電影影評英文版

2. 實習生英文版電影完整版英文觀後感

Last night, I watched an interesting movie. It is called Intern, which are played by the famous beautiful girl Anny Hathaway and an old but skilled man. The story tells about a retired man finds his own place again by being an intern in garment company. The old man helps his boss who is acted by Anny come back her family life again. Though the man is aged, his is really young in mind. He keeps studying the constant news and learn the newest technology. Unlike the people who are in the same age and have no idea about the Internet, this old man is full of passion and he lives the wonderful life. So age is not the excuse to stop moving on, it is never too old to learn. Everyone can choose the life they live, no matter how old they are.

今天,我看了一部有趣的電影。叫做《實習生》,這是由著名的美女安妮海瑟薇和老戲骨所演繹。故事講述的是一個退休的老年人在服裝公司實習，再次找到了自己的位置。老人幫助由安妮所扮演的老闆回到她的家庭生活。雖然老爺爺年紀很大,但是他很年輕。他不斷學習即時新聞和學習最新的技術。不像他的同齡人,不知道互聯網是什麼東西,這個老人充滿了激情，過著美好的生活。所以年齡不是停止前進的借口,活到老,學到老。每個人都可以選擇他們的生活,無論他們是處於什麼年紀。

是啊，活到老，學到老，電影中的老爺爺值得人敬佩！

3. 跪求5篇高中水平的英語原版電影的影評

天下無賊英文影評
http://www.imdb.com/title/tt0439884/
天下無賊》：全是廣告

這段時間各種媒體對《天下無賊》的報道鋪天蓋地，自己也沒能抵抗住馮小剛這塊金字招牌的誘惑，11號晚上乖乖地在新東安給這部商業大片貢獻了100兩銀子。影片一開始的付彪學英語就來了個頭彩，不知道是否因為葯物治療而發胖的彪哥把這個既怕老婆又色心不死的大款演的惟妙惟肖，而劉德華教訓小區保安的段子也是典型的馮氏幽默。不過很快地，影片的調子就向著正劇的方向跑去，除了葛優葛大爺依然維持了冷麵笑匠的本色時不時冒出一兩句的經典台詞來讓人捧腹。恩，口吃的范偉與娘娘腔的馮遠征打劫的這一段也讓人難忘，看著那麼胖的范偉手裡拿著一把小斧頭的樣子，以及馮遠征那句「笑什麼笑，這兒打劫呢，嚴肅點兒！」，實在是太好玩了。

劉德華這次的表現我要拍手叫好，從開始的狂妄，到與賊團伙交手的穩健，再到為情而捨身取義，他的表演過渡得很自然，比起《十面埋伏》里的蒼白與一味耍酷，要有血有肉得多。當然，這也跟劇本與導演的駕馭能力有關，在對港台商業演員的使用上，馮小剛比張藝謀明顯要高出一籌。

整部影片中的軟廣告無處不在見縫就入。一開始的Canon攝像機和BMW轎車自不必說，搞笑的是扮成旅行團的一夥盜賊，每人手上還舉著一個小旗子，旗上三個大字：「淘寶網」，這倒跟他們「淘寶」的身份挺符合的，哈哈。還有劉德華與劉若英遞過來遞過去的一張銀聯卡，警察的HP筆記本和Canon便攜列印機，而影片中出現得最多的，就是Nokia手機了。在寺廟里從香客處偷來的手機，居然全是Nokia的，每偷一個還給個手機的特寫，劉德華與劉若英對發手機簡訊，也全是大幅的手機特寫鏡頭，最搞笑的是影片最後，劉德華手中的Nokia是如此的光芒四射，整個屏幕的焦點完全在這手機上了，而警察同志拿起手機來幫劉德華發出最後的簡訊時，「中國移動」的標志又象刀一樣的刻在了觀眾的視線里。

雖然這么多的軟廣告讓人覺得有點好笑，但這部影片整體上還是相當精緻的，馮小剛這次是完完全全地打造著一部商業大片，故事的情節、場面和音樂都繼續向好來塢靠攏，這是件好事，沒有那麼多的思想，沒有那麼多的說教，讓觀眾舒舒服服地在電影院中度過兩個小時的童話時光，這就夠了。

4. 歌劇魅影英文版影評

http://www.filmmonthly.com/Profiles/Articles/EmmyRossum/EmmyRossum.html
這里看

5. 《怦然心動》簡短的影評英文版怎麼寫

《怦然心動》簡短的影評英文版如下：

"Heart beating" is a small, special film, it will put you in a warm, interesting, and full of humanistic atmosphere, until finally give you a look is not so unreliable beautiful story.

《怦然心動》就是一部小眾的，特別的電影，它將你置於一種溫暖的、有趣的，又充滿人文關懷的氛圍中，直到最後給你一個看上去也並不那麼不靠譜的美好的故事。

It's a family movie with great motivation. It has lessons about the details of first love and life, which is much better than putting some talented characters in the center of the movie.

這部動機很棒的家庭電影，它本有關於初戀的細節和生活的課程，這遠比電影將一些天才的角色置於影片中心要好得多。

《怦然心動》的幕後製作：

在2007年，當時60歲的美國導演羅伯·萊納以一部《遺願清單》表達了他對人生的終極思考。而在3年後，他卻驟然換了一個角度，以一部改編自文德琳·范·德拉安南著名小說的電影《怦然心動》，從在童年、青春時光時男孩女孩間的「戰爭」表達他對人成長的思考。

《怦然心動》是卡蘭·麥克奧利菲在美國的首部劇情長片，因此他表示，整個過程他都充滿好奇，感受到了拍一部長片整個過程的有趣，同時還需要在口音上有些美國味兒。羅伯·萊納的幽默給卡蘭·麥克奧利菲留下的印象尤其深刻，在他看來，導演並沒有刻意的教他們怎麼演，而是給他們更大的空間去表演。

6. 熊的故事 英語版影評

The Bears
The film is an adventure story about two bears in forest.
影片講述了兩只熊在森林中的驚險經歷，
It is a realism style film without voiceover, but the excellent track-shooting and film editing form a pefect bear story.
電影完全是寫實主義風格，沒有任何旁白，而是憑著絕佳的跟蹤拍攝與剪輯，構成一個關於熊的完美故事。
The two bears like two, wordless frank actors, make the other human beings that appear in the films the supporting roles.
兩只熊在其中像兩位一言不發、毫不做作的演員，人類在其中出現，但完全是配角，
They are just the interlopers of the bear'life.
他們只是熊的生活的一個闖入者，
The film reveals once again the profound proposition that mankind and the other lifes of the nature should live in harmony.
影片再次證明人與自然界其它生命要相諧相處的深刻命題。

7. 電影《亂世佳人》的英文版觀後感

So wonderful is「Gone with the wind」that it』s still my favorite film though there are many great movies in the world.
As far as I'm concerned,Captain Rett is such a gentleman that he protect and take care of his wife,Scarlet, in real earnest. His love is deep as the ocean,however,the girl he loves doesn't love him.
Opposite to everyone else,I don』t like Scarlet very much,because of not only her cool,but aiso I really think she is so silly that she is guilty,to Rett. Although she is good at attracting guys,she doesn』t know who』s her true love，and never value Rett's love.That』s why she can't get Rett's trust in the end.
In short,love is gift that should be cherished and never forgotten,love can't lose after regret.
之前寫過這個作文。
純手打，望採納。

8. 求經典外國電影影評---要英文版本的

珍珠港的影評

pearl harbour film review

Pearl Harbor consists of three incongruous acts, mashed together into an ungainly whole. It appears to be more interested in reprocing the success of Titanic, which also set a fictional love story amidst a tragic historical event, than it is in telling the story of the men and women who fought and died in the attack on Pearl Harbor.
Titanic worked because the central characters were interesting, the story was cohesive, the historical events were handled respectfully and with the proper dramatic tone, and underneath it all was an intelligent reflection on the human failings that permitted such a tragedy in the first place.

Pearl Harbor reces the historical backdrop into a series of action set pieces. Instead of exploring ideas inherent in the events, it extracts them, recing the reason for Japan's attack to something inexplicable at best, and having utterly nothing to say about why the attack happened, how it was carried out, or how we responded. The film is dedicated to the men who died at Pearl Harbor, but what does it dedicate to them? It does not seem very interested in them except as a tool for dramatic imagery. Consider, for example, a scene in which we learn that men are trapped in a sunken ship in the harbor. We learn this to emphasize the brutality of the attack, as if such emphasis were needed. Then the film forgets this point entirely, providing the fates of those men in a narrated line just before the closing credits. Why wasn't the third act of the film about those men, instead of a rushed covering of the Doolittle raid on Tokyo, complete with overblown crash landings and an improbable engagement with Japanese soldiers?

If you want to see a real movie about Pearl Harbor or the Doolittle Raid, one that paints a deep and accurate picture of what it was like, one you can learn from, one that pays tribute to our veterans, or even just one that functions as convincing entertainment, there is no shortage of options. Tora! Tora! Tora! chronicles the events before, ring, and after the attack from both the American and Japanese sides. Thirty Seconds Over Tokyo is as thorough a chronicle of the Doolittle Raid as is probably possible in a feature film, while also following the personal stories of a few indivials involved (any one of which is more interesting than the personal story in Pearl Harbor). The Purple Heart, one of the most heartbreaking movies I've ever seen, tells the story of Americans captured by the Japanese after the raid.

Writing off the historical aspects of the film, I am left with the love triangle that makes up the entire first act and pervades the rest of it. It is wholly uninteresting. This same story has been told better, countless times before. Not one of the three characters is fleshed out into an indivial: they are bland stereotypes, dolled up to look pretty and given trite lines that they recite to convey the illusion of genuine emotion. It's telling that it doesn't much matter to us how the love triangle is resolved. Unless they both die, she'll get one of them, and who cares which? Neither of the men are personable, and we surely suspect early on that her decision will be based more on fate than her own volition anyway. (In plots like this, it's survival of the survivors.) And so, alas, we are denied even the most basic of all elements of storytelling, namely, characters making actual decisions

9. 空中監獄 英文版影評

每年好萊塢都有空難，97年的《空中監獄》要比96年的《最高危機》更勝一籌。這幾年的災難片似乎在追求「規模效應」，你的火山能填平一個小鎮，我的飛機核彈能摧毀一座大都市；你的隕石能覆蓋曼哈頓，我的隕石能毀滅全人類。其實，一舉清除千百萬人的電影鏡頭早已喪失了威嚇作用。《空中監獄》不追求死人的數量，但死得很精彩，人的「質量」更高。
動作片的第一要素就是視覺沖擊力，《空中監獄》在這方面不甘示弱。飛機上往下扔人的事在現實中極為罕見，在電影里習以為常，但鏡頭跟著人一路下來，直到掉在繁華大街行駛的車頭蓋上，造成喜劇式連環撞車，這樣的拍攝手法不乏新意。飛機緊急迫降幾乎每部飛機災難片都少不了，但降在賭城的主要街道、沖進賭場，據我所知還是頭一遭。飛機尾巴上掛一輛漂亮跑車的鏡頭也令人眼睛一亮，汽車掉下來時，除了該車主人臉色發青，人人（包括觀眾）都是一副幸災樂禍的反應。
影片的爆炸場面非常多，處理也不錯，節奏把握得當（導演是拍電視廣告出身，對如何吸引觀眾注意力頗有經驗），在這個觀眾吃膩了視覺泡泡糖的年代，這些老伎倆要引人注目越來越不容易。