英文电影豆瓣
1. 英文电影欣赏影评
The Pursuit of Happyness is a 2006 American biographical film directed by Gabriele Muccino about the on and off-homeless salesman-turned-stockbroker Chris Gardner. The screenplay by Steven Conrad is based on the best-selling memoir of the same name written by Chris Gardner with Quincy Troupe. The film was released on December 15, 2006 by Columbia Pictures.
Chris Gardner is a bright and talented, but marginally employed salesman. Struggling to make ends meet, Gardner finds himself and his five-year-old son evicted from their San Francisco apartment with nowhere to go. When Gardner lands an internship at a prestigious stock brokerage firm, he and his son enre many hardships, including living in shelters, in pursuit of his dream of a better life for the two of them.
2. 英语电影影评
侏罗纪公园3英文影评 Jurassic Park III(2001)2010年1月25日 "Jurassic Park III" is neither as dreadful as it might be, nor as perfectly wrought as it could be. For one thing, it moves along as jauntily as one of those horrific raptors scooting alon侏罗纪公园2失落的世界The Lost World英文影评(1997)2010年1月22日 Where is the awe? Where is the sense that if dinosaurs really walked the earth, a film about them would be more than a monster movie? Where are the ooohs and ahhhs? ``The Lost World: Jurassic Park''侏罗纪公园Jurassic park英文影评(1993)2010年1月20日 When young Steven Spielberg was first offered the screenplay for "Jaws," he said he would direct the movie on one condition: That he didn't have to show the shark for the first hour. By sl 后天The Day After Tomorrow英文影评(2004)2010年1月15日 It is such a relief to hear the music swell up at the end of a Roland Emmerich movie, its restorative power giving us new hope. Billions of people may have died, but at least the major characters ha 全金属外壳Full Metal Jacket英文影评(1987)2010年1月13日 "Full Metal Jacket" is more like a book of short stories than a novel. Many of the passages seem self-contained, some of them are masterful and others look like they came out of the bottom 狂蟒之灾3英文影评(2008)2010年1月10日 It's not surprising to note that Anaconda 3: Offspring immediately establishes itself as the weakest entry within this ongoing series, as the film boasts many of the problems and deficiencies one geDeep in the jungles of Borneo lurks the blood orchid, which blooms only once in seven years, and whose red flowers contain a mysterious ingredient, which extends the ability of living cells to reproEvery preconceived notion audiences might have about "Anaconda" is correct. This supposed serpentine shocker features doomed adventurers wading through murky water while a deadly snake app U-571英文影评When it comes to films that take place in submarines, World War II is still the favorite time period. There have been exceptions - The Hunt for Red October and Crimson Tide spring to mind - but the
3. ！！！！急求英语电影的英语影评
简爱
Kent
State
University's
school
of
theatre
and
dance
performed
a
rendition
of
the
classic,
Jane
Eyre
this
month.
The
show
was
a
musical
with
all
of
the
necessary
elements
to
lift
you
from
your
seat
and
submerse
youinto
a
society
in
nineteenth
century
England
from
the
time
the
cell
phone
shut-off
announcement
was
made
until
the
last
note
at
the
curtain
call.
The
recurring
arches,
darkened,
soft
lighting,
and
the
use
of
a
classic
chorus
to
go
along
with
them
alluded
that
a
sinister
underbelly
of
social
status
and
reputation
were
present
in
the
performance.
One
of
the
first
things
that
an
audience
member
noticed
was
the
grandeur
of
the
set.
It
was
composed
of
a
gothic-style
foreground
with
rustic
twigs
of
a
root-like
earthy
appearance.
There
were
grand
arches
for
windows
and
entries
as
well.
Also,
the
background
was
a
large
arch
with
the
silhouette
of
roots.
There
were
also
two
matching
greek-style
pillar
arches
on
either
side
of
the
stage.
They
added
a
lot
to
many
messages
of
the
show.
For
one,
they
were
grand
structures
that
were
barren
inside
which
is
much
like
Mr.
Rochester
himself.
He
was
a
man
of
high
social
stature
but
felt
enslaved
by
his
trick
of
a
marriage
and
his
grand
yet
incomplete
(without
a
true
love)
home.
The
arches
also
suggest
the
importance
of
reputation
with
the
same
sort
of
fundamental
grand
image
yet
emptiness.
The
way
that
people
are
enslaved
yet
scramble
to
ascertain
that
solid
image
amongst
their
peers.
The
arches
were
almost
inviting
the
audience
to
come
inside
to
reveal
their
secret,
the
thing
that
was
hidden
deep
inside
that
could
send
the
structure
crumbling
in
ruin.
4. 英文电影影评
Julie & Julia is a 2009 American comedy-drama film written and directed by Nora Ephron starring Meryl Streep, Stanley Tucci, Amy Adams, and Chris Messina. The film contrasts the life of chef Julia Child in the early years of her culinary career with the life of young New Yorker Julie Powell, who aspires to cook all 524 recipes in Child's cookbook in 365 days, a challenge she described on her popular blog that would make her a published author.
Ephron's screenplay is adapted from two books: My Life in France, Child's autobiography written with Alex Prud'homme, and a memoir by Julie Powell documenting online her daily experiences cooking each of the 524 recipes in Child's Mastering the Art of French Cooking, and she later began reworking that blog, The Julie/Julia Project。 Both of these books were written and published in the same time frame (2004–06). The film is the first major motion picture based on a blog。这是我最喜欢的一部电影之一，我在维基网络上找的资料，你根据那里的资料改一改，至于观点，你可以写坚持自己的兴趣和爱好这一方面，写兴趣是最好的老师什么的，给你个链接
5. 英文电影中文影评
无论你喜欢变形金刚与否，今年最大的娱乐大片，非此莫属。观乎电影现在的规模，电脑特效、数码3D、IMAX等等，已是倾全力来吸引观众入场，话题性（炸毁香港！）十足，兼且连场动作至超长的157分钟，无论观众喜欢与否，都难以拒绝。这开场白，我已用了两趟“无论喜欢与否”了，你就明白我喜欢与否了。
故事的内容似通非通，狂派博派的恩恩怨怨搞到糊里糊涂，火花抓狂而四处捣乱，还有无厘头的父女准女婿情，全球走景，由美国德州走到长城、重庆而南下香港，噱头处处，还有多得连性格都无时间刻划的狂派、博派和A货狂派杀手。最后还要泡制近乎世界末日式大战，回外太空寻找造物主云云。
迈克尔·贝确是匠心独运，他明白到娱乐大片的唯一生存法则：斗大，大得你无法反驳，大得你无暇兼顾，大得无论多突兀都变成顺理成章。
这戏开始自狂派与博派展开黑月之战后，芝加哥几乎被夷为平地，汽车工程师Cade（马克·沃尔伯格饰）无意中找到柯柏文开始，便跟少艾十七岁女儿Tessa（妮可拉·佩尔茨饰）一直不咬弦，直至戏的终结才迷途知返，明白老爹爱之伟大。这已是全部人物线索，剩下的连场火爆动作，不明所以地来到东南亚。
马克·沃尔伯格的角色设定，是单亲爸爸兼具工程专业知识，兼且一穷二白，郁郁不得志，靠辅助变形金刚打怪物，重振父亲的威信。这设计无疑针对较成熟的男性观众，比前三集舒拉保夫主演的青春片定位“成熟”了，但不代表人生智慧随年渐长。倒是，它是不折不扣的动作片，马克·沃尔伯格的扎实动作男星形像大派用场，而更重要是，戏的首三分一，全是以美国西部为背景，它的西部片意图便昭然若揭了（包括整了含着雪茄，身上缠满弹药的博派机械人），它让人想起《豪勇七蛟龙》（马克·沃尔伯格父女和准女婿三人，再加四个博派），显见下过心思。
其他的电影参考，还有如《末来战士》的歼灭者机械人，他是本集的头号大敌，与人类联手，将博派置诸死地，灿烂、夺目、有型。可惜，他跟其他机械人的连场恶斗，都不能增加观众都这三方面机械人的认知。
值得留意是，迈克尔·贝愈来愈擅长引入小点子：具磁力的太空船、蛰伏多年的外星恐龙、令人变为金属的大杀伤力武器等等，但就无视它们的全无连贯性，意念虽多却未曾细致统一，有时更有应接不暇自相矛盾之叹。
它是典型21世纪的爆谷电影，总之目不暇给，热闹缤纷就算。长期摄取这种爆谷电影，观众会慢慢被训练，不求甚解地接受它的零碎、矛盾、辞不达意、过度活跃、节奏狂乱、戏味平淡、人物浮夸、特效独大等等…吃爆谷太多，变成超重一族，要抽脂减重恐怕代价高昂了！当坏品味凌驾一切，长年累月，它要歼灭的，其实是电影这创意媒体本身，还有空间让尊重观众智慧的电影出现吗？
说到底，《变形金刚4》是计算精确的大生意，朝着全球人口最多、最大巿场进发，香港只是众多中国城巿的showcase，香港取景部分：鲗鱼涌、深水埗、中银总行、会议展览中心、政总等等，炸毁她，正好让内地观众发泄一下对香港这城巿的复杂情绪。观众的期望和反应是预计之内，没有失望，亦不见得特别精采，这就是迈克尔·贝的功力，观众愈捧场，票房创新高，这种变形金刚歼灭战，以后仍会不断上演。
上www.yp136.com包你满意。
求采纳。
6. 盘点豆瓣英文电影排行榜，【在线观看】免费百度云资源
豆瓣英文电影排行榜，免费高清资源在线观看
剧名：我不是药神 网络网盘下载观看链接:
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7. 2012英文电影影评
007第一集，大反派诺博士是个中国人，这部电影上映于1962年的10月5日，之后15天，中印边境冲突爆发，4年之后，文革中的中国进一步封闭了自己，谜一般的红色风暴自东方而起，席卷了整个世界，而那些嘶喊吼叫着的左派学生们其实并不知道当时的中国在发生着什么。
文革过去33年了，西方人眼中的中国是什么样子？这个问题始终挑动着所有中国人的心，我们就如同一个少年，有着让人自豪的成绩，也有着不可忽略的缺点，毛躁地期待着，期待着所有人都为那些成绩喝彩，所有人都放过那些缺点。我们在每一部大片中寻找着中国的影子，在每一个应该有大国出现的大场面中寻找那红色的旗帜，在每一次世界面临奇思异想的灭顶之灾时都期盼着中国的出现。我们等来的是什么呢？是破旧野蛮如集中营一样的监狱，是中国熊猫的美式减肥之旅，是旧式的军服和冷酷的军人，是挥金如土的黑帮富商，是质朴善良却吃不饱的人民。我们是如此在意西方媒体对我们的看法，所以《参考消息》销量甚高；我们是如此在意好莱坞镜头里的中国是怎么样的，所以在失望后我们愤怒，我们谩骂，我们沮丧。
好像一个少年，用穿着球鞋的脚踢着街边的垃圾桶，发泄着他看似有理却其实无关紧要的愤怒：这一切，都是成长的烦恼而已。
何必在意好莱坞镜头里的中国是什么样呢？不需要在陨石撞击地球之前拉着中国也发射核弹，我们知道自己能毁灭世界；不需要让蝙蝠侠在香港跳来跳去，我们知道自己有摩天大厦；不需要一个外国导演的感动，我们知道在2008年的5月，汶川、映秀、北川闪耀着怎样的光辉，那光辉足以在人类不长的历史上留下璀璨的一点。不需要，其实我们从来都不需要好莱坞的肯定和西方世界的赞赏，我们有《南方周末》，有简光洲，有卢广，有×××，有×××（请随意填空，只要可能被豆瓣删除的人名都符合条件），我们能够发现自己的问题，我们也有有勇气说出这些问题的勇敢同胞。
但是——是的——没错，如同那个少年一样，我们希望那肥大的校服能够衬出自己一下子蹿高了8公分的身材；我们希望那千篇一律的、人人一样的发型能够有点变化；我们希望自己成为同龄人中最有魅力的那一个——尤其是和西南角那个黑乎乎的表弟相比；当然，我们最希望的是那些前辈们能够说一句：小伙子，不错！
哪怕那些前辈们虽然有的富可敌国，有的学富五车，却已老眼昏花，跟不上时代，也泡不到美眉了。
少年中国啊，少年中国，当我坐在电影院中，不可免俗地费力寻找你的身影时；当你的名字出现在那张地图上，我惊呼出声心中暗爽时；当我和所有观众一样，看到直升机上那八一星徽会心一笑时，我们都是你的一部分——你的少年心性，你的故作深沉，你的不成熟，你的早熟，你的活力，你的不完美，你的冲劲，你的不自信，你的勇敢。
好莱坞的镜头里永远不会有我们眼中的中国，我们眼中的中国只会出现在中国电影的镜头里。西方媒体的笔下永远不会有真正的中国史，中国历史的记录者永远使用汉字，那汉字从前存在于史官怀中的竹简和市井小民的传说中，今日则被坐在电脑前的每一个你和我敲击，那些西方记者们漏掉的每一个欢笑和每一场苦难，都被我们忠实的记录。
所以，无需费尽去寻找“中国方舟”了，无需为那一句“只有中国能在短时间内做到”而受用无穷，梁启超在《少年中国说》中说中国“壮丽浓郁、翩翩绝世”，不是吗？在那些白皮肤的老朽们已经爬到山顶的时候，等待着他们的只有下山的路，而攀爬未半的少年中国，抬起头，前方是久违300年的绝顶风景。
好莱坞，不如遗忘中国吧，不当大反派，也无意成为救世主，更不想如你们镜头中俄罗斯的寡头、沙特的王储、印度的科学怪才那般脸谱化。如何编排你们的配角由你们自己高兴，但真正的中国，存在在中国人当主角的电影里。
好吧，善良的中国人民都同意了，以后俺们的灾难片里，也给你们美国人留一艘船。要减肥哦。
007 first episode, big villain Dr John Ure is a Chinese, the film released in 1962, October 5, after 15 days, the Sino-Indian border conflict broke out, four years after the Cultural Revolution in China to further its own closed, mystery The Red Storm from the East in general into the sky, swept the entire world, and those rages hoarsely roaring of the leftist students in fact did not know then what is taking place in China.
The Cultural Revolution in the past 33 years, the eyes of Westerners, China is like? This question has always been stirring up the hearts of all Chinese people, we would like a teenager, with people proud of the achievements, but also has shortcomings can not be ignored, edgy look forward, looking forward to all those who applaud achievements, and everyone put than those deficiencies. We look forward to every large in China's shadow, in every country there should be a big scene to find that a large red banner, and every wild notion of the disaster facing the world when they are looking forward to China's appears. We waited for the past what is it? Is worn the same brutal, such as concentration camps, prisons, the American-style Chinese panda journey to lose weight is a old-style military uniforms and the cold is a wealthy high-rolling gangsters, is simple but good enough to eat people. We are so concerned about the Western media's views on us, so "Reference News" sales of very high; we are so concerned about the lens inside the Hollywood kind of how China is, so we are angry after disappointing that we abuse, we are dismayed.
Like a teenager, wearing shoes with feet kicked street trash, vent plausible but in fact his anger does not matter: all these are just growing pains.
Why care about Hollywood lens, China is like? Do not need to pull before the meteorite hit the Earth in China also launched a nuclear bomb, we know that he can destroy the world; do not need to make Batman jumping in Hong Kong, we know that they have skyscrapers; do not need a foreign director moved, we know that in 2008 in May, Wenchuan, Yingxiu, Beichuan how brilliant shining, it is not bright enough to a long history in the human left bright point. No, in fact, we never need Hollywood's recognition and appreciation of the Western world, we have, "Southern Weekend", with Jane Kwangju, there is Lu Guang, there is × × ×, there is × × × (please feel free to fill in the blank, as long as may be 豆瓣remove the names are in line with conditions), we can find their own problems, we also have the courage to tell these brave fellow.
But - yes - yes, like that young, we hope that the hypertrophy of Chen Chu their uniforms to a sudden jump high 8 cm tall; we hope that the monotony, and everyone can be a bit like hair changes; We hope to become the most attractive peers of that one - especially with the southwest corner compared to that dark and cousin;, of course, our best hope is that those predecessors were able to say: boy, yes!
Even though some of those predecessors extremely wealthy, and some Xuefu five cars, already Laoyanhunhua, keep up with the times, it can not crush the foam.
Young China ah, young Chinese, when I was sitting in the cinema can not escape convention to effortlessly find your shadow pm; when your name appears on the chart, I exclaimed out loud when the heart Anshuang; when I, like all the audience and saw the helicopter was 81 when the star emblem of a knowing smile, we are all a part of you - your young minds, you Guzuoshenchen, your immaturity, your precocious, your energy, you do not perfect, you have momentum, you are not confident, you are courageous.
Hollywood's lens will never have our eyes China, we are in the eyes of China will only appear in the Chinese film lens. Western media's pen will never have a real Chinese history, Chinese history, the record will always use the Chinese characters, which used to exist in the Chinese historian bosom of the bamboo and the ordinary people of the legend, today was sitting in front of the computer for each one You and I tap those Western journalists who miss each and every one laugh a misery, have been our loyal records.
So, no need to expend a tremendous amount to look for "China's Ark", and no need for that one, "Only China can do in a short time" and is good enough for infinity, Liang in "Young China, said that" that China "magnificent full-bodied, Innocent Steps masterpiece", is not it? In those white-skinned decrepit are already Pashanding time, waiting for their only down the road, but climbing is not half of the Young China, raised his head, the front is a long-hoped-300 years of utterly scenery.
Hollywood might as well forget the Chinese bar, improper major opponent, but also not intended to be a savior, even if you do not want the lens in the Russian oligarchs, Saudi Arabia's Crown Prince, India's science geeks be as profiling. How to schele your supporting by your own happy, but the real China, there is the Chinese people when the main character of the movie.
Well, kind-hearted Chinese people have agreed, after the film was a disaster An Men, but also give you the Americans stay in a boat. Oh, to lose weight.
8. 求英语电影影评
100字？？不可能完成你的要求
推荐你尼古拉斯凯奇的《天气预报员》，情节就不讲了 楼主自己看看
剧情与喜剧的作用因子，苦辣酸涩的味道尽在其中。它以一种幽默的视角点触了美国文化中的一个常论不衰的议题，举重若轻地表现社会问题、把尖锐的社会讽刺融入轻快的喜剧氛围中。也就是说，喜剧片也有表现严肃主题的可能，并不都是些令人掩鼻的厕所笑话。
有一句台词 This shit life,we must chuck some things,we must chuck them,in this shit life 在这个糟糕的生活中有些东西我们必须摒弃.
这是改变主人公生活的一句话！ 当然，他抛弃了跟前妻复合的想法，而去争取新的生活，最后他终于发挥了自己的才能。从而生活的更加快乐吧。。
主人公到最后为什么不被人扔了，是因为他的思想发生了变化 所以生活发生了变化 其实电影要表达的思想我觉得就是当生活不如意的时候改变思想比改变世界重要，因为思想决定了生活。。
9. 适合写影评的英文电影（推荐5个吧）
推荐电影复仇者联盟，和恐怖电影死神来了，都是大片，最近有一部电影也很不错，推荐你看，名叫无名之辈，好看的不得了。
该片围绕一把丢失的老枪，讲述了一对低配版的劫匪，一个落魄的保安，一个身体残疾却性格彪悍的毒舌女，这些“无名之辈”身上发生的一系列荒诞故事。
总之是一部优秀电影。
10. 电影英文影评
极地特快：
Rarely does a movie let you forget who you are and become the main character. This is one of those rare movies.
The movie starts out with a story that every Santa believer experienced. On Christmas eve a boy in Grand Rapids Michigan has reached the age where the statistical impossibility in the Santa story ( the size and speed of Santa's sleigh, the north pole being a barren wasteland) are causing him to doubt the big mans existence. Not knowing for sure the boy drifts into a deep sleep. At 11:55 PM the boy is awakened by the arrival of the Polar Express literally outside his front door. Going to investigate what is going on the boy meets the witty conctor of the Christmas eve train. (Tom Hanks)who informs him that the train is headed to the north pole so the kids can meet Santa Clause. Not totally sure that the train is going to the north pole but to curious to let it go the boy climbs on board. The adventure puts the boy in contact with a girl who is a natural born leader and who's belief in the Christmas magic couldn't be stronger. Other characters include a know it all socially awkward boy, a young underprivileged loner who has never experienced the magic of Christmas and a cast of other more mysterious characters such a a hobo ghost. Through the adventure the combination of great music, flawless animation and fantastic dialog really make you believe you are there and let you relive those days when you thought Santa Clause just might exist. The story ends on Christmas day with a line (narrated by Tom Hanks) about belief that brings back those kid on Christmas eve chills all over again. The themes of belief and friendship are a strong theme in the movie and part of the magic that brings you back to a time when you did believe.Its a great movie for children and alts alike and rekindles the Christmas magic that us alts lost many years ago.