英語電影總結
① 英語電影影評
別妄想了!這里可以找到,老師肯定光顧
② 英文電影《喜福會》總結,分析!
書中語言的智趣、機敏、傳神、幽默,讓我數度體驗到了閱讀的赤裸裸的愉悅,生動、逼真的細節,想像力的綺麗,時常令人叫絕。她的敘述從容不迫,有稜有角、細膩而不顯瑣屑,而書中變換著的完全由第一人稱進行「講故事」的不同敘述角度,讓我體驗到的同樣是一種心靈的放鬆與自由(讓我想起小時候,冬夜裡圍著火爐,我們全家人聽父親講故事的情景)。這種「放鬆與自由」為我進一步理解作者寫作的意圖——對一個(不,是很多個)故事的思考——作好了充足的鋪墊。
《喜福會》可以看做由四條交織著的發展線索擰成的一根繩子,這根繩子也就是「母親與女兒」之間在歲月流逝及空間轉移中的發展關系。而「喜福會」這個由四個中國母親操辦起來的純粹中國式的聚會,無疑就成了編織這根繩子的最好的開端(故事的切入點)。四對母女——總是由女兒的口吻講述自己與母親(母親再與女兒)濃得化不開的情感瓜葛,然後在這種「成長與背離」的日常生活的生動描述中延展出東西文化的碰撞、交融及嬗變的主題。是的,在美國的土地上,四個中國母親用各自「心靈的滄桑」,總是想把自己的「美國女兒」塑造成「中國風景」,而美國的土壤畢竟是美國的土壤,無論中國母親怎樣努力,女兒們最終還是要長成美國式的,因為連母親們自己也總是會在不知不覺中講起「蹩腳的英語」(兩種文化的交鋒最直接地體現在兩種語言的交鋒上,譚恩美應該是深諳這一點的。她說:「我為日常生活中的語言所迷。我把大量的時間用於思考語言的力量——它激起一種情感、一個視覺、一個復雜想法或一個簡單真理的方式。」)但女兒們不得不承認中國的「傳統文化」(總是隨著她們母親的身影)仍然存留在她們的血脈里,無論凝固著還是流淌著,這種情感總是抹之不去。「……她是我的孩子,她天生是女孩;我又是我母親的孩子,天生也是女孩。我們就像台階一樣,一級又一級,上上下下,但走的都是一條路。」譚恩美借用小說中人物的言語,說出了這種無法割捨的(可以拋除小說的一切外在形式的)「情懷的真理」。
小說塑造的四對母女形象,她們呈現的迥異個性,都寫得妙趣橫生、血肉豐滿。譚恩美絕對是個講故事的高手,我們可以發現在她那些緊密相扣的故事中,又穿插了很多——母親講給女兒的小故事——這些故事完全是東方式的「古怪和神秘」,是果實的核(一種永遠生植在她們大腦里的「文化夢魘」),被婉婉道來、層層鋪展,生趣盎然。這是除小說的語言魅力,另一層吸引我的獨特之處。
談到小說的語言魅力,我可以舉出很多展現譚恩美才華的神來之筆。比方說她寫女兒對母親的敬畏,女兒想讓母親接納自己男友時的忐忑心理,形容男友容易被忘掉,「就像葬禮上某個人的侄子」;寫女兒對母親的抗爭:「我說這話時有點怕,像是把蠶、蟾蜍或者別的討厭的東西從嘴裡吐出來。」;寫母親了解自己的女兒:「如果我想記住什麼,就像在碗里尋找你沒吃凈的飯粒一樣容易。」……這些精彩的筆墨,我想只有譚恩美這樣對兩種語言有過獨到感受的作家才能寫得出來的,她掌握了將日常細微的生活,轉移到語言的核心上來的力量。還有一點需要補充的是,《喜福會》是譚的處女作,有點橫空出世的味道,這本書曾連續9個月被列入《紐約時報》暢銷小說排行榜首,並獲「全美圖書獎」等獎項。
當然,我也看到了《喜福會》中的一些瑕疵,在這里暫且略去不談,我只想將自己閱讀的愉悅(我偶然獲得的無限驚喜),與喜歡讀小說的朋友分享。
Between mother and daughter 奇瑰 story
In the book the language wisdom interest, was resourceful, is expressive, is humorous, lets my several experience the reading naked joyfulness, was vivid, the lifelike detail, the imagination beauty, often make person 叫絕. Her narration is unflustered, 有稜有角, is exquisite but does not reveal trivially, but in the book transforms completely carries on " tells the story " the different narration angle by the first person, lets me experience similarly is one kind of mind relaxes with is free (lets me remember childhood, winter night gathers round stove, our whole family listens to father to tell story scene). This kind " relaxes with is free " for me further understands the author writes the intention - to one (, was not very many) the story ponder - finishes the sufficient upholstery.
One string by four which " happy luck meets " may consider as to interweave the development clue twists, this string also is " the mother and the daughter " between passes and in the spatial shift development relations in the year. Four pair of mother and daughter - always are not narrate by daughter's 口吻 oneself with the mother (mother again with daughter) is thick the emotion connection, then " the growth with departs from " in the daily life vivid description extends the display thing culture in this kind the collision, blends and the evolution subject. Yes, on USA'S land, four Chinese mother with each one " the mind vicissitudes ", always is wants " the American daughter " to mold own " the Chinese scenery ", but USA'S soil after all is USA'S soil, regardless of Chinese mother how diligently, daughters finally or do have to grow into USA -like, because continually mother own also always is can in unconsciously center say " inferior English " (two kind of cultural confrontation most direct terrains now in two languages confrontation, Amy Tan should be deeply knows by heart this point. She said: " I confuse for the daily life in language. I use in the massive time to ponder language strength - it arouses one kind of emotion, one visual, one complex idea or one simple truth way." But the daughters can not but acknowledge China " the traditional culture " (always was along with their mother's form) still preserves in them blood vessels, regardless of coagulated or the flow, this kind of emotion always was wipes does not go. "... She is my child, she inborn is the girl; I again am my mother's child, inborn also is the girl. We like the stair same, one level of another level, every one, but walks all is one road." Amy Tan borrows in the novel character's spoken language, said this kind is unable to shear the shed (may throw eliminates novel all external forms)" the mood truth ".
The novel molds four pair of mother and daughter images, they present the different indiviality, all writes full of beauty and significance, the flesh and blood is plentiful. Amy Tan absolutely is the master which tells the story, we may discover these close buckles in her in story, also alternated the very many - mother says for daughter's small story - these stories completely is east the way " is strange and is mystical ", was the fruit nucleus (one kind forever lives plants in their cerebrum " cultural nightmare"), came by 婉婉 the road, layer upon layer to spread out all over, 生趣盎然. This is eliminates the novel the language charm, another attracts me uniquely place.
Talks about the novel the language charm, I may point out very unfold the Amy Tan talent the god come the pen. For instance she writes the daughter to mother's respect fear, the daughter wants to let the mother admit when the oneself boyfriend's disturbed psychology, describes boyfriend is easily forgotten, " likes at the funeral some indivial nephew child "; Writes the daughter to mother's resistance: " I said when this saying a little fears, the picture is the silkworm, the toad or other repugnant thing puts out from the mouth." Writes the mother understands oneself the daughter: " If I wants to remember what, the picture seeks you in the bowl has not eaten the grain of cooked rice equally is only easy." These splendid words, I want only to have Amy Tan like this have the original feeling writer to two languages only then can write obtain, she will grasp the daily slight life, shifts strength which came up to the language core. Also has one point needs to supplement, " happy luck meets " is Tan's maiden work, a little 橫空 is born the flavor, this book continuously 9 months was once included " New York Times " the bestselling novel rank first place, and won " the entire American books prize " and so on the prize item.
Certainly, I also see " happy luck met " the center some slight defect, for the time being leaves out in here does not discuss, I only wanted to read joyfully own (I accidentally obtain infinite am pleasantly surprised), with liked reading the novel the friend share.
③ 5篇英文電影觀後感(觀後感中文)!
1.玩具總動員1
最近,我看了一部極具「人情味」的動畫片,它的名字就是《玩具總動員》。
它講述的是:
胡迪是小主人安弟最喜歡的傳統牛仔玩偶,他和其他玩具趁主人不在時,便會「活」起來一起玩鬧。可是好景不常,最新奇的熱門玩具巴斯光年來了,他讓胡迪備受冷落。失寵的胡迪為了鞏固自己的地位,只好處心積慮地想要趕走巴斯。最後,胡迪和巴斯不幸化敵為友的故事。
看完此片,我想到了那些以前被我丟棄的玩具,它們在黑暗的垃圾桶,廢棄堆里,是否會傷心,是否會抱怨?我想是的,因為它們不僅僅是玩具,它們也是有思想的,當你的玩具被你遺忘的時候,他們也會難過的。
或許,你現在覺得那些老玩具已經不潮了,但是你在拋棄他們的時候,沒有懷念過曾經與他們在一起度過的美好時光嗎?
2.功夫熊貓
還是一貫的夢工場的高水準,畫面精緻細膩,人物生動傳神,故事情節曲折動人,最重要的是它以最簡單易解的方式說明白了一個道理,那就是——世界上沒有任何捷徑和秘籍,唯一的制勝法門就是相信自己。
不想再說更多的劇情,因為它真的很出色。看的過程中,頻頻出現人們會意的笑聲,整個氛圍相當的輕松和愜意。這個片子做得非常地道,一點兒也沒有是由西方人演繹的感覺,不論是故事還是其中傳達的意境,不論是畫面還是其中的細節,都是東方式的;唯一特別的可能就是出現的現代的口語,比如ok之類的。
3.美人魚公主
周日中午沒睡午覺,特意看了動畫片《美人魚公主》,相信這部動畫片很多人都看過,因為它美麗,浪漫,充滿了神秘的氣息,而且製作精美,設計巧妙,又尤其美人魚形象堪稱一絕。
美麗的愛麗兒是一條可愛的小美人魚,她一心嚮往人類世界,每天都想盡辦法游出海面,企圖能夠接觸人類。可是接觸人類世界卻是人魚法律所禁止的。她聰明、勇敢、喜歡冒險,常和她最好的朋友小比目魚胖胖還有音樂大臣賽巴斯丁一起出去探險
個人很喜歡美人魚這個動畫角色,也許每個女人潛意識里都會有些浪漫情結吧(老公經常強調我不浪漫,太現實,喜歡斤斤計較,抓住別人的小辮子不放,雖然我一直沒找到機會和辯詞來進行反駁,但我心裡是從來都沒承認過我有這么多的缺點的。),雖然小孩都上幼兒園了,但還是喜歡看這個動畫片。
4.《冰河世紀3》——觀後感
從兩只松鼠的開場到兩只松鼠的結束將此故事做了一個引導的作用。
整個故事給人有種從外界進入一個環境美麗但確又有著難以想像的冒險,最後戰勝敵人最終boss魯迪救回朋友到了自己的家園完美結局。整部影片的故事情節很生動,讓人的心裡有隨著故事發展起伏和誇張的似人情感表現出角色的觀眾的心理舒暢,有讓人在觀看中找到解放天性,狂放野性奔放的想像力等,除此之外還有裡面的角色的擬人行為思想和動作的結合體現給我的感覺是很有趣、很搞笑、很輕松。影片給我的第一感覺是很獨特有種讓人想進入這樣環境的感覺。在影片的畫面和音效的完美結合中給人的第一印象是非常有好感。
5.《飛屋環游記》——觀後感
本影片在沒有冰河時代那種有搞笑和賞心悅目也沒有那種驚奇的搞怪誇張幻想在裡面,只是很似人的故事情感的塑造了一個人物的思想和被改變到最後的為了救羅素和kevin和查爾斯的戰斗讓故事有了一個很好的體現人的性情和理想願望等。他在為了完成心愛人的願望將他們的房子放到天堂瀑布不懈努力堅強執著 一定要將這件事做完而放棄了kevin被查爾斯抓走而為了房子放棄營救,看出他心裡情緒是多麼在乎他妻子的願望不為過之後,看了妻子留給他的……而想通。之後他在回想到與羅素、kevin和狗的生活,這些讓他感受到了朋友的重要。他就馬上行動去救羅素。他就把所有房子里的東西讓自己……在有失去房子他那時的心裡和最後羅素坐在房子旁數車的色彩,說明人物已經從過去的悲傷中走了出來,這里可以體現整部片子的人物生活性情的改變,說明我們現實也許要……
④ 看英語電影後的心得體會3000字左右
社交網路影評
傳記電影的特質之一就是建塑英雄傳奇,因為是傳奇,所以蘊含有戲劇元素,因為是真人實事,因而就會帶給不同觀眾不同的啟示。 大衛芬奇執導的《社交網路》(The Social Network)以當紅網站Facebook的崛起事跡做主軸,Facebook創辦人馬克扎克...
傳記電影的特質之一就是建塑英雄傳奇,因為是傳奇,所以蘊含有戲劇元素,因為是真人實事,因而就會帶給不同觀眾不同的啟示。
大衛·芬奇執導的《社交網路》(The Social Network)以當紅網站Facebook的崛起事跡做主軸,Facebook創辦人馬克·扎克伯格憑什麼赤手空拳打造出六十九億美元的傲人財富?他的成名策略、機緣和手段就是全片的主要內容。
一般人在約會時,都很努力扮演孔雀角色,想要展示自己的羽毛,以求吸聚目光,但是馬克與女友Erica的談話卻極無趣,一方面大談美國著名的一些社團,多少名人都是因為躋身名流社團,相互提攜,因而創造不杇事功,一方面則是要求Erica不必回校去看書,因為他讀的波士頓大學要求不多,不必苦讀。
第一個話題表示他體悟人要成名,最要走終南快捷方式,才能快又好,能夠獲得名流提攜,加入社團,就可以平步青雲,那是一個平凡學子認知的人生現實;第二個話題則是他自視不凡的知識水平,哈佛學生才要看書,波士頓大學不必,女友的知識水平和身份地位,是不是當場比矮了半截?誰還想要跟這么不風趣的男生交往?但是正因為如此無趣,卻已讓人精準看見他的焦慮與傲慢。
馬克的唯一好友安德魯 Saverin同樣也期待著能夠獲得意謂階級和資源都高人一等的古老秘密社團「鳳凰會」;出身富貴人家的雙胞胎劃船好手卡麥隆與泰勒.溫可沃斯兄弟(Cameron and Tyler Winklevoss)也同樣自詡著身份不凡,但是要網羅才氣縱橫的馬克加盟時,卻只准他從單車進口出入,不也是明顯著有著出身不高,地位就不堪的勢利心情?
《社交網路》此刻散發出最有趣的訊息就是:是的,你們有錢,你們呼朋引伴的社團很有地位,但是你們的腦袋如漿糊,我可以暫時委屈,但是我一定能超越你們。天底下還有比這更振奮人心的勵志訊息嗎?
相對於哈佛校園里的菜鳥,在1999年共同推出Napster 音樂下載網站的西恩.帕克對馬克而言就像黑暗汪洋中的一盞明燈,更像是專業世界的領航員。
關鍵在於馬克等人的目光都還停留在校園之際時,西恩.帕克的目光已經把Facebook的世界指標指向了美國各州、全球各洲,網路帝國的概念確實非常迷人,馬克願意讓出股份給西恩,當然就是他確實扮演了引航導師的角色(包括把the facebook 的冠詞the給拿掉,單獨留下facebook,理由是這樣更簡潔;包括在名片上直接印著:我就是CEO,XXX),不管是故意耍帥,或者是慧眼識英雄的惺惺相惜,都符合了年輕人創業的叛逆精神,或者是期待被看見,受重視的心理,更重要的是因為西恩是曾經有過成功前例的前輩,他講的內行話,就遠比安德魯的邊打邊摸索,更有說服力,俗話說「曾經滄海難為水」,西恩見過滄海之大,他替「Facebook」規畫的企業擴張與營銷策略。
西恩其實缺點很多,第一次約會就遲到了快半小時,愛嗑葯,也愛泡妞,但是初到名店餐廳,熟門熟路宛如大爺的氣派,確實也非幾個小小大學生難以想像,前輩大哥不但有專業見解,還能帶著大家一起吃喝玩樂,確實夠讓菜鳥動心也動容了。但是,西恩的角色註定抵觸了安德魯的尊嚴、專業與地位,最後的那場辦公室決裂戲,因此也成為全片最高潮的人生無情。
是的,決裂的場合上,安德魯慘遭羞辱,悲憤離席,馬克雖然不是導火線,但是他縱容西恩發飆,眼看著安德魯離去,他沒有惻隱之心,亦沒有採取任何有效慰留行動,默默承受,看似珍惜著昔日友情,卻也是坐視著「新歡」去挫折「舊愛」,然後才又淡淡地連說了三句:「你做得太過份了。」開口,都由別人開口;錯,都是別人的錯,這是何等高明的帝王術?馬克的冷漠與絕情,儼然已從「一杯看劍氣」進化到「二杯生分離」,古往今來的成功帝王,誰不是如此絕情?成名或成功的滋味,也就成為《社交網路》中最濃烈的人間背景了。
⑤ 5篇英文電影觀後感(用英語寫的)60詞左右
功夫熊貓(這個是最近的.)
Or the dream factory has always been the high standard, the screen exquisite detail, vivid characters vivid, touching story twists and turns, the most important thing is it in the most simple and easy to understand that the way of a token, that is - there is no shortcut to the world and Cheats, the only winning Famen is believe in themselves.
這個殺手不太冷
This film was absolutely amazing. I have spent hours re-watching various scenes and noticing all the perfection with which they are acted and directed. It's not the violence or action sequences that make this movie so great (although they are well done...), but rather moments like where Mathilda knocks on Leon's door. It would be so easy to just film the door opening, but instead we see light illuminating Natalie Portman's face, symbolizing something angelic. And the moment has so much more meaning.
I know a lot of people who have seen this film because they are action fans. I'm not. But I'm glad I finally found it, because it's a wonderful film in so many other ways.
哈利波特
Harry Potter is a series of seven fantasy novels written by British author J. K. Rowling. The books chronicle the adventures of the eponymous adolescent wizard Harry Potter, together with Ron Weasley and Hermione Granger, his best friends. The central story arc concerns Harry's struggle against the evil wizard Lord Voldemort, who killed Harry's parents in his quest to conquer the wizarding world, after which he seeks to subjugate the Muggle (non-magical) world to his rule.
動畫喜劇 海底總動員
Somewhere, under the sea, weak-finned clown fish Nemo (Alexander Gould) lives with his fretful father, Marlin (Albert Brooks). Smothered by pop's paranoia, he ventures away from the reef, but his dad's dread is justified when a passing diver whisks him away.
Taken to a tank in a Sydney dentists, Nemo meets Gill (Willem Dafoe) and co - friendly fish who dream of escaping to the ocean. Meanwhile, Marlin bumps into a blue tang named Dory (Ellen DeGeneres), and sets out to save his son...
The splendour of natural history hit The Blue Planet is matched by the wit of the script and stars. Barry Humphries has a terrific cameo as a great white shark who's sworn off killing (Remember, fish are friends, not food!), while DeGeneres provides perfect timing and tone as Dory, whose short-term memory loss is a gag that never stops running
世界末日
There are so many amazing things in the world.這個世界上有太多不可思議的事情。If tomorrow is the end of the world,what can we do?如果明天是世界末日,我們可以做什麼?So now,i think we should keep smile everyday.所以現在,我覺得我們應該每天都微笑。After i finish the movie of "2012The end of the world",I feel very upset about that.我看完「2012世界末日」這電影之後,我感到很悲傷。When I saw the people die in the movie,I thought about if this event will happen to us,will we die very helpless?當我看到人類在這個電影里死了,我想到了如果這件事情發生在我們身上,我們會死得很無助嗎?If we have to die,I'll choose the one happy ending,like we have to cherish what we have now.如果我們一定要死,我會選擇一個開心的結局,就好像我們一定要珍惜我們現在擁有的一切!My family and my friends are love me,there are so many people love me!我的家人和我的朋友都很愛我,有很多人都愛我!I should thanks God for gave me so many things.我應該感激上天給我的一切。When the end really came in the world,I will not feel regret!當世界末日真的來臨了,我也不會感到遺憾!Beginning at this minute,I'll be happy everyday!從這一分鍾開始,我會開心每一天!
英文電影:阿甘正傳觀後感(中英文對照)
阿甘有自己的堅持,他不斷地跑步,JUST RUNS. 他跑步不為任何理由。他說:"人要往前看,千萬不要被過去拖累。我想我跑步就是這個意義」和過去告別,不停留在原處。也許這世界上太多人隨撥逐流,很少人會堅持做一件事,阿甘堅持自己的堅持,於是他成了「神」。影片中還有一位主要人物是上校丹。他在越南戰爭中失去了雙腿。他說他的命運就是戰死。然而阿甘卻救他,讓他活了下來。失去雙腿後他開始憎恨生活,生活得很頹廢,責怪阿甘當初救了他。然而當他調整心態,去和阿甘一起捕魚生活,有了收獲後,開始感覺到生活的美好。感謝阿甘當初就了他。影片試圖通過這個角色告訴觀者生活總是美好的。烏雲後有彩虹,絕境後有重生。關鍵是看我們給不給自己一個好心態,一個機會去改變不好的現狀。影片試圖向觀者傳達這樣一個信息:或許做好我們該做的每一件事,生活就會給我們一個好的回饋。只要有一種堅持就會出現一個奇跡。
Mr. A Gan has his own perseverance, keeping on running without of any reason, JUST RUNS. He said: 「Man has t look forward, and never encumbered by foretime. I thank that's the meaning of my running.」 Say goodbye to foretime and don't stay in-place. Although so many people in the world are used to follow others and few people can stick to one thing, Mr. A Gan does and becomes 「GOD」. There is another character Captain Dan. Dan lost his legs in Vietnarm War. He said that his fate is death in war. However, Mr. A Gan saved him and let him be alive. After losing legs, Dan was decadent and disgusted with life, complaining that A
Gan shouldn't save him. When he adjusted his mind, living on fishing with A Gan, he started to enjoy the wonderful life and thank A Gan's help. The movie is intended to tell people that life is wonderful by this character. Rainbow is always after cloud. The key point is that whether we have a good mind and an opportunity to ourselves to change bad situation. The movie is also sent such a message to us: do well what we should do, and life will return us well. There will be a miracle if only there is perseverance.
⑥ 怎麼寫看英語電影觀後感
題目:需要包含你的topic和你的controlling idea.
第一段:提綱句:你所看電影+你對這個電影的簡練評價;介紹電影的大概內容,注意要用描述性、抒情性的句子
第二段:具體闡述你在提綱句中對電影的評價,展開說,為什麼這樣評價,原因何在,這部電影給你什麼啟示。
第三段:收尾,即對上述你寫的內容進行簡練概括
< 贈人玫瑰,手留余香,希望給我個好評~感謝^_^>
⑦ 求一個英文電影展播的總結大綱!~
英語電影展播總結 從夕陽高照到星斗滿天,由應用文科學院德育實踐部承辦的英語原聲系列電影展播活動在11月19日5:00滿落幕本次電影放映活動盛況空前:從十月初開播到現在已然近兩個月,期間共放映了電影多部,經典搞笑系列,極度感人系列等.受到了廣大英語愛好者的好評和贊揚。每次都是滿堂歡笑、人流如織與英語文化藝術節的許多活動一起舉辦時依舊是座無虛席、絲毫不落下風:這就是英語原聲電影的魅力! 作為文院的電影展播,為了突出英語文化節的特徵。我們在電影選取上更側重它對英語的反映與表現。故所選的電影多涉及孩子,有家長與孩子的溝通教育,音樂對人心靈的影響,教室所應該根據不同人採取的教育方式,還有人與自然與動物的感情等。都是溫情的結局,溫婉而柔和的劇情推進,在感人之餘給人以圓滿。尤其是《返老還童》讓我們引發很多感想《返老還童》編自斯科特·菲茨傑拉德的同名小說,故事的主人公是個叫做本傑明·巴頓的怪人。他違反了大自然的規律,竟以老人形象降生人世,之後越活越年輕,倒著成長。1919年本傑明·巴頓(布拉德·皮特飾)降生在巴爾的摩,一出生他就已經是一個70多歲的「老」嬰兒,他的父親胡亂的將他遺棄在街邊。幸運的是,一位好心的黑人婦女收養了他,將她那經由歲月沉澱下來的智慧統統教授於他。1930年,本傑明11歲(他現在看起來有60多歲),他遇到了6歲的黛西(凱特·布蘭切特飾),他們相愛了。
後來二戰爆發,本傑明坐船從美國來到英國,途中他遇見了各式各樣的人物,見識到了真正的悲劇,也體驗到人性最偉大的光輝。[更多信息...]戰爭結束後,他和黛西重逢在紐約,此時黛西已經是一位成功的舞者了。1950年,他們終於看起來差不多大了,本傑明和黛西一起,度過了他們生命中最美好的時光。然而,當本傑明越來越年輕時,他意識到,他不能再和黛西生活在一起了,黛西需要更正常的人生奇事一說,僅僅只是菲斯傑拉德(作者)的一個技巧而已。不能不說,他的目的達到了。「子在川上曰:逝者如斯夫!不舍晝夜。」 我們每個人隨著年齡逐漸長大,偶爾感觸那無人能避免和逃脫的「死亡」時、當回首往事,追憶曾經生命中的親朋故舊時,會不會因為自己碌碌無為、虛度年華而悔恨?會不會因為為人卑劣、生活庸俗而愧疚?會不會因為自己因怯懦膽小錯過、浪費而後悔。 伴隨慶典電影播放活動,文院拉開了新學年工作的序幕,為隨之到來的許多活動打下了良好的基礎。在實際的操作過程中雖然還是有許多的不圓滿。但同學們的理解和支持是我們長期堅持的動力。電影的展播也使心協在同學中廣受好評路漫漫其修遠兮,吾將上下而求索」,在今後是日子裡,我們一定會踏實走好每一步,不斷探索、創新和發展,在英語的世界裡飛得更高、走得更遠! 應用文科學院德育實踐部 2009年11月22日
⑧ 英語電影觀後感
哈利波特
Harry Potter is a series of seven fantasy novels written by British author J. K. Rowling. The books chronicle the adventures of the eponymous adolescent wizard Harry Potter, together with Ron Weasley and Hermione Granger, his best friends. The central story arc concerns Harry's struggle against the evil wizard Lord Voldemort, who killed Harry's parents in his quest to conquer the wizarding world, after which he seeks to subjugate the Muggle (non-magical) world to his rule.
這個殺手不太冷
This film was absolutely amazing. I have spent hours re-watching various scenes and noticing all the perfection with which they are acted and directed. It's not the violence or action sequences that make this movie so great (although they are well done...), but rather moments like where Mathilda knocks on Leon's door. It would be so easy to just film the door opening, but instead we see light illuminating Natalie Portman's face, symbolizing something angelic. And the moment has so much more meaning.
I know a lot of people who have seen this film because they are action fans. I'm not. But I'm glad I finally found it, because it's a wonderful film in so many other ways.