看英語電影小鬼當家有感

㈠ 小鬼當家的觀後感英語加翻譯,100字

Today, I saw large areas of the United States "Home Alone" with deep feeling. The main character is a little boy. Christmas is fast approaching, the little boy was always getting into trouble. As a result, they go to a holiday in Paris, but forget the little boy at home. There are two thieves, after a long period of the study, which determined that no one at home. Unexpectedly, there is a little devil at home it! The little boy with a lot of smart and witty way, to finally seize the thief. His parents, Christmas is the day to come back, and the boy's mother hugged tightly. Since then, the boy became everybody's favorite target.

I would like to tell you that the smart money is not unusual in some small inexpensive. But in the coming danger, to protect their own!
中文翻譯：今天，我看了美國的大片《小鬼當家》，有很深的感觸。主演是一個小男孩。聖誕節很快就要來了，這個小男孩總是遇到麻煩。結果，他們去巴黎度假，卻把這個小男孩忘在家裡。有兩個賊經過長期觀察以後，斷定家裡沒人。出乎意料的是，家裡有一個小鬼！這個小男孩使用了很多聰明機智的手段最終捉住了盜賊。他的雙親，聖誕節那天回家了，男孩的媽媽緊緊地抱住了他。從那以後，那個小孩成了每個人的最喜歡的人。
我想告訴你的是聰明的腦袋在一些小的不起眼的方面不常用。但是面對即將到來的危險，保護自己！

㈡ 求電影《ET》,《人鬼情未了》,《小鬼當家》的英語觀後感

<ET>
ET is such a wonderful film. I think its a film about the way a child views the world, and the way an alt views the world. A child's mind is not cyncial, unlike the alts in the picture. There is a vast gap between the child's world and the alt world.
This is probably Spielberg's most personal film, he grew up in suburbia, he was part of a single parent family, he has a wildly imaginative mind.
There are so many classic moments, more so than any film released in the last 30 years. The bicycles flying past the moon is one of the greatest moments in cinema history. The John Williams score is timeless. Unforgetable quotes "ET phone home"
One of the greatest of all time.

<人鬼情未了>
Make no mistake about Paramount's "Ghost." It's formula-packed business as usual. In fact, it's double-packed, triple-packed, more: There's the afterlife love affair between recently deceased Patrick Swayze and earthly girlfriend Demi Moore. There's the beyond-the-grave odd-buddy-buddying between Swayze and spiritualist Whoopi Goldberg. It's also a tearjerker, along the sappy lines of "Field of Dreams." It's a murder thriller . . . .
And strangely enough, it's not that bad.
Now, hold it right there. I refer you to the low-light critical tariff one must apply to Hollywood's summer fare. In this artistically devalued summer of schlockbusters ("Days of Total RoboCop III"), it means Jerry Zucker's movie (he made "Airplane!" and "Ruthless People") is surprisingly entertaining and goes along nicely with the theater's air conditioning.
"Ghost" starts off in the kind of cheesy way that Paramount seems so peculiarly proud of. We're subjected to True Love Moments between Swayze and Moore, as she tells him she loves him and he says, wait for it, "Ditto." (This is what screenwriters commonly refer to as a "hook" and is important for later.)
But as soon as the couple is confronted by a gunman, the thriller elements of the movie kick in and the movie gets . . . interesting. A lot of plot elements can't be given away, but suffice it to say, when Swayze's spirit comes back from the dead, he finds out Moore is in great danger.
Unable to be seen by the living, Swayze finds out he can communicate aurally with Goldberg, a common-variety spiritual charlatan who discovers to her ESP horror that she is the real thing. Swayze has to enlist Goldberg to thwart the dangerous mystery man and pass the amorous word on to Moore -- words like "ditto," for instance.
Along the way, Swayze also learns, with the help of subway-haunting spirit Vincent ("One Flew Over the Cuckoo's Nest") Schiavelli, that ghosts can concentrate their psychic power into moving physical objects: making objects fly around the room, slapping bad guys around, that sort of thing.
Only in the leanest of movie-acting years would Swayze or Moore ever find themselves clutching Oscars, but they're very competent performers, certainly good enough to get through this mystery plot (decently scripted by Bruce Joel Rubin) without getting in your way. The best screen work comes from Goldberg, who puts spiritual oomph into an otherwise strained tea-reading role. Since her memorable performance in "The Color Purple," she's been mired in macho formula. But this movie, though it's still studio-ready stuff, may augur well for her future.

<小鬼當家>
Home Alone has a lot of unfair criticism. I mean, how many of you would really have wanted a 16-year-old Mac Culkin doing the same-old same-old to Harry and Marv. Of course it was a better idea to do in a different direction and with John Hughes still procing and writing you know there's going to be a good amount of imagination and creativity.
This time around we have 8-year-old Alex Pruitt defend his house against international criminals. Stuck at home with Chicken Pox with both his parents tied-up in work matters, Alex suspects foul play on his snowy street when he witnesses strangers poking around in his neighbor's house. Of course, no one believes an imaginative 8-year-old so he has to deal with them himself.
It turns out that a toy car Alex got from the old-lady across the street is actually a Trojan horse to smuggle a priceless defence microchip to the North Korean mob. They really ought to hire better criminals as they fall for every one of Alex's sadistic booby-traps.
Yes, that is basically the whole plot but it gets enough mileage out of it and it's still very funny. Set in January, it lacks the Xmas feel of the first two, but I guess that would have just been a distraction. John Williams' theme only gets a brief recital at the start, but from then on it's an adequate (if not exceptional) score from Hans Zimmer pal Nick Glennie-Smith. Despite these key differences of characters and theme, it still feels like it has enough continuity with the others.
It's a totally worthwhile and enjoyable sequel that has a bad rep for no reason. Home Alone 4 on the other hand...now THAT is BAD!