愛國電影觀後感英文

㈠ 電影《愛國者》的英文影評（200字左右）

Speaking of the "Patriot" movie, had to mention the American constitutional system and the founding spirit of democracy. See today, the U.S. constitutional system of democratic practice is more successful ~.
At that time a religious, self-control, sacrifice and dedication of the position under the U.S. founding fathers adopted the Jefferson's "separation of powers" (America's democracy, human rights, equal rights), and President Washington's "re-election does not more than twice "idea - is a democratic constitutional system with a high degree of religious belief in the morality of self-made democracy, it is a power of supervision and local autonomy is respected, the political system. The American spirit of freedom and democracy is now the world should also be a model of spiritual civilization and advanced representatives - perhaps this is the most humane spirit of the origin of it, because it highlights a "human spirit" of victory - and this is "personal heroism," the inevitable result.
This time, the "Patriot" is indeed completed a "Root asked the source" of the classical regression. Because the spirit of American freedom and democracy after all, is "personal heroism" nurture the soil.
First, it should be said, the film's screenplay written pretty good, with plenty of lyrical narrative plot to seize the audience's sympathy for justice. Is a typical "driven to revolt" type of story. Benjamin Martin colonel who was once the wounds of war, trying to make up the moral standards of the past to suppress themselves and their families, expect the war to neutral survival. But in the current war in the form below, any person who holds to this idea only alleys; Moreover, the influence of patriotism by the eldest son Jeb Rio has decided to join the army, father, like son. Thus the father and son made some foreshadowing later guerrilla organization. The guerrilla war is undoubtedly more than the film "heinous" in conventional warfare (read some of these subjects who shared the movie ~) more emphasis on teamwork, operational skills and flexibility. So, after another exciting chapter ..., Colonel Martin to a fight for peace, national independence and freedom of the war caused a sensation.
The film further reflected the spirit of American freedom and democracy, and below this is a reminder issued by the public mind with personal heroism. And "public spirit" is the Western liberal democracy. The heroine of this film, not only in silent support behind the front men of their families. This seems to highlight the most "personal heroism," a feature film, is always to highlight the role of women in male roles, and set off. ("True Lies" is an exception).
The only drawback is the film's soundtrack very plain, the melody of the film subject's response is not perfect. In addition, the film is how to obtain R-rating? Another question might be worth a little look. Here I will not say more ~. ^ _ ^

"Lang," said the film should be magnanimous. For me, though the film back to life would have been sufficient. However, the image behind the return of human nature is the most exciting and gives a revelation. To the guitar lessons when QUE teacher this semester so that we really view films intended to show it, this has caused a number of people thinking.
Hope that the times in the context of her once again been confirmed.谷歌了一份，很粗糙，你可以修改一下

㈡ 愛國者電影觀後感

誰沒有年輕的生命？誰不珍惜這寶貴的年華？誰不渴望幸福的生活？可是在戰場上，我們的英雄，卻用他們年輕的熱血與生命去換取了戰斗的勝利。
電影《上甘嶺》講的是志願軍在朝鮮戰場上抗擊美帝侵略者的一次戰役。在這場戰役中，八連已經在山上抗道里堅持戰鬥了一個月。由於敵人的封鎖，部隊嚴重缺水，戰士們的嘴唇都乾裂了。上級領導派來送水的小分隊，隊員們一個個犧牲。為了保存實力，八連戰士們又得下山去搶水。但是，戰士們剛裝好水，就被敵人的流彈打中了。後來，師長派人歷盡千辛萬苦才送上一些蘿卜，並特意送給連長兩個蘋果。雖然連長自己是那樣乾渴，卻把兩個蘋果分成許多片，分別送到全連每個戰士的手上……
看到這里，我的眼睛濕潤了。戰士們在那樣飢渴的情況下，沒有忘記自己的戰友，這種階級友愛是多麼高尚。他們真正做到了「我們的幹部要關心每個戰士，一切革命隊伍的人都要互相關心，互相愛護，互相幫助。」
我靜靜地坐在電視旁觀看。心裡卻久久不能平靜，心好像被無數的鋼針刺著一樣疼。我想起自己平時對同學的態度不好，心裡難受極了，感到自己臉紅，羞愧。
過去，我在班上算得上一個「吵架、打架王。」我不是找這個吵嘴，就是找那個打架，根本談不上團結友愛，互相幫助。記得有一次，一位同學在跑步的時候不小心踩了我一腳，他一邊跑一邊說：「對不起！」我卻故意刁難他，把他一推，大聲說：「對不起值幾個錢，你把我的鞋子弄臟了，你賠！」那位同學一邊道歉，一邊說：「我不是有意弄臟你的鞋，我幫你洗。行嗎？」可我還是要他賠，並舉起拳頭要打他。旁邊的同學聽到我的叫罵聲，圍了上來。了解情況後，個個都不滿意，眼睛怒視著我，好象說：「如果你再欺負這個同學，我們就去告訴老師。我一看這嚇人的架勢，不敢再說什麼，只好偷偷地溜跑了。
看《上甘嶺》的英雄們互相關心、互相愛護、互相幫助的情景；我明白了一個道理，同學和同學之間要團結友愛，而像我平時那樣，就會沒有朋友，會變成「離群之雁「。
電視演完了，爸爸和媽媽津津有味地談論《上甘嶺》電影中的精彩情節，可是我這個平時愛鬧的人，卻在一旁默默地思考著……

㈢ <<逃離德黑蘭>>觀後感.中文英文都可以。

電影《逃離德黑蘭》觀後感
這部電影是今年的奧斯卡最佳影片，在家中閑得無事，於是懷著敬意與期待，下載了這部兩個小時的電影。能擊敗李安的《少年派的奇幻漂流》和斯皮爾伯格的《林肯》，想必是一步藝術價值與商業價值極高的作品。看這樣預期的電影，對於我來說是得做足准備的，必須暫時拋下雜念，全情投入，以防漏掉一絲線索，或錯過一次震撼。
看完了影片，我想說的卻與之內容無關。我很好奇地網路了一下，試圖確定這部影片獲獎的緣由，看我的想法會不會有幸與事實不謀而合。
這是一部標準的美國愛國主義題材和個人英雄主義題材影片。身為美國人，看完應該會有大快人心的舒坦。
美國好萊塢發達的電影工業總是能生產出這樣製作精良的電影，每年位於南加州的這條電影產業流水線源源不斷的產出優質作品，供應全球。《逃離德黑蘭》當然也是其中的一部。
整部影片在講述一件真實的歷史事件的同時，運用成熟的敘事風格、巧妙的攝影技巧，以及飽滿的人物形象塑造，使得其在充分反映人物內心活動，取得與觀影者連線的同時，又不乏娛樂性。無論是追求精彩刺激、懸念迭生的普通觀眾，還是追求人物心靈活動變化體驗的文藝觀眾，都可以從中有所收獲。
但欲拿此片來角逐奧斯卡，從電影本質來講，最多給他一個安慰獎便不能再多了，它真正是第二梯隊的參賽選手了。
《逃離德黑蘭》就是這樣一部被其他更為復雜因素影響了的電影，讓我想起了幾年前的《拆彈部隊》，和這部一樣，同樣因為一個因素而備受爭議——政治。
如今，凡事和政治沾上邊的東西，總是爭議不斷。奧運會沾上政治，玷污了偉大的奧林匹亞精神；諾貝爾獎沾上政治，違背了逝去先人的初衷。可政治就像是咱們這揮之不去的霧霾天氣，雖然人人慾避之，但你就生活在其中，怎麼能避開呢。
大家都知道美伊關系，地球本是一家親，不承認美國大哥的世界警察身份，無視地球領導的指點。大哥當然不高興了，不管什麼方法，定要制裁叛逆的伊朗小兄弟。開了這么多國際會議，討論了無數套制裁方案，發表了一篇又一篇嚴正聲明。可哪知伊朗這廝不吃軟不吃硬，任憑你四處堵截、拉幫結伙將我孤立，我仍紋絲不動，照樣研究我的核武器。
這樣那樣方法不行，還有一種武器叫文化武器。美國得利於經濟領先全球的基礎，文化實力也大步超前。經濟發達帶來的文化需求，促成了華爾街大把大把鈔票從美國東部轉移到西海岸，造就了好萊塢電影工業帝國。這個帝國經過幾十年的磨練，製造的電影已經走遍世界，憑借其精緻的製作折服不同膚色、不同種族的人。這樣的文化價值觀輸出是其他國家，特別是經濟欠發達國家無法阻擋的，像朝鮮那樣使用愚民政策是行不通的，要發展經濟必須開放國家，但瀛弱的電影工業根本不可能抵擋強大的好萊塢電影。
《逃離德黑蘭》簡直就是為了這個時刻而誕生的，這樣一部宣揚美國國家精神，而又使伊朗形象受損的影片。如果還獲得奧斯卡最佳影片，那美國大哥豈不美滋滋了。在頒獎典禮上，美國第一夫人遠程視頻為之頒獎，這一舉動更是讓人不得不思考其中的政治因素幾何。
電影的本質從來沒人說清楚，但它至少是一門藝術，是高科技與文化內涵相結合的現代藝術。它是人類心靈的窗戶，是懸崖峭壁上的一朵玫瑰，是烈烈沙漠中的一潭清泉。給我們心靈的共鳴，視覺上的震撼，精神上的補給。這樣一項純美的藝術，著實不該和政治扯在一起，更不應該淪為一種政治工具。
逃離華盛頓，逃離政治。才能回歸電影的本質。

㈣ 觀後感英文標題

觀後感題目

電影《The Shawshank Redemptiom》觀後感，《善用人才是成功的關鍵》《童年——讀〈城南舊事〉有感》《讀〈鋼鐵是怎樣煉成的〉有感》《讀〈繁星·春水〉有感》《堅強的勇者——讀〈魯濱遜漂流記〉有感》《讀〈格列佛游記〉有感》《懷感恩之心，發現世間美好》《人間處處充滿感》《讀書心得》《讀〈修養是人的第二身份〉有感》

《〈湯姆·索亞歷險記〉讀後體會》《〈朝花夕拾〉讀書心得》《愛的泉水——〈愛的教育〉讀書心得》《讀〈只有一個地球〉有感》《讀〈沉思錄〉有感》《永不疲倦地行走在堅強的'道路上——讀〈魯濱遜漂流記〉有感》《堅毅、執著，人性的閃光——讀〈魯濱遜漂流記〉有感》《渴求重拾人性的善良——讀〈駱駝祥子〉有感》《我們如此幸運——讀〈沙漏〉有感》《讀〈拾撿與抓撓〉有感》《一顆璀璨無華的恆星——讀〈魯迅散文集〉有感》《生命因你而美麗》《童年的友誼沒有身份證——讀〈故鄉〉有感》《以史為鑒，以民為本——讀〈水滸傳〉有感》《熾烈的愛國之情——讀〈藤野先生》有感》《上善若水》《最可貴的手足情——讀〈小婦人〉有感》

英語作文電影觀後感

——《阿甘正傳》英語觀後感

Forrest Gump who is unfortunately to be born with a lower IQ and the muscle problem, usually, people always think this kind of person can't be successful in doing anything. But, instead, this unlucky man has achieved lots of incredible success, he is a football star, a war hero, and later a millionaire!

In the contention of the best picture of the 67th Oscar Award in 1995, film Have got six Grand Prixes , such as the best picture , the best actor , the best achievement in directing , adapting drama , the best achievement in film editing and the best visual effect bestly ,etc. at one blow . The film was passed to a intellectual disturbance person the description of life has reflected every aspect of U.S.A.'s life, important incident of social political life make and represent to these decades such as U.S.A. from one unique angle. Film adapt Winston · novel of the same name of Groom since. Only the original work is that one is full of fantastic novels with a satiric flavour, but the film modifies and beautifies the story. Have abandoned the absurdity of the original work and revealed that satirizes meaning , have added a kind of tender feeling for the film. This undoubtedly makes the film suit audience and judging panel's taste even more, but has sacrificed the struggle spirit of the rebel of the original work , make the film become one kind and idealize ethical symbol .

Forrest Gump mould incarnation of virtue is honest keeping one's word , conscientiously , brave paying attention to emotioning among film. In the film, Forrest Gump is a very pure image, but Jenny has become the degenerate symbol . And write the great discrepancy originally in this. To all that narrated, since beginning all behave with a kind of tender feeling and well-meaning attitude after all for the film, having even joined poesy composition, this makes the film seem soft and have no injury. The film advocates to traditional moral concept and embodiment. Make film apt to accept by people, director superb lay out skill and film application of language make the film very attractive too. Success with commercial for film content of the film has given security, and the treatment on director's art makes the film more excellent, this is reason that the film succeeds. It was the box-office hits the most in that year to become U.S.A. in < Forrest Gump>.

Tom · Hanks very much sincere naturally performance having among film. He has obtained the laurel of the best actor of Oscar for the behavior in this film. This second movie emperor's money already whom he obtained in succession looks like. Success of < Forrest Gump>, make Tom Hanks become one of the most popular movie stars in Hollywood too. To Tom Hanks, those two years are the luckiest period of time in his performing art careers .

㈤ 電影愛國者的英文觀後感

THE PATRIOT Roland Emmerich, USA, 2000

Mel Gibson is a movie star. A really big one, even. He's got charisma and presence and lights up the screen and is pleasingly handsome in a rugged, non-pretty-boy kind of way. He's funny and charming on talkshows and makes lots of money for all of the above. This much we know. What remains a bit of a mystery is how he maintains such status. His star-power is firmly rooted in the seemingly ancient Lethal Weapon series and the quip-throwing, fast drawing, scene-chewing character he plays in it seems to have overtaken his public persona as well. Does anyone actually know anyone who even saw Lethal Weapon 4? The more appropriate question perhaps being: does anybody remember it? Does anybody care?

Since Mel Gibson is a movie star by trade, he is also tangentially an actor. And in his new film, The Patriot, he has a listless taciturnity that one could diplomatically describe as "understated" or, if so inclined, "Gary Cooper-ish." Ultimately, though, Gibson's performance just seems false -- hollow in an utterly competent, completely professional way. In the age of Jim Carrey and Fight Club, Being John Malkovich and Ben Stiller, Gibson's style of acting doesn't seem so much old school as plain inadequate. This is not to run roughshod over classical notions of subtlety or interiority, but merely to say that if he was once emblematic of his time, Gibson's moment has passed. Perhaps he is simply inching towards some exclusive hideaway of insignificance, where he can commiserate over the rising price of jet fuel with Kevin Costner and Harrison Ford.

It's not all his fault, either, The Patriot. And it's not even that it's a bad movie, it's just not good either; it just is. Created by the director/procer team of Roland Emmerich and Dean Devlin, The Patriot is caught in the double bind of wanting to be two semi-incompatible things at once. On the one hand, the project has the air of an important, high-style heritage picture about a simple farmer trying to escape his past sins and keep his family together ring trying times. But set against the backdrop of the Revolutionary War, the movie continually feels an alternate pull towards being a blood-and-guts actioner. Over the course of its 2 1/2 hours, the film often seems at war with itself -- every time it starts to move with a steady flow, building momentum, it suddenly finds itself in a little narrative eddy, taking time out for a funeral, or a wedding, or to reiterate how bad the bad guys are (as in not good) and how the good guys are simple folk just trying to get along and colonially do their thing.

http://www.findarticles.com/p/articles/mi_m1069/is_4_36/ai_63973804

這里還有
http://www.popmatters.com/film/reviews/p/patriot.shtml

http://www.splicedonline.com/00reviews/patriot.html

http://movie-reviews.colossus.net/movies/p/patriot.html

這個是別人的答案，拿過來借花獻佛了……

㈥ 看英語電影愛國者2000的觀後感

看了《愛國者》，很受感動。影片講述的是一段美國獨立戰爭的歷史。主人公是一位議員和一群孩子的父親。一家人過得還算和-諧。作為父親，他在家裡有著相當的威嚴，而一群孩子也不是吃素的，他們的頑皮讓這位父親吃盡苦頭卻又無可奈何。但因其反對對英國作戰而被孩子們誤解，他們都有著自己的參軍夢，甚至遠遠聽到槍炮聲，他們也會熟練搬出槍以備不時之需。然而英軍的的到來改變了一切。在家園被毀又即將失去第二個兒子時父親終於爆發了，和兩個小兒子一起殲滅了一股二十一人的英軍，這讓人聯想到他當年的英姿，也讓他找回了自己潛藏的勇氣。在復仇和追求自由這兩條主線的引導下，主人公帶領著國民軍逐步走向勝利。
影片花了很大的手筆來闡述美國對自由的嚮往和因此付出的沉重代價，從激烈的議會討論，人們參軍的熱情，到家園的被毀，戰場上的慘烈犧牲。相信看過該片的決不會忘記那些古老而又獨特的戰爭場面，兩軍(正規軍)對壘都是以人員和武器作為籌碼，而這往往是英軍占優，美軍是即輸場面又輸戰爭，這看上去有點幽默的味道，完全是對現代戰爭的顛覆，看不到現代戰爭中的謀軍布局。而國民軍卻也會玩游擊戰，有一段時間竟被英軍稱之為「幽靈」，很有點中國特色的味道。但這確實是一支雜牌軍，就連教堂里的牧師也披裝上陣，只是不知道他在殺人之前會不會念上一句「上帝保佑」，其最後的犧牲卻也充滿了悲劇色彩。
雖然這是一部戰爭片，但是導演在戰爭之外的細節上有很好的把握，除了宏大的戰爭場面外，也不失暖暖的溫情，真實而感人。其中身為國民軍上校的父親與剛剛會說話的女兒的告別一段，導演處理得別具匠心，將主角在軍隊與家庭角色的矛盾和女兒對父親的理解盡融於女兒的呼喚和轉身的深情一抱之中，可謂感人至深。導演對種族矛盾的解構也是該片的亮點之一，最初白人對黑奴的歧視，通過戰爭的隱含功能最終達成了和解，「與你並肩作戰是我的榮幸。」將這對不大不小的矛盾融於對自由不懈追求的主題之中，也是對黑人在美國獨立戰爭中所做的貢獻的一種認同，他們也是美國歷史的創造者。
不能不說這是一部成功的影片，無論你對美國有如何的偏見，看了該片你卻不由的對那些為自由而戰的勇士們產生由衷的敬意，這確實是一個非凡的國度，這樣的民族沒有理由不屹立於世界強者之林。
然而相比之下，小時侯很喜歡的國產戰爭片，現在看來實在很少有深層次的東西，導演的思維極其狹隘，創作的影片只是對歷史的一種簡單重復。比如電影藝術大師斯皮爾伯格就將幾條命救一條命的價值問題帶入到影片〈〈拯救大兵瑞恩〉〉中，充滿了對人性的深入思考，從而使影片脫離了戰爭本身而得以實現主題的升華，像這樣的東西在中國的戰爭片里很難找到，不得不引起我們的反思。在根本上還得在思維的形式內涵上下一番工夫。