007電影英文介紹ppt
① 007系列電影指什麼FBI又指什麼
007是英國軍情六局
軍情六局全稱英國陸軍情報六局（MI6=Military Intelligence 6），又稱秘密情報局，縮寫為SIS，代號為MI6。 軍情六處(英國負責海外諜報工作的部門)，對外又稱「政府電信局」或「英國外交部常務次官辦事處」。西方情報界把MI6看成是英國情報機關的「開山祖師」，從伊麗莎白的開創初期至今，它和它的前身都是嚴格保密的，也稱秘密情報處，原為英國情報機構海外諜報系統。
FBI是美國聯邦調查局
美國聯邦調查局，英文全稱Federal Bureau of Investigation，英文縮寫FBI。但「FBI」也不僅是局稱的縮寫，還代表著聯邦調查局堅持貫徹的信條——忠誠Fidelity，勇敢Bravery和正直Integrity，是聯邦警察。
② 007電影簡介
In the late 1950s, EON Proctions guaranteed the film adaptation rights for every 007 novel except for Casino Royale. In 1962, the first adaptation was made with Dr. No, which starred Sean Connery as 007. Connery starred in 6 more films after his initial portrayal. George Lazenby replaced Connery before the latter's last EON film, after which the part was played by Roger Moore, Timothy Dalton, Pierce Brosnan and Daniel Craig. As of 2008, there have been 22 films in the EON series. The 21st film, Casino Royale, with Daniel Craig as James Bond, premiered on 14 November 2006, with the film going on general release in Asia and the Middle East the following day. Notably, it is the first Bond film to be released in China. The second James Bond film to feature Daniel Craig is Quantum of Solace, which gets its title from a short story of the same name by Ian Fleming, but shares no similarities with the plot. Daniel Craig is expected to return as James Bond for a third movie in the as yet unnamed "Bond 23."
③ 007英語介紹
When we last spied James Bond, at the end of the forceful if oddly-structured Casino Royale, he announced his name while pointing a submachine gun into the sky above Lake Como. The image said: he's back, and nothing if not well-endowed.
Quantum of Solace begins minutes later, with the elusive killer Mr White (Jesper Christensen) now in the boot of Bond's Aston Martin, and a breakneck pursuit in progress which makes claims of a different kind for this new Bond and his supersized franchise.
This film catches Ian Fleming's hero on the run, keeps him running, and zips along with a jolting, almost offensive velocity, catching its ragged breath in the rare opportunity for dialogue. Fans of the series who like to slow down and savour the scenery, enjoying a drip-feed of dodgy innuendo, may consider this a rude awakening - it's the shortest Bond movie to date, and easily the most terse.
But consider how many of the pictures, to include Casino Royale, run out of steam as they drag themselves across the two hour mark, if not long before. Quantum of Solace may hurtle through its own (sketchy) plot as if it's not quite the point - there have been more satisfying narrative pay-offs than we get here - but its best sequences bring you up short in the best way, adding up to the giddiest straight ride since The Living Daylights.
In a career filled with diligent but pedestrian Oscar-t (Monster's Ball, Finding Neverland), it's a true surprise that director Marc Forster has come up with the goods as often as he does. Working with many of the action crew, among them editor Richard Pearson, who made the Bourne series so snappy and exhilarating, he closes in on the set pieces with refreshingly creative skill.
The starting point can be nonsense - when Mr White, murderer of Eva Green's Vesper Lynd, is sprung from captivity in a ngeon beneath Siena, it's too, too Bond that it happens to be on the day, hour and very minute of the Palio horse race.
The gambit of cross-cutting from bolting nags to scarpering baddies starts out strident and doesn't seem necessary. But Forster is biding his time with this skittish prelude: we emerge into the crowd for a chase on foot, across rooftops, and down some scaffolding in a church, and the ensuing scramble with ropes, swinging girders, and out-of-reach revolvers leaves you gasping with its constricted tension and vertigo.
It's briefly to London for some Paul Haggis-scripted soundbites about our changing planet, and then to Haiti, where we meet pouting Bolivian agent Camille (Olga Kurylenko) and villain jour Dominic Greene (Mathieu Amalric), a petulant eco-criminal busily finessing the oil and water reserves of South America for his own gain. Amalric, who with every goggle-eyed smirk cements his credentials to star in a Roman Polanski biopic, brings a wickedly childish spite to this role, certainly proving a more interesting foil to Bond than his latest foxy-but-cross female sidekick.
James, of course, is still hung up over the betrayal and demise of Vesper in the last instalment, motivating a morose six-martini binge while he's flying across the Atlantic, as well as his avoidance here of any serious entanglements, save those in stray lengths of rope dangling from the roofs of Tuscan churches. He isn't alone: Camille, having had her family raped and burnt alive by a deposed Bolivian dictator, also has her mind on other things. Instead, there's a just-for-fun fling with MI6 emissary Gemma Arterton, who pitches up looking like a John le Carré strippogram in a trenchcoat, and exits in a homage to Shirley Goldfinger Eaton which had me reaching for bad oil puns. Crude? Unrefined? It's not exactly slick.
What's clever, and slick, and even a little ingenious about the movie, though, is how it postpones Bond's Vesper vendetta by submerging it beneath his present tasks - he gets an angry kick out of scuttling this international cabal of utility profiteers, who in the barmiest conceit get to negotiate through earpieces while seated for a state-of-the-art proction of Tosca.
If there was any remaining doubt that the world is bartered and sold by people who can afford opera tickets, it's roundly dispelled, though how Amalric persuades his backers that Haiti, of all places, is some kind of model example for neocapitalist progress leaves us just a little foxed. "I don't give a s--- about the CIA," announces Judi Dench, inimitably, but it's not the best line in the movie: those are all the ones on Daniel Craig's face, particularly the deep vertical groove between his eyebrows when he's found yet another score to settle.
Quantum of Solace offers next to no solace, if we mean respite, but in plunging its hero into a revenge-displacement grudge mission, it has the compensation of a rock-solid dramatic idea, and the intelligence to run and run with it.
2
Pleasurable and Satisfying
Be prepared for a few changes in this new entry of the Bond canon. James Bond is back, and this time it』s extremely personal. The rugged, harsh, and rough agent picks up exactly where he left off in another striking thriller that leaves you feeling exhausted, if not exhilarated.
Up to this time, the Bond canon entries have been a series, but Quantum of Solace is actually a sequel. Still raged by the death of Vesper Lynd in Siena, bereaved and blooded James Bond (Daniel Craig), goes after the shady international organization he holds responsible, even when M (Judi Dench) orders him to stand down. As promised at the end of Casino Royale, the film opens with a spectacular car chase before the revelation that Quantum, with agents in Her Majesty』s Government and the CIA, the organization that blackmailed Vesper, is far more labyrinthine and intricate, let alone momentous and far-ranging than anyone had imagined.
Forensic evidence of an MI6 traitor leads him to Haiti, where he meets Camille (Olga Kurylenko), who then helps him find ruthless businessman Dominic Greene (Mathieu Amalric) who is the chairman of Greene Planet, the legitimate cover for Quantum. His intention is to use his government contacts to help overthrow the current regime in Bolivia, and place the exiled General Medrano (Joaquin Cosio) as the head of state. In exchange, The General will give him a barren piece of land, which will actually give them total control of the nation』s water supply. Hazardously mixing revenge and ty, Bond promptly gets involved with Greene』s mistress, the beautiful yet mysterious Camille, when he saves her from an attempt on her life. However, Camille has a her own mission of vengeance so they team up to take down Greene and General Medrano while keeping one step ahead of both the CIA and MI6, which involves the action ripping across Austria, Italy, and South America. Meanwhile, Bond must try to keep his desire for retribution over Vesper Lynd』s death in check.
There』s still a sense at the end that Bond』s mission has scarcely begun and he』ll need a few more Bond canon entries to work his way up to annihilating the obviously indestructible Quantum organization. What makes Quantum of Solace captivating, compelling, and appealing is that this is the first of the 22 Bond movies where the plot flows in a natural and structural manner from the last installment, and this sequel looks a far stronger picture for this rare connected whole.
By far, there』s no better actor at bottling rage than Craig. He continues to be his own man as Bond, not just because he is a darker and more bare-knuckle Bond than any of previous Bonds. Having finally settled into the role of Bond, does Craig not only make it completely his own, but also brings a slightly softer side that his elegant predecessors have been deficient in. Never before have we seen him tenderly hugging a dying male comrade before disposing of his corpse in a mpster. Bond in this sequel is also human enough to start worrying about how regularly his girlfriends get killed. Moreover, viewers get to question his motives for pursuing a crusade. Is he being ultimately altruistic to helping drought-deteriorated Bolivian peasants? Or is he totally selfish to get his own back on the one directly accountable for Vesper』s predicament? Keep in mind that this is Bond at the beginning of his journey. Predictably, Craig will become the most popular 007 with the younger generation.
Stealthy and sensuous Kurylenko is superb as stunning Camille and her inexorable and determined quest for vendetta leads to one of the best scenes where Bond advises her on professionally assassinating the extremely unpleasant would-be dictator who slaughtered her family. She wants to bring to a bloody conclusion, with or without the hero』s help. She is in fact so fixed on murdering her enemy that she practically should not be counted as a Bond girl. Though given awfully little screen time, Arterton is equally good as effortlessly foxy Agent Fields who appeals to the better side of the wounded anti-romantic. There』s also decisively excellent work from Dench as witheringly unimpressed boss M and strong support from Wright and Giannini. All memorable Bond adversaries are amply endowed with unconventional and peculiar behaviors and Greene is no exception. As Greene, he is a suitably repulsive character and Amalric exemplifies a wonderfully humble conceitedness as the hypocritically earnest environmentalist.
In spite of its minor flaws, Quantum of Solace, a visually imaginative follow-up to the series relaunch, to much the same level of quality as Casino Royale, remains overall pleasurable and satisfying with strong performances, a realistically uncompromising script, and intense Bourne-modeled action sequences. It continues Craig』s authentic and conceivable reinvention of the character and throws him into an all scenario of concrete plausibility against an indistinct, deeply secret organization that bypasses politics and democracy to control economies, governments and necessary resources. And, as usual, no one but 007 can stop them.
3
Starring Daniel Craig, Eva Green, Mads Mikkelsen, Judi Dench, Giancarlo Giannini and Jeffrey Wright. Directed by Martin Campbell. 144 minutes. At major theatres. PG
You have to wait for it. And that's hardly surprising because so much of the glorious Casino Royale is a departure from past 007 movies.
But when newcomer Daniel Craig finally identifies himself as "Bond. James Bond" late in the picture, you might well find yourself sharing his satisfied smile.
By this point he's more than proven himself worthy of the name, vanquishing not just innumerable foes but also doubts about his suitability for the role. In the Internet age, everybody's spitball has a global reach.
It is one of the curiosities of moviedom that even though we know James Bond to be a fictional character, the most storied of British spies, we have grown to think of him as a real person. We act as if the reassigning of 007's licence to kill should require Parliament's approval, or a least a wave from the Queen.
And yet each age gets the James Bond it needs, regardless of welcome. Sean Connery launched the series in 1962 and defined the Swinging Sixties style of heroism and hedonism. Roger Moore went for the tongue-in-cheek swagger that typified the 1970s and early 1980s. Pierce Brosnan sought to bring a serious actor's gravity to more recent times — at least until the sex puns got the better of him. (Let's leave aside the brief interregnums of George Lazenby and Timothy Dalton, which matter not.)
Now comes Craig, the first real 007 of the post-9/11 era. The debate will continue as to who constitutes the best Bond, but there's no question that he is the right Bond for these times.
It's a world where shadowy terrorists no longer live elsewhere, where wars are fought for murky reasons and where even a humble pop bottle represents potential airborne disaster, doomsday visions are no longer confined to the movie screen and nationhood, and patriotism, seek new definitions.
This is something author Ian Fleming realized with uncanny prescience back in 1953 when he launched the legacy with the publication of Casino Royale, introcing Bond as a man of strength and style, but also possessed of self-awareness. A man astute enough to observe that, "History is moving pretty quickly these days and the heroes and villains keep on changing parts."
The rough-hewn Craig is the most credible incarnation to date of Fleming's flawed sleuth. His Bond stalks and kills like the "blunt instrument," as Judi Dench's spy boss M describes him, yet he is human enough to bleed from both the body and the heart. Craig isn't pretty — he "impersonates the ugly," as was once said of rocker Rod Stewart — but intelligence and depth reside behind those cold, blue eyes.
He meshes beautifully with the other players and elements of Casino Royale, which returning director Martin Campbell (GoldenEye) directs with a maximum of intensity and a minimum of pretense, aided by an uncommonly smart screenplay by Neal Purvis, Robert Wade and Paul Haggis, who pay e tribute to Fleming.
Gone or reshaped are most of the conceits that have made Bond movies seem like an exercise in parody and nostalgia.
There is no kitten-stroking villain in an island lair, plotting to blow up the world or to claim the sun, the moon and the stars as his own. Instead we get Mads Mikkelsen's suavely chilling Le Chiffre, an obsessive gambler who brokers financial deals with terrorists to fund his adventures at the poker table. Le Chiffre's main quirk, apart from a penchant for torture, is a tear ct that involuntarily bleeds. "Nothing sinister," he assures us.
The femmes are not quite as fatale as in Bonds past. Eva Green's spy accountant Vesper Lynd and Caterina Murino's flirtatious foil Solange are every bit as beautiful as Bond girls go, but they aren't out to prove their own killer instincts. Yet they are more intriguing and alluring than ever before.
And, for the most part, they have to keep those bikinis unfilled and those bedroom eyes wide open, because this Bond isn't wasting time making idle love. Craig's 007 is undeniably virile, but he's paradoxically the least sex-crazed of Bonds since David Niven's satirical elder incarnation was embarrassing the franchise with the rogue Casino Royale movie romp of 1967. (Freudian analysts will have a field day parsing a torture scene where 007's manhood is more than just shaken and stirred.)
Craig's Bond sprints faster — gasp at an early chase scene with parkour (free running) champ Sébastien Foucan as a fleet-footed bomb-maker — and fights harder than any of his predecessors. He loves harder, too, being the first Bond since Lazenby's cerebral spy of On Her Majesty's Secret Service to make a serious commitment to a woman.
The gadgets this time are modest and realistic, just enough to fill the glove compartment of Bond's trusty Aston Martin, which is nowhere near as tricked-out as usual. There is no hapless Q (farewell, John Cleese) to admonish Bond for being reckless with government property.
There is still M, played by Judi Dench as she has since GoldenEye, and finally given a script worthy of her talents. She is much more involved in Bond's training and development, having promoted him to "00" status despite misgivings about his judgment and his apparent inability to rein in his ego.
The above may make Casino Royale sound like serious dramatic fare. It is indeed, and all the better for it.
But director Campbell retains the exotic locales, zipping from Madagascar to Miami to Montenegro, to relieve the potential claustrophobia of the gaming tables that consume much of the story.
There is also humour to savour, although none of the sniggering sex talk that for too long has made Bond seem like a Playboy cartoon character. The wit is often visual: check out the age of the man in M's bed, when she is rudely roused from her slumber, and watch the reaction of the rich oaf who arrogantly mistakes Bond for a parking valet.
Follow the raised eyebrows of Jeffrey Wright's CIA mole Felix Leiter and Giancarlo Giannini's MI6 undercover man Mathis, as they try to figure out exactly what Bond is up to. They are standouts amongst an excellent supporting cast.
④ 急！急!急!007英文簡介三分鍾左右，盡量簡單一點
Royal Navy Commander James Bond, CMG, RNVR, is a fictional character created by British journalist and novelist Ian Fleming in 1953. He is the protagonist of the James Bond series of novels, films, comics and video games. Fleming wrote twelve Bond novels and two short story collections before his death, although the last two books—The Man with the Golden Gun and Octopussy and The Living Daylights—were published posthumously.
The Bond character is a Secret Service agent, code number 007, residing in London but active internationally. Bond was a composite character who was based on a number of commandos whom Fleming knew ring his service in the Naval Intelligence Division ring World War II, to whom Fleming added his own style and a number of his own tastes; Bond's name was appropriated from American ornithologist James Bond. Bond has a number of character traits which run throughout the books, including an enjoyment of cars, a love of food and drink, and an average intake of sixty custom-made cigarettes a day.
Since Fleming's death in 1964, there have been other authorised writers of Bond material, including John Gardner, who wrote fourteen novels and two novelizations and Raymond Benson, who wrote six novels, three novelizations and three short stories. There have also been other authors who wrote one book each, Kingsley Amis (writing as Robert Markham),Sebastian Faulks, Jeffery Deaver and William Boyd, with a further instalment e in September 2015 by Anthony Horowitz. Additionally a series of novels based on Bond's youth—Young Bond—was written by Charlie Higson.
As spin-offs from the literary works, there was a television adaptation of the first novel, Casino Royale, in which Bond was played as an American agent. A comic strip series also ran in the Daily Express newspaper. There have been 25 Bond films; seven actors have played Bond in these films.
希望能幫到你
⑤ 《007：無暇赴死》：一個叫邦德的男人，和觀眾告別的故事
時間過得很快，丹尼爾·克雷格已經飾演了十幾年的詹姆斯·邦德了，他也為我們貢獻了5部007電影，在他的最後一部《007：無暇赴死》中，他為我們呈現了一個有血有肉、充滿溫情、不一樣的邦德，也給自己的邦德生涯寫上了圓滿的句號。
我們先來回顧一下前4部《007》影片，分別是《皇家賭場》、《大破量子危機》、《大破天幕危機》和《幽靈黨》，我總結每部的主旨分別為：愛人的背叛、特工的平常任務、童年的回憶、兄弟的報復。
《皇家賭場》中出現了一個非常重要的「邦女郎」，也就是伊娃·格林飾演的維斯帕·琳達，這是邦德真正愛過的女人，甚至已經為了和她一起生活寫好了辭職信，但邦德遭到了她的背叛，從此不再相信任何人，並且琳達也在邦德心中留下了永久的印記。
《大破量子危機》講述了反派妄圖對自然資源進行控制，最終被邦德成功解決的故事。
《大破天幕危機》里邦德回到了童年的住所天幕庄園，但是在這里她也失去了如同母親一樣的上司M夫人。
《幽靈黨》是一部承前啟後的作品，交代了前幾部中反派都來自幽靈黨，並且遇到了他的愛人瑪德琳·斯旺醫生，而反派則是自己沒有血緣關系的兄弟——養父的兒子，最終也將他抓進了監獄。
到了《無暇赴死》，所有的疑惑和謎團都將一一揭開，這5部電影前後串聯，使得克雷格版007不同於以往的007系列電影那樣部與部之間沒有關聯，而是一個賦予了邦德成長經歷的系列電影。
不一樣的第一點來自於演員本身，丹尼爾·克雷格是第一位金發邦德演員，不夠俊俏不夠優雅的外形也讓他最初備受質疑，甚至有專門反對他飾演邦德的網站出現，但是在《皇家賭場》大獲成功後，風評立馬扭轉，大家都認可了這位「不夠邦德」的邦德，驚嘆於他的演技、驚嘆於他健碩的身材也為他的敬業感到欽佩。丹尼爾·克雷格本身有恐高，但是大家一定記得《皇家賭場》中精彩的吊車追逐戲，克雷格克服了自己的恐懼，呈現了極為精彩的打戲。
《大破量子危機》開頭精彩的追車戲，從准備到拍攝完成時間總計長達數個月，丹尼爾·克雷格本人臉部、手臂、肩膀甚至手指都有不同程度的受傷，拍攝最終也順利完成。
而《幽靈黨》拍攝期間，丹尼爾·克雷格的腿摔斷了，其實可以選擇停拍九個月去接受手術，但是丹尼爾·克雷格選擇了用仿生腿堅持拍攝，才有這一部《幽靈黨》，可以說從質疑到喜愛，丹尼爾·克雷格用自己的實力贏得了觀眾的青睞。
不一樣的第二點則是這5部電影貢獻了一個前所未有的豐滿的邦德形象，五部007，邦德經歷過愛情、背叛、死亡，作為特工的邦德在不斷成長，各種經歷也使得邦德的個人形象從未如此立體鮮活。
在《無暇赴死》中，邦德甚至有了自己的家庭，他不再是冷血的，不再是那個只會執行任務的MI6特工，他是一個人，一個真正有血有肉的男人，這是克雷格007系列的一大突破，也是讓影迷們如此熱愛的原因。
「No Time To Die」，是這部電影的英文名，中文翻譯為「無暇赴死」，講講我個人的理解：作為特工的007，肩負著各種各樣的重任，他們的身份決定了他們不能輕易丟失性命，因為國家安危還需要他們來守護，這是第一層意思；第二層意思則是對丹尼爾·克雷格的致敬，雖然這是他出演的最後一部007電影，電影中的邦德也沒有一個所謂的happy ending，但是克雷格為我們帶來的邦德形象不會就此消失，而是會永遠留在我們這一代影迷心中。
回到電影本身，其實電影能夠拍出來就很不容易，因為《幽靈黨》拍攝時克雷格腿摔斷了，堅持拍完《幽靈黨》後，克雷格自己也准備卸任了，但出於對邦德的留戀，他還是決定出演最後一部007。但是拍攝期間，電影經歷了克雷格受傷，劇本更改，變換導演，更改電影名等一系列難關後，終於在大熒幕上與全球影迷見面。
電影整體是不錯的，有007系列一貫的製作水準，一流的運鏡，華麗的場景，驚心動魄的劇情，當然最重要的是講好了一個故事，拍活了一個人。最讓人動情的莫過於小島上的劇情，在那裡邦德在對女007介紹瑪德琳·斯旺和馬蒂爾德二人時，無聲地說了一句「他們是我的家人」，終於在邦德的世界裡有了可以信賴、可以依靠，需要保護的人，他可以為了他們犧牲自己，站在天台上，邦德眼中是不舍、遺憾也是解脫，我相信此情此景下沒有任何一位影迷不潸然淚下。
但是電影缺點也是存在的，最大的缺點就是拖沓，電影出現了許多不必要的對話，既沒有推動劇情發展，也沒有讓主題更宏大，而這些拖沓的地方影響了節奏的發展，使一部本應該快節奏的特工電影變得有些乏味，甚至坐立難安，但這並不影響我們對這一部《無暇赴死》的喜愛。
丹尼爾·克雷格在這次真的要告別我們了，對於下一任007的扮演者也是眾說紛紜，其中大家可能會對這次的女版007很在意，但是克雷格回應道：「她們值得更好的角色」，其實大家不必擔憂下一任會是誰，就像電影中所說「007隻是一個數字而已」，真正能夠留在觀眾心中的是邦德這一人物，007隻是一個代號罷了，希望會有更多的007電影出現，來記錄這位叫作邦德的男人的精彩故事。
⑥ 美國007系列電影
摘至網路
電影海報(10張)中文名稱：擇日再死
英文名稱：Die another day
別名：改天再死/誰與爭鋒/不日殺機/擇日而亡/不日而亡
版本：思路.WMV.1080P.DTS雙聲軌版[HDTV-RE]；007系列第20部電影
發行時間：2002年11月18日
電影導演：李·塔瑪霍利 Lee Tamahori
電影演員：
皮爾斯·布魯斯南Pierce Brosnan
麥當娜Madonna
邁克爾·麥德遜 Michael Madsen
哈利·貝瑞Halle Berry
羅莎蒙德·派克Rosamund Pike
朱迪·丹克Judi Dench
約翰克立斯John Cleese
曾江
Simón Andreu
Samantha Bond
地區：美國 英國 ( 拍攝地 )
語言：英語
上 映：2002年11月18日 ( 英國 )
對 白：英語 西班牙語 粵語 朝鮮語
顏 色：彩色
聲 音：SDDS Dolby EX 6.1 DTS-ES
時 長：133 分鍾
類 型：驚悚 冒險 動作
分 級：西班牙：13 阿根廷：13 德國：12 葡萄牙：M/12 澳大利亞：M 瑞典：11 美國：PG-13 英國：12
發行公司：米高梅
編輯本段
演職員表
演員表
角色 演員
James Bond 皮爾斯·布魯斯南/Pierce Brosnan
Jinx 哈莉·貝瑞/Halle Berry
Miranda Frost 羅莎曼德·派克/Rosamund Pike
Gustav Graves 托比·斯蒂芬斯/Toby Stephens
Zao 尹成植
M 朱迪·丹奇/Judi Dench
Q 約翰·克立斯/John Cleese
Damian Falco 邁克爾·馬德森/Michael Madsen
Colonel Moon 威爾·尹·李/Will Yun Lee
General Moon 曾江
Korean Guard (uncredited) 何健民
Verity (uncredited) 麥當娜
Raoul 埃米利洛·艾切瓦利亞/Emilio Echevarría
Vlad (as Michael Gorevoy) Mikhail Gorevoy
Mr. Kil Lawrence Makoare
Charles Robinson 科林·薩爾蒙/Colin Salmon
Miss Moneypenny 薩曼莎·邦德/Samantha Bond
Snooty Desk Clerk Ben Wee
首頁上一頁|1|2|3|下一頁尾頁 默認顯示|全部顯示
職員表
製作人 芭芭拉·布洛柯里/Barbara Broccoli；Callum McDougall；安東尼·韋恩/Anthony Waye；邁克爾·G·威爾遜/Michael G. Wilson
導演 李·塔瑪霍瑞/Lee Tamahori
副導演（助理） James Armstrong；維克·阿姆斯特朗/Vic Armstrong；Ben Burt；Gerry Gavigan；José María González Sinde；Richard Goodwin
編劇 伊安·弗萊明/Ian Fleming；尼爾·珀維斯/Neal Purvis；羅伯特·維德/Robert Wade
攝影 大衛·塔特薩爾/David Tattersall
配樂 大衛·阿諾德/David Arnold
剪輯 Andrew MacRitchie；Christian Wagner
藝術指導 彼得·拉蒙特/Peter Lamont
美術設計 Ken Court；詹姆斯·漢姆比德吉/James Hambidge；Mark Harris；Fred Hole；Neil Lamont；Simon Lamont
服裝設計 林迪·海明/Lindy Hemming
視覺特效 Mara Bryan；Tom Debenham；Steve Murgatroyd；Pedro Sabrosa
布景師 Simon Wakefield
編輯本段
劇情簡介
從香港到古巴，再到倫敦，邦德在全世界奔波，追蹤撕去偽裝的叛逆者，
《007之擇日而亡》劇照(20張)阻止一場災難性的戰爭。一路上，他與金克斯(Jinx，哈莉-貝瑞飾)和米蘭達-弗羅斯特(Miranda Frost，羅莎蒙德-派克飾，Rosamund Pike)不期而遇，這倆位邦德女郎在後來發揮了至關重要的作用。詹姆斯-邦德因為在韓國的豐富經歷而被派去阻止非洲鑽石走私商與朝鮮官員穆恩上校(Colonel Moon，李威尹飾，Will Yun Lee)之間的非法武器交易。邦德成功地完成了任務，殺死了穆恩上校。但是，他也付出了巨大的代價，邦德被朝鮮政府關進了監獄，而英國政府則矢口否認了一切關於他的情況。一年後在地球的另一端，一位孤兒成為了億萬富翁，他的知名度也迅速地擴大。這位孤兒的名字叫古斯塔夫-格雷夫斯(Gustav Graves，托比-斯蒂芬斯飾，Toby Stephens)，他在冰島的基地--「冰宮」經營著一座鑽石礦山。古斯塔夫-格雷夫斯還對環境和航天技術有著濃厚的興趣，後一個愛好使他製造了伊卡洛斯(Icarus)--天空中的第2個太陽，它能照亮地球的遠端。但是，這一切都不是表面上的那麼簡單，地球又再一次陷入了一場爭奪世界控制權的危機之中。
《007之擇日而亡》劇照(20張)
經典情節：
1.邦德與Colonel Moon有一場兩棲登陸艇大戰，007以一敵三，帥呆了。
2.伊卡魯斯（宛如第二顆太陽的衛星）在Gustav Graves的遙控下追殺邦德.它聚集太陽的能量，將其釋放出來，從萬米高空垂激發出光束，看起來很壯觀.
3.這部分場景可以算是電影史上的經典情節了.007開著阿斯頓馬丁與敵人在冰原上廝殺..雙方的車子簡直就是一個超級戰車.雷達，紅外成像儀，導彈，重機槍，迫擊炮，輪番上陣.算是史上最帥氣的飆車場面之一.
編輯本段
背景
這是對007系列40周年的獻禮之作，投資巨大，達1億4200萬美元.轉戰英國，古巴，冰島多個國家拍攝.但片中極力抹黑朝鮮，在後來的六方會談中朝鮮前所未有強硬，外界猜測是擇日而亡惹惱了朝鮮軍方，但未經證實.
編輯本段
花絮
·據報道，布魯斯南得知將由哈莉·貝瑞擔任邦德女郎後，曾主動要求米高梅公司將與哈莉的床戲寫入自己的拍片合同。
·製片方最初曾打算讓《明日帝國》中楊紫瓊扮演的林惠在香港協助007。
·片中的冰宮是從瑞典的基律納冰酒店獲得靈感。
·由於影片中出現了美國向韓國軍隊下達指令的情節，盡管影片在韓國上映首周票房名列第五，但很快票房急劇下滑，第二周便退出前十，而且漢城的一家影院停止上映，很多二輪影院都停止上映.
.片中007在冰宮中撞開了關Jinx的門，撞門之前可以看見雨刷，而後來雨刷不翼而飛（那麼好的車不應該出這種質量問題）
精彩對白
1.James Bond：Magnificent view.
詹姆斯·邦德：好壯麗的風景。
Jinx：It is,isn't it?Too bad it's lost on everybody else.
金克斯：可不是嗎？真可惜其他人都沒欣賞到。
2.James Bond：The predators usually appear at sunset. 詹姆斯·邦德：掠食者通常都在太陽西下時出現。
Jinx：And why is that?
金克斯：為什麼呢？
James Bond：It's when their prey comes out to drink.
詹姆斯·邦德：因為此時他們的獵物出來喝酒。
3.Jinx：So,what do predators do……when the sun goes down?
金克斯：那麼，掠食者……在太陽下山後做什麼呢？
James Bond：They feast……like there is no tomorrow.
詹姆斯·邦德：他們大吃大喝……就像沒有沒有明天一樣。
4.Gustav Graves：It's only by being the edge that we know who we really are.Under the skin.Take your Donald·Campbell.1967 the Bluebird.Water speed record.
古斯塔夫·格雷夫斯：只有在生與死的邊緣我們才能真正認清自己，撇下偽裝。拿唐諾貝爾1967年的「青鳥」為例，他創下了水上記錄。
James Bond：Campbell died on his return run.
詹姆斯·邦德：他死於回程。
Gustav Graves：But he died chasing a dream.Isn't that the way to go?
古斯塔夫·格雷夫斯：但他死於追尋夢想。不就是該這樣嗎？
James Bond：I'd rather not go at all.I see you don't chase dreams,you live them.
詹姆斯·邦德：我寧可不要去。我認為追尋夢想不如創造夢想。
Gustav Graves：A virtue of never sleeping,Mr Bond.I have to live my dreams.Besides,plenty of time to sleep when you're dead.
古斯塔夫·格雷夫斯：就是不睡覺的好處，邦德先生。我必須創造我的夢想。再說，死後想不睡都難。
後景
在此部影片中皮爾斯·布魯斯南已顯老態，因此之後米高梅便不再請他出演007，而改由丹尼爾·克雷格這位肌肉男擔任007.但由於皮爾斯·布魯斯南太過成功，紳士形象早已深入人心，因此丹尼爾·克雷格飽受爭議.這也算是皮爾斯·布魯斯南的「擇日而亡」吧.
電影主題曲《擇日而亡-007系列第20部movie》OP_Die Another Day
麥當娜（Madonna）的歌，歌名就叫DIE ANOTHER DAY，收錄於她2003年4月22日發行的的AMERICAN LIFE專集里。
歌名：Die Another Day - Madonna
歌手：麥當娜（Madonna）
專輯：AMERICAN LIFE （於2003年4月22日發行）
歌詞：
I'm gonna wake up, yes and no
I'm gonna kiss, some part of
I'm gonna keep this secret
I'm gonna close my body now
I guess I'll die another day
I guess I'll die another day
I guess I'll die another day
I guess I'll die another day
I guess I'll die another day, another day
I guess I'll die another day, another day
I guess I'll die another day, another day
I guess I'll die another day
Siegmund freud
Analyse this
Analyse this
Analyse this, this, this….
I'm gonna break the cycle
I'm gonna shake up the system
I'm gonna destroy my ego
I'm gonna close my body now *repeat my body now 5 times*
I think I'll find another way
There's so much more to know
I guess I'll die another day
It's not my time to go
For every sin, I'll have to pay
I've come to work, I've come to play
I think I'll find another way
It's not my time to go
I'm gonna avoid the cliché
I'm gonna suspend my senses
I'm gonna delay my pleasure
I'm gonna close my body now
I guess I'll die another day
I guess I'll die another day
I guess I'll die another day
I guess I'll die another day
I think I'll find another way
There's so much more to know
I guess I'll die another day
It's not my time to go
Another day
Another Day
Another Day
Another Day
(Laugh)I need to lay down.
全球禁播麥當娜禁播MTV《Die Another Day》007電影擇日而亡主題曲。
首支由夫婿蓋瑞奇所執導的麥當娜音樂錄影帶What It Feels Like for a Girl，由於內容過於血腥暴力，日前遭到MTV音樂頻道及其姊妹台VH1抵制，只在星期二晚上11點半完整播放一次。
麥當娜的代言人麗茲羅斯伯格日前告訴紐約時報，對於What It Feels Like for a GirlMTV遭禁播有些存疑，因為現在的音樂錄影帶內容多少都牽涉到暴力，而麥當娜的音樂錄影帶只是講述一位女人受到虐待，由於畫面過於強烈他了解大家都不願在睡前看到該畫面的意願，但是該MTV在麗茲的眼中是反暴力的，更該接受播放，發言人接著表示，他們可以了解VH1和MTV音樂頻道採取部分禁播的前提，而兩音樂頻道也是他們播MTV的首選，不過基於尺度因素，彼此無法取得共識，但該音樂錄影帶並不會被永久地擱置。
編輯本段
精彩劇照
⑦ 介紹給我007系列電影，經典！！
007系列電影介紹
他充滿魅力而且機智勇敢，他殺起人來鐵面無情……他就是007，詹姆斯·邦德（James Bond）。第一部007電影於1962年10月4日公映後，007電影系列風靡全球，到今天歷經40年長盛不衰。
共有20部片子
片名
八爪女[Octopussy] （英國/美國/1983年出品/彩色/有聲）[2002年12月23日]
縱橫天下[The World Is Not Enough] （美國/1999年出品/彩色/有聲）[2002年12月23日]
擇日再死[Die Another Day] （美國/2002年出品/彩色/有聲）[2002年12月23日]
明日帝國[Tomorrow Never Dies] （英國/美國/1997年出品/彩色/有聲）[2002年12月23日]
黃金眼[Goldeneye] （英國/美國/1995年出品/彩色/有聲）[2002年12月23日]
殺人執照[Licence to Kill] （英國/1989年出品/彩色/有聲）[2002年12月23日]
黎明生機[The Living Daylights] （英國/1987年出品/彩色/有聲）[2002年12月23日]
雷霆殺機[A View To A Kill] （英國/美國/1985年出品/彩色/有聲）[2002年12月19日]
最高機密[For Your Eyes Only] （英國/1981年出品/彩色/有聲）[2002年12月18日]
太空城[Moonraker] （英國/1979年出品/彩色/有聲）[2002年12月18日]
海底城[The Spy Who Loved Me] （英國/1977年出品/彩色/有聲）[2002年12月18日]
金槍人[The Man With The Golden Gun] （英國/1974年出品/彩色/有聲）[2002年12月16日]
生死關頭[Live and Let Die] （英國/1973年出品/彩色/有聲）[2002年12月16日]
金剛鑽[Diamonds are Forever] （英國/1971年出品/彩色/有聲）[2002年12月16日]
女王密使[On Her Majesty's Secret Service] （英國/1969年出品/彩色/有聲）[2002年12月16日]
雷霆谷[You Only Live Twice] （英國/1967年出品/彩色/有聲）[2002年12月15日]
霹靂彈[Thunderball] （英國/1965年出品/彩色/有聲）[2002年12月15日]
金手指[Goldfinger] （英國/1964年出品/彩色/有聲）[2002年12月12日]
鐵金剛勇破間諜網[From Russia with Love] （英國/1963年出品/彩色/有聲）[2002年12月12日]
諾博士[Dr No] （英國/1962年出品/彩色/有聲）[2002年12月12日]
再加上"皇家賭場"應該是21部~~
⑧ 007系列電影介紹
片名：Dr. No
譯名：諾博士/第七號情報員/鐵金剛勇破神秘島
導演：泰倫斯·楊Terence Young
主演：肖恩·康納利Sean Connery
烏蘇拉·安德絲Ursula Andress
約瑟夫·維斯曼Joseph Wiseman(反派諾博士)
伯納德·李Bernard Lee(M)
片長：110分鍾
發行：米高梅/聯美電影公司United Artists
1962年 英國出品
[影片簡介]
--------------------------------------------------------------------------------
這是第一部007電影，於1962年10月首映，影片通過聯美公司(United Artists)由Albert R. Broccoli和Harry Saltzman製作，預算大約為100萬美元，飾演詹姆斯·邦德的是出生於蘇格蘭的演員肖恩·康納利，烏蘇拉·安德絲飾演Honey Rider(她可是第一代邦德女郎，在電影後半段以當時認為性感尺度的泳裝現身，從此奠定了邦德女郎性感花瓶的地位)，約瑟夫·維斯曼飾演片中的大反派諾博士(Dr. No)，此外，伯納德·李和路易絲·麥克斯維爾(Lois Maxwell)分別飾演英國情報局局長M先生和其秘書Moneypenny小姐(這兩人在大多數UA的007續集電影里持續飾演這兩個角色)。
《第七號情報員》忠於伊恩·弗萊明的原著，是一部製作嚴謹的神秘驚悚片。這是007系列電影中最低調的一部，然而它的劇情已比當時大部分的偵探或諜報片更具想像空間。這部片由泰倫斯·楊執導，故事描述邦德在調查牙買加裔英國情報員的謀殺案後，發現阻止美國登陸太空的陰謀正在暗中進行。
[主要情節]
--------------------------------------------------------------------------------
007奉命前往加勒比海調查情報員史金城的神秘死亡原因，與此同時,美方懷疑其發射的飛彈遭到當地發出的電波干擾，以至於無法順利發射。007到達後，與當地漁民庫洛及CIA情報員萊特合作調查，得知屬於一名中國人所有的卡基島上的礦石含有輻射，島主諾博士原來是個想統治世界的野心科學家，007深入虎穴，摧毀該基地，帶著島上結識的少女順利逃離卡基島。
反派角色：諾博士
特色：本片是第一部，有人說也是最好的一部邦德電影。
音樂：「The James Bond Theme」
噱頭：肖恩·康納利當年又帥還沒禿頭咧！
[關於配樂]
--------------------------------------------------------------------------------
聯美音樂部門主管尼爾·羅傑斯(Noel Rodgers)在某個周五晚上打電話給約翰·巴瑞(John Barry)，邀請他為《第七號情報員》的電影原聲帶中，詹姆斯·邦德這個角色的主題曲做管弦樂編曲，2分鍾的原曲作者為Monty Norman。巴瑞當時以John Barry Seven爵士樂團在英國走紅，他只在倫敦報紙的連載漫畫中看過詹姆斯·邦德這個角色，他在被臨時通知的情況下為這首歌編曲，酬勞不到1千美元，也沒得到先看過電影的機會。但他的成績斐然，這首曲子在英國榜獲得第13名，巴瑞在以後的30年間，再度被邀請為11部007電影作配樂。
⑨ 007是什麼
詹姆斯·邦德
詹姆斯·邦德（James Bond），是一套小說和系列電影的主角名稱。小說原作者是英國作家伊恩·弗萊明（Ian Fleming）。在故事裡，他是英國情報機構軍情六處的特務，代號007，被授權可以幹掉任何妨礙行動的人。他的上司是一位神秘人物「M」。
由於詹姆斯·邦德系列電影和故事的高度知名度，不少其他國家的作品都把故事的特務角色以他作參考，不論是現代還是古裝。香港在1980年代的《最佳拍檔3：女王密令》及1990年代周星馳的兩套電影《國產凌凌漆》（From Beijing With Love或From China With Love，模仿原版007電影From Russia With Love）和《大內密探零零發》的主角都或多或少影射詹姆斯·邦德。
007詹姆斯·邦德完全檔案
姓名：James Bond 譯名：詹姆斯·邦德/占士邦/詹姆斯龐德
國籍：英國 編號：007 身高：183厘米 體重：76公斤 眼睛：藍色 頭發：黑色身體特徵：右臉頰、左肩和右手背有疤痕，皮膚較黑
特長：射擊、飛刀、滑雪、搏擊
語言：能操流利法語，德語，而且對其他語言也很有天份
自1952年創作第一本《007》小說開始，伊安-弗蘭明總共出版了15本《007》小說。當
初他為自己筆下的主角起名時，認為需要一個簡單的、毫不浪漫還要極具陽剛味的名字。結果他將這位特務命名為詹姆斯-邦德。從此，在每一集007電影中，一定會出現這句經典台詞：「我叫邦德，詹姆斯-邦德！」弗蘭明把一位充滿魅力和冒險精神的英國間諜007介紹給了世界。不過把007帶上銀幕的還是第一部007影片《鐵金剛勇破神秘島》。從第一部《鐵金剛勇破神秘島》到《皇家賭場》，007系列電影已有21部。
007系列電影並非全部出自伊安手筆。
只有其中前13集是來自原著小說，其後都是電影公司購買「007」三字電影版權，繼而另創故事拍攝。人們在電影中既見識到詹姆斯-邦德愛慕女色的一面，也看到了他追殺國際兇犯時機智勇敢的一面。同時007使用的那些稀奇古怪的武器，也讓人們大開眼界。
就像007系列之一的《鐵金剛大戰金手指》的音樂一樣，007影片中充滿神秘感的音樂，以及變化多樣的場景和漂亮的女演員，造就了007影片的成功。
甚至連一些007常用語言也成為流行的日常用語，比如007的自我介紹：「我叫邦德，詹姆斯-邦德」(Bond，JamesBond)。他喜歡喝馬天尼(martini)，他老是說：「搖勻，不要攪拌。」(shaken，notstirred)。
根據非正式統計，看過007電影的觀眾總數起碼有20億人次，亦即地球上每3人就有1個曾經看過007電影！上任「邦德」皮爾斯-布魯斯南這樣總結「007」電影長盛不衰的原因：「是美艷的邦德女郎，是新奇的道具、是性、是羅曼蒂克、是幻想、是最終的英雄，賦予了這部電影長久的生命力。」英國文化評論家康拉德則對人們崇拜007現象做如下解釋：「如果你嚮往成為一名重要的人物，你可以把自己想像成007。」
對他的贊美
他充滿魅力而且機智勇敢，他殺起人來鐵面無情……他就是007，詹姆斯-邦德(JamesBond)。第一部007電影於1962年10月5日公映後，007電影系列風靡全球，到今天歷經40年長盛不衰。
1.他的電影
電影列表
截止到2006年，詹姆斯·邦德電影共21部：
編號/英文劇名/香港劇名/台灣劇名/年份/詹姆斯·邦德演員
1/Dr. No/鐵金剛勇破神秘島/諾博士/1962年/肖恩·康納利
2/From Russia With Love/鐵金剛勇破間諜網/來自俄羅斯的愛情/1963年/肖恩·康納利
3/Goldfinger/鐵金剛大戰金手指/金手指/1964年/肖恩·康納利
4/Thunderball/鐵金剛勇戰魔鬼黨/霹靂彈/1965年/肖恩·康納利
5/You Only Live Twice/鐵金剛勇破火箭嶺/雷霆谷/1967年/肖恩·康納利
6/On Her Majesty's Secret Service/鐵金剛勇破雪山堡/女王密使/1969年/喬治·拉茲比
7/Diamonds Are Forever/鐵金剛勇破鑽石黨/金剛鑽/1971年/肖恩·康納利
8/Live and Let Die/鐵金剛勇破黑魔黨/生死關頭/1973年/羅傑·摩爾
9/The Man with the Golden Gun/鐵金剛大戰金槍客/金槍人/1974年/羅傑·摩爾
10/The Spy Who Loved Me/鐵金剛勇破海底城/海底城/1977年/羅傑·摩爾
11/Moonraker/鐵金剛勇破太空城/太空城/1979年/羅傑·摩爾
12/For Your Eyes Only/鐵金剛勇破海龍幫/最高機密/1981年/羅傑·摩爾
13/Octopussy/鐵金剛勇破爆炸黨/八爪女/1983年/羅傑·摩爾
14/A View to a Kill/鐵金剛勇戰大狂魔/雷霆殺機/1985年/羅傑·摩爾
15/The Living Daylights/鐵金剛大戰特務飛龍/黎明生機/1987年/蒂姆西·道爾頓
16/Licence to Kill/鐵金剛勇戰殺人狂魔/殺人執照/1989年/蒂姆西·道爾頓
17/GoldenEye/新鐵金剛之金眼睛/黃金眼/1995年/皮爾斯·布魯斯南
18/Tomorrow Never Dies/新鐵金剛之明日帝國/明日帝國/1997年/皮爾斯·布魯斯南
19/The World Is Not Enough/新鐵金剛之黑日危機/縱橫天下/1999年/皮爾斯·布魯斯南
20/Die Another Day/新鐵金剛之不日殺機/誰與爭鋒/2002年/皮爾斯·布魯斯南
21/Casino Royale/鐵金剛勇破皇家夜總會/皇家賭場/2006年/丹尼爾·克雷格
曾經或即將飾演詹姆斯·邦德的演員
英文姓名/香港譯名/台灣譯名/中國大陸譯名
Sir Sean Connery/辛·康納利/史恩·康納萊/肖恩·康納利
George Lazenby/佐治·拉辛比/喬治·拉贊貝/喬治·拉茲比
Sir Roger Moore/羅渣·摩亞/羅傑·摩爾/羅傑·摩爾
Timothy Dalton/鐵摩·達頓/提摩西·達頓/蒂姆西·道爾頓
Pierce Brosnan/皮雅斯·布士南/皮爾斯·布洛斯南/皮爾斯·布魯斯南
Daniel Craig/丹尼爾·基克/丹尼爾·奎格/丹尼爾·克雷格
⑩ 007的全部電影系列,所有007電影的名字(中英)
第一部：肖恩·康納利，《諾博士》 （第一任007）
Dr. No，1962年
第二部： 肖恩·康納利，《來自俄羅斯的愛情》（第一任007）
From Russia with Love，1963年
第三部：肖恩·康納利，《金手指》（第一任007）
Goldfinger，1964年
第四部：肖恩·康納利，《雷電堡》（第一任007）
Thunderball，1965年
第五部：肖恩，康納利，《雷霆谷》（第一任007）
You Only Live Twice，1967年
第六部：喬治·拉贊貝，《女王密使》（第二任007）
On Her Majesty`s Secret Service，1969年
第七部：肖恩·康納利，《金剛鑽》（第一任007）
Diamonds are Forever，1971年
第八部：羅傑·摩爾，《生死關頭》 （第三任007）
Live and Let Die，1973年
第九部：羅傑·摩爾，《金槍人》 （第三任007）
The Man With The Golden Gun，1974年
第十部：羅傑·摩爾，《海底城》（第三任007）
The Spy Who Loved Me，1977年
第十一部：羅傑·摩爾，《太空城》（第三任007）
Moonraker，1979年
第十二部：羅傑·摩爾，《最高機密》（第三任007）
For Your Eyes Only，1981年
第十三部：羅傑·摩爾，《八爪女》（第三任007）
Octopussy，1983年
第十四部：羅傑·摩爾，《雷霆殺機》（第三任007）
A View To A Kill，1985年
第十五部：提摩西·達頓，《黎明生機》（第四任007）
The Living Daylights，1987年
第十六部：提摩西·達頓，《殺人執照》（第四任007）
Licence to Kill，1989年
第十七部：皮爾斯·布魯斯南，《黃金眼》（第五任007）
Goldeneye，1995年
第十八部：皮爾斯·布魯斯南，《明日帝國》（第五任007）
Tomorrow Never Dies，1997年
第十九部：皮爾斯·布魯斯南，《黑日危機》（第五任007）
The World Is Not Enough，2000年
第二十部：皮爾斯·布魯斯南，《擇日而亡》（第五任007）
Die Another Day，2002年
第十一部：丹尼爾·克雷格，《皇家賭場》（第六任007）（未上映）
Casino Royale，2006年