電影themission英語簡介
Ⅰ 電影的英語簡介
1.《天下無賊》
The film tells an ideal story of friendship and return of prodigal people. After five years of hard working in the northwest, young farmer Root bagged with a saving of sixty thousand Yuan decides to go back to hometown to get married. During the long journey on the train that is full of thieves, rustic and naïve Root however chooses to believe that it is 「a world without thieves」.
翻譯：
影片講述的友誼和浪子人返回理想的故事。經過五年的努力，在西北工作多年，年輕的農民根與六十千元儲蓄套袋決定回到家鄉結婚。在火車上是竊賊，質朴，天真的根卻選擇相信這是「天下無賊」完全長途旅行。
2. <玉觀音>
Anxin is an anti drug enforcement agent, when she is preparing her wedding with Tiejun, she falls in love with another man, Maojie the passion between them grows vigorously. Unfortunately, Anxin quickly married Tiejun after discovering her pregnancy. Everything seems going fine then, but it is only the beginning of tragedy: Anxin meets Maojie again when disguising herself as a drug dealer, later she even becomes the witness against him which leads his family broken up. However, Mao』s lawyer exonerates Maojie after revealing the affairs between Mao and Anxin. Maojie determines to take revenge and the lovers become enemies……
翻譯：
安心是公安局緝毒大隊的偵察員，當他正准備和鐵軍結婚的時候，她與另外一個男人毛傑產生了愛慕之心，雙雙墜入愛河。當安心發現自己懷孕之後，她很快與鐵軍結了婚，婚後的生活和和美美，豈不知這只是悲劇的開始。在一次化裝偵察的過程中，安心再次遇見毛傑，作為證人的安心， 在法庭調查毛傑時，提供了毛傑的犯罪證明，毛傑的家庭也因此而支離破碎。後來，毛傑的律師在法庭的調查中揭露了毛傑與安心曾為戀人的關系，毛傑決心要報復安心，曾經自己的戀人，成了敵人……
這已經是最短的了，希望可以幫到你。
Ⅱ 電影《終結者》的劇情介紹（請用英文）
材料1 cyborg is sent from the future on a deadly mission. He has to kill Sarah Connor, a young woman whose life will have a great significance in years to come. Sarah has only one protector - Kyle Reese - also sent from the future. The Terminator uses his exceptional intelligence and strength to find Sarah, but is there any way to stop the seemingly indestructible cyborg ?
材料2 In the future, Skynet, a computer system fights a losing war against the humans who built it and who it nearly exterminated. Just before being destroyed, Skynet sends a Terminator back in time to kill Sarah, the mother to be of John Connor, the Leader of the human resistance. The terminator can pass for human, is nearly indestructible, and has only one mission, killing Sarah Connor. One soldier is sent back to protect her from the killing machine. He must find Sarah before the Terminator can carry out it\'s mission
Ⅲ 經典電影的英文介紹
當幸福來敲門 ; 劇情介紹 克里斯·迦納（威爾·史密斯）是一個聰明的推銷員，他勤奮肯乾努力，卻總沒辦法讓家裡過上好日子。妻子琳達終究因為不能忍受養家糊口的壓力，離開了克里斯，只留下他和5歲的兒子克里斯托夫相依為命。事業失敗窮途潦倒，還成為了單親爸爸，克里斯的銀行帳戶里甚至只剩下了21塊錢，因為沒錢付房租，他和兒子不得不被攆出了公寓。
克里斯好不容易得到了在一家聲名顯赫的股票投資公司實習的機會，然而實習期間沒有薪水，90%的人都沒有最終成功。但克里斯明白，這是他最後的機會，是通往幸福生活的唯一路途。沒有收入、無處容身，克里斯唯一擁有的，就是懂事的兒子無條件的的信任和愛。
他們夜晚無家可歸，就睡在收容所、地鐵站、公共浴室，一切可以暫且棲身的空地；白天沒錢吃飯，就排隊領救濟，吃著勉強裹腹的食物。生活的窮困讓人沮喪無比，但為了兒子的未來，為了自己的信仰，克里斯咬緊牙關，始終堅信：只要今天夠努力，幸福明天就會來臨！皇天不負苦心人，克里斯最終成為一名成功的投資專家。
阿甘正傳 ;劇情介紹 阿甘是個智商只有75的低能兒。在學校里為了躲避別的孩子的欺侮，聽從一個朋友珍妮的話而開始「跑」。他跑著躲避別人的捉弄。在中學時，他為了躲避別人而跑進了一所學校的橄欖球場，就這樣跑進了大學。阿甘被破格錄取，並成了橄欖球巨星，受到了肯尼迪總統的接見。
在大學畢業後，阿甘又應征入伍去了越南。在那裡，他有了兩個朋友：熱衷捕蝦的布巴和令人敬畏的長官鄧·泰勒上尉。這時，珍妮已經墮落，過著放盪的生活。甘一直愛著珍妮，但珍妮卻不愛他。在戰爭結束後，甘作為英雄受到了約翰遜總統的接見。在一次和平集會上，甘又遇見了珍妮，兩人匆匆相遇又匆匆分手。在「說到就要做到」這一信條的指引下，甘最終闖出了一片屬於自己的天空。在他的生活中，他結識了許多美國的名人。他告發了水門事件的竊聽者，作為美國乒乓球隊的一員到了中國，為中美建交立下了功勞。貓王和約翰·列儂這兩位音樂巨星也是通過與他的交往而創作了許多風靡一時的歌曲。最後，甘通過捕蝦成了一名企業家。為了紀念死去的布巴，他成立了布巴·甘公司，並把公司的一半股份給了布巴的母親，自己去做一名園丁。甘經歷了世界風雲變幻的各個歷史時期，但無論何時，無論何處，無論和誰在一起，他都依然如故，純朴而善良。
在隱居生活中，他時常思念珍妮。而這時的珍妮早已誤入歧途， 陷於絕望之中。 終於有一天，珍妮回來了。她和甘共同生活了一段日子。在一天夜晚，珍妮投入了阿甘的懷抱，之後又在黎明悄然離去。醒來的甘木然坐在門前的長椅上，然後突然開始奔跑。他跑步橫越了美國，又一次成了名人。在奔跑了許久之後，甘停了下來，開始回自己的故鄉。在途中， 他收到了珍妮的信。 他又一次見到了珍妮，還有一個小男孩，那是他的兒子。這時的珍妮已經得了一種不治之症。甘和珍妮三人一同回到了家鄉，一起度過了一段幸福的時光。
珍妮過世了，他們的兒子也已到了上學的年齡。甘送兒子上了校車，坐在公共汽車站的長椅上，回憶起了他一生的遭遇。
辛德勒的名單 ;劇情介紹 1939年9月，德軍在兩周內攻佔了波蘭，納粹下令波蘭全境的猶太人必須集中到指定的城市進行登記，每天有一萬多名猶太人從鄉村來到克拉科夫。
在克拉科夫的猶太人推舉了24名猶太人組成委員會幫助被集中到該城的猶太人解決住宿膳食，分配勞役和排解紛爭等問題。
剛從家鄉來到克拉科夫的德國企業家奧斯卡·辛德勒身材高大、相貌英俊、舉止風流倜儻。他在酒店及各種社交場合慷慨地大量結交德國軍官和黨衛軍。
辛德勒也來到登記處，找一個曾在利勃茲一家搪瓷廠當過會計，名叫伊扎克·斯泰恩的猶太人。辛德勒有意買下那個經營不善的搪瓷廠以生產食用器皿，供應軍需，發戰爭財。他要斯泰恩當他的會計師和助手來管理工廠。可令斯泰恩疑惑的是：辛德勒做什麼呢……
還有 《美麗人生》《光榮之路》《這個殺手不太冷》《海上鋼琴師》《泰坦尼克號》《勇敢的心》這些全都是世界經典電影且全是英文版的！
Ⅳ 這部電影孵化出的影帝，統治了香港影壇三十年
前段時間，一部《速度與激情8》讓世界看到中國人民的觀影熱情。首周票房達到5.32億美元，創下了電影開畫票房的新紀錄。
不過，這部狂飆腎上腺素的大熱片有些叫座不叫好。
毒葯君曾看過這樣一部槍戰片——沒有爆炸戲，沒有大場面，更不是大製作，用幾把手槍便讓人看得欲醉欲死，直呼神作。
導演拍完這部電影之後忐忑不安，於是讓老搭檔韋家輝看樣片。韋家輝看完，對這個導演說： 「這是你最屌的一部電影。」
這個導演是杜琪峰。
這部電影是——
《槍火》
The Mission
《槍火》講述一個非常簡單的故事：五人敢死隊保護被追殺的黑幫老大，任務結束後，其中一個人接到任務，殺掉五人組中與大嫂偷腥的那個。
影片開頭，用 林雪飾演的社會閑散人員阿肥 ，將另外四個人串聯起來。
理發師阿鬼，
皮條客Mike，
古惑仔阿來，
阿來的小弟阿信。
黑社會老大文哥在奧比餐廳被人追殺，於是決定建立一支敢死隊。
▲文哥的發型好像大文豪魯迅先生
這五人由於出色的殺人本領， 收到黑社會二當家南哥的邀請 保護文哥。
來自不同地方自然也有派別。比如， 阿鬼和阿肥是一幫，阿來和阿信一幫，Mike屬於中間派。
▲從左到右分別是阿肥、Mike、阿鬼、阿來、阿信
讓敢死隊擰成一股繩，必須要有 領導核心 。 這事兒需要阿鬼來完成。
阿鬼想要取得領導權，就應該讓阿來心服口服。
偶然的一個機會，阿鬼發現，有個叫老鼠的人一直在搞阿來的場子。
就在阿來因為老鼠發飆時，鏡頭給了阿鬼一個特寫。
敢死隊遭遇伏擊而進行了激烈的槍戰。過程中，阿鬼以老大的口氣讓阿來沖上去。
雖然阿來很不服， 但他還是沖上去了。等他回來發現，大家都散了。
這讓阿來非常不滿，找到正在打電話的阿鬼，一言不發就動手。無論阿來怎麼打，阿鬼都不還手。
阿鬼需要做一件事好讓阿來心服口服。 於是，他單槍匹馬，辦掉了在阿來背後搞事情的老鼠。
拍黃秋生殺老鼠的戲，杜琪峰問，咋拍好呢？
黃答，就平平常常簡簡單單。於是出現了這場碉堡了的殺人戲
這次殺老鼠行動，既幫阿來掃除了後顧之憂，也樹立阿鬼個人的威信。
從此以後，阿鬼是敢死隊老大。
事實上，阿鬼殺老鼠絕對是精心策劃。
他和阿來共同乘車時，聽到阿來發飆，阿鬼就已經開始准備為阿來排憂解難。（再用一下前面的截圖）
在敢死隊五人組經歷的第一次槍戰後，阿來找阿鬼算賬，此時阿鬼正在打電話說：「我不管，總之你給我找他出來」。這時阿鬼已經在調查老鼠，並預謀除掉他。
《槍火》處處都是伏筆，敘事精簡但細節豐富，每一次刷，都會有新驚喜。
能夠提出如此豐富的潛文本的槍戰片，全香港也就這一部了吧？
於是，很多網友感慨，《槍火》是一部看了十年才看懂的電影。
阿鬼確立敢死隊領導核心地位，並且帶領團隊出色完成保護老大哥魯迅的任務。 其中最讓人印象深刻的就是荃灣商場槍戰。 八字形容：「張弛有度，盪氣回腸」。
敢死隊五人組護送老大的風騷站位很有韻律，看起來很平靜。
突然槍響，一場槍戰突如其來。沒有浮誇的子彈橫飛，沒有「保護老大」的大喊大叫，快速幹掉偷襲者。
這樣處理，特別酷。
五人掩護文哥時的站位錯落有致，典型的「杜琪峰式」。
槍戰中營造靜止的氛圍，是為了積蓄更大的張力，增加觀影快感。
多年後，有人問杜琪峰為什麼這樣拍。 他說：「為了省錢。」
荃灣商場槍戰鍛煉了隊伍，他們最終找到了刺殺文哥的殺手，分頭男。
分頭男其實早在電影中出現過多次。開頭中奧比餐廳追殺文哥的就有他，
荃灣商場槍戰也有他，
在他身上，找到奧比餐廳的字樣。
而奧比餐廳的老闆是肥翔，
真相水落石出：幕後元兇是肥翔，刺殺原因是分配不公。
肥翔被幹掉後，敢死隊還不能解散。
二當家南哥告訴阿鬼有新任務——殺掉阿信。
原因：阿信睡了大嫂。
古惑仔阿信，大哥是阿來。
年輕氣盛還好色，對此影片給了細致的鋪墊。比如阿信會偷瞄女職員。
阿信雨天接大嫂，大嫂眼神曖昧。
阿信很晚送大嫂回家，對其他人說車子壞了。但阿來從阿信的衣服上發現了不可告人的秘密——阿信睡了大嫂。
▲《槍火》的細節安排非常巧妙。只要你了解到這些細節的妙處，這五個男人的故事便會讓所有男人爽二十年。
那麼問題來了，大哥是怎麼知道自己被阿信綠了的？
（以下為毒葯君YY，有高妙見解的，歡迎大家在評論區討論）
首先，阿鬼不可能告密。作為情商智商雙高的頂級殺手，給自己找麻煩的事兒阿鬼不會做。
其次，阿來是阿信老大，袒護小弟是他的作風，更不可能。
那麼告密者是阿肥？不可能。
在阿鬼准備殺阿信時，阿肥還准備去文哥那裡為阿信求情。
Mike極有可能是告密者。他曾公開聲明，以後跟來哥混。
等阿信被幹掉，Mike就能上位成阿來跟班。這樣推算聽起來很有道理的樣子。
如果這種推論成立的話，《槍火》里的兄弟情義就徹底坍塌了。
所以，Mike有嫌疑告密，但並非唯一的嫌疑人。
在影片中，南哥的眼線阿九嫌疑也很大。南哥曾經吩咐阿九跟蹤嫂子。
不過不論告密者是誰，事情都已經不可挽回地發生了。
毒葯君在前文中就提到，阿鬼是智商情商雙高的頂級殺手。
阿鬼面對的困境是： 如果不殺阿信，南哥代表的黑社會方面不會同意。如果殺掉阿信，阿信的大哥阿來不會同意。
阿信一定要殺 ，這是阿鬼的態度 。
這頓飯應該是阿信吃得最難過的飯了，斷頭飯擱誰都不會吃得開心。
與此同時，阿肥跑去找文哥求情，眼睜睜看到偷情的大嫂被殺。明白求情無望，跑來告訴他們，大嫂死了。
阿鬼反應迅速，立即對阿信開槍。
聽完槍響，酒店外面的阿九告知南哥，阿信已死。
就在阿肥也以為阿信死了的時候，阿鬼扔給他一個空心子彈，
阿肥意外深長地笑了。
阿鬼也露出意味深長的笑容。
空頭子彈沒有殺傷力。阿信即使沒有死，也會消失不見。
這種結局是杜琪峰在《槍火》中傳達的江湖觀，兄弟情義大過天。 面對江湖規則，與其暴烈反抗，不如尋求解脫之道。
多年之後，當杜琪峰某次為電影做宣傳時有人問他，最喜歡哪部電影？
已經成為大佬的杜琪峰，佳作無數。而他對最愛的電影的回答是： 《槍火》 。
《槍火》只用了19個工作日就殺青。影片幾乎集合了港台男星全部實力派人物，演員陣容有任達華、黃秋生、吳鎮宇、呂頌賢、張耀揚他們。但這些都是親朋老友的片酬很低，只是象徵性收取一點勞務費。
要知道，整部影片僅有區區250萬投資。 然而，影片公映後以5倍投資的票房成為當年黑馬。
影片在金像獎和金馬獎上表現相當亮眼，杜琪峰一舉拿下金像和金馬兩個最佳導演。香港金像獎上如是評價杜琪峰：
「導演以大刀闊斧之勢，集中火力炮製一部黑幫鬥智鬥力作品，風格獨特神采飛揚，當中暗場交代，簡約的風格言簡意深，幾場槍戰場面更是經典設計。」
片中飾演阿來的吳鎮宇一舉擊敗來自《花樣年華》的梁朝偉，獲得金馬影帝。要知道，梁朝偉可是憑借《花樣年華》拿到戛納影帝的人啊。
如此牛X的影帝孵化器，全香港也就這一部了。
飾演阿肥的林雪拿到金馬的最佳男配。林雪獲獎，這個結果沒有辜負杜琪峰。
《槍火》製作時由於資金緊張，杜琪峰要求其他演員一次過，把所有NG的機會讓給林雪。
拍攝時還有一件很有意思的事情——劇組在香港九龍的一家餐廳拍攝，忽然闖進來幾個黑社會的人，向杜琪峰索取保護費。
一個拍黑社會的，被黑社會勒索了。不禁讓人感慨，有時候現實比電影更有戲劇性。
Ⅳ 一條狗的使命觀後感英文作文100字
寫作思路：主要寫出他所講的內容，和你的感受。
正文：
The first time I saw a movie in the cinema, I cried several times. I saw the movie "a dog's mission". Maybe it was because I like dogs very much, and I always have dogs in my family. So movies or novels about the relationship between dogs and their owners always deeply moved me.
第一次在電影院看電影哭了好幾次，看的就是《一條狗的使命》這部電影，可能是因為本人很喜歡狗狗這種動物，家裡也一直有養狗，所以有關狗和主人的感情的電影或者小說總能深深地打動我。
"The mission of a dog" tells about a dog who accompanies his little owner to grow up and even pursues his girlfriend. Later, he dies in old age and reincarnates into other gender and type of Wang.
《一條狗的使命》講了一隻狗狗陪伴小主人長大成人，甚至為他追到了女朋友，後來它年邁死去又轉世投胎變成其他性別和類型的汪。
In the second reincarnation, the dog became a police dog. In the second reincarnation, the dog became a little cocky dog accompanying a single young woman. After many reincarnations, he finally returned to his original master.
第二次輪回狗狗變成了警犬威風凜凜，再次轉輪回，又成了陪伴一位單身女青年的小柯基犬。在經歷了多次輪回之後，最終回到最初的主人身邊。
This little dog often thinks about "what's the meaning of my dog's life". It feels like we often think about life, but the dog's thinking is not so complicated. For example, it may just itch its tail, so it has been circling, not because of the owner's gesture. However, its love for its master is the most real.
這只小狗經常思考「我的狗生有什麼意義」，感覺就像我們人經常思考人生那樣，不過狗狗並沒有想得那麼復雜，例如它可能只是尾巴癢了所以一直在轉圈，而不是因為主人的手勢。不過，它對主人的愛是最真實的。
Ⅵ 泰坦尼克號電影的英文介紹
On April 10, 1912, the luxury liner Titanic, known as the "miracle in the history of world instry", embarked on its maiden voyage from Southampton, England, to New York, USA.
1912年4月10日，號稱「世界工業史上的奇跡」的豪華客輪泰坦尼克號開始了自己的處女航，從英國的南安普頓出發駛往美國紐約。
Rich girl Rose (Kate Winslet) was in first class with her mother and fianc Karl; on the other hand, Bohemian young painter Jack (Leonardo DiCaprio) won second class tickets in a gamble at the dock.
影片以1912年泰坦尼克號郵輪在其處女啟航時觸礁冰山而沉沒的事件為背景，講述了處於不同階層的兩個人窮畫家傑克和貴族女露絲拋棄世俗的偏見墜入愛河，最終傑克把生命的機會讓給了露絲的感人故事。
Ⅶ Ennio Morricone Gabriel's Oboe from The Mission.什麼意思
Ennio Morricone,埃尼奧·莫里康,義大利作曲家、電影配樂者。
The Mission,《教父》，電影名。
Gabriel's Oboe,加布里埃爾的雙簧管，為影片中的一段經典背景音樂。
連起來就是：「加布里埃爾的雙簧管」，出自電影《教父》，埃尼奧·莫里康作曲。
Ⅷ 電影守望者的英文介紹
Holden hero of this book is a secondary school students came from wealthy middle-class 16-year-old boy, in the fourth after being expelled from school, not dare to go home, alone in the United States the most prosperous of New York City one day and two nights wandering living small inn, go to nightclubs, girlfriend promiscuity, alcoholism ... ... he saw the ugly capitalist society, access to a wide variety of characters, most of which are "false false mode of" hypocrite. Holden could not around almost everything, he even wants to flee the real world, to the remote to pretend that a deaf and mb people, but to really do so, it is impossible, and he can only live in contradiction: the most hated him in this lifetime movies, but bored to death also had to spend their time in the cinema; him offensive sexual relations without love, but a confused and called a prostitute; He hated the vulgar vanity of his girlfriend Sally , but obsessed with her beauty, could not help with her two?. Therefore, even though he could not Shi, but had no choice but to depression, like anxiety, using a variety of comforting illusions about themselves, self-deception, and finally we still can not avoid the reality of social compromise, into a genuine treason, which can be said to be the author JD Salinger His characters and the tragedy of Holden is located.
這是英文版的
本書的主人公霍爾頓是個中學生，出身於富裕中產階級的十六歲少年，在第四次被開除出學校之後，不敢貿然回家，隻身在美國最繁華的紐約城游盪了一天兩夜，住小客店，逛夜總會，濫交女友，酗酒……他看到了資本主義社會的種種丑惡，接觸了各式各樣的人物，其中大部分是「假模假式的」 偽君子。 霍爾頓幾乎看不慣周圍發生的一切，他甚至想逃離這個現實世界，到窮鄉僻壤去假裝一個又聾又啞的人，但要真正這樣做，又是不可能的，結果他只能生活在矛盾之中：他這一輩子最痛恨電影，但百無聊賴中又不得不在電影院里消磨時間；他厭惡沒有愛情的性關系，卻又糊里糊塗地叫來了妓女；他討厭虛榮庸俗的女友薩麗，卻又迷戀她的美色，情不自禁地與她摟摟抱抱。因此，他盡管看不慣世道，卻只好苦悶、彷惶，用種種不切實際的幻想安慰自己，自欺欺人，最後仍不免對現實社會妥協，成不了真正的叛逆，這可以說是作者塞林格和他筆下人物霍爾頓的悲劇所在。
這是中文版的
Ⅸ 六部電影的簡介.英文.3到4句.
1.飛屋環游記
By tying thousands of balloon to his home, 78-year-old Carl Fredricksen sets out to fulfill his lifelong dream to see the wilds of South America. Right after lifting off, however, he learns he isn't alone on his journey, since Russell, a wilderness explorer 70 years his junior, has inadvertently become a stowaway on the trip.
2.諸神之戰 "The Clash of the Titans"
is set in the Greek city of Argos where a war is about to explode between man and the gods. Perseus (Sam Worthington) raised as a fisherman, but is actually a demi-god. Perseus is the son of Zeus (Liam Neeson) who is about to take on the gods after the death of his family. Zeus' brother Hades (Ralph Fiennes) was the one who killed his family, and Perseus wants to kill him. However, it is Perseus's destiny to rescue the city of Argos from the ruthless rage of Hades and his Kraken monster. With nothing to lose, Perseus leads a band of soldiers on a quest to defeat the Kraken. In doing this, Perseus will prevent Hades from overthrowing Zeus and in turn destroying mankind.
3.愛麗絲夢游奇境 Alice in Wonderland
Alice, an unpretentious and indivial 19-year-old, is betrothed to a nce of an English nobleman. At her engagement party, she escapes the crowd to consider whether to go through with the marriage and falls down a hole in the garden after spotting an unusual rabbit. Arriving in a strange and surreal place called "Underland," she finds herself in a world that resembles the nightmares she had as a child, filled with talking animals, villainous queens and knights, and frumious bandersnatches. Alice realizes that she is there for a reason--to conquer the horrific Jabberwocky and restore the rightful queen to her throne.
4.阿凡達 Avatar
A paraplegic marine dispatched to the moon Pandora on a unique mission becomes torn between following his orders and protecting the world he feels is his home.
5.鋼鐵俠 Iron Man
When wealthy instrialist Tony Stark is forced to build an armored suit after a life-threatening incident, he ultimately decides to use its technology to fight against evil.
6.福爾摩斯 Sherlock Holmes
After finally catching serial killer and occult "sorcerer" Lord Blackwood, legendary sleuth Sherlock Holmes and his assistant Dr. Watson can close yet another successful case. But when Blackwood mysteriously returns from the grave and resumes his killing spree, Holmes must take up the hunt once again. Contending with his partner's new fiancée and the dimwitted head of Scotland Yard, the dauntless detective must unravel the clues that will lead him into a twisted web of murder, deceit, and black magic - and the deadly embrace of temptress Irene Adler.
Ⅹ 我需要這些電影的英文簡介!
1 a space odyssey
Director:Stanley Kubrick
Writers:Stanley Kubrick (screenplay) &
Arthur C. Clarke (screenplay)
more
Release Date:6 April 1968 (USA) more
Keir Dullea ... Dr. Dave Bowman
Gary Lockwood ... Dr. Frank Poole
William Sylvester ... Dr. Heywood R. Floyd
Daniel Richter ... Moon-Watcher
Leonard Rossiter ... Dr. Andrei Smyslov
Margaret Tyzack ... Elena
Robert Beatty ... Dr. Ralph Halvorsen
Sean Sullivan ... Dr. Bill Michaels
Douglas Rain ... HAL 9000 (voice)
Frank Miller ... Mission controller (voice)
Bill Weston ... Astronaut
Ed Bishop ... Aries-1B Lunar shuttle captain (as Edward Bishop)
Glenn Beck ... Astronaut
Alan Gifford ... Poole's father
Ann Gillis ... Poole's mother
英文評論
Instead of writing a paragraph, I'll give four good reasons why 2001 is the greatest cinema experience of all time: 1) It is a visual Odyssey that could only be told on the big screen. The special effects that won Kubrick his only Oscar are the most stunning effects before that age of Jurassic Park and T2. They allow Kubrick to give an accurate (or at least are the most accurate) depiction of space travel to date. The silence that fills the space scenes not only serves its purpose as accurate science, but also adds to the mood of the film (to be discussed in a later point with HAL). The fact that Kubrick shot the moon scenes before the Apollo landing is a gutsy yet fulfilling move. Many have said that upon its original release, it was a favorite "trip" movie. I can think of no other movie that has such amazing visuals for its time and even of all time (sorry Phantom Menace fans!) 2) Kubrick's directing style is terrific. As in all his films, Kubrick likes to use his camera as means to delve into the psychology of his characters and plots. His camera is not as mobile as other greats, such as Scorsese, but instead sits and watches the narrative unfold. Faces are the key element of a Kubrick film. Like classic movies, such as M and Touch of Evil, Kubrick focuses on the characters' faces to give the audience a psychological view-point. Even he uses extreme close-ups of HAL's glowing red "eye" to show the coldness and determination of the computerizd villain. I could go on, but in summation Kubrick is at the hieght of his style. 3) HAL 9000 is one of the most villainous characters in film history. I whole-heartedly agree with the late Gene Siskle's opinion of HAL 9000. Most of this film takes place in space. Through the use of silence and the darkness of space itself, a mood of isolation is created. Dave and his crewmen are isolated between earth and jupiter, with nowhere to escape. Combine this mood with the cold, calculated actions of HAL 9000 and you have the most fearful villain imaginable. I still, although having see this film several times, feel my chest tighten in a particular scene. 4) The controversial ending of 2001 always turns people away from this film. Instead of trying to give my opinion of the what it means and what my idea of 2001's meaning in general is, I'd like to discuss the fact that the ending serves to leave the movie open-ended. Kubrick has stated that he inteded to make 2001 open for discussion. He left its meaning in the hands of the viewer. By respecting the audience's intelligence, Kubrick allowed his movie to be the beginning, not the end, of a meaningful discussion on man's past, present, and future. The beauty of 2001 is that the ending need not mean anything deep, it can just be a purely plot driven explanation and the entire movie can be viewed as an entertaining journey through space. No other movie, save the great Citizen Kane, leaves itself open to discussion like 2001. It is truly meant to be a surreal journey that involves not only the eye but the mind. Instead of waiting in long lines for the Phantom Menace, rent a widescreen edition of 2001 and enjoy the greatest cinematic experience.
2 a clockwork orange
Director:Stanley Kubrick
Writers:Stanley Kubrick (screenplay)
Anthony Burgess (novel)
Release Date:2 February 1972 (USA) more
Genre:Crime | Drama | Thriller more
Malcolm McDowell ... Alex
Patrick Magee ... Mr. Alexander
Michael Bates ... Chief Guard
Warren Clarke ... Dim
John Clive ... Stage Actor
Adrienne Corri ... Mrs. Alexander
Carl Duering ... Dr. Brodsky
Paul Farrell ... Tramp
Clive Francis ... Lodger
Michael Gover ... Prison Governor
Miriam Karlin ... Catlady
James Marcus ... Georgie
Aubrey Morris ... Deltoid
Godfrey Quigley ... Prison Chaplain
英文評論
Stanely Kubrick's "A Clockwork Orange" is one of the first movies that proved that cinema can be the most enlightening and amazing art form around. Movies have always been a true love for me, but it wasn't until this film challenged me that I fell deeply in love. The first viewing left me speechless, unable to describe how weird and terrible I felt. I thought it was the film that left me in this mood, so of course that was the easy target to blame. It was just a bad movie, overrated and stupid and a waste of time. But upon further thought, I realised the film did exactly what it was supposed to. It showed how the world can be a weird and horrible place, and how this young man who goes around torturing people and being a wicked person ultimately doesn't have to pay for what he does. And it's funny too. So this film brilliantly satirises this world, showcasing pure evil and people who ordinarily do not perform such evil are forced to laugh and observe what we all hate to admit is the truth. It's sick, but at the same time brilliant. And when one gets down to the core, you can't really explain it. It just is what it is. It's real. No one really sees it very often, but it is out there and everyone knows. And no one does anything about it. In essence, "A Clockwork Orange" is the ultimate satire, and one of the ultimate film experiences. It's art, it's life, and in a funky way, it's entertaining.
3 annie hall
Director:Woody Allen
Writers:Woody Allen (written by) and
Marshall Brickman (written by)
Release Date:20 April 1977 (USA) more
Genre:Comedy | Romance more
Woody Allen ... Alvy Singer
Diane Keaton ... Annie Hall
Tony Roberts ... Rob
Carol Kane ... Allison
Paul Simon ... Tony Lacey
Shelley Duvall ... Pam
Janet Margolin ... Robin
Colleen Dewhurst ... Mrs. Hall
Christopher Walken ... Duane Hall (as Christopher Wlaken)
Donald Symington ... Mr. Hall
Helen Ludlam ... Grammy Hall
Mordecai Lawner ... Mr. Singer
評論
Woody Allen's masterpiece will always be "Annie Hall." What is most remarkable today about this film is the way Allen presents it. It's a movie about a relationship. But rather than taking a linear approach, Allen plays with time. We see the middle, the begining, and the end. And not always in that order. Allen also breaks the fourth wall a lot and has many dream sequences and asides which add to the complexity of the characters. This is a highly autobiographical film and Allen pulls no punches. This movie is not about romance in the way that "Breakfast at Tiffany's" is. Rather, "Annie Hall" is a deconstruction of a romance. At times it is funny and heartbreaking and always classic. "Love fades," indeed.
4 bonnie and clyde
Arthur Penn
Writers:David Newman (written by) &
Robert Benton (written by)
more
Release Date:13 August 1967 (USA) more
Genre:Action | Biography | Crime | Drama | Romance more
Warren Beatty ... Clyde Barrow
Faye Dunaway ... Bonnie Parker
Michael J. Pollard ... C.W. Moss
Gene Hackman ... Buck Barrow
Estelle Parsons ... Blanche
Denver Pyle ... Frank Hamer
Dub Taylor ... Ivan Moss
Evans Evans ... Velma Davis
Gene Wilder ... Eugene Grizzard
評論
First of all, let me say that I'm appalled by the real life Bonnie and Clyde. They were two psychopathic thrill killers from Dallas who had a special hatred for law enforcement officers. I must admit that I do feel sorry for the way they were killed, but like the old axiom goes, "If you live by the sword, you die by the sword."
That said, the movie "Bonnie and Clyde" was a groundbreaking film. It was the first time that we the audience were allowed inside the killers minds, and could see what made them tick. This is perhaps the first film that takes a somewhat objective look at crime; we the audience don't have "FBI Seal of Approval" morality shoved down our throats, but we still can tell by the actions of the characters that they are evil, whether they know it or not.
The story is of two Texas young alts who, bored with their lives and the prospects of going nowhere in the world, decide to live out their dreams of stardom by going on a crime spree. They fancy themselves a sort of "Romeo and Juliet" couple, and think of their robberies as harmless fun. They start out small by knocking over grocery stores and gas stations, but soon graate to banks when they need more money to accommodate their lifestyle. Soon they have a simple minded gas clerk named C.W. and Clyde's brother and wife in the gang, and the o goes down into history.
Then the fun and games are over. With law enforcement officials now looking for Bonnie and Clyde, they become targets of bounty hunters, unethical cops and other greedy persons who wish to make a name for themselves, and they lose a part of their childish innocence as the escalation of their crimes makes them become more and more violent. When death finally comes for Bonnie and Clyde, it comes with a vengeance.
Warren Beatty and Faye Dunaway have never been better. Beatty, who plays Clyde Barrow as an impotent, ne'er do well country boy who seems to be sowing his wild oats, is in top form. He makes Clyde likable, with a goofy smile perpetually pasted on his face, even when sticking up a bank with two guns in his hands. Dunaway is the ultimate femme fatale as Bonnie Parker, a sweet natured Southern belle who likes the feel of a .38 in her hands as she politely asks for all the money. It's absurd, it's unrealistic, but hey, it's Hollywood. And the film works.
But most importantly, Bonnie and Clyde are in love. It's a kind of love that only few films afterward have been able to equal. There is a genuine feeling of giddy romance between the two no matter what the scene, be it a bank robbery or family get-together away from the reaches of society.
Arthur Penn was obviously a man on a mission when he directed this film. You could sense with every frame that he knew of the importance of this movie; a cinematic masterpiece that dares to make its audience evoke pathos for what would have been banned just a few years earlier.
The finale is still to this day a triumph of audience manipulation. The two bandits, finally captured and unable to escape, are dealt with in a fashion that will haunt you days after viewing. It's sad, it's disgusting, but it brings closure to the lives of two indivials whose works and existence could not be tolerated by the powers that be.
The movie "Bonnie and Clyde" inspired a generation of film makers to look at cinema in a different light. Actions movies were allowed to be funny from this point; funny movies could get away with violence. On the negative side, however, the film changed the morals of Hollywood by allowing murder to be dealt with in such a nonchalant fashion.
Sure, Claude is obviously shaken up after his first kill, as are Bonnie and C.W., but from that point on violence against law officials is no longer a problem. The police in this film are rather like the way gangsters used to be portrayed; a collection of stupid, soulless indivials who only want to ruin Bonnie and Clyde's fun.
In the end, this in an excellent film about Depression era gangsters. Most ironically, however, is that it seems dedicated to the two real life robbers who don't deserve such an honor of having a film legacy created in their names.
10 stars. Innovative, fresh, and hey, it helped pave the way for "Dillinger", my favorite movie in the robber-gangster genre
5 brief encounger
Director:David Lean
Writers:more
Release Date:24 August 1946 (USA) more
Genre:Romance | Drama more
Celia Johnson ... Laura Jesson
Trevor Howard ... Dr. Alec Harvey
Stanley Holloway ... Albert Godby
Joyce Carey ... Myrtle Bagot
Cyril Raymond ... Fred Jesson
Everley Gregg ... Dolly Messiter
Marjorie Mars ... Mary Norton
Margaret Barton ... Beryl Walters, Tea Room
評論
There's not a lot to say. Like many classics this film is simply constructed with all the elements in balance so that none stands out. Everything in it contributes something essential; the lighting, the unromantic railway station sets, the minor characters and of course the music, the ultra-romantic Rachmaninov Piano Concerto no 2. The emotional rollercoaster of the illicit affair has seldom been better portrayed. Perhaps it is a little understated for transatlantic tastes but no-one viewing this movie would not appreciate that the English can be as passionate as the rest of us.
Celia Johnson as Laura and Trevor Howard as Alec are perfect together. It being 1945, they do not get to bed – that would have ruined the audience's sympathy for them in those rather more censorious times. It's all in their minds but their faces give the game away – to each other and to the bystanders. Nothing happens to drag anyone near the awful divorce courts, but you are left wondering whether Celia will ever feel quite the same about her ll, comfortable, patronising and boring husband. As for Alec, he professes he will love her forever but then, he's a man.
Noel Coward proced this film from a short play of his from 1935 (the war and post-war shortages are absent), and his lcet tones may be recognised in the railway station announcements. David Lean directed, and it is a remarkable collaboration. The action is opened out a little – a row on the lake, a drive in the country - but the scenes from the play set entirely in the railway refreshment rooms still remain the centre of the story. The parallel relationship between Albert the station guard (Stanley Holloway), and Myrtle the refreshment room attendant (Joyce Carey), is an interesting counterpoint to the angst-ridden middle class would-be alterers. Surely Noel old boy you weren't suggesting that the working class handles this sort of thing better? We see things largely from Laura's point of view and perhaps Alec didn't feel quite so guilty, but their consciences are going to make them pay. A gem of a movie.
6 chariotes of fire
Hugh Hudson
Writer:Colin Welland (original screenplay)
Release Date:9 October 1981 (USA) more
Genre:Drama | History | Sport more
Nicholas Farrell ... Aubrey Montague
Nigel Havers ... Lord Andrew Lindsay
Ian Charleson ... Eric Liddell
Ben Cross ... Harold Abrahams
Daniel Gerroll ... Henry Stallard
Ian Holm ... Sam Mussabini
John Gielgud ... Master of Trinity (as Sir John Gielgud)
Lindsay Anderson ... Master of Caius
Nigel Davenport ... Lord Birkenhead
Cheryl Campbell ... Jennie Liddell
Alice Krige ... Sybil Gordon
Dennis Christopher ... Charles Paddock
評論
I watched this again last night. I had forgotten just how beautifully done it was - both a character study of two very different men and a gripping plot of their attempts to succeed - partly through athletics. the writer and director so well convey both Cambridge and the Edinburgh Presbyterian missionary disciples, in the early 1920s so very well.
The acting is superb - I had never seen a character presented like Eric Liddell in movies - how fine Ian Charleson was in this role, the softness of his voice, his ease and joy in running competitively (especially in contrast with the tense tortured Harold Abrahams). I also loved the more supporting roles - I've read a biography of F.E. Smith and Nigel Davenport is exactly how I would imagine him. The actor who played the Prince of Wales also seemed exactly right with his effortless charm, looks, and lack of imagination. Ian Holm, John Gielgud, Lindsay Anderson - all wonderful.
The actors weren't chosen for glamour either - Liddell and Abrahams are not Leni Riefenstahl images of athletic ideals, Liddell's sister is no beauty - and Abrahams' girlfriend is pretty but not stunning. It made them seem more real. (In nice contrast were the near-pretty boy looks of Nigel Havers as Lord Lindsay - it so suited his character).
he races are riveting - partly e to the music and sound effects.
So many small things are done so well - e.g., when Lord Lindsay has the confidence of his class to barge into a room containing the Prince of Wales, and three other lords (including Birkenhead and the head of the British Olympic Committee) and greets them by name - no need for introction there (as there was for Liddell). It's small but seems quite real.
As an American, it was interesting and funny to see our Olympic team shown as the numerous, ominous, invulnerable "other"! (something like watching a Rocky movie with Rocky as the proct of a Russian or East German success machine!). In fact, the one scene that seemed a bit off was the scene of the American track athletes warming up for the Games - all heavy music, machine like athletes, ferocious coach yelling with a megaphone into people's ears. It pounded too hard on the "these are the scary almighty inhuman opponents" theme in contrast to the cheerful British boys running along the beach.
Something I had forgotten about the movie was how stubborn BOTH protagonists are - Liddell fully as much as Abrahams. Liddell is not overly deferential or bashful when dealing with the Prince of Wales - but instead straightforward and very firm.
I truly can't understand anyone not liking this movie - it is very exciting even on the basic level of "will they win?" and so much more. (For example, Ian Holm's character's reaction to success after 30 years is very moving). Those who write to say that "Reds" deserved the Oscar more - are simply wrong. (Reds was so simplistic that it felt like watching the movie "The Hardy Boys Go to the Russian Revolution"). Those who say they cannot differentiate among the boys or between the Scottish and English accents - well, it sounds like some political statement to me.
Do watch it - it's very fine, very moving, very exciting.
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