英文哥斯拉電影觀後感

❶ 恐怖電影的英文影評

以下是以下是 電影十三度凶間的影評 擔不是純恐怖片The following are among the film 13 degrees fierce critics fear is not a pure horror film
We exist because we think we exist. We manipulated the dolls have fun in the play, but I do not know whether someone is manipulating us, while we know nothing about. "Matrix" of creativity has been recognized as derived from the film . "13 degrees between fierce," from the outset, the viewer's heart closely, who killed Fuller? Douglas? As they like, a chain, they have created a virtual world, can Who would have thought the game itself is someone else's doll, his cruise in the virtual world, but manipulated by others are unsure. When one day we discovered the truth, we will not fear ... ... the film set suspense, science fiction, murder in one, while infiltration of the reality of human living space and virtual thinking is absolutely unique Feature Movies. This is a large list 羅蘭艾默里克 (Roland Emmerich) making science fiction films, and he directed most of the science fiction film than (Godzilla, what the day after tomorrow), this is one of the most content Department, and most not in effect as the main selling point of the film, said that box office was not successful, but still can not deny the participation of top stars is unsuccessful film, after all, in thinking of those who have gone beyond the director of the explosion of his own m spent a science fiction

This is a self-al awareness regarding human to explore the deep meaning of human existence, science fiction movies, including some of the characteristics of the thriller.

Film began as two lines of subtitles:
"I think, therefore I am.
Reno Descartes 1596-1960 "

Want to come we all know this is a French mathematician and philosopher Descartes's philosophy: "I think therefore I am." This is the story have to say.

Story began in the United States thirty or forty years, an old gentleman wrote a letter, found some things that may lead to fatal disaster, the letter he left a bar bartender, told the bartender Members will have a named person will come to gain the trust of Douglas, then a strange thing happened, the old gentleman had just experienced a similar virtual reality travel in general, return to the reality of 90 years, then suddenly the old gentleman kill, and all the suspects are concentrated in the old gentleman's study
Partners who Douglas.

They are building the virtual world has tens of thousands of independent record of the character most people as real people, in Douglas returned to the system in the old gentleman wanted to be left in the letter, to serve their own cleared when charges, but also found incredible things, bartender secretly open the letter of the old gentleman found his own is the virtual world of virtual characters, although very full and rich emotional life, but he, like other virtual characters, but a bunch of circuits and electronic signals. He was outraged.

The situation continues developing, Douglas found himself in the world is a virtual world, a virtual world technologies to develop their own virtual world only. Even worse, Douglas, and one from the creator of his world's woman of the world fell in love ... ...

I would like everyone reading this is not the film will not help but suspect that our world will not only intelligent beings of some kind of plaything and no more?

But if that is the case, what relationship? If our creator did not come to disturb us, we still had the same crash and lives above the Creator if we can imagine his ability to interfere in our civilization, we can think of some supernatural phenomenon, but Bale . Some day, God fed up to unplug the computer, and I think this is the end of our universe. 我們在操縱著玩偶盡興的玩樂，卻不知是否有人在操縱著我們，而我們卻一無所知。《黑客帝國》的創意已經公認是從本片抄襲而得。《十三度凶間》從一開始就緊扣觀者的心，誰殺了富勒？道格拉斯？像又不像，環環相扣，自己創造了一個虛擬世界，可誰又想得到，自己卻是別人游戲里的玩偶，自己在虛擬世界中游弋，卻又被別人操縱著卻茫然不知。當有一天我們發現了真相，我們會不會恐懼……本片集懸念、科幻、兇殺於一體，同時滲透對人類生存空間的現實與虛擬的思考，絕對是難得的佳片。 這是一部大片導演羅蘭·艾默里克（Roland Emmerich）製做的科幻片，和他導演的大部分科幻片相比（哥斯拉、後天什麼的），這部是最有內涵的一部，也是最不以特效為主要賣點的片子，據說票房並不成功，但是仍然不能說沒有大牌明星的參與就是不成功的片子，畢竟來說，在思想方面者已經超越了他自己導演的爆米花科幻了
這是一部涉及人類自偶意識，探討人類存在意義的有深度的科幻電影，其中也包括了一些驚悚片的特徵。
電影開始是兩行字幕：
「I think, therefore I am.
Reno Descartes 1596-1960」
想來大家都知道這是法國數學家，哲學家笛卡爾的哲學觀點：「 我思故我在」。 這正是這個故事所要說的。
故事開始於三四十年代的美國，一個年老的紳士寫了一封信，說發現了一些事，可能會招致殺身之禍，他將信留給了一個酒吧的調酒員，告訴調酒員會有一個叫道格拉斯的人會來取信，後來就發生了奇怪的事情，原來老紳士只不過是經歷了一場類似虛擬現實一般的旅行，回到現實的90年代，接著，老紳士突然被殺，而所有的嫌疑都集中在老紳士的研究
夥伴道格拉斯身上。
他們所建造的虛擬世界擁有數以萬記的性格獨立的如同真實人物一般的人，在道格拉斯回到系統中想要得到老紳士留的信，來為自己洗脫罪名的時候，又發現了不可思議的事，調酒員私自拆開了老紳士的信，發現了自己其實是虛擬世界中的虛擬人物，雖然有非常充實的生活和豐富的情感，但他和其他虛擬人物一樣，只是一堆電路和電子信號。他被激怒了。
事態繼續發展著，道格拉斯發現自己的世界也是一個虛擬世界，一個自己發展出虛擬世界技術的虛擬世界而已。更要命的是，道格拉斯和一個來自他的世界的創造者的世界的女子相愛了……
我想每一個人看完這不電影，都會情不自禁地懷疑我們的世界會不會也只是某種智慧生物的玩物而已呢？
但如果是這樣的話，又有什麼關系呢？如果我們的創造者不來打攪我們，我們還是一樣過偶們的生活，造物主如果以他的凌駕於我們所能想像的能力來干涉我們文明進程，我們所能想到的不過是一些超自然的現象罷了。有那麼一天，造物主厭煩了，把計算機的插頭拔掉了，我想這就是我們宇宙的終點了。
我們存在的因為我們認為我們存在。 咒怨影評Grudge film critic
"Grudge" is the Hanyuan who died under the curse, who were doomed to touch, and create new "Grudge" will continue to spread terror death. Tokyo suburbs have a ghastly ghost house, visiting strange Each will be killed or mysteriously disappeared, the legendary owner of a sudden frenzy of big big hair and chopped his wife before committing suicide, 6-year-old son, and never missing, still missing. House of the resentment within the cupola, terrorist emblem set Ken Sui? Visitors. Best female university physiology (Austrian dishes decorated benefits) e to volunteer accidentally entered within a large house, they discovered a mysterious strange boy suddenly appeared but then disappeared. At this point, good start to experience strange reason, everyone around him has also been implicated in the tragic death of more than one by one, the terrorist thing after another, and endless ... ...

Adds the new Japanese family members of terror

Japanese horror cinema in Asia are still to world cinema occupies an important position, "The Ring" and other classic horror films are branded with the Japanese national character inherent in the film. It is this distinctive national characteristics, and it has long been the de facto mode of movement to maintain a considerable distance. The most significant is that it is not Hollywood movies shown over-reliance on technology, but also not easy to film to achieve the goal of easy to understand way of deliberately seeking concise narrative flow, instead, it uses a relatively primitive film language unique to the Japanese film culture, steady and cool to describe the occurrence of ghost stories. Outstanding performance of artistic conception of the building, suspense, foreshadowing, the audience throughout the story are being led by the nose, with the plot development, psychological tension graally increased, unable to stop. Sadako ("The Ring"), Tomie ("Tomie") and other screen images have madness in Asia, make the audience frightened also surprised. "The Grudge" will be in Japan soon as he painted a large high-profile and reputation on the subject as quickly as they spread terror nationwide, the skin was gray stone, with two empty Sadako boys become the classic horror image after another.

"The Grudge" in the Hollywood screening of a large number of film companies have won the favor, "Spider-Man" director Sen. Remy is claimed that: "I have never seen such a horror movie! Shimizu's horror is not too aggressive Sung, and his unique style of exception; the Hollywood horror film has never reached the level of such state, terrorist Jingxia De viewers no breathing space. "

Shimizu Chong horror film new directors

Shimizu Sung was born in 1972 in Japan, Kinki University, majoring in drama and the arts after graation went to Kyoto alone in the theater as part-time, began writing their own script. , He continued to participate in a number of independent films and theater work. In 1995, his play "sleeping man" when the clothing assistant. He then moved to Tokyo to work as a number of television and video proction freelance assistant director. In 1997 he became assistant director ring the first class admitted to the Tokyo Film School. In 1998 graated from a three-minute video, brought him a golden opportunity, in "The Ring" screenwriter Takahashi foreign and "provoke a ghost loop," the director Blackpool clear height of referrals, he is involved in terrorist Kansai TV play " strange school on G ", fame.

In 1999, Shimizu haunting Video Edition to create two "Grudge" and "The Grudge 2" and popular in Japan released a video released just sold, Who knows just introced in Japan had been startled audience, horror stories of the extent caused by temporary , while the national hot even been highly praised. Chong for clean water, "The Ring" in the Tian Xiufu Japanese horror master evaluation is: "water people I know worship is one of the most stringent, especially for himself. When I saw him on television virgin works it was that piece of the atmosphere of terror and scare scenarios and a unique ending big surprise, he is definitely a master of Japanese horror film. "

❷ 電影《哥斯拉》劇情簡介

中文名稱：哥斯拉
英文名稱：Godzilla
資源類型：DVDRip
發行時間：1998年05月20日
地區：美國
語言：英語
◆ 片 名：哥斯拉 / 英文：Godzilla / 港譯：哥斯拉
◆ 導 演：羅蘭·艾默里克（Roland Emmerich）
◆ 主 演：馬修·布羅德里克（Matthew Broderick） 讓·雷諾（Jean Reno） Maria Pitillo
◆ 類 型：驚悚（Thriller） 動作（Action） 科幻（Sci-Fi）
◆ 國家地區：USA
◆ 發行公司：索尼（Sony） 三星（TriStar）
◆ 首映日期：1998年5月20日
◆ 製作公司：三星（TriStar）
◆ 製作成本：$12500 + $0 (單位：百萬美元)
◆ 首映票房：$44,047,541.00 (單位：美元)
◆ MPAA定級：PG-13 級
◆ 全美票房：$136,314,294.00 (單位：美元)
◆ 海外票房：$239,800,000.00 (單位：美元)
◆ 片 長：140 分鍾
內容簡介：講述了一個完全不同的故事：因為核試驗氣候異常，使一個高90英尺的龐大怪物復活，整個紐約陷入一片混亂。科學家、新聞記者、電視台攝影師、軍人和保險公司的核查員，聯合起來對付它。因為它造成的恐慌和破壞實在太大了，如不加制止，它所到之處全都將化成廢墟。哥斯拉的造型和全片的視覺特效令製作人頗費了一番工作，因為導演不起用已有的模型，而是要在原有特色的基礎上有所創新。

❸ 用英語介紹電影哥斯拉70詞

five words: I did not watch it.

❹ 《哥斯拉2:怪獸之王》觀後感

城市裡又又又鬧怪獸了，然而這次並沒有奧特曼，也沒有所謂光明陣營和黑暗陣營相互糾纏的是是非非，有的只是誰的拳頭硬，誰就是老大的公理。 

很明顯，電影中哥斯拉老大的拳頭最硬，而基多拉表現靚眼，卻已是昨日黃花。如果將人類這一大整體看做是個巨獸，它很好地起到了拖後腿的作用，甚至是個隨時會和老大翻臉的二五仔設定。 

人類之中當然不乏能夠看透怪獸與人類關系的存在，比如艾瑪博士認為這些怪獸是恢復地球秩序和平衡的唯一途徑，芹澤教授認為人類應該和這些怪獸和平共處等等。但是單個人的存在並不能改變人類社會這個整體的智能，不管是軍方用「氧氣毀滅者」將哥斯拉打致重傷的臭棋，還是又最後決定用核彈喚醒哥斯拉，抽象地來看，所起的作用跟一頭暫且臣服於哥斯拉的巨獸沒啥區別。 

電影中基多拉的設定是來自外太空的入侵生物，自地球來說，它的確破壞了秩序與平衡，然而自宇宙來看，這不過是更大自然之中的一個小小波瀾，並不能因此定義它是邪惡的。如果偏要理清一個邪惡的對象，人類恰到好處地提名邪惡的稱號。  所有的怪獸都是因為人類核試驗造成的核輻射而蘇醒的，所有的一切都是人類自食惡果。在近幾百年社會發展地太快了，以致在自然面前已經缺乏了最低限度的敬畏，變地傲慢。七宗罪裡面最大的罪惡便是傲慢，因為傲慢會讓人們無法認清自己，自已為是。殊不知「人在做，天在看。」比人類處在更高位階的自然會以它的方式懲罰人類。所謂怪獸，在我看來，不過是這些懲罰的具象。

劇中哥斯拉是站在人類這頭的，然而最後萬獸臣服的場面卻提醒我們，哥斯拉嘴中的原子吐息隨時會奔人類而來。人類親手造就的，最終還是要人類來償還。人類與怪獸相比並不高尚。導演要告訴我們的，或許就是這個道理。

❺ 哥斯拉的觀後感100字

影片講述了有一隻以核輻射能為食，名叫MUTO的怪獸從菲律賓的一個神秘洞穴逃到了日本，造成了日本一家核電廠的事故，男主人公的母親在故事中喪身。十五年後男主人的父親發現那次事故並不是普通的核電廠事故，於是去追查真相。雖然最後他們找到了當年事故的真正原因，但是男主的父親還是死於了破繭而出的MUTO之手。
這只在日本生長的雄性MUTO飛躍太平洋去美國，原因是它要找到在那裡休眠的雌性MUTO交配。在它飛去美國的途中，它把它的宿敵——怪獸之王——哥斯拉喚醒了。於是除了人類想用熱兵器消滅這些怪獸外，這些怪獸自己也在內斗。
影片的結尾，MOTO所產的卵全部被男主人公銷毀，而雌雄MUTO則死於哥斯拉之手。怪獸之王哥斯拉做完這一切後，又回歸大海去了。
影片中的特效秉承了好萊塢電影的一慣技巧，簡單來說就是中國再加五年也趕不上，但是也並不是特別出彩，或者有什麼意外之喜（也有可能是我們看了太多美國大片）。怪獸所處、所到之處，城市破壞，交通癱瘓，人們四處逃難，還有在夏威夷的海嘯，海浪卷過來把一切卷沒的那種感覺，做得非常棒。

❻ 哥斯拉大戰金剛觀後感

看完一部作品後，這次觀看讓你有什麼體會呢？讓我們好好寫份觀後感，把你的收獲感想寫下來吧。可能你現在毫無頭緒吧，以下是我為大家收集的哥斯拉大戰金剛觀後感範文，希望能夠幫助到大家。

哥斯拉大戰金剛觀後感1

上周五晚上，我和朋友去看了一場電影，名叫《哥斯拉大戰金剛》，看完以後，我既感到震撼，又感到回味無窮，與之俱來的還有看完以後的感悟。

這部影片講述了金剛、哥斯拉兩大遠古巨獸之間的戰爭，他們要拼一個你死我活，都想成為世界上最強大的那一個，他們不止一次相遇，一遇見就會發生戰爭，最後一次他們的戰爭，哥斯拉贏了，金剛差點去領「盒飯」時，人類又一次救活了他（主角光環效應）。這時它看見哥斯拉正和一個人類製造的機制哥斯拉斗（機械哥斯拉失去控制，擁有了獨立意識），在哥斯拉奄奄一息的'時候，拼盡全力給金剛從「老家」拿來的能量斧充了能，聯手打敗了機械哥斯拉，隨後，他們握手言和，不再打架，金剛還待在陸地上，哥斯拉回大海了。

通過這部電影我明白了，其實在某種情況下，就算兩個人有深仇大恨也可以握手言和，和平相處，更何況我們這些小孩呢？互相不可能有什麼深仇大沙恨，那為什為么有些時候同學之間打起架來拉都拉不開，攔都攔不住呢？有時打架的同學嫌這些拉架的同學煩人，對他們大打出手，這又是為何呢？更何況，這有時可能只是一場誤會，甚至是一點雞毛蒜皮的小事，導致了這樣的後果。你看人家電影中的金剛和哥斯拉，他們之間有那麼多的仇怨，雖然中間他們也發生了戰爭，但是最後他們不還是和好了嗎？

所以同學們，我們要做一個心胸寬廣，不斤斤計較的人。

哥斯拉大戰金剛觀後感2

看這個電影之前其實沒那麼大的期待，因為光看名字就覺得應該是特效大於內容的電影，之前雖然金剛和哥斯拉都看過一些，但是他們打在一起的還是頭一次看。

可能是因為我對這部電影的預期不高，所以還是給了我一些驚喜的。比如我沒想到他們通往地心的路上能看到那樣奇幻的風景，比如我沒想到最後居然是金剛和哥斯拉一起對抗機械哥斯拉。我一直都蠻喜歡看科幻片的，科幻片就像是人類的夢想。很多從前的科幻片現在都成為了現實，人們登上了月球，潛入到了一萬米深的海溝。有誰能確定電影里那艘飛往地心的飛船在未來就一定不能實現呢？

在人類的夢想面前，希望我們可以放下偏見，無論種族，地域一起為了人類共同的夢想而努力。