英文電影豆瓣
1. 英文電影欣賞影評
The Pursuit of Happyness is a 2006 American biographical film directed by Gabriele Muccino about the on and off-homeless salesman-turned-stockbroker Chris Gardner. The screenplay by Steven Conrad is based on the best-selling memoir of the same name written by Chris Gardner with Quincy Troupe. The film was released on December 15, 2006 by Columbia Pictures.
Chris Gardner is a bright and talented, but marginally employed salesman. Struggling to make ends meet, Gardner finds himself and his five-year-old son evicted from their San Francisco apartment with nowhere to go. When Gardner lands an internship at a prestigious stock brokerage firm, he and his son enre many hardships, including living in shelters, in pursuit of his dream of a better life for the two of them.
2. 英語電影影評
侏羅紀公園3英文影評 Jurassic Park III(2001)2010年1月25日 "Jurassic Park III" is neither as dreadful as it might be, nor as perfectly wrought as it could be. For one thing, it moves along as jauntily as one of those horrific raptors scooting alon侏羅紀公園2失落的世界The Lost World英文影評(1997)2010年1月22日 Where is the awe? Where is the sense that if dinosaurs really walked the earth, a film about them would be more than a monster movie? Where are the ooohs and ahhhs? ``The Lost World: Jurassic Park''侏羅紀公園Jurassic park英文影評(1993)2010年1月20日 When young Steven Spielberg was first offered the screenplay for "Jaws," he said he would direct the movie on one condition: That he didn't have to show the shark for the first hour. By sl 後天The Day After Tomorrow英文影評(2004)2010年1月15日 It is such a relief to hear the music swell up at the end of a Roland Emmerich movie, its restorative power giving us new hope. Billions of people may have died, but at least the major characters ha 全金屬外殼Full Metal Jacket英文影評(1987)2010年1月13日 "Full Metal Jacket" is more like a book of short stories than a novel. Many of the passages seem self-contained, some of them are masterful and others look like they came out of the bottom 狂蟒之災3英文影評(2008)2010年1月10日 It's not surprising to note that Anaconda 3: Offspring immediately establishes itself as the weakest entry within this ongoing series, as the film boasts many of the problems and deficiencies one geDeep in the jungles of Borneo lurks the blood orchid, which blooms only once in seven years, and whose red flowers contain a mysterious ingredient, which extends the ability of living cells to reproEvery preconceived notion audiences might have about "Anaconda" is correct. This supposed serpentine shocker features doomed adventurers wading through murky water while a deadly snake app U-571英文影評When it comes to films that take place in submarines, World War II is still the favorite time period. There have been exceptions - The Hunt for Red October and Crimson Tide spring to mind - but the
3. ！！！！急求英語電影的英語影評
簡愛
Kent
State
University's
school
of
theatre
and
dance
performed
a
rendition
of
the
classic,
Jane
Eyre
this
month.
The
show
was
a
musical
with
all
of
the
necessary
elements
to
lift
you
from
your
seat
and
submerse
youinto
a
society
in
nineteenth
century
England
from
the
time
the
cell
phone
shut-off
announcement
was
made
until
the
last
note
at
the
curtain
call.
The
recurring
arches,
darkened,
soft
lighting,
and
the
use
of
a
classic
chorus
to
go
along
with
them
alluded
that
a
sinister
underbelly
of
social
status
and
reputation
were
present
in
the
performance.
One
of
the
first
things
that
an
audience
member
noticed
was
the
grandeur
of
the
set.
It
was
composed
of
a
gothic-style
foreground
with
rustic
twigs
of
a
root-like
earthy
appearance.
There
were
grand
arches
for
windows
and
entries
as
well.
Also,
the
background
was
a
large
arch
with
the
silhouette
of
roots.
There
were
also
two
matching
greek-style
pillar
arches
on
either
side
of
the
stage.
They
added
a
lot
to
many
messages
of
the
show.
For
one,
they
were
grand
structures
that
were
barren
inside
which
is
much
like
Mr.
Rochester
himself.
He
was
a
man
of
high
social
stature
but
felt
enslaved
by
his
trick
of
a
marriage
and
his
grand
yet
incomplete
(without
a
true
love)
home.
The
arches
also
suggest
the
importance
of
reputation
with
the
same
sort
of
fundamental
grand
image
yet
emptiness.
The
way
that
people
are
enslaved
yet
scramble
to
ascertain
that
solid
image
amongst
their
peers.
The
arches
were
almost
inviting
the
audience
to
come
inside
to
reveal
their
secret,
the
thing
that
was
hidden
deep
inside
that
could
send
the
structure
crumbling
in
ruin.
4. 英文電影影評
Julie & Julia is a 2009 American comedy-drama film written and directed by Nora Ephron starring Meryl Streep, Stanley Tucci, Amy Adams, and Chris Messina. The film contrasts the life of chef Julia Child in the early years of her culinary career with the life of young New Yorker Julie Powell, who aspires to cook all 524 recipes in Child's cookbook in 365 days, a challenge she described on her popular blog that would make her a published author.
Ephron's screenplay is adapted from two books: My Life in France, Child's autobiography written with Alex Prud'homme, and a memoir by Julie Powell documenting online her daily experiences cooking each of the 524 recipes in Child's Mastering the Art of French Cooking, and she later began reworking that blog, The Julie/Julia Project。 Both of these books were written and published in the same time frame (2004–06). The film is the first major motion picture based on a blog。這是我最喜歡的一部電影之一，我在維基網路上找的資料，你根據那裡的資料改一改，至於觀點，你可以寫堅持自己的興趣和愛好這一方面，寫興趣是最好的老師什麼的，給你個鏈接
5. 英文電影中文影評
無論你喜歡變形金剛與否，今年最大的娛樂大片，非此莫屬。觀乎電影現在的規模，電腦特效、數碼3D、IMAX等等，已是傾全力來吸引觀眾入場，話題性（炸毀香港！）十足，兼且連場動作至超長的157分鍾，無論觀眾喜歡與否，都難以拒絕。這開場白，我已用了兩趟「無論喜歡與否」了，你就明白我喜歡與否了。
故事的內容似通非通，狂派博派的恩恩怨怨搞到糊里糊塗，火花抓狂而四處搗亂，還有無厘頭的父女准女婿情，全球走景，由美國德州走到長城、重慶而南下香港，噱頭處處，還有多得連性格都無時間刻劃的狂派、博派和A貨狂派殺手。最後還要泡製近乎世界末日式大戰，回外太空尋找造物主雲雲。
邁克爾·貝確是匠心獨運，他明白到娛樂大片的唯一生存法則：斗大，大得你無法反駁，大得你無暇兼顧，大得無論多突兀都變成順理成章。
這戲開始自狂派與博派展開黑月之戰後，芝加哥幾乎被夷為平地，汽車工程師Cade（馬克·沃爾伯格飾）無意中找到柯柏文開始，便跟少艾十七歲女兒Tessa（妮可拉·佩爾茨飾）一直不咬弦，直至戲的終結才迷途知返，明白老爹愛之偉大。這已是全部人物線索，剩下的連場火爆動作，不明所以地來到東南亞。
馬克·沃爾伯格的角色設定，是單親爸爸兼具工程專業知識，兼且一窮二白，鬱郁不得志，靠輔助變形金剛打怪物，重振父親的威信。這設計無疑針對較成熟的男性觀眾，比前三集舒拉保夫主演的青春片定位「成熟」了，但不代表人生智慧隨年漸長。倒是，它是不折不扣的動作片，馬克·沃爾伯格的扎實動作男星形像大派用場，而更重要是，戲的首三分一，全是以美國西部為背景，它的西部片意圖便昭然若揭了（包括整了含著雪茄，身上纏滿彈葯的博派機械人），它讓人想起《豪勇七蛟龍》（馬克·沃爾伯格父女和准女婿三人，再加四個博派），顯見下過心思。
其他的電影參考，還有如《末來戰士》的殲滅者機械人，他是本集的頭號大敵，與人類聯手，將博派置諸死地，燦爛、奪目、有型。可惜，他跟其他機械人的連場惡斗，都不能增加觀眾都這三方面機械人的認知。
值得留意是，邁克爾·貝愈來愈擅長引入小點子：具磁力的太空船、蟄伏多年的外星恐龍、令人變為金屬的大殺傷力武器等等，但就無視它們的全無連貫性，意念雖多卻未曾細致統一，有時更有應接不暇自相矛盾之嘆。
它是典型21世紀的爆谷電影，總之目不暇給，熱鬧繽紛就算。長期攝取這種爆谷電影，觀眾會慢慢被訓練，不求甚解地接受它的零碎、矛盾、辭不達意、過度活躍、節奏狂亂、戲味平淡、人物浮誇、特效獨大等等…吃爆谷太多，變成超重一族，要抽脂減重恐怕代價高昂了！當壞品味凌駕一切，長年累月，它要殲滅的，其實是電影這創意媒體本身，還有空間讓尊重觀眾智慧的電影出現嗎？
說到底，《變形金剛4》是計算精確的大生意，朝著全球人口最多、最大巿場進發，香港只是眾多中國城巿的showcase，香港取景部分：鰂魚涌、深水埗、中銀總行、會議展覽中心、政總等等，炸毀她，正好讓內地觀眾發泄一下對香港這城巿的復雜情緒。觀眾的期望和反應是預計之內，沒有失望，亦不見得特別精采，這就是邁克爾·貝的功力，觀眾愈捧場，票房創新高，這種變形金剛殲滅戰，以後仍會不斷上演。
上www.yp136.com包你滿意。
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6. 盤點豆瓣英文電影排行榜，【在線觀看】免費百度雲資源
豆瓣英文電影排行榜，免費高清資源在線觀看
劇名：我不是葯神 網路網盤下載觀看鏈接:
劇名：初戀這件小事 網路網盤下載觀看鏈接:
劇名：讓子彈飛 網路網盤下載觀看鏈接:
劇名：七宗罪 網路網盤下載觀看鏈接:
劇名：剪刀手愛德華 網路網盤下載觀看鏈接:
劇名：飛屋環游記 網路網盤下載觀看鏈接:
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7. 2012英文電影影評
007第一集，大反派諾博士是個中國人，這部電影上映於1962年的10月5日，之後15天，中印邊境沖突爆發，4年之後，文革中的中國進一步封閉了自己，謎一般的紅色風暴自東方而起，席捲了整個世界，而那些嘶喊吼叫著的左派學生們其實並不知道當時的中國在發生著什麼。
文革過去33年了，西方人眼中的中國是什麼樣子？這個問題始終挑動著所有中國人的心，我們就如同一個少年，有著讓人自豪的成績，也有著不可忽略的缺點，毛躁地期待著，期待著所有人都為那些成績喝彩，所有人都放過那些缺點。我們在每一部大片中尋找著中國的影子，在每一個應該有大國出現的大場面中尋找那紅色的旗幟，在每一次世界面臨奇思異想的滅頂之災時都期盼著中國的出現。我們等來的是什麼呢？是破舊野蠻如集中營一樣的監獄，是中國熊貓的美式減肥之旅，是舊式的軍服和冷酷的軍人，是揮金如土的黑幫富商，是質朴善良卻吃不飽的人民。我們是如此在意西方媒體對我們的看法，所以《參考消息》銷量甚高；我們是如此在意好萊塢鏡頭里的中國是怎麼樣的，所以在失望後我們憤怒，我們謾罵，我們沮喪。
好像一個少年，用穿著球鞋的腳踢著街邊的垃圾桶，發泄著他看似有理卻其實無關緊要的憤怒：這一切，都是成長的煩惱而已。
何必在意好萊塢鏡頭里的中國是什麼樣呢？不需要在隕石撞擊地球之前拉著中國也發射核彈，我們知道自己能毀滅世界；不需要讓蝙蝠俠在香港跳來跳去，我們知道自己有摩天大廈；不需要一個外國導演的感動，我們知道在2008年的5月，汶川、映秀、北川閃耀著怎樣的光輝，那光輝足以在人類不長的歷史上留下璀璨的一點。不需要，其實我們從來都不需要好萊塢的肯定和西方世界的贊賞，我們有《南方周末》，有簡光洲，有盧廣，有×××，有×××（請隨意填空，只要可能被豆瓣刪除的人名都符合條件），我們能夠發現自己的問題，我們也有有勇氣說出這些問題的勇敢同胞。
但是——是的——沒錯，如同那個少年一樣，我們希望那肥大的校服能夠襯出自己一下子躥高了8公分的身材；我們希望那千篇一律的、人人一樣的發型能夠有點變化；我們希望自己成為同齡人中最有魅力的那一個——尤其是和西南角那個黑乎乎的表弟相比；當然，我們最希望的是那些前輩們能夠說一句：小夥子，不錯！
哪怕那些前輩們雖然有的富可敵國，有的學富五車，卻已老眼昏花，跟不上時代，也泡不到美眉了。
少年中國啊，少年中國，當我坐在電影院中，不可免俗地費力尋找你的身影時；當你的名字出現在那張地圖上，我驚呼出聲心中暗爽時；當我和所有觀眾一樣，看到直升機上那八一星徽會心一笑時，我們都是你的一部分——你的少年心性，你的故作深沉，你的不成熟，你的早熟，你的活力，你的不完美，你的沖勁，你的不自信，你的勇敢。
好萊塢的鏡頭里永遠不會有我們眼中的中國，我們眼中的中國只會出現在中國電影的鏡頭里。西方媒體的筆下永遠不會有真正的中國史，中國歷史的記錄者永遠使用漢字，那漢字從前存在於史官懷中的竹簡和市井小民的傳說中，今日則被坐在電腦前的每一個你和我敲擊，那些西方記者們漏掉的每一個歡笑和每一場苦難，都被我們忠實的記錄。
所以，無需費盡去尋找「中國方舟」了，無需為那一句「只有中國能在短時間內做到」而受用無窮，梁啟超在《少年中國說》中說中國「壯麗濃郁、翩翩絕世」，不是嗎？在那些白皮膚的老朽們已經爬到山頂的時候，等待著他們的只有下山的路，而攀爬未半的少年中國，抬起頭，前方是久違300年的絕頂風景。
好萊塢，不如遺忘中國吧，不當大反派，也無意成為救世主，更不想如你們鏡頭中俄羅斯的寡頭、沙特的王儲、印度的科學怪才那般臉譜化。如何編排你們的配角由你們自己高興，但真正的中國，存在在中國人當主角的電影里。
好吧，善良的中國人民都同意了，以後俺們的災難片里，也給你們美國人留一艘船。要減肥哦。
007 first episode, big villain Dr John Ure is a Chinese, the film released in 1962, October 5, after 15 days, the Sino-Indian border conflict broke out, four years after the Cultural Revolution in China to further its own closed, mystery The Red Storm from the East in general into the sky, swept the entire world, and those rages hoarsely roaring of the leftist students in fact did not know then what is taking place in China.
The Cultural Revolution in the past 33 years, the eyes of Westerners, China is like? This question has always been stirring up the hearts of all Chinese people, we would like a teenager, with people proud of the achievements, but also has shortcomings can not be ignored, edgy look forward, looking forward to all those who applaud achievements, and everyone put than those deficiencies. We look forward to every large in China's shadow, in every country there should be a big scene to find that a large red banner, and every wild notion of the disaster facing the world when they are looking forward to China's appears. We waited for the past what is it? Is worn the same brutal, such as concentration camps, prisons, the American-style Chinese panda journey to lose weight is a old-style military uniforms and the cold is a wealthy high-rolling gangsters, is simple but good enough to eat people. We are so concerned about the Western media's views on us, so "Reference News" sales of very high; we are so concerned about the lens inside the Hollywood kind of how China is, so we are angry after disappointing that we abuse, we are dismayed.
Like a teenager, wearing shoes with feet kicked street trash, vent plausible but in fact his anger does not matter: all these are just growing pains.
Why care about Hollywood lens, China is like? Do not need to pull before the meteorite hit the Earth in China also launched a nuclear bomb, we know that he can destroy the world; do not need to make Batman jumping in Hong Kong, we know that they have skyscrapers; do not need a foreign director moved, we know that in 2008 in May, Wenchuan, Yingxiu, Beichuan how brilliant shining, it is not bright enough to a long history in the human left bright point. No, in fact, we never need Hollywood's recognition and appreciation of the Western world, we have, "Southern Weekend", with Jane Kwangju, there is Lu Guang, there is × × ×, there is × × × (please feel free to fill in the blank, as long as may be 豆瓣remove the names are in line with conditions), we can find their own problems, we also have the courage to tell these brave fellow.
But - yes - yes, like that young, we hope that the hypertrophy of Chen Chu their uniforms to a sudden jump high 8 cm tall; we hope that the monotony, and everyone can be a bit like hair changes; We hope to become the most attractive peers of that one - especially with the southwest corner compared to that dark and cousin;, of course, our best hope is that those predecessors were able to say: boy, yes!
Even though some of those predecessors extremely wealthy, and some Xuefu five cars, already Laoyanhunhua, keep up with the times, it can not crush the foam.
Young China ah, young Chinese, when I was sitting in the cinema can not escape convention to effortlessly find your shadow pm; when your name appears on the chart, I exclaimed out loud when the heart Anshuang; when I, like all the audience and saw the helicopter was 81 when the star emblem of a knowing smile, we are all a part of you - your young minds, you Guzuoshenchen, your immaturity, your precocious, your energy, you do not perfect, you have momentum, you are not confident, you are courageous.
Hollywood's lens will never have our eyes China, we are in the eyes of China will only appear in the Chinese film lens. Western media's pen will never have a real Chinese history, Chinese history, the record will always use the Chinese characters, which used to exist in the Chinese historian bosom of the bamboo and the ordinary people of the legend, today was sitting in front of the computer for each one You and I tap those Western journalists who miss each and every one laugh a misery, have been our loyal records.
So, no need to expend a tremendous amount to look for "China's Ark", and no need for that one, "Only China can do in a short time" and is good enough for infinity, Liang in "Young China, said that" that China "magnificent full-bodied, Innocent Steps masterpiece", is not it? In those white-skinned decrepit are already Pashanding time, waiting for their only down the road, but climbing is not half of the Young China, raised his head, the front is a long-hoped-300 years of utterly scenery.
Hollywood might as well forget the Chinese bar, improper major opponent, but also not intended to be a savior, even if you do not want the lens in the Russian oligarchs, Saudi Arabia's Crown Prince, India's science geeks be as profiling. How to schele your supporting by your own happy, but the real China, there is the Chinese people when the main character of the movie.
Well, kind-hearted Chinese people have agreed, after the film was a disaster An Men, but also give you the Americans stay in a boat. Oh, to lose weight.
8. 求英語電影影評
100字？？不可能完成你的要求
推薦你尼古拉斯凱奇的《天氣預報員》，情節就不講了 樓主自己看看
劇情與喜劇的作用因子，苦辣酸澀的味道盡在其中。它以一種幽默的視角點觸了美國文化中的一個常論不衰的議題，舉重若輕地表現社會問題、把尖銳的社會諷刺融入輕快的喜劇氛圍中。也就是說，喜劇片也有表現嚴肅主題的可能，並不都是些令人掩鼻的廁所笑話。
有一句台詞 This shit life,we must chuck some things,we must chuck them,in this shit life 在這個糟糕的生活中有些東西我們必須摒棄.
這是改變主人公生活的一句話！ 當然，他拋棄了跟前妻復合的想法，而去爭取新的生活，最後他終於發揮了自己的才能。從而生活的更加快樂吧。。
主人公到最後為什麼不被人扔了，是因為他的思想發生了變化 所以生活發生了變化 其實電影要表達的思想我覺得就是當生活不如意的時候改變思想比改變世界重要，因為思想決定了生活。。
9. 適合寫影評的英文電影（推薦5個吧）
推薦電影復仇者聯盟，和恐怖電影死神來了，都是大片，最近有一部電影也很不錯，推薦你看，名叫無名之輩，好看的不得了。
該片圍繞一把丟失的老槍，講述了一對低配版的劫匪，一個落魄的保安，一個身體殘疾卻性格彪悍的毒舌女，這些「無名之輩」身上發生的一系列荒誕故事。
總之是一部優秀電影。
10. 電影英文影評
極地特快：
Rarely does a movie let you forget who you are and become the main character. This is one of those rare movies.
The movie starts out with a story that every Santa believer experienced. On Christmas eve a boy in Grand Rapids Michigan has reached the age where the statistical impossibility in the Santa story ( the size and speed of Santa's sleigh, the north pole being a barren wasteland) are causing him to doubt the big mans existence. Not knowing for sure the boy drifts into a deep sleep. At 11:55 PM the boy is awakened by the arrival of the Polar Express literally outside his front door. Going to investigate what is going on the boy meets the witty conctor of the Christmas eve train. (Tom Hanks)who informs him that the train is headed to the north pole so the kids can meet Santa Clause. Not totally sure that the train is going to the north pole but to curious to let it go the boy climbs on board. The adventure puts the boy in contact with a girl who is a natural born leader and who's belief in the Christmas magic couldn't be stronger. Other characters include a know it all socially awkward boy, a young underprivileged loner who has never experienced the magic of Christmas and a cast of other more mysterious characters such a a hobo ghost. Through the adventure the combination of great music, flawless animation and fantastic dialog really make you believe you are there and let you relive those days when you thought Santa Clause just might exist. The story ends on Christmas day with a line (narrated by Tom Hanks) about belief that brings back those kid on Christmas eve chills all over again. The themes of belief and friendship are a strong theme in the movie and part of the magic that brings you back to a time when you did believe.Its a great movie for children and alts alike and rekindles the Christmas magic that us alts lost many years ago.