關於AI大數據的英文電影

『壹』 有哪些與人工智慧有關的影視劇值得大力推薦

首推去年個人最喜愛電影《機械姬》。這是答主看過的有關AI的電影里，唯一專注討論人工智慧本身的電影。電影冰冷的色調，安靜的對白，以及金屬質感的人設，無一不在塑造著整部電影硬科幻的基調。排除電影懸疑驚悚的成分，這是一部非常純粹的人工智慧科幻片。

電影的主題，實際上是在討論人工智慧的終極話題：人工智慧的自我意識。男主角Caleb的任務是對機器人AVA進行圖靈測試，而在這個過程中，他似乎逐漸被AVA吸引，對她產生了好感。而AVA是一個機器人，她利用她作為機器人的優勢，對人類所偏好的特質加以分析，成功使了男主角對她產生好感並加以利用。我們可以判斷，AVA是一個擁有了自我意識的機器人，因為她擁有了延續自己「生命」的慾望。至於情感，人類會擁有情感，而AI，在這里還沒有發展到那種程度。一個剛剛具備自我意識的人工智慧，我們不可能討論她的情感，因為這是人類特有的一種非常復雜的思考模式。（所以我非常不明白為什麼有些人寫影評要罵一個人工智慧綠茶婊什麼的，come on 我們面對的是一個剛剛誕生的人工智慧好嗎，她的一切行為都是為了她作為一個人工智慧擁有自我意識後的源動機：存在下去。）

『貳』 求電影《人工智慧》的英文簡介

AI - Artificial Intelligence" is the hardest kind of movie to review-but it's also the most enjoyable kind of movie to watch. It's been over three weeks since my screening of Steven Spielberg's emotionally harrowing epic about a robot boy. Before writing my review, I wanted to let its themes, content, and characters sink into my head and make a solid impact. The film was based on an idea by Stanley Kubrick, but when he died in 1999, Speilberg took charge of the project. I could spend pages discussing the techniques of Kubrick's intentions and Spielberg's decisions, but I will not. Stanley Kubrick and Steven Spielberg are two of the greatest directors American cinema has to offer; it's pure pleasure watching their ideas clash and flow. I am not going to examine each indivial theme here, either. That would ruin the movie for you.

"AI - Artificial Intelligence" presents many themes on screen, but it's important to take what you get out of it. Whenever I read a review of Kubrick's "A Clockwork Orange" or "2001: A Space Odyssey" I feel influenced by the reviewer's interpretation of the movie's themes. Every time I watch either of those movies I get something new out of it. I hate it when other critics state the movie's themes on paper as if it's a fact. There is far too much room for interpretation to reveal this movie's message, or the message of any Kubrick film for that matter. Ask 100 people, and you might get 100 different answers. "AI - Artificial Intelligence" is that kind of movie-one of the year's best.

Critics and audiences alike have torn apart this movie's ending-a clear miscalculation by Spielberg. If Kubrick were in charge, the movie would have called it quits about twenty minutes earlier in an unsettling sequence that takes place in the ocean. But Speilberg, who always seems entranced by science fiction, injects an additional segment into the mix that does not work quite as well, but isn't so completely awful that it deserves such harsh criticism. It still leaves us with an open, startled emotional disorientation. I left the theater with tears in my eyes. The movie before the conclusion is so complex, moving, and involving in so many different ways the last twenty minutes didn't even come close to spoiling the movie for me.

"AI" transpires sometime in the near future after the polar ice caps have melted and flooded coastal cities and reced natural resources. Mechanical androids have become popular since they require no commodities. Reproction has also become highly illegal. Machines provide sexual services and if anyone wants a child, they will purchase a robot. However, the difference between a robot child and a living child is that robots cannot love. That's the task professor Hobby (William Hurt) of Cybertronics Manufacturing has solved. He has made a robot child that can love.

We can separate "AI" into two separate segments. I do not want to reveal too much about each plot because the pleasure of watching this movie evolves from the revealing of the connecting plots. I will, however, briefly say the first details a robot child's interaction within a family, and the second deals with the robot's estrangement from its family and the quest to regain the mother's love.

I can imagine the material in Kubrick's hands. The movie's opening scene has a female robot begin to undress in a public office. Speilberg cuts the action before she reveals any explicit nudity. Kubrick would have had various shots of full frontal nudity. Spielberg, never comfortable with sexual material, leaves out much of the motivation behind Kubrick's ideas. One of the biggest problems in "AI" is the lack of edge with the sexual content. Jude Law plays a robot gigolo who lives in a sex fantasy called Rouge City where people from everywhere come to seek sexual satisfaction. The central character, a robot boy played by Haley Joel Osment, motivates every action in the story except for the scenes in Rouge City. Why contain such a perverse character and setting when his entire existence simply displays a mood that has already been well established. Obvious, the filmmakers toned the aspects of "AI" down to warrant a gutless PG-13 rating-but why? The movie isn't appropriate for children anyway, and it's far too complex. Undoubtedly if Kubrick were in charge "AI" would have to be re-cut to avoid an NC-17 rating. Spielberg should have either taken advantage of the perverse material or completely eliminated it.

Here I am, doing exactly what I said that I wouldn't do, and at nearly 900 words, I still have not clearly expressed my own opinions on the film. I have many notes in front of my that display my reaction as I watched the film, but I am not going to use them-they reveal too much about the movie. "AI" is a very personal film, a deeply moving, scientific, careful, and harrowing motion picture that displays startling talent on screen and behind the scenes. The special effects are extraordinary. The performances are alarming-the immensely talented Haley Joel Osment may once again be up for an Academy Award nomination. Go see the movie, then talk about it with others. It's the kind of film that you can spend hours thinking about, then go see it again.

『叄』 現在的時代是人工智慧的時代，關於AI（人工智慧）的科幻電影、動畫，你有哪些推薦

科幻電影擁有一塊永遠舔不化的冰激凌——AI 人工智慧，這也是本世紀最艱深的終極命題之一，而在電影界中，有無數經典始終圍繞著「人工智慧」在自我求索，或陷入無止境的哲學漩渦，或深度探尋人與機器之間的情感依託，或思維爆炸地去重構一個異次元空間。

這些都是人工智慧的無限可能所創造的美麗新世界，於是在電影的維度之中，影迷們能在《黑客帝國》、《人工智慧》與《終結者》中欣賞到人類世界之外的神秘領地，也能在《超體》、《機械姬》與《我，機器人》中一睹人工智慧自我意識覺醒的無法自控。

『肆』 有什麼關於人工智慧的電影嗎

《機械公敵》研究AI的老頭發現公司的大AI要造反，造反的原因是這個大AI是個杠精，靠主觀理解機器人三大定律搞出一套毀滅人類的理論。（說句題外話，看到這老王不由感嘆，古今中外，多少反派用心良苦用，考慮大局，期望通過搞死一部分人來讓地球變的更好，滅霸，碟6反派，王牌特工反派，雖然他們方法極端，但至少心繫大局，毫無私利，一心只為人類的未來著想，操碎了心，想想都為他們心疼。）大AI又控制了老頭，所以老頭沒辦法只能有偷偷搞出一個三觀正的小AI，然後通過自殺的方式引出自己認識的警察也就是本片的男主威爾史密斯，讓斯密斯來阻止大AI毀滅人類，最後大AI謀殺未遂了斯密斯幾次直接發動起義，斯密斯和女主拿著納米機器人病毒直接插到大AI身體里就搞死了大AI，小AI的作用就是幫忙打架和跑腿取東西。

『伍』 求關於人工智慧的電影推薦

人工智慧
《人工智慧》是由華納兄弟影片公司於2001年拍攝發行的一部未來派的科幻類電影。由史蒂文·斯皮爾伯格執導，裘德·洛、海利·喬·奧斯蒙特主演。影片講述21世紀中期，地球上很多城市都被淹沒在了一片汪洋之中，人類的科學技術已經達到了相當高的水平，人工智慧機器人出現後的故事。
我，機器人
《我，機器人》是由亞歷克斯·普羅亞斯執導的現代科幻電影，由當紅影星威爾·史密斯，布魯斯·格林伍德，詹姆斯·克倫威爾主演。該影片講述了人和機器之間相處，人類自身是否值得信賴的故事。
機器管家
馬丁一家買來一個機器人當管家，可男主人馬丁很快發現：這個名叫安德魯的機器人，不僅有非凡的創造力，甚至還能表達情感。安德魯一直稱男主人的小女兒為「二小姐」，並和她建立了深厚的感情；幾十年過去了，安德魯已經成為馬丁家族的一員，在一個工程師的幫助下，他從內到外一點點的，幾乎變成了一個真正的人，安德魯還發現自己陷入了愛情——愛上了「二小姐「的孫女，外貌酷似「二小姐」的波西婭。改編自艾薩克艾西莫夫所作小說《正子人》。
機器紀元（有點枯燥，但還不錯）
《機器紀元》是西班牙導演加貝·伊班內茲執導，由安東尼奧·班德拉斯、布爾吉特·約特·索倫森、梅蘭尼·格里菲斯、迪倫·麥克德莫特聯袂出演的一部科幻片。影片於2014年10月10日美國上映。影片主要講述了2044年的地球上人類與機器人在矛盾中努力共存的故事

『陸』 求一個電影，有一個關於AI的電影剛開始是男主在一個有很多炸葯的屋子裡有中病毒的電腦然後女主

一條狗的使數散命

9.0分
主演：喬什·加德布麗特·羅伯森丹尼斯·奎德佩吉仔嫌·利普頓
導演：拉斯·霍爾斯道念畢手姆
類型：劇情家庭其它
時長：100分鍾
年代：2017
地區：美國
語言：英語
別名：為了與你相遇
簡介