尋找人工智慧電影英文版
❶ 跪求~~!關於機器人的電影的英文簡介
Bicentennial Man
Rating:
Genre: Comedy
Movie Type: Domestic Comedy， Sci-Fi Comedy
Themes: Journey of Self-Discovery， Opposites Attract， Robots and Androids
Director: Chris Columbus
Main Cast: Robin Williams， Sam Neill， Wendy Crewson， Embeth Davidtz， Oliver Platt
Release Year: 1999
Country: US
Run Time: 131 minutes
MPAA Rating: PG
Plot
If a robot spends enough time around humans， can he learn to become one of them？ The Martin family purchases a domestic android as a servant and names him Andrew (Robin Williams). Andrew comes to know the man of the house as Sir (Sam Neill)， his wife as Ma'am Wendy Crewson， and their daughter as Portia (Embeth Davidtz)； before long， the Martins suspect that they do not have an ordinary robot on their hands. Andrew seems capable of expressing emotion and generating original thoughts， and the longer he stays with the Martins， the more strongly these human traits manifest themselves. Over the next 200 years， Andrew becomes less a machine and more a member of the family， until a mechanic (Oliver Platt) tells Andrew that he might be able to turn him into a human being. Based on a short story by renowned science fiction author Isaac Asimov (surprisingly， it's only the second Asimov story to be brought to the screen)， Bicentennial Man was directed by Chris Columbus， who previously worked with Robin Williams on Mrs. Doubtfire. ~ Mark Deming， All Movie Guide.
機器管家/變人 Bicentennial Man (1999)
導 演:克里斯·哥倫布 Chris Columbus
主 演:羅賓·威廉斯 Robin Williams 山姆·內爾 Sam Neill 艾伯斯·戴維斯 Embeth Davidtz 奧利弗·普萊特 Oliver Platt 海麗·凱特·艾森伯格 Hallie Kate Eisenberg Kevin Tiny Ancell Joe Bellan Merridee Book
上 映:1999年12月13日 ( 美國 )更多地區
地 區:美國 德國 ( 拍攝地 )
對 白:英語
評 分:6.1/10( 7330票 ) 詳細
顏 色:彩色
聲 音:DTS Dolby Digital SDDS
時 長:132 分鍾
類 型:劇情 科幻 愛情
分 級:瑞典:Btl 澳大利亞:PG 英國:PG 阿根廷:13 德國:0 美國:PG 紐西蘭:PG 法國:U
劇情簡介:
這部影片追隨一個機器人的「生活」進行。羅賓·威廉姆斯飾演的機器人安德魯被馬丁一家作為家務機器人購買，他的程序只設置為完成僕人的任務。但沒過幾天他們發現安德魯並不是一個尋常的機器人，因為他開始體驗情感和創造思維。在一個跨越了兩百年的故事裡，安德魯在阻止那些製造他的人銷毀自己的過程中領會了人性的錯綜復雜。
這個機器人，是好萊塢喜劇天王、羅賓威廉斯最新的嘗試。 擅長以溫馨喜感演出取勝的、好萊塢影星，羅賓威廉斯，在新片《機器人》中，飾演的機器人，在經歷兩百年後，終於透過先進科技，變成真正人類的故事。
片中雖然大量使用電腦科技，強化視覺效果，不過影片的賣點，還是集中在人性情感的探討上。羅賓威廉斯在影片中，將再度以感性的內心戲打動觀眾。羅賓威廉斯表示科幻片向來是他喜歡的.
PS:中文介紹並非原英文介紹翻譯。
❷ 電影人工智慧劇情分析介紹
電影人工智慧讓人們見識到了人工智慧帶來的強大能力，但是很多人對這一部電影還很不了解。下面是我為你整理的電影人工智慧劇情分析，供大家閱覽!
人工智慧電影劇情
未來世界科技主宰一切。機器人小男孩大衛被一對夫婦收養。當這對夫婦的親生兒子病癒後，大衛被棄荒野。他深信自己跟普通人無分別，與機器人喬一道踏上漫長旅途，渴望能遇上《木偶奇遇記》幻變生命的女神把自己變成真正的小孩……
21世紀50年代之後，人類的科學技術已經達到了相當高的水平，人類發明了人工智慧機器人用以應對惡劣的自然環境。先進的人工智慧機器人不但擁有以假亂真酷似人類的外表，而且還能像人類一樣感知自己的存在。11歲的大衛(海利·喬·奧斯蒙特)就是生活在未來時代中一個有思想、有情感的小機器人。在他那個年代，由於全球氣候的變暖，南北兩極冰山開始融化，許多城市被淹沒在汪洋大水中。於是人工智慧機器人開始擔負起拯救人類生命的重任。同時，大衛還一直渴望自己有朝一日不再僅僅是個簡簡單單機器人，轉而成為真正的人。為了實現這個願望，大衛與機器人喬(裘德·洛 飾)一道踏上漫長的旅途，而等待他們的卻只有凶吉難料、變幻莫測的對復雜人性的探索……
21世紀中期，這是一個自然資源缺乏，科學技術飛速發展的時代。現代化的住所，精心設計的飲食，為你服務的不再是人類，而是機器人。園藝、家務、友誼，機器人可以滿足每一個需求，但“愛”機器人是無法做到的。在機器人發展過程中，為機器人賦予情感程序極具爭議。機器人被看作是現代設備，他們不應具有感情。但是現在由於很多父母沒有自己的孩子，所以這種可能性不是沒有。一家計算機公司做出了一個決定：製作一個具有情感的機器人。他的名字叫大衛(海利·喬·奧斯蒙 飾)——第一個被輸入情感程序的機器男孩，作為一個試驗品被該公司的員工(山姆·羅伯茲 飾)和他的妻子(弗朗西斯·歐康娜 飾演)收養。他們自己的兒子因病被冷凍起來，直到能治療這種病的 方法 出現。莫妮卡為了緩解傷痛的心情領養了大衛，大衛的使命就是愛他。然而當大馬丁蘇醒，恢復健康，回到了家裡，一系列的事情使大衛“失寵”，最後被莫妮卡拋棄。 在躲過機器屠宰場的殘酷追殺後，大衛在機器情人喬(裘德·洛 飾)的幫助下，開始尋找自己的生存價值：渴望變成真正的小孩，重新回到莫妮卡媽媽的身邊。誰也不知道他能否完成自己的心願，脫胎換骨成為真正的人，等待他們的只是凶吉難料的旅程……
人工智電影簡介這是一個自然資源有限，科學技術飛速發展的時代。你可以對你的住所進行監控，對自已的飲食進行精心地製作，而為你服務的可能根本就不是人類本身，而是一個機器人。誠然，園藝、家務、友誼----機器人可以滿足你除了愛以外人類的每一個需求。
在機器人的發展過程中，賦予機器人以情感是最富有爭議的，也是最後未能做到的事。通常機器人被視作為一個極其復雜的裝置，人們認為他們不會具備感情。但是，現在有很多父母失去了自己的孩子，時代的需要就使這種可能性大大增加了。終於，Cybertronics Manufacturing製作公司著手解決了這個問題，製造出了第一個具有感情的機器人。
他的名字叫大衛(David，海利-喬-奧斯蒙特飾，Haley Joel Osment)。
作為第一個被輸入情感程序的機器男孩，大衛是這個公司的員工(薩姆-羅伯茲飾，Sam Robards)和他的妻子(弗朗西斯-奧康娜飾，Frances O'Connor)的一個試驗品，他們夫妻倆收養了大衛。而他們自己的孩子卻最終因病被冷凍起來，以期待有朝一日，有一種能治療這種病的方法會出現。盡管大衛逐漸成了他們的孩子，擁有了所有的愛，成為了家庭的一員。但是，一系列意想不到的事件的發生，使得大衛的生活無法進行下去。
人類與機器最終都無法接受他，大衛只有唯一的一個夥伴機器泰迪(Teddy)----他的超級玩具泰迪熊，也是他的保護者。大衛開始踏上了旅程，去尋找真正屬於自己的地方。他發現在那個世界中，機器人和機器之間的差距是那麼的巨大，又是那麼的脆弱。他要找尋自我、探索人性，成為一個真正意義上的人。
電影大師斯坦利-庫布里克(Stanley Kubrick)早在20年前就有了推出《人工智慧》的構思，重點刻畫一個代表未來技術條件下思維的人物形象。該片最終是由斯坦利-庫布里克的老朋友，奧斯卡獲獎導演/編劇斯蒂文-斯皮爾伯格(Steven Spielberg)擔任了此片的導演兼編劇。斯皮爾伯格曾表示，"在20世紀的80年代，斯坦利-庫布里克就把我當作十分信賴的朋友，告訴了我一個非常美麗的 故事 ，美麗得讓人無法忘記的一個故事。我想也正是科學和人性的魅力才讓斯坦利急不可待地告訴了我這個故事。他‘走’了以後，我特別想完成他的遺願”。
人工智慧演員介紹海利·喬·奧斯蒙特
這位美國童星已經證明是他這個年齡段里最優秀的青年演員。他的父親是演員尤金·奧斯蒙特(Eugene Osment)，母親特里莎·奧斯蒙特(Theresa Osment)是位教師。4歲時海利和父母逛傢具店時被導演相中拍攝 廣告 。幾個月之後，他在《阿甘正傳》 (Forrest Gump，1994)里扮演湯姆·漢克斯(Tom Hanks)的兒子，角色雖小但令人印象深刻，同年在電視劇集“Thunder Alley”(1994)里扮演愛德華·阿斯納(Edward Asner)的曾孫。由於他卓越的喜劇表演才能，在“Thunder Alley”後又接演了兩部情景喜劇。諾曼·傑威森(Norman Jewison)給了他在電影《媽咪也瘋狂》 (Bogus，1996)里扮演主角的機會，他輕松的扮演了這個戲劇性的角色。但是，直到熱門電影《第六感》 (Sixth Sense，1999)，這個年輕的演員才被公眾所熟知。他對於角色Cole Sear極佳的塑造使之在11歲時就得到了一項奧斯卡的提名以及後來的獲獎者邁克爾·凱恩(Michael Caine)的贊美之詞“當我知道你獲得提名，並看到你的表演時，我就知道你一定會贏。”之後，在《讓愛傳出去》 (pay it forward，2000)里他的表演同樣精彩。除了精彩的表演之外，他也在同行中贏得了相當的榮譽。在史蒂芬·斯皮爾伯格的科幻大片《人工智慧》 (Artificial Intelligence，2001)中，他擔綱主演智能機器人，不負眾望，其表現令人驚艷。但之後奧斯蒙特的演藝事業並未出現長足進步，陷入了童星成年後難再走紅的怪圈。
史蒂文·斯皮爾伯格
美國導演，生於俄亥俄州辛辛那提，曾就讀加州州立學院三年，12歲開始用8厘米的電影攝影機拍家庭影片。1960年，他編導了一部片長四十分鍾的戰爭片《無處容身》 ，在“峽谷影展”中獲勝，並使他獲得了一台十六厘米的攝影機作獎品。1968年，他獲得一位開光學儀器公司的富翁投資十萬美元，讓他導演一部用三十五厘米攝影機拍攝的短片《安培林》，講述一對年輕戀人在莫哈威沙漠相遇後一齊坐車到加州海邊的故事，結果在第二屆亞特蘭大影展上獲獎。環球公司的行政總裁恰好看到了這部短片而與他簽約。
從此開始了他在好萊塢呼風喚雨的時代。作品以卓越的講故事技巧著稱，名字已成為好萊塢的化身。
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❸ 一部關於美國的機器人電影的名字
《人工智慧》，非常感人，看了以後我都哭了，那個小男孩的眼睛像天使一樣。
導演：斯蒂文·斯皮爾伯格Steven Spielberg
主演：海利·喬·奧斯蒙特Haley Joel Osment
裘德·洛Jude Law
弗朗西斯·奧康納Frances O'Connor
威廉·赫特William Hurt
羅賓·威廉斯Robin Williams（旁白）
類型：科幻
21世紀中期，由於氣候變暖，南北兩極冰蓋的融化，地球上很多城市都被淹沒在了一片汪洋之中。此時，人類的科學技術已經達到了相當高的水平，人工智慧機器人就是人類發明出來的用以應對惡劣自然環境的科技手段之一。
先進的人工智慧機器人不但擁有可以亂真的人類外表，而且還能像人類一樣感知自己的存在。大衛（海利·喬·奧斯蒙特）就是這樣一個有思想、有感情的小機器人，他被一對人類父母所收養，有一個哥哥和一個貼身的夥伴——機器泰德熊。但這些並不能讓大衛滿足，他一直渴望著自己終有一天不再僅僅是個機器人。抱著對這個願望的執著，11歲的大衛踏上了漫長的心路歷程，跟隨在他身邊的，還有另一個善良的機器人喬（裘德·洛）。誰也不知道他們能否完成自己的心願，脫胎換骨成為真正的人，等待他們的只有凶吉難料的對復雜人性的追尋……
❹ 高三時一篇英語課文有關於機器人的文章，有關於它的電影，電影叫啥名字
科幻小說改編的《人工智慧》 (2001)
導演: 史蒂文·斯皮爾伯格
主演: 海利·喬·奧斯蒙 / 弗蘭西絲·奧康納 / 山姆·洛巴茲 / 傑克·托馬斯 / 裘德·洛
類型: 劇情 / 科幻 / 冒險
製片國家/地區: 美國
語言: 英語
上映日期: 2001-06-26
❺ 急需電影《人工智慧》和《勇敢的心》的英文劇情介紹
勇敢的心 braveheart
資料一：
Unfortunately, I have yet to find a film of quite this caliber again. Braveheart contains elements of Romance (several heart- wrenching and warming instances), Epic/Action (spectacular scenes), Mystery (can take a few viewings to put it all together), History (albeit romanticised) and of course Drama (perfectly unravelled). This level of uncompromised multi-tasking allows the film to move you to laugh and cry, love and hate or even to think and be taught. I'm trying to avoid the clichés of glowing reviews (almost as bad as entirely negative ones) - but this is one of the few movies that I feel deserves one.
The witty banter between friends/foes/lovers/relatives is, in my opinion, flawless and aids the film's claim as a true classic. The soundtrack is similarly top-notch and encapsulates and refracts the patriotic theme ring several key moments. The political sub-plot and gorgeous scenery also serve as refreshers ring otherwise heavy areas of the story. Perhaps Braveheart's only flaw (but if you share my sentiments it's actually a bonus) is its length so you'll want to prepare a comfy seat and maybe even two pots of tea (complete with cosies!).
I suppose it's also relevant to touch on the historic inaccuracies as I expect this is what people might dislike most about this film. However, "History is written by those who have hanged heroes"; also, the overall sketchiness of such periods coupled with the right of artistic license are enough for me to personally dismiss such thoughts. On that note, I hope you also enjoy what, to me, is the greatest film created (so far).
資料二：
The movie begins in the small town of Elerslie, Scotland. William lives with his father, who is not named in the film, and his older brother Malcolm. William's father and older brother are called to a meeting a few miles from their home where they find the entire nobility of Scotland hanging. Malcolm and his father then go to a battle between the British and their clan, both die tragically. At the funeral William meets his uncle Argyle who fought in the battle with Malcolm and his father. He takes him away to live with him. The scene then cuts to an alt William on his horse. William later runs into a girl he knew before he went to live with Argyle, her name, Murron, we discover that Lords have the right to sleep with brides on their wedding night, so William marries Murron in secret. Murron is the assaulted by a British guard, the guard is killed by William, a fight ensues, and eventually Murron is killed by the lord. This enrages Wallace who then build himself a fine army entering city's and killing all Englishman within. Wallace prepares to move on to Sterling where he prepared for his greatest battle yet, in the forest he realises that he must find a way to beat the heavy cavalry from the ground, he decided to create spears twice as long as men. These were used in the battle to kill the entire heavy cavalry raised at the last minute to kill the on coming horses. Eventually Wallace reaches York, the most important military city he gains control. Williams final battle at Falkirk ends in his betrayal by two nobles, whom he later kills. William is betrayed by the leper father of Robert the Bruce, is captured and refuses to bow down as a loyal subject of the king Edward I, Longshanks. Therefore, instead of mere beheading William Wallace is subject to being Hung, hung within an inch of death. Drawn, being stretched by his ankles and wrists and then having his insides shown to him before he died. Then Quartered, he was beheaded and his head was put on the London Bridge his body was torn into for pieces one sent to each corner of Britain as a warning to the citizens. After Wallace's death we see Robert the Bruce led the battle of Bannockburn the last battle for Scotland's freedom.
資料三：
In 14th Century Scotland, William Wallace leads his people in a rebellion against the tyranny of the English King, who has given English nobility the 'Prima Nocta'.. a right to take all new brides for the first night. The Scots are none too pleased with the brutal English invaders, but they lack leadership to fight back. Wallace creates a legend of himself, with his courageous defence of his people and attacks on the English.
——————————————————————
人工智慧 artificial intelligence A.I
資料一：
In the not-so-far future the polar ice caps have melted and the resulting raise of the ocean waters has drowned all the coastal cities of the world. Withdrawn to the interior of the continents, the human race keeps advancing, reaching to the point of creating realistic robots (called mechas) to serve him. One of the mecha-procing companies builds David, an artificial kid which is the first to have real feelings, especially a never-ending love for his "mother", Monica. Monica is the woman who adopted him as a substitute for her real son, who remains in cryo-stasis, stricken by an incurable disease. David is living happily with Monica and her husband, but when their real son returns home after a cure is discovered, his life changes dramatically. A futuristic adaptation of the tale of Pinocchio, with David being the "fake" boy who desperately wants to become "real".
資料二：
The "literalists" are clearly not happy with A.I. So now is a good time to recall that "2001: A Space Odyssey" was greeted upon release with derision, confusion, dismissive reviews, public consternation, and, oh yeah, some thought it was an absolute masterpiece. Beyond the monolithic influence of that film (think of Han Solo's jump to lightspeed, etc.), the symbols of "2001" -- TO THIS VERY DAY -- cannot be decoded using anything but the most personal, interpretive language. The obelisks, the message of the obelisks, the Star Child, Cosmonaut Dave's "room", HAL-9000's true motivation – all these things remain in our collective subconscious as indelible images that refuse to be concretely defined between or among viewers. WHAT CAUSES THIS CONFLICT OF PERCEPTION? IS IT INTENTIONAL? Again and again, Kubrick's films take us to a No-Man's Land of narrative and moral ambiguity, stranding us, forcing us to make decisions, demanding interpretation (or we can judge the surface, walk away, hate the film). To my perception, Kubrick is the only, true "Brechtian" film director. The device Brecht proposed is "Alienation Effect", or put simply, Leading the audience down two, divergent paths at once. My favorite example is "Barry Lyndon". Being the adventures of a young man, handsome, virtuous, well-meaning, ambitious, full of promise. Yet in every scene, the camera "pulls-back" revealing Barry (but never to himself) to be womanizing, self-absorbed, criminally inclined, socially inept, not very bright, morally bankrupt, and at last, a broken shell of a man. Or let's consider "Strangelove": Did Kubrick really create a headbanger, slapstick comedy about nuclear proliferation, mass destruction, and military/political incompetence? The real question is "Who else could have?" Well, that's my take on Kubrick's artistic sensibility, and, without daring to presume Spielberg's motivation, it's what drew them both to "A.I." Pinocchio, the Blue Fairy, cuddly Teddy Bears on one hand, but on the other hand – social institutions are faltering forever -- parenthood, childhood, science, instry, sexuality -- all distorted beyond repair. And Humans, the ultimate A.I. protagonist, seem blissed-out, in denial, more interested in creating "Davids", "Darlenes" and "Gigolo Joes" than in rising water levels and the imminent threat of extinction. Therefore, I believe A.I. is getting precisely the response all Kubrick films "INITIALLY" get. Spielberg's reputation and career can withstand anything that public perception might bring to his films, but I keep thinking that A.I. is the riskiest moment of his artistic life.
❻ 誰知道歐美有一部電影上面有個人工智慧的遊艇，那部片子叫什麼名字，急求！！
是這個嗎？《天堂的雷霆》，英文名稱《thunder paradise》。這是一部1994年的美國電視劇，一艘智能的遊艇。一個退役的軍人有一艘科技含量很高的快艇能變形會說話，正義的一方是個白頭發的猛男，演員名字是Hulk Hogan，現實中是個超級摔角高手，電視里的名字叫斯賓塞。
中文名稱：天堂的雷霆 第一季
英文名稱：Thunder in Paradise Season 1
資源類型：TVRip
版本：22集全
發行時間：1994年03月21日
導演：Gregory J. Bonann
Paul Cajero
演員：Hulk Hogan...Randolph J. 'Spence' Spencer
Heidi Mark...Alison Wilson
Patrick Macnee...Edward Whitaker
Rusty Meyers...Federal Marshall
Chris Lemmon...Martin 'Bru' Brubaker
Patrick Macnee...Edward Whitaker
❼ 電影《人工智慧》英文名
《人工智慧》（英文名《A.I.: Artificial Intelligence》）
斯皮爾伯格繼承大師庫布里克遺志，拍攝了這部未來派的科幻史詩影片，裘迪勞和第六感小神童奧士文的機器人造型頗為神奇。
故事發生在二十一世紀，地球因溫室效應而令冰山溶化，許多沿海城市被水淹沒，人類只有依靠電腦的人工智慧來維持生命，同時人類也應用具有人工智慧的機器人作各種不同的用途。在其中的一個家庭，一對人類父母收養了小機器人大衛（凱利祖奧士文）作為他們的兒子，給他真人一樣的生活。而大衛在人類中長大，開始了一段非比尋常的心路歷程…
本片是導演監制於一身的斯皮爾伯格根據電影大師史丹利庫布里克生前所留下的八十頁劇本改編而成的。影片的故事有點兒象童話皮諾曹的現代科幻版，和2年前羅賓威廉斯的《兩百年人》（Bicentennial Man）也有幾分相似。而片名 A.I. 是 Artificial Intelligence 的縮寫，就是人工智慧的意思，影片的全名也應該是 A.I.: Artificial Intelligence。
斯皮爾伯格自98年的《拯救大兵瑞恩》後就一直在猶豫他的下一部作品，他手頭的計劃包括《藝妓回憶錄》(Memoirs of a Geisha)、《印地安那瓊斯第四集》(Indiana Jones 4)和《少數派報告》(Minority Report)等。但由於和他有20年交情的庫布里克於1999年突然去世，《大開眼界》(Eyes Wide Shut)在無奈中帶著一絲遺憾成了大師的絕響，而大師生前最後一個計劃也就是本片《A.I.》暫時擱淺，這一突變使得斯皮爾伯格把本片列入了他的計劃之中。
斯皮爾伯格於去年初決定繼《侏羅紀公園》後再度挑戰科幻題材的影片，其中包括向老友致敬的這部《A.I.》和湯姆克魯斯期待多時的《少數派報告》，兩部影片到底誰先勝出一度成了影迷茶餘飯後的最佳話題。經過數度周折，斯皮爾伯格最終選擇了這部他從未嘗試過的未來派風格的科幻史詩影片《A.I.》。(以上均為網路轉載）
對本部科幻經典的一切評價都顯得蒼白空洞，個中寓意萬千，只可自己身受。
望及時採納！
❽ 求電影《人工智慧》的英文簡介
AI - Artificial Intelligence" is the hardest kind of movie to review-but it's also the most enjoyable kind of movie to watch. It's been over three weeks since my screening of Steven Spielberg's emotionally harrowing epic about a robot boy. Before writing my review, I wanted to let its themes, content, and characters sink into my head and make a solid impact. The film was based on an idea by Stanley Kubrick, but when he died in 1999, Speilberg took charge of the project. I could spend pages discussing the techniques of Kubrick's intentions and Spielberg's decisions, but I will not. Stanley Kubrick and Steven Spielberg are two of the greatest directors American cinema has to offer; it's pure pleasure watching their ideas clash and flow. I am not going to examine each indivial theme here, either. That would ruin the movie for you.
"AI - Artificial Intelligence" presents many themes on screen, but it's important to take what you get out of it. Whenever I read a review of Kubrick's "A Clockwork Orange" or "2001: A Space Odyssey" I feel influenced by the reviewer's interpretation of the movie's themes. Every time I watch either of those movies I get something new out of it. I hate it when other critics state the movie's themes on paper as if it's a fact. There is far too much room for interpretation to reveal this movie's message, or the message of any Kubrick film for that matter. Ask 100 people, and you might get 100 different answers. "AI - Artificial Intelligence" is that kind of movie-one of the year's best.
Critics and audiences alike have torn apart this movie's ending-a clear miscalculation by Spielberg. If Kubrick were in charge, the movie would have called it quits about twenty minutes earlier in an unsettling sequence that takes place in the ocean. But Speilberg, who always seems entranced by science fiction, injects an additional segment into the mix that does not work quite as well, but isn't so completely awful that it deserves such harsh criticism. It still leaves us with an open, startled emotional disorientation. I left the theater with tears in my eyes. The movie before the conclusion is so complex, moving, and involving in so many different ways the last twenty minutes didn't even come close to spoiling the movie for me.
"AI" transpires sometime in the near future after the polar ice caps have melted and flooded coastal cities and reced natural resources. Mechanical androids have become popular since they require no commodities. Reproction has also become highly illegal. Machines provide sexual services and if anyone wants a child, they will purchase a robot. However, the difference between a robot child and a living child is that robots cannot love. That's the task professor Hobby (William Hurt) of Cybertronics Manufacturing has solved. He has made a robot child that can love.
We can separate "AI" into two separate segments. I do not want to reveal too much about each plot because the pleasure of watching this movie evolves from the revealing of the connecting plots. I will, however, briefly say the first details a robot child's interaction within a family, and the second deals with the robot's estrangement from its family and the quest to regain the mother's love.
I can imagine the material in Kubrick's hands. The movie's opening scene has a female robot begin to undress in a public office. Speilberg cuts the action before she reveals any explicit nudity. Kubrick would have had various shots of full frontal nudity. Spielberg, never comfortable with sexual material, leaves out much of the motivation behind Kubrick's ideas. One of the biggest problems in "AI" is the lack of edge with the sexual content. Jude Law plays a robot gigolo who lives in a sex fantasy called Rouge City where people from everywhere come to seek sexual satisfaction. The central character, a robot boy played by Haley Joel Osment, motivates every action in the story except for the scenes in Rouge City. Why contain such a perverse character and setting when his entire existence simply displays a mood that has already been well established. Obvious, the filmmakers toned the aspects of "AI" down to warrant a gutless PG-13 rating-but why? The movie isn't appropriate for children anyway, and it's far too complex. Undoubtedly if Kubrick were in charge "AI" would have to be re-cut to avoid an NC-17 rating. Spielberg should have either taken advantage of the perverse material or completely eliminated it.
Here I am, doing exactly what I said that I wouldn't do, and at nearly 900 words, I still have not clearly expressed my own opinions on the film. I have many notes in front of my that display my reaction as I watched the film, but I am not going to use them-they reveal too much about the movie. "AI" is a very personal film, a deeply moving, scientific, careful, and harrowing motion picture that displays startling talent on screen and behind the scenes. The special effects are extraordinary. The performances are alarming-the immensely talented Haley Joel Osment may once again be up for an Academy Award nomination. Go see the movie, then talk about it with others. It's the kind of film that you can spend hours thinking about, then go see it again.
❾ 大學生求職必看的13部勵志電影
很多大學畢業生在求職的時候，都會感受到自己的無知和淺薄，便開始發狂的看書。但茫茫圖書館琳琅滿目，難免有盲目和彷徨。下面就是針對不知讀何是好的大學生來提供一些積極的引導和建議。
電影推薦：
1.優先強烈強烈強烈推薦一部電影叫《靈異第六感》
是有關感恩、彌補、懷念、真情、信任和救贖的，也和一些心理現象相關，又不乏科幻和神秘感。電影倒序與插敘結合，對觀看者的細心與智力都是挑戰。英文版更有感覺。
2.另外強烈推薦電影《三傻大鬧寶萊塢》
可能有的人看過了吧，這是有史以來最勵志的電影!電影真的有點長，起初我兩次打開都沒有繼續看下去怕沒那麼吸引人，第三次打開終於看完了!真的很吸引人!絕對不白看，優酷里收費觀看的情況下評論里都是一片叫好，這在收費電影里是罕見的。電影以法爾漢在飛機上裝病導致機長將飛機緊急返航迫降的鏡頭開始，故事以兩個好朋友在尋找多年不見的好兄弟蘭徹的過程中展開的回憶：講述十年前蘭徹頂替他人來到印度最好的皇家工程學院的故事。這里的檢驗學生的唯一標准就只有成績，成績不好就意味著沒有未來!而蘭徹(實際為旺度)卻不隨波逐流，他用他的善良、開朗、幽默和智慧影響著周圍的人。他用所學的物理知識來教訓野蠻的學長，他用智慧打破了學院墨守成規的傳統觀念，終於讓頑固不化的院長被說服。最後他用智慧成為了印度科學界的一位天才科學家，他實現了自己的夢想，也做回了真正的自己。"三人幫"中蘭徹和欒秋夢想成為工程師，法爾漢卻想成為野生動物攝影家。影片中隨時穿插著幽默的語言，行為。他們把系主任稱為"病毒"，把查圖爾稱為"沉默者"。這個電影原版不是英語，所以建議看國語的。配音比較成功的是優酷上的收費視頻。
3、推薦電影《美麗心靈》
本片描寫的是真人真事，故事的原型是數學家小約翰-福布斯-納什(Jr.John Forbes Nash)。英俊而又十分古怪的納什早年就作出了驚人的數學發現，開始享有國際聲譽。但納什出眾的直覺受到了精神分裂症的困擾，使他向學術上最高層次進軍的輝煌歷程發生了巨大改變。面對這個曾經擊毀了許多人的挑戰，納什在深愛著的妻子艾麗西亞的相助下，毫不畏懼，頑強抗爭。經過了幾十年的艱難努力，他終於戰勝了這個不幸，並於1994年獲得諾貝爾獎。這個電影曲折較多，總是意想不到，讓你不斷發出啊!啊!的聲音!!而且有很多科幻色彩和許多的出其不意，十分值得一看!
4、如果缺乏鬥志或者對生活失望，看看《極速賽車手》
你會知道，只要不放棄，只要你努力，每個人都能做得十分優秀。此外電影《風雨哈佛路》也不錯，只不過後者的角度切換好像不太好，不過那是劇本設計層面的問題了，不妨礙內容的。
5、娛樂方面的電影推薦《開心鬼撞鬼》。
還有《火星沒事》也很搞笑，絕對能讓你緊張了一學期的心情徹底放下來。
6、老電影看看也挺好，推薦《人鬼情未了》和《幸福終點站》。感人又動情，尤其推薦《人鬼情未了》
大部分應該是看過，因為是老片子了，沒看過的一定要看看，不要以為是寫鬼的，是愛情電影，它會讓你相信，這個世界上有堅貞的愛情存在，你會發現，世界上有真愛、有奇跡，男主人公最後去世了，但是他的靈魂在完成心願後去了一個特別的地方。這也是一部伸張正義的電影，此部電影和電影中的.全部配樂和主題曲均被選中當年國際奧斯卡金獎。
7、此外電視劇《一公升的眼淚》
也很不錯，十分感人，也有電影版的，自己搜搜，有的人已經看好幾遍了，非常感人。再推薦一個類似的，看看《心靈捕手》，真的很感動。數學系的更應該看看。同樣感人的還有《人工智慧》，既科幻有趣，又十分凄美感人。《人工智慧》一定要看英文版的，有些感人的情節中文配音就對配不出那種感覺。建議在優酷搜索，土豆都是盜版的，卡的狠!
8、還有一部電影叫《珀西·傑克遜和閃電竊賊》(好像也叫《波西與神火之盜》)
非常刺激、非常精彩，男生應該更愛看，上次在聽力課播放了一小段我們班同學都下課不走要把那個電影看完。更建議看英文版的，不過英文版確實挺難，它是很地道的英文發音，對練習聽力有好處，如果英語不好就看中文版吧，但是《靈異第六感》一定要看英文版的，因為有些情感中文配音是配不出那個效果的。這個電影因為版權糾紛好像優酷看不了了，建議下載"風行"或者"快播"看。
9、推薦一個視頻，叫《最後一個離開的機長》
美國航空1549航班曾在900米高空奇異地裝上兩只大鳥，飛機兩個引擎全部起火爆炸，飛行塔台指示要求飛機立即迫降在最近的機場，但可惜飛機喪失了全部動力，高度又嚴重不足，無法滑翔至最近的機場。機長在幾分鍾內一邊操作方向舵，一邊用草紙算出了最好的水面迫降角11.004度，並操作飛機完美的迫降哈德遜河，而機長手控的飛機著陸角為11.006度，與預期計算值僅僅相差千分之二!這么精確的著陸竟然是由機長手動完成的!而且是一邊駕駛一邊計算!!!水面迫降難度極大，速度太小會墜毀水面，速度太大又無法控制高度，高度小了會提前落水爆炸，高度要想提高就要復飛拉起，然而飛機引擎都失效怎麼可能復飛拉高?機長的卓越技術拯救了這架飛機，救援人員的通力合作，飛機上的乘客無一人傷亡!機長在獲救後不上救生艇竟然又返回了即將被水淹沒的飛機里不斷地撈啊撈，生怕有乘客沒有出來。最後一個離開的機長，給了我們太多感動。
10、推薦提高智力的電影《盜夢空間》
不過未必所有人都能看懂
對智力是個考驗。一次全看懂的，智力應該在150+，當然，《盜夢空間》的結局很有思考空間，關於這個結局的理解，我與網上熱評的理解角度就不同，陀螺到底有沒有停止轉動?你自己看看你的理解是什麼，可以交流一下哈。
11、推薦《超能失控》
一位被同學瞧不起的內向學生在一次與外星生物的偶遇後獲得超能力，起初的他想改變一切拯救一切，卻終因超能力的濫用繁衍出一系列奇聞怪事和悲劇的後果，此電影告訴你不要總是瞧不起內向的人，有一天你對他人所有的不尊重都要付出代價，此篇電影也反射出社會的一些頑固現象。
12、推薦《筆下求生》
13、推薦《神秘代碼》
❿ 能否介紹一部關於機器人的英文電影
機械公敵
機器人管家
人工智慧