reprocing the success of Titanic, which also set a fictional love story amidst a tragic historical event, than it is in telling the story of the men and women who fought and died in the attack on Pearl Harbor.
Titanic worked because the central characters were interesting, the story was cohesive, the historical events were handled respectfully and with the proper dramatic tone, and underneath it all was an intelligent reflection on the human failings that permitted such a tragedy in the first place.

Pearl Harbor reces the historical backdrop into a series of action set pieces. Instead of exploring ideas inherent in the events, it extracts them, recing the reason for Japan's attack to something inexplicable at best, and having utterly nothing to say about why the attack happened, how it was carried out, or how we responded. The film is dedicated to the men who died at Pearl Harbor, but what does it dedicate to them? It does not seem very interested in them except as a tool for dramatic imagery. Consider, for example, a scene in which we learn that men are trapped in a sunken ship in the harbor. We learn this to emphasize the brutality of the attack, as if such emphasis were needed. Then the film forgets this point entirely, providing the fates of those men in a narrated line just before the closing credits. Why wasn't the third act of the film about those men, instead of a rushed covering of the Doolittle raid on Tokyo, complete with overblown crash landings and an improbable engagement with Japanese soldiers?

If you want to see a real movie about Pearl Harbor or the Doolittle Raid, one that paints a deep and accurate picture of what it was like, one you can learn from, one that pays tribute to our veterans, or even just one that functions as convincing entertainment, there is no shortage of options. Tora! Tora! Tora! chronicles the events before, ring, and after the attack from both the American and Japanese sides. Thirty Seconds Over Tokyo is as thorough a chronicle of the Doolittle Raid as is probably possible in a feature film, while also following the personal stories of a few indivials involved (any one of which is more interesting than the personal story in Pearl Harbor). The Purple Heart, one of the most heartbreaking movies I've ever seen, tells the story of Americans captured by the Japanese after the raid.

Writing off the historical aspects of the film, I am left with the love triangle that makes up the entire first act and pervades the rest of it. It is wholly uninteresting. This same story has been told better, countless times before. Not one of the three characters is fleshed out into an indivial: they are bland stereotypes, dolled up to look pretty and given trite lines that they recite to convey the illusion of genuine emotion. It's telling that it doesn't much matter to us how the love triangle is resolved. Unless they both die, she'll get one of them, and who cares which? Neither of the men are personable, and we surely suspect early on that her decision will be based more on fate than her own volition anyway. (In plots like this, it's survival of the survivors.) And so, alas, we are denied even the most basic of all elements of storytelling, namely, characters making actual decisions

9. 空中监狱 英文版影评

每年好莱坞都有空难，97年的《空中监狱》要比96年的《最高危机》更胜一筹。这几年的灾难片似乎在追求“规模效应”，你的火山能填平一个小镇，我的飞机核弹能摧毁一座大都市；你的陨石能覆盖曼哈顿，我的陨石能毁灭全人类。其实，一举清除千百万人的电影镜头早已丧失了威吓作用。《空中监狱》不追求死人的数量，但死得很精彩，人的“质量”更高。
动作片的第一要素就是视觉冲击力，《空中监狱》在这方面不甘示弱。飞机上往下扔人的事在现实中极为罕见，在电影里习以为常，但镜头跟着人一路下来，直到掉在繁华大街行驶的车头盖上，造成喜剧式连环撞车，这样的拍摄手法不乏新意。飞机紧急迫降几乎每部飞机灾难片都少不了，但降在赌城的主要街道、冲进赌场，据我所知还是头一遭。飞机尾巴上挂一辆漂亮跑车的镜头也令人眼睛一亮，汽车掉下来时，除了该车主人脸色发青，人人（包括观众）都是一副幸灾乐祸的反应。
影片的爆炸场面非常多，处理也不错，节奏把握得当（导演是拍电视广告出身，对如何吸引观众注意力颇有经验），在这个观众吃腻了视觉泡泡糖的年代，这些老伎俩要引人注目越来越不容易。