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科幻電影觀後感英語字

發布時間: 2023-05-29 06:34:12

⑴ 電影奇跡男孩英文觀後感100字

電影奇跡男孩英文觀後感是:

1、英文觀後感:

Films occasionally fall into the stereotype of children's films, which are too cute and create inappropriate humor for young groups.

However, the film's ultimate success not only tells a complex story, but also conveys the experience of confusion, loneliness and fear to the audience.

2、中文翻譯:

影片偶爾也落入兒童電影的窠臼,顯得過於可愛和為低齡群體製造不恰當的幽默。不過,影片最終成功不只是講述一個復雜的故事,而且給觀眾傳達了少年經歷困惑、孤獨和害怕的體驗。

劇情簡介:

天生面部缺陷的小男孩奧吉,從小由母親在家裡教導,五年級時,他終於有機會進入普通的學校學習。初進學校的奧吉因為自己的長相受到同學們的嘲笑和欺負,但是在父親、母親、姐姐、老師以及好友的幫助下,他最終找到了自信,並用自己的行動改變了其他人的看法。

⑵ 奇異博士英文觀後感

Imagine in a Marvel movie, the *protagonist is a rich, *arrogant and selfish genius who suddenly encounters a life-changing accident. As a result, he develops super powers, before realizing the value of helping others and saving Earth. This isn』t Iron Man, however.
想像一部漫威電影,主人公是一個富有卻又傲慢自私的天才。有一天,他突然遭遇了一場改變了他一生的事故。從此,他便擁有了超能力,能夠幫助別人、拯救地球。然而,這並不是《鋼鐵俠》的故事。


The titular character of Doctor Strange begins his story as a regular human being, *albeit the world』s most skilled *neurosurgeon, before a car accident leads him on a journey to discovering Earth-saving super powers.
與電影同名的主人公「奇異博士」雖然是世界上最負盛名的的神經外科醫生,但一開始他只是個普通的人類。一場車禍,卻讓他開啟了探索之旅,發現了拯救地球的超能力。


Looking for ways to heal himself after his accident puts an end to his *illustrious surgical career, Strange travels to the East. His discoveries unlock powers that transform him into a master of a mystical magic intended to protect Earth from supernatural enemies.
這場車禍終結了「奇異博士」輝煌的外科醫生職業生涯。為了尋找治療方法,他來到了東方。他的一系列發現解鎖了神秘力量,並將他變成了擁有超凡魔力的魔法師,讓他能夠在超自然的敵人手下保護地球。

But despite being gifted with superpowers, Doctor Strange is different from other comic book heroes.
盡管被賦予了超能力,但「奇異博士」卻和其他漫畫書中的英雄截然不同。

「He doesn』t have super strength. You can still *poke him with a knife or shoot him with a gun,」 says US screenwriter Jon Spaihts, who co-wrote the movie』s script. 「Despite all his magical gifts, he often plays a desperate game of 『stay alive』, fighting enemies far bigger than he is.」
「他沒有鋼筋鐵骨,並非刀槍不入,」這部電影的編劇之一、美國劇作家喬•斯派茨表示。「盡管他被賦予了魔力,但他卻時常掙扎於生死邊緣,和那些遠比他大得多的敵人們戰斗。」

At a time when Marvel is procing increasingly *psychedelic work, Doctor Strange is probably the studio』s craziest yet.
這兩年,漫威出品的科幻大作越來越多,而《奇異博士》大概是該公司目前為止最瘋狂的一部。

Rather than present generic superhero scenes, the film shows audiences something a bit different, including Strange being forced to run on the sides of buildings and jump between skyscrapers to escape an enemy who has the ability to bend reality.
和現在的大多數超級英雄電影不同,《奇異博士》這部影片向觀眾展現了一些不一樣的東西。比如說,為了從具有扭曲時空能力的敵人手下逃走,奇異博士不得不飛檐走壁、穿梭跳躍於摩天大樓之間。


And while Marvel』s other *eccentric superhero Iron Man is very much one who lives in the spotlight–a genius, billionaire playboy who』s involved in cutting-edge technology projects–Doctor Strange is not, choosing rather to live in his bizarre *abode, the Sanctum Sanctorum, while spending his free time fighting mystical enemies in other dimensions.
盡管漫威另一位古怪的超級英雄「鋼鐵俠」活在了鎂光燈之下——他是一個參與前沿科技項目的天才、一個坐擁億萬財產的花花公子——然而奇異博士卻並非如此,他選擇住在他詭異的居所——至聖所中,並在工作之餘和來自異次元的神秘敵人戰斗。

「It』s obvious why they hired a big time star like Cumberbatch, because Doctor Strange is here to guide us through the next decade of Marvel movies, just like Downey did in the last decade,」 Uproxx』s Mike Ryan wrote. 「Doctor Strange is basically a *reboot of Iron Man, only with a lot more prettier things to look at. It』s a good strategy. And it works.」

⑶ 奇幻森林電影觀後感一百字英語作文

走進自然的童話

文/夢里詩書

《奇幻森林》是《叢林之書》最為成功的改編,對原著的尊崇與CG特效的完美結合,令電影將吉卜林這位文學巨匠昔日天馬行空的筆觸在光影世界中得以真切的呈現,而那極為逼真的叢林和擬人化的動物,奉獻出了一個讓人驚嘆的動物世界。

原著《叢林之書》的劇情設定成為了電影的脈絡,其故事講述了被狼群養大的男孩毛克利,卻被受過人類傷害的老虎所憎恨並要殺掉他,為了逃脫,毛克利與曾救了自已的導師黑豹巴希拉和偶遇相識的棕熊巴魯在叢林中踏上了冒險旅程,而最終毛克利勇敢面對自我並完成了復仇的回歸,融入到森林家園,勇敢面對困境認清自我的激勵和人與自然和諧共生的夙願成為了電影寄予的內在縱深,而在改編上電影整體風格摒棄了原著中的暗黑化,迪士尼慣以明快的基色貫穿始終。

《奇幻森林》最為側目的並不是飾演男孩毛克利,初出茅廬的小男星尼爾·塞西,而是那群用CG特效製作出的動物們,毫不誇張的說《奇幻森林》是電影工業發展的又一里程牌之作,電影中的動物不僅在毛發細節上已經做到了以假亂真,毫無差別,動物們的面部表情精準反映出不同的情緒,更是極具真實,以此我們看到了險惡兇狠的老虎反派,也見證了帥氣勇敢的黑豹,還有那樂天派棕熊的憨直呆萌等等,動物們行色各異讓人忍俊不禁且給人思考的「演技」,已然喧賓奪主的占據了本自男主毛克利的主角光環。

假若用《瘋狂動物城》來對比《奇幻森林》,那麼顯然後者會是一部稍遜風騷的作品,對於原著的尊崇,根據76版的翻拍,電影雖然呈現出了一個帶有奇幻色彩的森林世界,卻也有著一定的桎梏,畢竟《叢林之書》的故事距今以有百年之久,電影近乎不可能在一個原始森林中玩出似如《瘋狂動物城》里那步步為營,處處是梗的高能寓意,所以對《奇幻森林》來說它是一部帶有傳統迪士尼韻味的作品,其所呈現的更是一顆純粹的童心,令觀眾跟隨男孩毛克利一同走進那奇妙夢幻的動物世界。

如你曾偶有讀過《叢林之書》,你定然會發現這就是那個書中的世界,《奇幻森林》就是這樣一個令人走進自然,純粹而溫馨的童話,

⑷ 電影盜夢空間的英語觀後感(2)

盜夢空間英語觀後感篇四

Inception, which is directed by Christopher Nolan, is a combination of science fiction, romance and action movie. The two key words in the movie are extraction and inception, which are totally opposite. Extraction means extracting some important information from the subject’s unconsciousness when he’s dreaming. While inception means incepting a new idea to the subject, and make the idea deeply rooted in the subject’螞凱s mind. Though our hero, Dominic Cobb, acted by Leonardo DiCaprio, is an extractor, this time, he will try to be an inceptor. And if he succeeds he’ll be able to go back to his children.

At the beginning of the movie, Cobb and his extracting group were on an extraction mission in the mind of Saito, using a two-layered dream, which means ‘a dream in a dream’. In the first layer, they were in a secret apartment; and in the second layer, they were somewhere like an assembly hall. While in reality, they were on a train, sleeping. There is a rule in the dream world that if someone died in the dream, he would be back to the upper layer or to the reality. Cobb’s wife Mal showed up in the dream and destroyed his mission. ‘Everyone for himself’ was what Cobb said to his group. Actually, Mal who had already dead was only a projection of Cobb.

純物渣Cobb usually uses a top to tell reality from dream. If it is a dream, the top won’t stop spinning when spun.

Later, Cobb was offered a job by Saito to incept an idea to the son of Saito’s competitor, who would soon inherit the control of his father’做悄s corporation, and if he succeeded Saito would help him to go home. Unable to see his children for some reason he himself couldn’t fix, Cobb accepted.

He reconstructed his group and made up the plan: they’d build a three-layered dream, and the first layer would be a city, the second layer a hotel, and the third layer a hospital near a snow mountain. In reality, they were in the first class cabin of a 747. With the group’s joint effort, finally they succeeded and Cobb came back home, with his children. He spun his top again, but it isn’t clear that whether the top would stop or not in the movie.

After watching this movie, what impressed me most are the dialogues. They reflect something about dreams, life, faith, love, and so on. I’d like to share my thoughts of some lines.

盜夢空間中文觀後感篇一

第一次看的時候看不懂開頭和結尾,給我的感覺就是分不清楚夢和現實,整個過程都帶著這樣的感覺看完的。第二次再看的時候潛意識直接屏蔽了,從開始到結束都沒有任何感覺。

我現在突然明白,我是在防禦自己看懂,害怕看清楚自己原來就是活在想像和現實分不清楚的狀態里。電影主人公高比每次進去夢境中遇到妻子和孩子的時候都分不清楚自己是在夢里還是現實里,因為他沉溺在與妻子相遇的美好感覺里,還因為對妻子植入想法而造成妻子最後醒來後夢和現實分不清楚選擇自殺。他不能面對自己痛苦,也不願意承認妻子離開的事實,活在自責里不能自拔。讓我想到我小時候受的傷,因為母親對我的傷害和指責,讓我害怕與人親近,所以學會了屏蔽各種感覺,讓自己貌似很冷漠。這個模式最後變成了我的潛意識,支配著我以後的為人處事,哪怕意識層面里想要與人親近,但是潛意識卻在破壞這種關系,就像梅西每次都在關鍵時刻出來破壞他的行動,破壞他想回家的願望。高比為了孩子,為了回家,勇敢的面對自己的內疚和自責,特別在那個小丫頭造夢師的幫助下,推動了他不得不面對自己的問題,最終戰勝了自己,回到孩子們的生活里。

而回到我自己,從開始接觸精神分析理論的懵懂狀態,一點點的在團體里看到別人的問題,再回到自己身上,發現自己原來都不知道的自己,用精神分析專業術語就是發現自己的潛意識,我一直以為我們做什麼,遇到什麼人,發生什麼事都是我們意識范圍可控下發生的,當我發現自己其實在潛意識狀態下支配自己時第一次非常的震驚。我不能接受自己不好的一面,不能接受那些壞的結果都是我潛意識乾的。我以為都是別人的錯,我一直活在過去被傷害的感覺里,以為全世界的人都對不起我。這個發現曾經讓我痛苦不堪,痛讓我也清醒,我不願意活在過去的陰影里,不願意活得稀里糊塗,日復一日。用我自己說的話就是,如果一成不變的生活,三十年後死和現在死沒有任何區別。所以我決定不再讓自己活在想像和現實分不清的狀態里,希望自己活得通透,活得明白,活得自由,活在當下。分析電影,分析人生,分析自己,因為人生如戲。

盜夢空間中文觀後感篇二

《盜夢空間》我在上映的時候看過,在電影院,剛開始對這個電影題材特別感興趣,覺得有意思。但是在我看到年輕女孩初次造夢時空間位置奇妙變換時,心裡非常恐懼異常緊張,閉上眼睛心裡就告訴自己沒有關系這是電影而已,不是真實的,一會就過去了。但是後來回想那種感覺仍記得很深。

經過今年不斷接觸和學習心理學,現在有點想明白原因了,是自己一定要通過一種確定性概念化的東西來獲得內心的安全感。凡是外在的不斷變化不固定的或無法預知未來的東西都會使我在潛意識里感覺恐懼,感覺絕望,感覺無能為力。寫出來這些感覺突然就有想哭的沖動,很委屈,很心疼自己。是自己從小就未從父母那裡得到過足夠的穩定感安全感和自我存在感價值感,所以雖然對人際關系很在意很渴望卻知道自己沒有能力去靠近別人,始終會保持一定的.距離。在上周第二次看電影的時候很高興看懂了所有的情節,得到了心裡期待的完美的結局,但是卻對裡面男主人公的一段內心獨白念念不忘,它讓我心情沉重、傷感:當一個已經蒼老的靈魂重新回到一個年輕的身體中時,他怎麼去判斷這是真的現實還是另一個夢境呢?這段獨白讓我覺得特別難受,我特別理解他妻子的做法,因為已經感受不到真實的自己,活著又有什麼意義?我不知道我自己心裡是不是藏了太久太多痛的感覺,所以在平時會多愁善感,容易悲傷,只是大多時候願意展現給別人的是自己的積極與努力。我潛意識里也想通過給別人展現的積極正向力量也能反過來感染我自己,給我勇氣和力量!


⑸ 急需一篇高一水平英文電影觀後感,最好科幻,其他也可以

Somewhere, under the sea, weak-finned clown fish Nemo (Alexander Gould) lives with his fretful father, Marlin (Albert Brooks). Smothered by pop's paranoia, he ventures away from the reef, but his dad's dread is justified when a passing diver whisks him away.
Taken to a tank in a Sydney dentists, Nemo meets Gill (Willem Dafoe) and co - friendly fish who dream of escaping to the ocean. Meanwhile, Marlin bumps into a blue tang named Dory (Ellen DeGeneres), and sets out to save his son...
The splendour of natural history hit The Blue Planet is matched by the wit of the script and stars. Barry Humphries has a terrific cameo as a great white shark who's sworn off killing (Remember, fish are friends, not food!), while DeGeneres provides perfect timing and tone as Dory, whose short-term memory loss is a gag that never stops running

⑹ 復仇者聯盟英語觀後感60單詞以下

如下:

Although the film has made a certain degree of discussion on freedom and belief in the humanities, it is very shallow and can even be regarded as a brush.

After all, the director should fully ensure that the audience's thinking can keep up with the rhythm of the film and not too entangled in a profound proposition. The audience can feel quite superior audio-visual pleasure without using their brains.

So that it is destined to be a pot of delicious miscellaneous vegetables without much nutrition.

Intense scenes, dazzling visual effects, sufficient laughter points, gun battles, air battles, action myths and other elements are well integrated into the Hollywood plot formula.

The decent will eventually save the villains, and the hero will save mankind at the last minute. Rocky's last sinister eyes also suggested that the battle would continue.

The colored eggs at the end of the film also revealed that the really powerful guy hasn't appeared yet.

All suspense left a foreshadowing for the follow-up work. All these wonderful plots and elements make the Avengers a successful example of popcorn blockbusters.

翻譯如下:

該片雖在人文方面對自由與信仰做出了一定程度的探討,但表現得十分淺薄甚至可以算是一筆帶過,畢竟導演要充分保證觀眾思維能跟上影片節奏,不過分糾結於某個深刻的命題中,觀眾可以不用動腦子便能感受到相當優越的視聽快感。

以至於這註定是一鍋雖沒有多大營養卻美味十足的大雜菜。 激烈的場面,炫目的視效,充足的笑點,槍戰,空戰,動作神話各種元素出色的融入到好萊塢劇情公式中,正派終究拯戰勝反派,英雄於最後一刻拯救人類。

洛基最後陰險的眼神也暗示著戰斗將繼續,片尾的彩蛋也揭示了真正厲害的傢伙還沒出場,一切懸念都為後續之作留下伏筆。這所有精彩劇情和元素,使得《復仇者聯盟》成為爆米花大片成功範例。

⑺ 觀《泰坦尼克號》有感英文50個單詞左右

如下:

Titanic enriches us with a romantic story of young love,passion and feelings,full of utopias and dreams,mother and child fighting for power and greed.

Idealistic and self-identified clashes within a consenting human ambitions society and victims of their own vanity and pomposity.

This is one of the films that most shocked the general public in the last twenty years.The huge collections that are logical because they got obvious that.

Titanic has one of those stories full of strength and feeling,with great dramatic content.If we add the stunning beauty of the image,thanks to advances in digital technology,success is understandable.

Very successful movie,which tells the story of the sinking of the ship,but in the background shows a passionate love story.

翻譯:

《泰坦尼克號》講述了一個浪漫的故事,講述了年輕人的愛情、激情和感情,充滿了烏托邦和夢想,母親和孩子為權力和貪婪而戰。理想主義和自我認同的沖突發生在一個同意人類野心的社會中,是他們自己虛榮心和浮誇的受害者。

這是過去二十年來最讓公眾震驚的電影之一。大量的收藏是合乎邏輯的,因為它們顯而易見。《泰坦尼克號》是其中一部充滿力量和感情的故事,內容非常富有戲劇性。如果我們將圖像的驚人之美加上數字技術的進步,成功是可以理解的。

非常成功的電影,講述了沉船的故事,但在背景中展示了一個充滿激情的愛情故事。

英語翻譯技巧:

1、省略翻譯法

這與最開始提到的增譯法相反,就是要求你把不符合漢語,或者英語的表達的方式、思維的習慣或者語言的習慣的部分刪去,以免使所翻譯出的句子沉雜累贅。

2、合並法

合並翻譯法就是把多個短句子或者簡單句合並到一起,形成一個復合句或者說復雜句,多出現在漢譯英的題目里出現,比如最後會翻譯成定語從句、狀語從句、賓語從句等等。

⑻ 神秘代碼電影介紹(英文)觀後感(英文)、

《神秘代碼》是好萊塢巨星尼古拉斯·凱奇的一部科幻談芹新作,講述了尼古拉斯·凱奇飾演的大學教授約翰在妻子過世後扮演著單親爸爸的角色。對兒子的嚴格管束,使得父子二人之間始終存在隔閡,然而就在兒子的校慶典禮上,一封來自「過去」的神秘信件,將徹底打破父子二人的平靜生活,將他們捲入一系列的恐怖事件和一場未知的命運當中。

神秘代碼 劇情簡介
1959年,在慶祝威廉·道斯小學的建成儀式上,孩子們將自己作的畫放在了時間囊里,並將其埋在地基下,其中一個看起來頗為神秘的小女孩露辛達在她的畫上寫下了一行行看起來毫無規律的數字。
轉眼間50年過去了,在威廉·道斯小學的50年校慶上,校方開啟了時間囊並將50年前學生的傑作分發給現在的學生。露辛達的繪紙到了一個叫凱利布·柯斯勒(錢德勒·坎特布瑞飾)的孩子手裡,這張繪紙引起了卡利布的父親——麻省理工大學天文學教授柯斯勒(尼古拉斯·凱奇飾)的注意。柯斯勒教授發現,這張繪紙上的數字精確地記載了過去50年間所發生的重大災難的日期及死亡人數;令他更為驚訝的是:上面還記載了將要發生的三起災難事件,其中最後一件更是涉及全球的重大災難,而他與他的兒子也將捲入其中。 柯斯勒教授試圖通過當局來化解即將到來的危機,但是其他人認為他是杞人憂天,他只能選擇孤軍奮戰。在黛安娜·韋蘭(羅絲·巴瑞恩飾)與其女兒阿比·韋蘭(勞拉·羅賓遜飾)的幫助下,柯斯勒教授不斷的努力,與時間賽跑,直到不得不面對終極災難與犧牲……

[{豆瓣 里 最好的 影評}]
影片的開始,女老師將小朋友們畫作放進一個叫"time capsule"的容器中。雖然女老師輕松自然的說出"time capsule",但就在那時,一種詭異的感覺襲遍全身,一股涼氣從地底下鑽出來,連雞皮疙瘩都不放過我。於是,我心中假定:這是一個「懸疑劇」。
當黑衣人頻繁出現,飛機空難81人罹難,地鐵災難和那張能預示災難的紙被指指點點的時候,一種對「災難片」慣有的煩感湧上心頭。因為那好像只表示人類自身的「無辜」和沒有改變自己命運的能力的的那種無助與不安。災難片除了讓人覺得自己無用之外,還能帶來什麼?或許是票房而已。
後來發現看這部影片,有一種「山重水復疑無路,柳暗花明又一村」的暢快。因為John在Lucinda故居急急找尋災難證據時,他發現了一幅畫,這幅現的下面寫了一個單詞"Ezekiel"。這個單詞就是聖經中「以西結書」,一卷先知書預示了以色列民族,以至所有民族的結局,世界的結局。因著信仰的永恆性,頓悟這是一部「宗教性」影片。但值得關注的並不是它的宗教性,也不是它的虛構性,而是它烘托出的信仰真締。

淺釋一下我眼中的Knowing:
1. Knowing中文翻為「先知」
我思來想去,這是最適合的一個片名。因為只有這個片名,才能體現出人類現在的光景。在聖經中,先知是能夠聽到神話語並且將所聽到的命令和預言傳遞給眾人的人,但是他也無力改變神對某個人或某個民族的興旺或衰微的計劃。而這一點,正是本影片的主線--神對人類的末世有一個不可逆轉的計劃,大部分人完全無法探知和了解這個計劃而盲目的生活著;而極少部分知道了這個計劃的人,也無法通過自己的能力去改變一切(亂輪計劃或者他人的思想),他們可以做的是接受事實,"if it's the time, it's the time.",這不是消極的接受,而是積極的面對。
2. 黑衣人是天使
我不得不承認,黑衣人的造型的確嘩侍信非常雷人,完全不像早期天主堂壁雕上的天使,但是恕我直言,真的是天使。整合劇情後,發現他們天使的位分一點都不為過。
前半段電影中他們的演出更像是惡魔,偷偷的出現,偷偷的遞給Caleb黑色小石頭,似乎掩飾著什麼不可告人的玄機。這樣的行為讓我想到未信主之前的一些趣事。我剛搬來洛杉磯,教會姊妹常來家裡做客,問還缺什麼,還需要些什麼,十分熱情。可是我的心裡,一百個不願意,因為以前受到的教育是「滴水之恩,湧泉相報」,就不願意欠這個人情,怕是還不起。她們就會「偷偷的」送來這個,送來那個,而且誇張的說一切都不用還。我的心裡七上八下,就覺得有什麼不對勁兒的地方。果真在幾個星期後,「偷偷的」送我一本聖經。這下子徹底證實了她們接近是「不安好心」。昨天看到電影中那段情節,忽然使我打開心中的匣子,原來當時的她們真的是天使,可當時的我看她們越看越像惡魔。只是,當時的我,看不清楚罷了。
後半段電影中,他們告訴小孩子們,如果願意,就跟他們走;當John追上天使時,他用藍光使他不看見,沒有傷害他;當John找到兒子Caleb的時候,發現兒子抱著小兔子,完全不會受到傷害。他們在外形上和行為上與普通人不同,只是因為他們是天使。而他們一再的出現,只是要讓人們知道世界末日近了,即聖經上所謂的「天國近了」。
3. Everyone Else
Lucinda女士死前在她的床板下寫了許多Everyone Else就是她小時候寫的那張紙中最後兩個字母EE。本來後邊的四字數字是事情發生的經緯度,而最後這一次,是全球人類的滅亡,沒有經緯度了。意思就是:人人都要死!讓我忽然想起聖經上的一句話「人人都有一死,死後且有審判。」
4. Ezakiel那張圖
這個在前邊的段落中敘序過了。
5. 小孩子能聽到天使的聲音,但他的父親聽不到。
這個大概就是對應聖經上說的:「人若不回轉成為小孩子的樣式,斷不得進天國。」事實上,聖經上的意思是說一個人的心思意念要回到小孩子的樣式,並不只是身體上像小孩子的樣子。如果是那樣,豈不是所有的小孩子和侏儒才能進天國?這句話的反面意思是說,成年人若心思意念清潔,也一樣進天國。
6. 兩個小孩子跟天使被接上天
是末世論中的「被提」。這是說一部分人沒有經歷死亡,就回去天堂了。
7. John和他的家人相擁一起經歷末日災難
這一點是大家看了都比較容易受感動的地方,因為親情的凝聚力是世界中最強大的凝聚力。為什麼他們有這樣的篤定呢?因為這里--本片最經典的地方,烘托出了信仰的真諦,就像我前面所講的。信仰的真諦就是這種精神,是經歷了苦難,經歷了災難,還依然相信神掌管一切,也掌管著他們的生命,不只是有形的生命,更是無形的生命。又重復一遍這句經典台詞:"if it's the time, it's the time. We won't go anywhere."
8. 黑色小石頭
我理解為耶穌,因為信仰角度上他是世界的磐石。
9. 那些藍色飛行物從不同地方離開地球上升
帶兩個小孩子離開地球的飛行物上升到空中以後,鏡頭中出現了許多相似的藍色飛行物從地球的不同地方離開地球上升。其實,飛行物是什麼不重要,它的樣子只是一種表現形式。雖然算不上科幻,但只是世界末日末到來前,導演的一種憶想。重要的是許多這種東西在不同的地方上升。它主要表現了導演的宗教觀:地球上所有的人,不論什麼民族的人,不論什麼膚色的人,都可以選擇敬畏神,都有機會「被提」(這是我在前面講過的一個觀念)。
10. 劇終的那棵樹
那棵樹是生命樹,世界的終結是生命樹,永遠的生命。不是創世之初的那棵善惡樹。兩個小孩子奔向那生命樹,意味著從此人類擁有了不朽的生命。擁有永恆生命的人類,不需要輪回。沒有世界的輪回。
11. 為什麼這些知道要來之事的人不把這些事情告訴更多的人呢?
有些人會問以上的問題,可是,我的問題是:「即使這些人把他們所知的這些未來之事告訴人,又有多少人信呢?」影片中也出現過類似的場景,比如大家都認為Lucinda是一個「神秘的瘋」孩子。

很喜歡電影中的這些隱喻,甚至更多,作為一名基督徒,看的是酣暢淋離,評的是如醉如痴。可轉念一想,大多數人呢?太多的隱喻對於沒有信仰經歷的人來說是多麼難理解的事情啊。這樣的話,美國人應該看成了一部Fiction film,中國人應該成了一部無厘頭的雷人影片。總之,這個世界末日只是憶想、假設罷了,因為真正的世界末日是無人知曉的。「那日子,那時辰,沒人知道,連子都不知道,唯獨父知道。」這樣,連耶穌都不知道,誰還能知道呢?這部電影也提醒我們說,我們不過是人。

Honestly, I couldn』t tell you what was more fantastic about Knowing. The spectacular ending, or the thunderstorm of brain matter it wrought with its mind-blowing stupidity. Fortunately, I』ve worked up a healthy resistance to Nic Cage fatuousness, so I was able to wipe the gray-and-red globules from the exploding skull sitting next to me off my shirt and make it home with only a ll ring in my ears, a ring I expect will probably keep me out of the armed services when the rest of you are enlisted to stave off the impending brain-dead apocalypse proced by the stupor suck-hole of Cage』s seven upcoming films over the next year and a half.

It』s a shame, too. Because there is a moderately compelling premise beneath the layers and layers of imbecility shrouding Knowing. Fifty years ago, a stark-raving school girl with pigtails and psychosis dropped a sheet of paper with a series of numbers on it into a time capsule at her elementary school. In the present day, John Koestler (Cage) and his son, Caleb (Chandler Canterbury), come into possession of that sheet of paper when the time capsule is unearthed. A drunken John — recently widowed — discovers the meaning behind the numbers. They represent every major national tragedy of the last 50 years — the date, the number killed, and the GPS location. In the simplest terms, the numbers challenge John』s belief in the randomness of life, which he holds in contradiction to his father』s theological convictions. If, in fact, these events were predicted by a schoolgirl 50 years ago, then determinism is at play, perhaps proving the divine nature of our universe. God didn』t merely set things into motion; he』s still got his hands on the stick shift.

If Knowing had settled there, then perhaps the film would』ve been a bland thriller marred only by Cage』s obtuseness, his insistence on gritting his teeth occasionally and speaking as though he had a jar of molasses lodged into his skull. If he could, in fact, predict the tragedies, perhaps he could be in the right location to prevent them. If so, he』d then prove to be a more powerful force than the creator of the universe, rending the series of numbers irrelevant, reaffirming the randomness of life, all the while revealing Knowing simply to be a another pointless exercise among many in Nic Cage』s career.

Unfortunately, Knowing careens off the rails and plummets into an abyss of zany preposterousness so deep that you could reach your hand into Australia. There is one thing worse than a pointless cinematic experience, and that』s a completely nonsensical one. Such is the fate of Knowing when the sci-fi Boogeyman rears its head. The Boogeyman here are Whisper People, creatures that look as though they』ve crawled out of Diesel Jean ads and spent a couple of days mainlining embalming fluid. Only John』s son Caleb, and the granddaughter of the stark-raving school girl (Lara Robinson, in both roles) can hear their whispers. What are they telling them? Essentially, how they can save themselves from the last series of numbers, an end-of-the-world prediction. How can they possibly save themselves without running afoul of Judeo-Christian belief? Let』s just say that bunny rabbits and the forbidden tree are involved. Indeed, a less ludicrous ending to Knowing might have involved the entire world buying a coke and jumping just as the metaphorical elevator crashed bottom.

It』s a difficult movie to square with director Alex Proyas』 earlier career (The Crow, Dark City), and it』d be more comforting to blame it on the script, except that Proyas wrote it, or on studio pressures, though I can』t imagine even the liquid-brained suits at Summit Entertainment would wish that ending upon any movie. But then again, they』re the same ones who fired the director of the most successful vampire flick of all time after the first entry into the franchise. I can only guess that Proyas conjured up an interesting premise, and could find nowhere to take it but a Biblical LaLa land where golden wheat dances in a meadow. The only way it could』ve been more idiotic is if Nic Cage had stabbed his eyes out when he took the Oedipal, overacting fall to his knees as the final events unfolded. At least then, he』d have been saved from the vision the rest of us had to suffer through.

⑼ 火星救援觀後感英文100詞

《火星救援》觀後感
Ridley Scott goes back to the future, a familiar destination for him, and returns in fine shape in The Martian. Although technically science fiction by virtue of its being largely set on a neighboring planet, this smartly made adaptation of Andy Weir』s best-selling novel is more realistic in its attention to detail than many films set in the present, giving the story the feel of an adventure that could happen the day after tomorrow.
雷德利·斯科特再次指導未來題材影片,這對他來講駕輕就熟;通過指導電影《火星救援》,雷德利·斯科特完美回歸。雖然這部科幻片主要背景設定在我們相鄰的星球上,但這部根據安迪·威爾暢銷小說改編的電影卻比許多現實題材影片還要現實。
Scott has famously been up in space before, thrillingly in Alien, far less so in Prometheus (a sequel to which he is currently preparing). This time, he』s telling a survival story, pure and simple, of an American astronaut named Mark Watney, thought to be dead, who』s left behind on Mars when an enormous storm compels his five fellow crew members to hastily cut short their extra-planetary visit. It』s Robinson Crusoe on Mars, but without the monkey and aliens.
斯科特憑借太空題材廣為人知,如《異形》和正在籌備的《普羅米修斯2》等。這次,他講述了一名叫馬克·沃特尼的美國宇航員的逃生故事:馬克的5名同伴認為他已經犧牲,所以當火星上爆發巨大風暴時,他們緊急中斷出艙考察任務。可以說這部電影就是火星版的「魯濱孫漂流記」,不同的是其中沒有猴子和外星人。
When Mark Watney (Matt Damon) regains consciousness, he quickly assesses the situation: He』s millions of miles from home and, based on the food supply, concludes that he』s got a month to live.
馬克·沃特尼(瑪特·達蒙飾)恢復意識時,他迅速意識到了自己面臨的狀況:離地球數百萬英里,所剩食物只夠支撐一個月。
Ultimately it comes down to the willingness of Mark』s astronaut colleagues to place themselves atgreat risk by attempting a rescue attempt, a decision that raises the provocative moral dilemma of whether it』s correct to put five lives at great risk for saving one life. The director and screenwriter downplay the conventional melodrama inherent in the situation in favor of emphasizing how practical problems should be addressed with rational responses.
最終,馬克的同伴們決定冒險營救他,這一決定又引發了極富爭議的道德困境:五個人冒險救一個人,是否值得。通過突出如何理性地處理實際問題這一主旨,導演和編劇成功地將這一爭議性的情節淡化。
There is also a insinuation that the meticulous sense of resourcefulness. In significant measure e to his character』s mordant humor, Damon provides comfortable company ring the long stretches when he』s onscreen alone, and the actor』s physicality makes Mark』s capability entirely credible.
影片也暗示了這樣的道理,即足智多謀的人都會謹小慎微。由於角色的驚人樂觀,所以達蒙要在長時間的單人鏡頭中表現出主人公的自然。演員的精湛演技也將馬克的能力展現的淋漓盡致。

⑽ 《l,robot》電影觀後感英語作文100字左右

I enjoyed the movie "I, Robot". The plot was exciting, although the concept was not very original. However, one of the things I liked about this movie was the way the existence of robots was integrated into the lives of humans.
Although the movie included some high-tech concepts about the making and function of the robots, they were not so complex as to leave viewers confused or feeling intimidated. The plot was easy to follow, and the subtle twists and unexpected turn-of-events added spice to the movie, and kept things exciting throughout. I thoroughly enjoyed it, and recommended to everyone.
(來源: IMDB)

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