知道英文電影鑒賞期末答案

1. 有誰要考英語的影視鑒賞啊 求重點

的電影」。
1.1.2. the 2nd stage: Classical Hollywood Cinema( 1920s-1950s)
The period of classical Hollywood cinema is usually taken to run from the early 1920s through to the late 1950s.Sound and color emerged in the period of Classical Hollywood cinema.聲音和顏色出現在經典好萊塢電影時期。Sound was first introced in Don Juan(唐璜) in 1926 by Warner Brother .華納兄弟公司在―唐璜‖（1926）中第一次使用聲音。
From the instrial perspective, the period of Classical Hollywood cinema is characterized by the emergence of the ―studio system‖ and the domination of five major companies (the so-called 「Big Five):  Warner Brother (華納兄弟公司)，  Loew』s-MGM (米高梅公司)，  Fox（福克斯公司)，  Paramount (派拉蒙公司)  Radio-Keith-Orpheum (RKO雷電華公司).
Alongside the five majors were smaller companies(the 「Little Three」):  Columbia (哥倫比亞公司)  Universal (環球公司)  United Artists (聯美公司)
In classical Hollywood cinema, some of the main features of the ideology（電影的意識形態） are：Property, enterprise and initiative （財產、事業和進取心）are the fundamental American values； American as a Land of Happiness（美國是一片樂土）, even if they haven』t yet done so； The ideal female（理想女性）is wife and mother, perfect companion and mainstay of the home. 1.1.3. the 3rd stage: Post-classical Hollywood cinema (1960s--)
Hollywood faced a number of significance challenges from the 1960s onwards. In the New Hollywood period, a new generation of directors（新一代導演） proced a lot of immense films（推出了一系列膾炙人口的作品）. Among them, Close Encounters was directed by Steven Spielberg（其中有史蒂文.斯皮爾伯格的「第三類接觸」）.
1.2. Categorization of Genres（影片類型的分類）
Generally, generic categories are defined on the basis of subject matter（題材）, formal properties（形式）, style（風格） or affective response（觀眾的情感反應）.
The table gives a schematic overview(縱覽，全面的評述) of how this approach might be used to identify genres:

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Categorization of GenresGenreDefining Criteria Differentiating CriteriaSocial Drama
Serious social topic
RomanceRomantic relationship between lovers
GangsterGangsters in urban AmericaWar FilmSpecific military conflictsScience FictionFuturistic technologies/future worldsFantasy(奇幻片)
Impossible worlds/fantastical charactersWesternAmerican West
DisasterNatural or man-made catastropheCrimeCriminal activities and investigationEpic（史詩片）
Biblical(有關聖經的) or ancient histrory
Action
Presence of action set-piecesMusical
Presence of song and dance performance
Blockbuster(強檔片)
StyleSpectacular events
ComedyIntended to generate laughter
HorrorIntended to horrifyThriller(驚悚片)
Intended to thrill
Subject Matter
Formal Criteria
Affective Response（觀眾的反應）

2. 2018智慧樹知到英文電影鑒賞作業答案

聽說公眾號類似 手電筒校園 有參考答案，有用過的同學過來分享一下

3. 跪求爾雅影視鑒賞作業答案，給出答案繼續送分

1，C 。（ 法國電影導演兼評論家亞歷山大.阿斯特呂克在1948年《法國銀幕》第144期發表的《新先鋒派的誕生：攝影機-筆》一文中所倡導的電影主張。）

4. 大學英文電影賞析要考試嗎

要考試。考試不難。

英語電影這一生動的資源對大學英語聽說教學有著很積極的作用。能夠激發學生的學習興趣，提供英語聽說練習素材。

電影賞析對英語學習有三個作用，形象傳遞、語言模仿和文化渲染。

5. 英文影視鑒賞

"King Arthur" Movie Review--------A New Take On An Old Legend

My knowledge of the legendary King Arthur and his Knights of the Round Table comes chiefly through watching movies based on the heroic figures. If asked prior to this film if King Arthur really existed, you』d probably have elicited an answer from me which amounted to a maybe. Now after seeing 「King Arthur,」 I』m relieved to find my 『maybe』 answer would have been appropriate.

There isn』t a kindly Sean Connery figure in this 2004 version of 「King Arthur.」 No, this version takes viewers on a journey with the man who may have been the inspiration for the legend as he fights to serve and protect Rome and its interests. Wanting nothing more than to put down his sword after more than a decade of fighting and return to his life in his beloved Rome, Arthur (Clive Owen) and his Knights are forced to take on one final mission before being released from their commitment to serve Rome.

When their last task leads Arthur to the conclusion Rome as he knew it no longer exists, he comes to believe everything he stands for and all the battles he』s waged on behalf of his country and religion were for naught. Left to decide on his own who to fight and who to befriend, Arthur joins with his former enemies to save Britain from the invading Saxons, changing his destiny while changing the course of history.
Almost right off the bat, 「King Arthur」 had a major hurdle to overcome as the action on screen echoed the action in Disney』s disastrous 「The Alamo」 – the battles in both films are depicted as bloodless affairs. However at least in the case of 「King Arthur,」 the fight scenes themselves looked brutal. The stunts were choreographed so that while we didn』t see much blood flowing, the illusion of violence and death exists. Most of the violence is done while actors block the shots of their weapons penetrating flesh from the camera. Even when wounds are shown, they are shown without the gore. And while this might make the battle scenes easier on the eyes, it doesn』t lend itself to looking authentic. Audiences have grown accustomed to seeing blood on film, so it』s very obvious when there』s a lack of blood in fight scenes it is a choice made by the filmmakers/studio in order to get a gentler rating from the MPAA. Some say this is selling out, others contend it』s just a necessary evil in order to get to the largest audience. Whatever the thought process behind the decision was, the result is a film cleansed of its realistic brutality. And while that』s not always necessarily a bad thing, in a movie such as 「King Arthur」 where we』re told upfront the filmmakers are attempting to base their version on facts, then the decision to follow through and make the entire film realistic should have been given more weight than the decision to release a sterilized version of the film wiped free of blood.

This 「King Arthur」 does benefit from an impressive cast, headed up by Clive Owen (「Croupier」). As King Arthur, Owen – aside from being unarguably sexy – exudes a sense of righteousness onscreen. He becomes this leader men will give their lives to follow. And in this screen version, Guinevere is no shrinking violet. She』s not a woman to be loved and protected. She』s a fierce warrior capable of fighting alongside knights, standing up for herself and her people (while clad in thin leather straps), and is the one woman who can command the attention – and love – of Arthur. As Guinevere, Keira Knightley shows the spunk and physical strength needed to handle a tough role, while at the same time not distancing herself from her feminine wiles. It』s an interesting role for the young actress and one that expands on the role she had in 「Pirates of the Caribbean.」

Ioan Gruffudd as Lancelot, Hugh Dancy as Galahad, Mads Mikkelsen as Tristan, and Stellan Skarsgard as Cerdic are standouts among the ensemble. Their strong performances in supporting roles aid Owen and Knightley in making all the characters connect and come to life for the audience.

At 130 minutes, 「King Arthur」 wraps itself up nicely without becoming tedious as some 『epic』-type stories are wont to do. The dialogue』s a little heavy and plodding, the lack of blood is something I had a tough time getting past, and ring the film』s first ½ hour it』s hard to figure out the good guys from the bad (and I don』t believe that was the intention). But there』s enough to like about 「King Arthur」 – the acting, the cinematography, the grace of the fight scenes, the romance, the depth of the story – that the distractions can be overlooked or are at least balanced out by what』s worthwhile about the film.

6. 英語電影賞析問答及翻譯

He decided to write an exclusive report on the escape princess to make a lot of money.

7. 電影英語金句

每部電影都有它的經典台詞，我在此獻上電影裡面的金句，希望大家喜歡。

《野性的呼喚》金句賞析

1.He got two experience in spite of this gathering in crowds and groups: when fighting, trying to protect themselves;

他在這成群結隊的刁難中明白了兩條經驗：在打群架的時候，要設法保護自己;

2.In the battle with a single dog, to try to use the shortest time to call each other to eat the biggest loss.

在跟單個狗戰斗的時候，要設法用最短的時間叫對方吃最大的虧。

3.The paradox of life is that there is a state that marks the peak of life and beyond life. When a person is extremely active thoroughly forget yourself, this realm silently appeared.

生活的矛盾之處在於有一種境界標志著生命的頂峰甚至超越了生命。當一個人極度活躍徹底地忘掉自我的時候，這種境界便悄無聲息地出現。

4.Life is like this, there is no fair rules of the game, once the fall, is the end of life.

生活就是這樣，沒有公平的游戲法則，一旦倒下去，就是生命的終結。

5.He has the spirit of loyalty and devotion, and also has a wild and cunning side.

他具有忠誠與獻身的精神，也具有野性與狡猾的一面。

6.Either to get the right to control, or to be dominated. Mercy is a manifestation of cowardice, and it does not exist in the original life. Mercy will be misunderstood as fear, and when it is misunderstood it will lead to death.

要麼取得支配權，要麼被支配。仁慈是懦弱的表現，仁慈不存在於原始生活之中。仁慈會被誤解為恐懼，一旦被誤解就會導致死亡。

7.He did not do a good job in the preparation of the opponent before the impact of the shock, in the absence of a good defense before the attack.

他在沒有做好迎接對手沖擊之前的准備絕不先沖擊，在沒有做好防禦前絕不先進攻。

8.These men wanted dogs, and the dogs they wanted were heavy dogs,with strong muscles by which to toil, and furry coats to protect them from the frost.

這些男人想要一些狗，他們想要的這些狗要是重量級的，有著強壯的肌肉，能夠做苦力， 還有毛皮大衣可以保護它們免受寒凍。

9.Buck had accepted the rope with quiet dignity. To be sure, it was an unwonted performance: but he had learned to trust in men he knew,and to give them credit for a wisdom that outreached his own. But when the ends of the rope were placed in the stranger's hands, he growled menacingly. He had merely intimated his displeasure, in his pride believing that to intimate was to command. But to his surprise the rope tightened around his neck, shutting off his breath. In quick rage he sprang at the man, who met him halfway, grappled him close by the throat, and with a deft twist threw him over on his back. Then the rope tightened mercilessly, while Buck struggled in a fury, his tongue lolling out of his mouth and his great chest panting futilely. Never in all his life had he been so vilely treated, and never in all his life had he been so angry. But his strength ebbed, his eyes glazed, and he knew nothing when the train was flagged and the two men threw him into the baggage car.

巴克以安靜的體面地接受了這條繩索。誠然，這是不尋常的表現。但是他學會了信任他所認識的人，並給了他們智慧地信任，而這種智慧甚至超越了他自己。但是當繩子的末端被放在陌生人的手中時，他卻在大聲地吠叫。他只是暗示了他的不快，他驕傲地信奉著，所謂親密的關系就是指令。但令他吃驚的是，繩子卻在他的脖子上勒緊了，使他快要窒息了。他迅速地怒氣沖沖地撲向半路上遇見的那人，抓住他的喉嚨旁邊，他的背巧妙地扭轉過來。巴克在狂怒中掙扎中，然後繩子無情地綳緊了，他的舌頭從他的嘴裡吐出來，他的大胸脯也在喘氣。他的一生中從未遭受過這樣的對待，他一生中也從沒有過如此的生氣。但他的力量在漸漸地消退,他的目光變得呆滯，當火車被標注了，他卻什麼也不知道地被兩個人把他扔進了行李車里。

10.Each muscle, every fiber, every cell, was tired, tired numb.

每一塊肌肉，每一根纖維，每一個細胞，都累了，累麻木了。

11.These illusions often emerge in the eyes of buck, and they are intertwined, and still deep in the forest the call of the ring.

這些幻象經常浮現在布克眼前，與它們糾纏在一起的，還有依然在森林深處回盪的呼喚。

12.Hear this voice, buck became restless, the in the mind is filled with the desire to understand.一聽到這聲音，布克就變得躁動不安，心裡充滿了難以名狀的慾望

13.Night came, and a full moon rises from the top of the tree to hang in the air, as in this piece of land, to the outside is shrouded in dark BaiGuangLi.

夜晚來臨了，一輪滿月從樹頂升起掛在空中，照在這片土地上，到外都籠罩在幽暗的白光里

14.Everyone agreed that Buck had only attacked because he saw Thornton in danger.

每個人都認定巴克只有確認桑頓在危險中時才會攻擊別人。

15.He was happy to sit by Thornton's fire,but he sat as a wild animal,and his dreams were filled with other animals dogs, half wolves,and wild wolves.

他喜歡蹲坐在桑頓的火邊,但他蹲坐的姿勢像野獸，而他的夢中則充滿了野獸的影子狗,狼狗,還有野狼。

16.'He's the finest dog that I've ever seen, ' said Thornton to his friends one day as they watched Buck walking out of camp.

“他是我見過的最出色的狗, ”桑頓有一天對他的朋友們說, 他們正看著巴克跑出營地。

17.They saw him walking out of camp but they didn't see the change that happened when he was inside the forest.

他們只看見他跑出了營地, 但是他們無從知曉他在森林中發生的本質的變化。

18.'If you hit that dog again, I' ll kill you, ' Thornton shouted.

“如果你再動那狗一下, 我就宰了你, ”桑頓怒喊著。

19.The club hit him again and again, but Buck felt almost nothing.

現在他看到那不堪重負的冰層就在面前。木棍劈頭蓋臉砸下來, 而巴克卻全無知覺。

20.'You know nothing about dogs, 'answered Hal.' Leave me alone Dogs are lazy, and you have to whip them.

“你懂什麼, ”哈爾回答, “別管我。狗都是犯懶的, 你必須鞭打它們。

21.Everybody knows that. Ask those men if you don't believe me.'

這道理人人皆知, 不信你問問那些人。”

22.'It's spring now. You won't have any more cold weather.'

“春天來了, 天氣不會再冷啦。”

22.They didn't know how to do it sensibly, and every time they put something on the sledge, Mercedes moved it.

他們不懂得如何把東西有條理地安置好。而且更糟的是, 每一次剛把東西放到雪撬上, 瑪爾賽蒂就動手移開它。

23.It was heavy work; the sledge was loaded with letters for the gold miners of Dawson.

任重而道遠, 雪撬上載滿了給道桑尋找金礦的人的信件。

24.Each day was the same. They started early, before it was light, and at night they stopped and camped and the dogs ate.

日復一日，他們披星戴月，起早貪黑。

25.All day he ran painfully, and when they camped for the night, he lay down like a dead dog.

一整天他都忍著痛苦奔跑, 但當他們晚上安營休息時, 他像死狗一樣癱在了地上。

26.And Buck knew that if he and Spitz fought, one of them would die.

巴克心中很清楚，兩犬相爭，必有一死。

27.There was heavy snow and it was very cold.

那裡天寒地凍，積雪深厚。

28.There was no peace, no rest only continual noise and movement.

這里沒有靜謐，也沒有休憩——只有無休止的喧囂和來來往往。

《追風箏的人》金句賞析

1.You can't love a person who lives that way without fearing him too.

你不能愛一個無所畏懼的人。

2.Nothing that you remember has survived.Better to forget.

你記憶中的一切都不在了，還是忘掉比較好。

3. Whatever's going on, you should deal with it before too long. Take care not to let these things fester. Time will only make it worse.

不管是什麼事情，你應該盡快處理好，避免事態惡化，時間只會讓事情變得更糟。

4.War doesn't negate decency.

戰爭無法消滅高尚的情操。

5.For you，thousand times over.

為你千千萬萬次。

6.Children aren't colouring books. You don't get to fill them with your favourite colors.

孩子不是圖畫練習冊，你不能隨心所欲地塗上你喜歡的顏色。

7.I don't want to forget any more.

我不想再忘掉任何事情。

8.Older Hassan (voice):I dream that my son will grow up to be a good person,a free person. Idream that someday you will return to revisit the land of our childhood.I dream that flowers willbloom in the streets again...and kites will fly in the skies!

長大後的哈桑(畫外音)：我夢到了我的兒子會成長為一個好人,一個擁有自由意志的人;我夢到了有一天,你會回到我們童年玩耍的這片土地,故地重遊;我夢到了鮮花再次在街道上盛開……天空滿是色彩斑斕的風箏!

9.That was a long time ago, but it's wrong what they say about the past, I've learned, about how you can bury it. Because the past claws its way out. Looking back now, I realize I have been peeking into that deserted alley for the last twenty-six years.

許多年過去了，人們說陳年舊事可以被埋葬，然而我終於明白這是錯的，因為往事會自行爬上來。回首前塵，我意識到在過去二十六年裡，自己始終在窺視著那荒蕪的小徑。

10."There is a way to be good again". I looked up at those twin kites. I thought about Hassan. Thought about Baba. Ali. Kabul. I thought of the life I had lived until the winter of 1975 came and changed everything. And made me what I am today.

"那兒有再次成為好人的路。"我抬眼看看那比翼齊飛的風箏。我憶起哈桑。我緬懷爸爸。我想到阿里。我思念喀布爾。我想起曾經的生活，想起1975年那個改變了一切的冬天。那造就了今天的我。

11.After the movie had started, I heard Hassan next to me, croaking. Tears were sliding down his cheeks. I reached across my seat, slung my arm around him, pulled him close. He rested his head on my shoulder. "He took you for someone else,”I whispered. "He took you for someone else.”

我在黑暗中聽到坐在身邊的哈桑低聲啜泣，看到眼淚從他臉頰掉下來。我從座位上探過身去，用手臂環住他，把他拉近。他把臉埋在我的肩膀上。“他認錯人了，”我低語，“他認錯人了。”

12.With me as the glaring exception, my father molded the world around him to his liking. The problem, of course, was that Baba saw the world in black and white. And he got to decide what was black and what was white. You can't love a person who lives that way without fearing him too. Maybe even hating him a little.

父親隨心所欲地打造他身邊的世界，除了我這個明顯的例外。當然，問題在於，爸爸眼裡的世界只有黑和白。至於什麼是黑，什麼是白，全然由他說了算。他就是這么一個人，你若愛他，也必定會怕他，甚或對他有些恨意。

13."When you kill a man, you steal a life,“Baba said. "You steal his wife's right to a husband, rob his children of a father. When you tell a lie, you steal someone's right to the truth. When you cheat, you steal the right to fairness. ”

“當你殺害一個人，你偷走一條性命，”爸爸說，“你偷走他妻子身為人婦的權利，奪走他子女的父親。當你說謊，你偷走別人知道真相的權利。當你詐騙，你偷走公平的權利。”

14.Rahim Khan laughed. "Children aren't coloring books. You don't get to fill them with your favorite colors.”

拉辛汗笑起來。“孩子又不是圖畫練習冊，你不能光顧著要塗上自己喜歡的色彩。”

15.I heard the leather of Baba's seat creaking as he shifted on it. I closed my eyes, pressed my ear even harder against the door, wanting to hear, not wanting to hear.

我聽到爸爸挪動身子，皮椅吱吱作響。我合上雙眼，耳朵更加緊貼著門板，又想聽，又不想聽。

16."So he's not violent,"Rahim Khan said.

"That's not what I mean, Rahim, and you know it,"Baba shot back. "There is something missing in that boy."

"Yes, a mean streak."

"Self-defense has nothing to do with meanness. You know what always happens when the neighborhood boys tease him? Hassan steps in and fends them off. I've seen it with my own eyes. And when they come Home, I say to him, ‘How did Hassan get that scrape on his face?"And he says, ‘He fell down.‘I'm telling you, Rahim, there is something missing in that boy."

"You just need to let him find his way,"Rahim Khan said.

"And where is he headed??"Baba said. "A boy who won't stand up for himself becomes a man who can't stand up to anything.

"As usual you're oversimplifying."

"I don't think so."

“這說明他並不暴戾。”拉辛汗說。

“我不是這個意思，拉辛，你知道的。”爸爸朝他嚷著,“這孩子身上缺了某些東西。”

“是的，缺了卑劣的性格。”

“自我防衛跟卑劣毫不搭邊。你知道事情總是怎麼樣的嗎?每當那些鄰居的孩子欺負他，總是哈桑挺身而出，將他們擋回去。這是我親眼見到的。他們回家之後，我問他,‘哈桑臉上的傷痕是怎麼回事?’他說:‘他摔了一跤。’我跟你說，拉辛，這孩子身上缺了某些東西。”

“你只消讓他找到自己的路。”拉辛汗說。

“可是他要走去哪裡呢?”爸爸說，“一個不能保護自己的男孩，長大之後什麼東西都保護不了。”

“你總是將問題過度簡化了。”

“我認為不是的。”

17.Never mind any of those things. Because history isn't easy to overcome. Neither is religion. In the end, I was a Pashtun and he was a Hazara, I was Sunni and he was Shi'a, and nothing was ever going to change that. Nothing.

無關乎這些事情，因為歷史不會輕易改變，宗教也是。最終，我是普什圖人，他是哈扎拉人，我是遜尼派，他是什葉派，這些沒有什麼能改變得了。沒有。

18.But we were kids who had learned to crawl together, and no history, ethnicity, society, or religion was going to change that either. I spent most of the first twelve years of my life playing with Hassan. Sometimes, my entire childhood seems like one long lazy summer day with Hassan.

但我們是一起蹣跚學步的孩子，這點也沒有任何歷史、種族、社會或者宗教能改變得了。十二歲以前，我大部分時間都在跟哈桑玩耍。有時候回想起來，我的整個童年，似乎就是和哈桑一起度過的某個懶洋洋的悠長夏日。

19.But despite his illiteracy, or maybe because of it, Hassan was drawn to the mystery of words, seced by a secret world forbidden to him.

但盡管他目不識丁，興許正因為如此，哈桑對那些謎一樣的文字十分入迷，那個他無法接觸的世界深深吸引了他。

20.We sat for hours under that tree, sat there until the sun faded in the west, and still Hassan insisted we had enough daylight for one more story, one more chapter.

我們在樹下一坐就是幾個鍾頭，直到太陽在西邊黯淡下去，哈桑還會說，日光還足夠亮堂，我們可以多念一個故事、多讀一章。

21.I would always feel guilty about it later. So I'd try to make up for it by giving him one of my old shirts or a broken toy. I would tell myself that was amends enough for a harmless prank.

後來我總是對此心懷愧疚。所以我試著彌補，把舊襯衣或者破玩具送給他。我會告訴自己，對於一個無關緊要的玩笑來說，這樣的補償就足夠了。

22.To him, the words on the page were a scramble of codes, indecipherable, mysterious. Words were secret doorways and I held all the keys.

對他而言，書頁上的文字無非是一些線條，神秘而不知所雲。文字是扇秘密的門，鑰匙在我手裡。

23.I probably stood there for under a minute, but, to this day, it was one of the longest minutes of my life. Seconds plodded by, each separated from the next by an eternity. Air grew heavy damp, almost solid. I was breathing bricks. Baba went on staring me down, and didn't offer to read.

也許我在那兒站了不到一分鍾，但時至今日，那依舊是我生命中最漫長的一分鍾。時間一秒一秒過去，而一秒與一秒之間，似乎隔著永恆。空氣變得沉悶，潮濕，甚至凝固，我呼吸艱難。爸爸繼續盯著我，絲毫沒有要看一看的意思。

24.It was only a smile, nothing more. It didn’t make everything all right. It didn’t make anything all right. Only a smile. A tiny thing. A leaf in the woods, shaking in the wake of a startled bird’s flight.

我追。它只是一個微笑，沒有別的了。它沒有讓所有事情恢復正常。它沒有讓任何事情恢復正常。只是一個微笑，一件小小的事情，像是樹林中的一片葉子，在驚鳥的飛起中晃動著。

25.I remembered something I had read somewhere a long time ago: That’s how children deal with terror. They fall asleep.

我想起曾經從某個地方看來的一句話：孩子們就是這樣對付恐懼：他們睡覺。

8. 英語電影賞析的單選題

這應該是《音樂之聲》的電影賞析單選題，我以前看過，但忘了，你好好看一遍電影，很簡單地就做出來了。
【劇情簡介】
22歲的瑪麗亞是一個薩爾茨堡修道院里的志願修女，但是，她活潑好動和熱愛自然的性格卻總是讓她在修道院里惹麻煩。修女院里的阿比斯院長覺得她這樣的活潑的性格不適合僧侶生活。於是，當她接到馮·特拉普上校家尋求看護的請求，她決定讓瑪麗亞去，也藉此讓她探索出真正的生活目的。

瑪麗亞到達馮·特拉普家，發現他是一個有七個孩子的鰥夫，長期的海軍生活和亡妻的悲傷使他對待孩子像管教士兵一樣嚴格。很快，瑪麗亞就明白了以前那些看護離開的原因，原來是孩子們得不到父親的關愛，總是用捉弄看護來吸引父親的注意。

上校要求瑪麗亞也像他一樣嚴格，但是瑪麗亞沒有聽從，而是用她天生的溫柔和善良贏得了孩子們的友好。趁上校不在的時候，她用窗簾給每個孩子逢制了游戲服裝，帶領他們到市場遊玩，在美麗的阿爾卑斯山上野餐，還教會了他們唱歌。孩子們原有的拘禁和憂郁漸漸地被音樂和笑聲代替了。

不久上校回家了，還帶回了孩子們喜歡的麥克叔叔和孩子們不甚喜歡的，上校的女朋友，男爵夫人。上校對瑪麗亞的做法十分不滿，可是當他聽到孩子們為男爵夫人唱歌的時候十分感動，因為瑪麗亞把從他亡妻之後家裡就不再有的音樂又帶了回來。瑪麗亞還和孩子們一起准備了一場木偶戲，上校為瑪麗亞可以感染他人的熱情所吸引了。

幾天之後，上校和男爵夫人一起舉行了一場盛大的舞會，孩子們在舞會中也有歌唱表演。在舞會中，瑪麗亞給孩子們示範奧地利的民間舞蹈「漣恩德拉」(Laendler)。出乎意料的是，上校走過來和瑪麗亞共舞，舞蹈最後他們互視對方，他們之間的愛意一目瞭然。這些，都被男爵夫人看在眼內，當晚，她勸瑪麗亞回修道院。瑪麗亞恐怕自己對上校的感情會越限越深，於是，她悄悄地離開了。

瑪麗亞走了之後，男爵夫人用盡辦法討孩子們的歡心都沒有成效。當孩子們得知上校要和男爵夫人結婚的消息後，他們更加難過。他們到修道院找瑪麗亞卻沒能見到她。瑪麗亞向阿比斯院長坦白了她對上校的愛情和對生活的不知所措，阿比斯院長告訴她要有骨氣勇氣，哪怕翻越世界上的每一座山峰也要找到自己的真愛。於是，瑪麗亞回到馮·特拉普家裡。 瑪麗亞回來之後，男爵夫人發現她已經無法挽回瑪麗亞和上校之間的感情，她主動退出了婚約，上校和瑪麗亞互訴衷腸，很快地，他們就結婚了。

可惜，他們的生活並沒有從此就永遠幸福快樂。當他們還在度蜜月的時候，德國納粹佔領了奧地利。當他們趕回薩爾茨堡，發現到處已經是納粹旗幟橫行了。他們不在的時候，負責照顧孩子們的麥克叔叔幫他們注冊參加了薩爾茨堡音樂節(Salzburg Festival)。上校一回到家裡，就接到了納粹發來的電報，要他立即到納粹海軍報道。一向痛恨納粹的上校決定帶領全家人離開奧地利。當他們晚上離開別墅的時候，被早就躲在門外監視他們的納粹攔住了，於是上校解釋說他們離開是為了參加希爾斯伯格節演出，並拿出節目單作為證據。在納粹的陪同下，他們來到了會場，演出了孩子們准備好的歌曲。在這時，上校和瑪麗亞演唱了《雪絨花》，歌曲里對祖國奧地利的熱愛之情濃郁深厚，不顧旁邊持槍的納粹守衛，在場的觀眾也跟著上校一起唱完了《雪絨花》。

演出之後，趁著頒獎的時候上校一家人逃離演出現場，納粹一路追到修道院里，在修女們的幫助下，上校一家人藏在了墓碑後面，躲過納粹的追蹤，然後他們翻過阿爾卑斯山，離開了奧地利。

影片清新有致，細膩感人，雅俗共賞。既有幽默的情趣，又有深沉凝重的感情。