電影人工智慧經典英文對白
A. 經典電影《人工智慧》插曲 For Always 中文歌詞
For Always
Lara:
I close my eyes 我閉上眼
And there in the shadows I see your light 朦朧中我看到了你帶來的光明
You come to me out of my dreams across
The night 你穿越黑夜從夢境中向我走來
Josh:
You take my hand 你抓住我的手
Though you may be so many stars away 雖然你遠在天邊
I know that our spirits and souls are one 我知道我們的精神和靈魂已合二為一
Lara:
We've circled the moon and we've touched the sun 我們繞著月亮來到了太陽身邊
Both:
So here we'll stay 我們在此停留
For always 一直這樣
Forever 直到永遠
Beyond here and on to eternity 飛越這里直至永恆
For always 一直這樣
Forever 直到永遠
For us there's no time and no space 對我們而言 沒有時間和空間的概念
Josh:
No barrier love won't erase 愛可以跨越一切障礙
Lara:
Wherever you go 不管你身在何方
I still know in my heart you'll be here 我依然知道你的心與我同在
Both:
With me 和我一起
Josh:
From this day on (day on) 從今天起
I'm certain that I'll never be alone 我確信我不再孤獨
Lara:
I know what my heart must have always known 我知道我心所想
(known what my heart must have known)
Both:
That love has a power that's all its own 愛有種獨特的力量
And for always 一直會有
Forever 直到永遠
Now we can fly 現在我們可以飛翔
And for always 一直得飛啊
and always 飛啊
Lara:
We will go on (we will go on) 我們將繼續
Both:
Beyond goodbye 告別孤單
Lara:
For Always 一直這樣
Josh:
Forever 直到永遠
Lara:
Beyond here and on to eternity 飛越這里直至永恆
Josh:
For Always 一直這樣
Lara:
And ever 直到永遠
Both:
You'll be a part (you'll be apart) of me 你是我的一部分
Both:
And for always 一直這樣
Forever 直到永遠
A thousand tomorrows may cross the sky 一千個明天跨越了天際
And for always 一直這樣
And always 一直這樣
We will go on (we will go on) beyond goodbye 我們將繼續 不再孤單
B. 急需電影《人工智慧》和《勇敢的心》的英文劇情介紹
勇敢的心 braveheart
資料一:
Unfortunately, I have yet to find a film of quite this caliber again. Braveheart contains elements of Romance (several heart- wrenching and warming instances), Epic/Action (spectacular scenes), Mystery (can take a few viewings to put it all together), History (albeit romanticised) and of course Drama (perfectly unravelled). This level of uncompromised multi-tasking allows the film to move you to laugh and cry, love and hate or even to think and be taught. I'm trying to avoid the clichés of glowing reviews (almost as bad as entirely negative ones) - but this is one of the few movies that I feel deserves one.
The witty banter between friends/foes/lovers/relatives is, in my opinion, flawless and aids the film's claim as a true classic. The soundtrack is similarly top-notch and encapsulates and refracts the patriotic theme ring several key moments. The political sub-plot and gorgeous scenery also serve as refreshers ring otherwise heavy areas of the story. Perhaps Braveheart's only flaw (but if you share my sentiments it's actually a bonus) is its length so you'll want to prepare a comfy seat and maybe even two pots of tea (complete with cosies!).
I suppose it's also relevant to touch on the historic inaccuracies as I expect this is what people might dislike most about this film. However, "History is written by those who have hanged heroes"; also, the overall sketchiness of such periods coupled with the right of artistic license are enough for me to personally dismiss such thoughts. On that note, I hope you also enjoy what, to me, is the greatest film created (so far).
資料二:
The movie begins in the small town of Elerslie, Scotland. William lives with his father, who is not named in the film, and his older brother Malcolm. William's father and older brother are called to a meeting a few miles from their home where they find the entire nobility of Scotland hanging. Malcolm and his father then go to a battle between the British and their clan, both die tragically. At the funeral William meets his uncle Argyle who fought in the battle with Malcolm and his father. He takes him away to live with him. The scene then cuts to an alt William on his horse. William later runs into a girl he knew before he went to live with Argyle, her name, Murron, we discover that Lords have the right to sleep with brides on their wedding night, so William marries Murron in secret. Murron is the assaulted by a British guard, the guard is killed by William, a fight ensues, and eventually Murron is killed by the lord. This enrages Wallace who then build himself a fine army entering city's and killing all Englishman within. Wallace prepares to move on to Sterling where he prepared for his greatest battle yet, in the forest he realises that he must find a way to beat the heavy cavalry from the ground, he decided to create spears twice as long as men. These were used in the battle to kill the entire heavy cavalry raised at the last minute to kill the on coming horses. Eventually Wallace reaches York, the most important military city he gains control. Williams final battle at Falkirk ends in his betrayal by two nobles, whom he later kills. William is betrayed by the leper father of Robert the Bruce, is captured and refuses to bow down as a loyal subject of the king Edward I, Longshanks. Therefore, instead of mere beheading William Wallace is subject to being Hung, hung within an inch of death. Drawn, being stretched by his ankles and wrists and then having his insides shown to him before he died. Then Quartered, he was beheaded and his head was put on the London Bridge his body was torn into for pieces one sent to each corner of Britain as a warning to the citizens. After Wallace's death we see Robert the Bruce led the battle of Bannockburn the last battle for Scotland's freedom.
資料三:
In 14th Century Scotland, William Wallace leads his people in a rebellion against the tyranny of the English King, who has given English nobility the 'Prima Nocta'.. a right to take all new brides for the first night. The Scots are none too pleased with the brutal English invaders, but they lack leadership to fight back. Wallace creates a legend of himself, with his courageous defence of his people and attacks on the English.
——————————————————————
人工智慧 artificial intelligence A.I
資料一:
In the not-so-far future the polar ice caps have melted and the resulting raise of the ocean waters has drowned all the coastal cities of the world. Withdrawn to the interior of the continents, the human race keeps advancing, reaching to the point of creating realistic robots (called mechas) to serve him. One of the mecha-procing companies builds David, an artificial kid which is the first to have real feelings, especially a never-ending love for his "mother", Monica. Monica is the woman who adopted him as a substitute for her real son, who remains in cryo-stasis, stricken by an incurable disease. David is living happily with Monica and her husband, but when their real son returns home after a cure is discovered, his life changes dramatically. A futuristic adaptation of the tale of Pinocchio, with David being the "fake" boy who desperately wants to become "real".
資料二:
The "literalists" are clearly not happy with A.I. So now is a good time to recall that "2001: A Space Odyssey" was greeted upon release with derision, confusion, dismissive reviews, public consternation, and, oh yeah, some thought it was an absolute masterpiece. Beyond the monolithic influence of that film (think of Han Solo's jump to lightspeed, etc.), the symbols of "2001" -- TO THIS VERY DAY -- cannot be decoded using anything but the most personal, interpretive language. The obelisks, the message of the obelisks, the Star Child, Cosmonaut Dave's "room", HAL-9000's true motivation – all these things remain in our collective subconscious as indelible images that refuse to be concretely defined between or among viewers. WHAT CAUSES THIS CONFLICT OF PERCEPTION? IS IT INTENTIONAL? Again and again, Kubrick's films take us to a No-Man's Land of narrative and moral ambiguity, stranding us, forcing us to make decisions, demanding interpretation (or we can judge the surface, walk away, hate the film). To my perception, Kubrick is the only, true "Brechtian" film director. The device Brecht proposed is "Alienation Effect", or put simply, Leading the audience down two, divergent paths at once. My favorite example is "Barry Lyndon". Being the adventures of a young man, handsome, virtuous, well-meaning, ambitious, full of promise. Yet in every scene, the camera "pulls-back" revealing Barry (but never to himself) to be womanizing, self-absorbed, criminally inclined, socially inept, not very bright, morally bankrupt, and at last, a broken shell of a man. Or let's consider "Strangelove": Did Kubrick really create a headbanger, slapstick comedy about nuclear proliferation, mass destruction, and military/political incompetence? The real question is "Who else could have?" Well, that's my take on Kubrick's artistic sensibility, and, without daring to presume Spielberg's motivation, it's what drew them both to "A.I." Pinocchio, the Blue Fairy, cuddly Teddy Bears on one hand, but on the other hand – social institutions are faltering forever -- parenthood, childhood, science, instry, sexuality -- all distorted beyond repair. And Humans, the ultimate A.I. protagonist, seem blissed-out, in denial, more interested in creating "Davids", "Darlenes" and "Gigolo Joes" than in rising water levels and the imminent threat of extinction. Therefore, I believe A.I. is getting precisely the response all Kubrick films "INITIALLY" get. Spielberg's reputation and career can withstand anything that public perception might bring to his films, but I keep thinking that A.I. is the riskiest moment of his artistic life.
C. 一部關於美國的機器人電影的名字
《人工智慧》,非常感人,看了以後我都哭了,那個小男孩的眼睛像天使一樣。
導演:斯蒂文·斯皮爾伯格Steven Spielberg
主演:海利·喬·奧斯蒙特Haley Joel Osment
裘德·洛Jude Law
弗朗西斯·奧康納Frances O'Connor
威廉·赫特William Hurt
羅賓·威廉斯Robin Williams(旁白)
類型:科幻
21世紀中期,由於氣候變暖,南北兩極冰蓋的融化,地球上很多城市都被淹沒在了一片汪洋之中。此時,人類的科學技術已經達到了相當高的水平,人工智慧機器人就是人類發明出來的用以應對惡劣自然環境的科技手段之一。
先進的人工智慧機器人不但擁有可以亂真的人類外表,而且還能像人類一樣感知自己的存在。大衛(海利·喬·奧斯蒙特)就是這樣一個有思想、有感情的小機器人,他被一對人類父母所收養,有一個哥哥和一個貼身的夥伴——機器泰德熊。但這些並不能讓大衛滿足,他一直渴望著自己終有一天不再僅僅是個機器人。抱著對這個願望的執著,11歲的大衛踏上了漫長的心路歷程,跟隨在他身邊的,還有另一個善良的機器人喬(裘德·洛)。誰也不知道他們能否完成自己的心願,脫胎換骨成為真正的人,等待他們的只有凶吉難料的對復雜人性的追尋……
D. 電影《人工智慧》的台詞。
http://www.kekenet.com/sub/3241.shtml
E. 英語課要做個介紹一部有意義電影的演講,有PPT電影是人工智慧,我和搭檔急需一個好的英語開場白,求幫忙
HELLO,everyone! I am so glad to stand here and it's an honore to present our PPT with my partner for you. Today we will introce a famous movie by Steven Spielberg,-《Artificial Intelligence》,now let's begin! 我只能給你這個簡短的,太長我就寫不出來了
F. i'll be back是哪部電影里的台詞
I'll be back是阿諾·施瓦辛格在電影《終結者》里的台詞。
英國一家電影網站日前訪問了2000多名觀眾,評選出最常用的十大精彩電影對白,「I'll be back」當選經典中的經典。
《終結者》(英語:The Terminator,香港譯《未來戰士》,台灣譯《魔鬼終結者》)是一部於1984年上映的美國科幻動作片,由詹姆斯·卡梅隆執導,蓋爾·安妮·赫德製片,卡梅隆、赫德和小威廉·威謝爾共同編劇,阿諾德·施瓦辛格、邁克爾·比恩和琳達·漢密爾頓領銜主演。
影片由漢德爾電影公司製作,獵戶座影業發行,主要在洛杉磯取景拍攝。施瓦辛格扮演一個被稱為「終結者」的電子人殺手,從2029年返回1984年試圖殺死由漢密爾頓扮演的莎拉·康納。比恩則扮演同樣從2029年返回1984年的一名人類士兵,他的目標是保護莎拉。
(6)電影人工智慧經典英文對白擴展閱讀
雖然起初製片公司並未預期電影會獲得商業或評論方面的成功,但《終結者》卻成功登上美國電影票房排行榜冠軍位置並保持了兩個星期,不但穩固了施瓦辛格的地位,也讓卡梅隆得以成名。在科幻技術與科技倫理的層面上更以此作品為象徵,興起與人工智慧相關的流行文化。
2008年,《終結者》因其「文化、歷史和審美方面的顯著成就」,被美國國會圖書館列入國家電影登記部下屬的國家電影保存委員會保護電影名單。
評價:
影片為科幻片經典之作。影片的動作戲、置景、情節節奏等俱佳,將卡梅龍和阿諾的事業推向新的台階。阿諾給人的印象就是一台真正的機器人,臉上沒有任何的表情,讓人感覺沒有任何事物能夠阻止他,使影片氣氛從頭到底都一直籠罩在「絕望」之中,散發著一種令人心底發毛的恐懼感。
而康納的母親,由一名本來脆弱的女性到堅強的轉變,則體現了女權主義。《終結者》以快節奏和緊湊的情節成為一部長盛不衰的賣座片。片中的特技鏡頭反映了影片的未來色彩,預示著此後科幻電影的發展方向,予人印象深刻,與眾不同的手法在科幻片層出不窮的情況下具有強大的競爭力 。(時光網評《終結者》)
G. 人工智慧相關名言佳句
1. 人工智慧語言的名家名言
談到LISP和PROLOG兩種AI語言的重要性,我們可以從美國AI界的權威學者、麻省理工學院教授P.H.Winston(溫斯頓)所說的三段話來體會:
(1)溫斯頓認為,LISP 語言是AI的數學,不僅對AI的機器實現有重要意義,而且是AI理論研究的重要工具。
(2)「在中世紀,拉丁文和希臘文的知識對所有學者來說,都是必不可少的。只懂一種語言的學者必然是一個殘缺不全的學者,他缺乏從兩個方面來觀察世界所獲得的那種理解力。同樣地,現代的AI專業人員如果不能同時大致通曉LISP和Prolog,也猶如一個殘疾人,因為就廣義來說,這兩種人工智慧的主要語言的知識都是必不可少的。」
「我一直熱衷於Lisp,Lisp是在MIT被製造並且在那兒成長起來的。」
(3)概括地說,計算機語言的發展正是一個從HOW型低級語言向WHAT型高級語言進化的過程.在HOW型語言中,程序編制者必須詳細說明運算是怎樣(HOW)一步一步進行的;而在WHAT型語言中,程序編制者只需簡單說明要做的事情是什麼(WHAT) 。 …現代的LISP語言是這些語言的佼佼者,因為採用Common Lisp格式的Lisp具有非凡的表現力,但是如何做某件事情仍然是有待於Lisp程序編制者來表達的東西.相反,Prolog是一種明顯地沖破了HOW型語言陳規的語言, 它鼓勵程序編制者去描述情況和問題,而不是那些用來解決問題的詳細步驟。」
由以上論述可以看出LISP語言和Prolog語言對人工智慧學科和人工智慧學者的重要性。
一般來說,LISP可以稱為人工智慧的匯編語言, Prolog是人工智慧更高級的語言。
2. 描寫機器人的好詞好句有哪些
現在的世界,已經看不到人類了,卻隨時可以看到機器人在街道上走來走去。
原來機器人裡面什麼也沒有,只有操縱器和一個透明的東西,從裡面看得到外面,從外面看不到裡面。在過去人們面臨的危險是變成奴隸,而在將來危險是人類可能變成機器人。
上帝創造了人類,人類卻懷疑上帝。人類創造了機器人,機器人為何不能懷疑人類?真正的危機不是機器人像人一樣思考,而是人像機器一樣思考。
我把他帶到這個世界,一個能夠思考與感知的機器人。有鬧騷很慶幸,那因為你還智能,我們都是生活和社會製造出來的機器人,按部就班,朝朝暮暮。
一但你活在當下,你是有意識的。意識就是當下;意識是一種當下。
否則你像一個機器人、一部機器一樣的活著。無數個日日夜夜,我像輸入好程序的機器人一樣工作、應酬、健身、吃飯、睡覺,我不敢留出一點一滴的個人空間,我怕一停下來,從胸腔處那處空洞泛濫上來的寒冷,會將空氣變得凝重壓迫,直至我窒息。
各有各的生活,每個人都是機器人,重復著每天的日子,一朝一夕,不得不感嘆時光的能力啊,一直帶領人類前行,永遠那麼急匆匆的離去……要有一個制度能將人們由「吃米飯機器人「的地位提高為真正的人──在人權的保障下,能夠自由思考,暢所欲言,昂首挺胸。機器人(Robot)是自動執行工作的機器裝置,主要由機械身體、記憶或程序功能和核心零件等組成。
它既可以接受人類指揮,又可以運行預先編排的程序,也可以根據以人工智慧技術制定的原則綱領行動。它的任務是協助或取代人類的工作,例如生產業、建築業,或是危險的工作。
機器人是高級整合控制論、機械電子、計算機、材料和仿生學的產物。包括家務型、操作型、程式控制型、數控型、搜救類、平台型和學習控制型等幾大類。
3. 與"智慧"有關的名言警句
敏而好學,不恥下問,是以謂之文也。 -----孔 丘
不登高山,不知天之高也;不臨深淵,不知地之厚也;不聞先王之遺言,不知學問之大也。 -----荀 況
人之學問,知能成就,猶骨象玉石,切磋琢磨也。 -----王 充
泰嘗論學問之事,有三端焉。曰:義理也,考證也,文章也。 -----姚 鼐
學問是不容易得到的,只有在不倦的勞動中才能取得。 -----加里寧
打開一切科學的鑰匙都毫無異議地是問號,……而生活的智慧大概就在於逢事都問個為什麼。 -----巴爾扎克
多詐的人渺視學問,愚魯的人羨慕學問,聰明的人運用學問。 -----培 根
智慧
人類的智慧就是快樂的源泉。
——薄迦丘
智慧是經驗之女。
——達·芬奇
當智慧驕傲到不肯哭泣,庄嚴到不肯歡樂,自滿到不肯看人的時候,就不成為智慧了。
——紀伯倫
智慧的可靠標志就是能夠在平凡中發現奇跡。
——愛默生
一個人的智慧不是一個器具,等待老師去填滿;而是一塊可以燃燒的煤,有待於老師去點燃。
——考留達克
知識反不如機智來得重要。
——L·A
智慧,不是死的默念,而是生的深思。
——斯賓諾莎
從智慧的土壤中生出三片綠芽:好的思想,好的語言,好的行動。
——希臘諺語
智慧,勤勞和天才,高於顯貴和富有。
——貝多芬
缺乏智慧的靈魂是僵死的靈魂。若以學問來加以充實,它就能恢復生氣,猶如雨水澆灌荒蕪的土地一樣。
——阿布爾·法拉治
人的智慧掌握著三把鑰匙:一把開啟教學,一把開啟字母,一把開啟音符。知識、思想、幻想就在其中。
——雨 果
智慧表現在下一次該怎麼做,美德則表現在行為本身。
——約爾旦
精神象乳汁一樣是可以養育的,智慧便是一隻乳房。
——雨 果
缺乏智慧的幻想會產生怪物,與智慧結合的幻想是藝術之母和奇跡之源。
——戈 雅
4. 描寫機器人的好詞好句
1. 現在的世界,已經看不到人類了,卻隨時可以看到機器人在街道上走來走去。
原來機器人裡面什麼也沒有,只有操縱器和一個透明的東西,從裡面看得到外面,從外面看不到裡面。2. 不管你擁有多麼驚人的武器,不管你擁有多少可憐的機器人,只要離開土地就沒辦法生存。
3. 各有各的生活,每個人都是機器人,重復著每天的日子,一朝一夕,不得不感嘆時光的能力啊,一直帶領人類前行,永遠那麼急匆匆的離去……4. 如果是個機器人,現在一定超負荷了,零件掉了一路,頭上呼呼地冒著煙,直到能量用完,倒地散架,眼睜睜看著她的仇人消失在濃雲密布的天邊。5. 根要扎在土壤里,和風一起生存,和竹子一起過冬,和鳥兒一起歌頌春天,不管你擁有了多麼驚人的武器,也不管你操縱了多少可憐的機器人,只要離開土地,就沒辦法生存。
6. 別把任何人說的話,任何書中的道理當真理,要有自己的思考,有自己的主見,結合實際有自己的判斷。別當只相信書的機器人,別越讀書越傻,任何事都要辯證來看待。
7. 要有一個制度能將人們由「吃米飯機器人「的地位提高為真正的人──在人權的保障下,能夠自由思考,暢所欲言,昂首挺胸。8. 一但你活在當下,你是有意識的。
意識就是當下;意識是一種當下。否則你像一個機器人、一部機器一樣的活著。
9. 當你不停的換工作時,你會看到很多你不知道的東西;當你停留在一個工作時,你會非常熟悉這個東西,然後每天重復同樣的工作,最後變成人工機器人,像個植物人。10. 我曾經愛上一個人,我想知道她到底喜不喜歡我。
我發現這個機器人很像她,我開始嘗試在她身上尋找答案。11. 無數個日日夜夜,我像輸入好程序的機器人一樣工作、應酬、健身、吃飯、睡覺,我不敢留出一點一滴的個人空間,我怕一停下來,從胸腔處那處空洞泛濫上來的寒冷,會將空氣變得凝重壓迫,直至我窒息。
12. 西蒙的書簡明扼要地概括了人工智慧及其在機器人技術方面的應用。13. 這對活人說來很容易,而對現實世界的R2D2機器人說來卻是十分棘手的事情。
14. 對警衛來說,這些馴良的,機器人般的瘋子和家畜一樣不會帶來多大的麻煩。15. 在過去人們面臨的危險是變成奴隸,而在將來危險是人類可能變成機器人。
16. 我知道你們每個人都了解像個機器人般,被強迫服從MSA的痛苦,是吧?17. chroino是一個小機器人與友好的外表和復雜的運動。一種新的外殼,也作為一個框架,被稱為「單體框架」,是由碳和塑料,給chroino友好的外觀,重量輕,強大的框架。
18. 我把他帶到這個世界,一個能夠思考與感知的機器人。19. 你說哆啦A夢是會陪你到永遠的機器人,我好想做你的哆啦A夢。
20. 我想做個機器人,因為機器人不會痛,不會哭,但我卻忘了,機器人也不會愛。21. 如果人是上帝製造的,而機器人是人製造的,那人可以懷疑上帝,為什麼機器人不可以懷疑人?22. 上帝創造了人類,人類卻懷疑上帝。
人類創造了機器人,機器人為何不能懷疑人類?23. 2050年世界沒有末日,但是愛,無以為繼。這是一個精心打造的未來世界,人類科學家創造出的人工智慧機器人誕生,機器人也能懂得愛。
藉以傳達這張新專輯的主旨:愛。24. 當楚城走到擂台前。
正准備上擂台的時候,守在擂台口的機器人突然抬起手,機械手閃電般掠過,將他嘴上的牙簽被抽走了。25. 真正的危機不是機器人像人一樣思考,而是人像機器一樣思考。
26. 有鬧騷很慶幸,那因為你還智能,我們都是生活和社會製造出來的機器人,按部就班,朝朝暮暮。27. 雖然不是世界第一,不過我的確是貓型機器人的前兩三名。
28. 我不是萬能的小叮當,不是你用完就可以拍拍屁股走人的機器人!29. 科學過於發達,人類反倒難以操控了啊,這樣下去,離機器人造反的日子也不遠了吧!30. 在這種情況下,聯邦法律要求這個智能機器人的性格特徵被擦除。
5. 電影《AI人工智慧》經典台詞
電影《AI人工智慧》經典台詞: David: Is it a game? 大衛:這是一個游戲嗎? Monica: Yes. 莫尼卡:是的。
Monica: You won't understand the reasons but I have to leave you here. 莫尼文卡:你不會明白的,但是我不得不把你留在這兒。 David: Is it a game? 大衛:這是一個游戲嗎? Monica: No. 莫尼卡:不。
David: When will you come back for me? 大衛:你什麼時候會回來? Monica: I'm not, David. You'll have to be here by yourself. 莫尼卡:我不會回來,大衛。你將獨自留在這兒。
David: Alone? 開始的時候,那個無所不知的博士回答的都是不沾邊的,後來喬選了「常識」和「童話故事」兩個新項目是,大衛重新提問,畫面狂閃,然後屏幕就出來一段話,下面的: came away,o human child,to the waters and the wild,with the fairy hand in hand,for the word's more full of weeping than you can understand.you quest will be perilous,yet the reward is beyond price. 真正的小男孩,越過高山和大海,和仙女手牽手,世人皆悲哀,你不會明白,為愛走天涯,報答終無價! 我個人覺得最經典的一句是在最後,莫妮卡被復活後,剛睜開眼,大衛緩緩的流下眼淚,說:"I found you。」,"Hi!","Hi!"。
還有在最後莫妮卡給大衛過生日是,讓大衛吹蠟燭,並許願的時候說的:"now,make a wish.""it came true already."。
6. 電影《AI人工智慧》經典台詞
開始的時候,那個無所不知的博士回答的都是不沾邊的,後來喬選了「常識」和「童話故事」兩個新項目是,大衛重新提問,畫面狂閃,然後屏幕就出來一段話,下面的:
came away,o human child,to the waters and the wild,with the fairy hand in hand,for the word's more full of weeping than you can understand.you quest will be perilous,yet the reward is beyond price.
真正的小男孩,越過高山和大海,和仙女手牽手,世人皆悲哀,你不會明白,為愛走天涯,報答終無價!
我個人覺得最經典的一句是在最後,莫妮卡被復活後,剛睜開眼,大衛緩緩的流下眼淚,說:"I found you。」,"Hi!","Hi!"。
還有在最後莫妮卡給大衛過生日是,讓大衛吹蠟燭,並許願的時候說的:"now,make a wish.""it came true already."